Atavist – Page 4 – Home of The Creative Nonfiction Podcast

Episode 289: The Atavist’s ‘Feast for Lost Souls’ with Annelise Jolley and Zahara Gomez

Annelise Jolley and Zahara Gomez teamed up to create “A Feast for Lost Souls” for this month’s piece for The Atavist Magazine.

What an incredible story about a group of women who hunt for the bodies of their “disappeared” loved ones, but find ways to honor them through cooking. The Memory Recipe Book is what Zahara helped develop, along with the widows and mothers, to pay tribute to their lost sons and husbands.

Zahara also created a few mini-documentaries as part of this story to go along with Annelise’s incredible reporting and writing of the piece.

Episode 285: Tony Perrottet and ‘The Butcher of Havana’

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By Brendan O’Meara

Tony Perrottet is a journalist, historian, and author of six books.

His latest piece is “The Butcher of Havana,” this for The Atavist Magazine.

We talk about the central figure, Herman Marks, an American who became the chief executioner for the Cuban revolutionaries. It’s an incredibly gripping read.

Episode 280: Laura Todd Carns and ‘Searching for Mr. X,’ an Atavist Original

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By Brendan O’Meara

Laura Todd Carns is here to talk about her latest feature for The Atavist Magazine. It’s called “Searching for Mr. X: For eight years, a man without a memory lived among strangers at a hospital in Mississippi. But was recovering his identity the happy ending he was looking for?”

Laura is a novelist, essayist, and journalist whose work has appeared in many places. You can find out more at her website.

She’s @LauraToddCarns on Twitter.

In this episode we talk about approaching a story as fiction vs. nonfiction, the challenge of the structure of the piece, collaborating with an editor and how it’s like a record producer and a musician, and more.

First I talk to Seyward Darby, as she was the lead editor of the piece. Enjoy!

Episode 275: Nile Cappello and Her Atavist Story ‘The Girl in the Picture’

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By Brendan O’Meara

Nile Capello (@liketheriver) is here to talk about her Atavist Magazine piece “The Girl in the Picture.” It’s a riveting piece of true crime taken on by two amateur sleuths.

First I speak with editor-in-chief Seyward Darby and then let Nile take it from there.

With Nile, we talk about the writing lessons she’s gleaned from bouldering, how she got into true crime as a kind of self-preservation, and how she determines what stories are “worthy.” We also dig into how she got her foot in the door to full time freelancing.

Please enjoy, and consider supporting the show in myriad ways, be that subscribing, leaving a kind review on Apple Podcasts, or even plunking down a few bucks at patreon.com/cnfpod.

Episode 270: How did Daniel Kolitz Pull Off His Atavist Story?

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By Brendan O’Meara

Daniel Kolitz wrote about Enthusiastic Sobriety for The Atavist Magazine, so we talk about how he went about reporting and writing the piece.

I also speak with lead editor Jonah Ogles about what made this story so special.

Episode 265: ‘No Place Like Home’ with Ariel Ramchandani and Seyward Darby

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By Brendan O’Meara

Ariel Ramchandani and Seyward Darby, in association with Cadence 13 and The Atavist Magazine, are producing “No Place Like Home,” an eight-part narrative podcast telling the story of the stolen ruby slippers, the ones worn by Judy Garland in The Wizard of Oz.

So we get into what the production of the podcast has been like, given that Seyward and Ariel are primarily print people, the origins of the project, getting good tape, and how producing a narrative podcast is very much like being in the kitchen.

Enjoy, CNFers.

Episode 260: Jordan Michael Smith Spins a True-Crime Yarn for The Atavist

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By Brendan O’Meara

Jordan Michael Smith (@WriterJMS) stops by for this month’s extra podcast to celebrate his piece for The Atavist Magazine.

It’s called “The Snitch,” and details the story around the serial killer Scott Kimball, but, more specifically, the mistakes made by the FBI, thus turning this true-crime yarn on its head.

Jordan talks about:

Episode 255: Maddy Crowell and the ‘Invisible Kid,’ Plus The Atavist Gets a New Look

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By Brendan O’Meara

Maddy Crowell comes by the show to talk about her new piece for The Atavist Magazine titled “Invisible Kid.”

I also speak with Jonah Ogles, the lead editor of this piece, and Ed Johnson, the designer who led the way in the redesign.

This episode is packed with goodness, much like its Atavistian predecessors in Scott Eden, Phil Hoad, and Lindsay Jones.

Consider subscribing to The Atavist and its once-a-month blockbuster piece of narrative nonfiction. Once a month, can’t beat it … sounds like my newsletter!

Anyway …

We dig into a lot of might juice, and I hope it brightens up your day and wherever you are on your writer journey.

Episode 250: Lindsay Jones and Her Atavist Story ‘The Lives of Others’

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By Brendan O’Meara

Lindsay Jones took a deep dive into the cottage hospital industry in Canada, specifically in Newfoundland, and what she found was shocking, alarming, but ultimately heart warming.

It was not unlike when the great journalist Earl Swift spent time on a small island town in Chesapeake Bay and said, “The process of being a fly on the wall doesn’t rely on folks forgetting you’re a reporter.”

And not unlike when Scott Eden made the trip down to Peru, or when Phil Hoad shadowed a couple pet detectives, Jones takes us to a new place, small, intimate, and beautiful.

Oh, and the writing is great, too.

Episode 245: Phil Hoad and his Atavist Story ‘Cat and Mouse’

Phil Hoad

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By Brendan O’Meara

Phil Hoad (@phload) is a journalist based in the south of France and his latest piece is featured in The Atavist. It’s titled “Cat and Mouse.”

It tells the story of two animal rights activists and their drive to find who they think is a serial killer of cats, rabbits, and foxes, but mainly cats.

In this bonus episode, I speak with lead editor Jonah Ogles (@jonahogles) about Phil’s pitch, what makes certain pitches have legs while others don’t, and the importance of figuring out how to end things. It’s much like when I spoke with Atavist editor-in-chief Seyward Darby.

Then Phil unpacks the story from there.