Colm Meaney makes a vivid impression whenever he appears on stage, screen, or television. (His latest, Duchess, debuts on digital today, August 9.) More people probably know him from the two Star Trek series in which he appeared—The Next Generation and Deep Space Nine—but we remember him best as the father in The Commitments and its follow-ups The Van and The Snapper. Leonard and Jessie were pleased to find that he shares our fondness for that trilogy from Irish writer Roddy Doyle as well. But there’s little he hasn’t done, from John Huston’s final film The Dead to Con Air  and an episode of The Simpsons where he played (what else?) a quintessential Irish bartender. He spoke to us from his getaway home in Majorca, Spain!

You’ve been entertained by Jim Cummings at some point over the last forty years whether you know it or not: he is the voice of Winnie the Pooh, Tigger, Darkwing Duck, the Tasmanian Devil, and countless other cartoon characters. And like his hero Mel Blanc, he is not merely “doing” voices—he’s acting and singing his heart out. Leonard and Jessie are especially fond of his vocalizing as Ray the Cajun firefly, who croons “Ma Belle Angeline” in Disney’s The Princess and the Frog. It was a pleasure meeting and chatting with someone we’ve both admired for years.

If his face is familiar, that’s because Raphael Sbarge has been working since he was a boy—in theater, television and film. His credits range from Murder, She Wrote and Risky Business to Fear the Walking Dead. More recently he has moved behind the camera, crafting documentaries like Only in Theaters, the story of Los Angeles’ beloved Laemmle Theaters chain. That’s the project that brought him in contact with Leonard and Jessie, who are happy to have him as this week’s guest.

If you enjoy watching classic films you’re probably acquainted with Alan Rode, prolific author, commentator (on numerous DVDs and Blu-rays), and host (with Eddie Muller) of the Noir City Festival, an annual event in San Francisco, Los Angeles, and Chicago. He also hosts and programs the Arthur Lyons Film Noir Festival every year in Palm Springs, California. He has several books to his credit, including a biography of character actor Charles McGraw and his magnum opus, Michael Curtiz: A Life in Film. He is a longtime friend of the Maltin family, so Jessie and Leonard had a grand time comparing notes on all aspects of film buffery.

An Oscar winner (for Mask in 1985) and multiple Emmy winner (for various incarnations of Star Trek), Michael Westmore carries a name that is synonymous with makeup in Hollywood. He’s proud of his heritage, which began with his grandfather in the silent-film era and flourished in the 1930s, when his father and uncles ran the makeup departments at virtually every major studio. He studied art history in college, then his uncle Bud took him on as an apprentice at Universal in the early 1960s and he unexpectedly (or inevitably) wound up in the family business. Mike wears his accomplishments lightly and for all he has done he remains delightfully down-to-earth.

After starring in the TV series Royal Pains for eight seasons and appearing in recurring roles in shows ranging from Ally McBeal to The West Wing, Mark Feuerstein is ready to explode his good-guy image in the new MGM+ crime drama Hotel Cocaine. He’s never been so sleazy as this onscreen but as Jessie and Leonard quickly learned, in real life he’s a mensch who is devoted to his family and his craft. They all had fun during this fast-paced encounter, and hope that the feeling is contagious.

Nick Stahl has been working in front of the camera since he was 13 years old and winning young admirers like Jessie because he’s so believable in every part he tackles. Mel Gibson chose him to costar in The Man Without a Face, which put him on a fast track to success. His widely varied credits include The Terminator 3, In the Bedroom, The Thin Red Line, andSin City. After a break he returned to acting and quicky landed guest shots on such series as Fear the Walking Dead and Let the Right One In. He can be seen in the recent VOD release What You Wish For.

This week we introduce you to two more Emmy contenders for their exceptional work. Cian O’Clery directed, executive produced and photographed) the heartfelt documentary seriesLove on the Spectrum, which shows how people with autism search for love just like all of us. Mac Quayle is a busy composer of music for film and television who has become a favorite of the prolific producer Ryan Murphy (Scream Queens, American Crime Story, Feud, et al) who already has an Emmy to his credit for Mr. Robot, for which he scored 45 episodes. His latest effort is The Great Lillian Hall, now playing on HBO.

