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‘Touch’ Review: Baltasar Kormákur’s Melancholy Lost-Love Story Is Familiar But Charming

‘Twisters’ Review: Disaster Movie Reboot Offers Spectacle But Little Substance

‘Xoftex’ Review: Noaz Deshe’s Delirious Refugee Story Captures The Eternal Disorientation Of The Stateless Mind – Karlovy Vary

‘MaXXXine’ Review: Ti West And Mia Goth’s Horror Trilogy Comes To A Satisfyingly Bloody Conclusion

‘Tim Burton Untitled Docuseries’ Review: An Insightful Portrayal Of Hollywood’s Gothic Disruptor – Tribeca Film Festival

‘Memoir Of A Snail’ Review: Australian Claymation Master Adam Elliot Reflects On Love, Grief And Human Weakness – Annecy

‘Beating Hearts’ Review: Gilles Lellouche’s Epic Outlaw Love Story Is A Crowd-Pleasing French Hit – Cannes Film Festival

‘Things Will Be Different’ Review: A Time-Travel Thriller With A Twist – Overlook Film Festival

‘Omni Loop’ Review: A Poignant Sci-fi Statement About Life And Mortality – SXSW

‘Desert Road’ Review: Horror Meets Sci-Fi In A Ghost Story With Soul – SXSW

‘Sew Torn’ Review: Freddy Macdonald’s Strange, Striking Neo-Noir Is A Great Discovery – SXSW

‘Timestalker’ Review: Alice Lowe’s Python-esque Anti-Romcom Is A Dark And Bloody Delight – SXSW

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