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Sylvester Mubayi, The Great Spirit, 1973, serpentine stone. Installation view, National Gallery of Zimbabwe, Harare, 2024. Photo: Nicole du Preez.
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SCHOOL OF ROCK
Sylvester Mubayi’s The Great Spirit, 1973
Tesfaye Urgessa, The Strange Host, 2022, oil on canvas, 90 1⁄2 × 78 3⁄4".
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EYE TO EYE
Tesfaye Urgessa’s The Strange Host, 2022
Tania Candiani, Desminar (Demining), 2024, six-channel interface, computers, Wi-Fi network, macro lens, iPhone 12, machine learning algorithm, Open CV, custom terrain synth, transformed metal detector, metal base, six studio monitors, HD projector, artist book in display case. Installation view, Fragmentos, Espacio de Arte y Memoria, Bogotá. Photo: Juan Fernando Castro.
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PROWLING THE PAVEMENT
Tania Candiani’s Desminar (Demining), 2024
Yuko Mohri
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THE SHAPE OF WATER
Yuko Mohri’s “Moré Moré (Leaky),” 2015– 

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