This week, we’re meeting more fascinating people who are Emmy contenders for their work on high-end television, which nowadays has the production quality of feature films. An Emmy contender in the realm of limited series, All the Light We Cannot See has been adapted from the Pulitzer Prize-winning book by the brilliant writer Steven Knight. It draws on the talents of many people, among them our guests, sound man Craig Henighan, cinematographer Tobias Schliessler, and casting directors Lucy Bevan and Emily Brockman.

The brilliant writer-director Steven Zaillian (Searching for Bobby Fischer) is a strong Emmy contender for his eight-part adaptation of Patricia Highsmith’s Ripley novels, along with the collaborators we spoke to: composer Jeff Russo (an Emmy winner for Fargo), Oscar-nominated production designer David Gropman, and editors David Rogers and Joshua Lee. Even if you haven’t yet watched the series on Netflix it’s fascinating to listen to these creative people talk about what they bring to every film or show they take on. 

Avy Kaufman’s name should be familiar to anyone who reads credits, as we do. She has cast scores of films and television series, from The Ice Storm to Succession, and launched many a career along the way. You can hear the pride in her voice when she recounts how she brought young Haley Joel Osment to meet the star and director of The Sixth Sense. Recent credits include some of the most talked-about television shows of our time: Mare of Easttown, Under the Banner of Heaven, Billions, and Fellow Travelers, which could earn her a fourth Emmy Award. (She has three: one for Damages and two for Succession). Avy wears her passion on her sleeve and that makes for great conversation.

There’s only one Mira Sorvino—Oscar winner for her unforgettable performance in Woody Allen’s Mighty Aphrodite, costar of the enduringly popular Romy and Michelle’s High School Reunion, Harvard grad (cum laude), mother of four, and daughter of the celebrated actor and singer Paul Sorvino.credentials are pretty amazing; then you talk to her and discover what a quicksilver mind she possesses. To limit our conversation to film, we discussed directors she has worked with, from Spike Lee to Robert Redford, and she had something interesting to say at every juncture. Leonard and Jessie were impressed, to put it mildly.

THE IMAGE OF YOU released In Select Theaters and is available to buy on Digital on May 10th, 2024. 

Marc Wanamaker is a walking encyclopedia of Hollywood legends and lore. He grew up in the community and soon realized there was history all around him. He began to amass a collection of rare photographs which eventually numbered in the thousands. Marc has been an invaluable resource for authors, scholars, documentarians, and even the movie studios themselves. His newest book, written with Steven Bingen, is called Hollywood Behind the Lens: Treasures from the Bison Archives. Leonard conducted this interview without Jesse but luckily Marc never runs out of things to say about his favorite subject.

If you only think of Clint Howard as Ron Howard’s kid brother, it’s time to reassess. He and his older sibling recently wrote a joint autobiography called The Boys which explains their loving relationship and points to their actor-parents as lifelong role models. Early on, Clint embraced his destiny as a young-ish character actor. There’s almost nothing he hasn’t done in his sixty--some years in show business, from the original Star Trek to The Cat in the Hat (one of many Ron Howard movies in which he appears.) He still lives in the San Fernando Valley not far from Leonard and Jessie, because he’s just folks—like his parents.

Frank Marshall’s chance meeting with Peter Bogdanovich launched a career that led to him producing Indiana Jones, Star Wars and Jurassic Park movies, among many others, often in partnership with his wife Kathleen Kennedy. Now he’s released a record album that returns him to the world his father Jack Marshall inhabited: a long-forgotten session featuring two gifted jazz trumpeters. Chet Baker and Jack Sheldon In Perfect Harmony: The Lost Album. It’s a treat to hear, on CD or limited-edition vinyl from Jazz Detective. Leonard and Jessie loved mining Frank’s memories of learning the film business from the ground up. Like many people of vast experience, he’s excited about the next project—and the one after that. Yet he can still spin an Orson Welles anecdote with aplomb.

Our guest is a five-time Oscar nominee for Best Costumes—most recently for Killers of the Flower Moon, although she is equally lauded for her work on Dune, parts 1 and 2. Her background in the fashion world, and as an art history major, gives her unique credentials for someone who provides costumes for movies. She also has world-class stories to share about her collaborations with such major directors as Philip Kaufman, Terence Malick, and David Fincher. Leonard and Jessie had a blast mining that treasure chest of memories and observations. The making of The Revenant could fill a one-hour podcast all by itself!

Internationally renowned actress, model, and individualist Isabella Rossellini is charm personified. She has a supporting role in Alice Rohrwacher’s new import La Chimera,which opens in theaters March 29, and recently completed two seasons of Julia, playing Julia Child’s longtime friend and cooking colleague. She also carries with her the torch lit by her famous parents, Ingrid Bergman and Roberto Rossellini and does so with grace and ease. Leonard and Jessie only had a half-hour with her but were happy to have had the opportunity.

  His alter egos are world-renowned, but Leonard and Jessie didn’t focus on Miss Piggy or Yoda in this conversation, recorded in front of a live audience at Esther’s Follies in Austin. The main topic was directing movies, which Oz has done so well for so many years: The Muppets Take Manhattan, Little Shop of Horrors, In & Out, Dirty Rotten Scoundrels, Bowfinger, and What About Bob? are just a few of his credits. What is the through-line, if any, from puppetry to filmmaking? Listen and hear what the amazing Oz has to say.

In honor of the Academy Awards, we’re revisiting our 2017 interview with Keith Carradine, who won his Oscar for writing and performing the song “I’m Easy” in Robert Altman’s masterpiece Nashville (1975). Since we spoke, the actor has remained a familiar face on television as he and his siblings carry on the acting tradition that began with his prolific papa John Carradine. Like his dad, he eased into the niche of a “working actor,” starring on Broadway, logging 105 episodes of Madam Secretary—as the President of the United States—and even turning up in Jane Campion’s Oscar-winning The Power of the Dog. He’s a laid-back charmer who makes what he does look easy.

Cord Jefferson is riding high as the Oscar-nominated writer and director of American Fiction, which has widely and properly been acclaimed as one of the best films of the past year. Even more exciting is the fact that Jefferson has never made a movie before. Leonard and Jessie enjoyed exploring the building blocks of his career that led to this achievement. He was on the writing staff of Larry Wilmore’s Late Night comedy show and Aziz Ansari’s Master of None, among others, when a series of events pointed him toward filmmaking. Step One was finding a property he cared enough about to adapt and then direct. Unlike other neophytes who get their first break right out of film school, Cord had traveled the world and worked as a journalist before he ever stepped foot on a movie set. We are eager to see what comes next.

As editor of Empire, Nick de Semlyen presides over the best film and television magazine in the English language: Empire. Every issue is jam-packed with deep-dive articles, interviews, set visits, and fun facts for both the fan and the aficionado. Nick has also written two excellent books examining American films of the 1980s: Wild and Crazy Guys and The Last Action Heroes. Leonard and Jessie got to meet him on their last trip to London which cemented a friendship that grew out of their admiration for his work. This episode affirms the belief that the only thing better than watching movies is talking about them with a fellow enthusiast. 

The senior film critic for the Los Angeles Times, Justin Chang is also a graduate of USC and took Leonard’s class—three times. Leonard takes no credit for Justin’s brilliance as an essayist or as a world-class punster. Jessie has known him her whole life and is also an unabashed fan. Just back from the Sundance Film Festival, Justin made time for us to talk about his career and some of the nuts and bolts of being a daily newspaper’s leading critic.

Our guest this week is now appearing on movie theater screens in The Color Purple, recreating the role of Sofia that she originated in the Broadway revival. But as you’ll hear, that is just her latest achievement in an ever-growing body of work on stage, screen and television. Fans of Orange is the New Black knew her as Taystee, and followers of the recent series Peacemaker could see yet another facet of her boundless talent. A graduate of Juilliard, she is riding high during this awards season but Leonard and Jessie agree that we’ll be watching her in every medium imaginable for years to come.

Sam Wasson has become one of the finest Hollywood historians of our time, and also one of the most productive. His newest book, The Path to Paradise: A Francis Ford Coppola Story is not a conventional biography but an insightful analysis of the formidable filmmaker. It joins Sam’s earlier books on Blake Edwards, Paul Mazursky, and the making of Breakfast at Tiffany’s and Chinatown as essential reading. He also coauthored with Jeanine Basinger a hefty new volume called Hollywood: the Oral History. He and Leonard maintain a mutual admiration society and Jessie is its newest recruit.