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How Prosthetics Designer Jake Garber Transformed Walton Goggins Into The Ghoul For Prime Video’s Hit Video Game Adaptation ‘Fallout’ – The Process
While Fallout has broken out as one of the most popular shows of the year, and one of Prime Video’s most popular ever, Jake Garber very nearly turned the project down, when he was approached about working as its prosthetic department head.
This was, he recalls, because when first contacted by…
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By Matt Grobar
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Issa López & DP Florian Hoffmeister On Capturing Immensity & Isolation Of The Artic With ‘True Detective: Night Country’ – The Process
While DP Florian Hoffmeister had just scored his first Oscar nomination coming into True Detective: Night Country, for his stunning work on Todd Field’s Tár, showrunner Issa López almost declined to meet with him for the fourth season of HBO’s acclaimed crime anthology, having previously met with 10 other…
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By Matt Grobar
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Dee Rees & ‘Masters Of The Air’ DP Richard Rutkowski On Capturing “Heart-Pounding Reality” Of Bloody Hundredth’s WWII Experience – The Process
Coming into Apple TV+’s WWII drama Masters of the Air, as a cinematographer and trained pilot, Richard Rutkowski’s goal was to capture “the excitement and drama of being a heroic flyer,” while making the audience very aware of “the ramifications of violence.”
In telling the story of the famed…
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By Matt Grobar
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Ron Nyswaner & Composer Paul Leonard-Morgan Brought Spy Thriller Momentum To A Love Story With ‘Fellow Travelers’ Score – The Process
After working for three years on Showtime’s lauded spy thriller Homeland, Ron Nyswaner had a quite different vision for the look, feel and sound of Fellow Travelers, a series that would apply the momentum of that genre to “a love story.”
Coming into the work on the series, for which he served as…
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By Matt Grobar
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Carl Clemons-Hopkins & ‘Hacks’ Editor Janet Weinberg On Season 3 Opener’s Long Journey To Final Cut & Seeing Marcus “Walk Into His Own Power” – The Process
For veteran editor Janet Weinberg, who joined Hacks for Season 3, the introduction to her work on the series was unusual, given that the first episode of this new chapter wound up in the cutting room for about a year and a half.
While work on Episode 1 commenced in the fall of 2022, she wound up…
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By Matt Grobar
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Lulu Wang & Production Designer Yong Ok Lee On Crossing Continents To Recreate 2014 Hong Kong For ‘Expats’ — The Process
In Lulu Wang’s Expats, production designer Yong Ok Lee found a “way bigger” studio production than she’d ever before tackled, which would challenge her to recreate the bustling and vibrant metropolis of Hong Kong as it was in 2014.
For Wang, who had hired Lee for her acclaimed family drama The Farewel…
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By Matt Grobar
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How ‘Shōgun’ Costume Designer Carlos Rosario Used Color & Texture To Guide Viewer Through “Political Unrest” Of 1600 Japan – The Process
As the costume designer for FX’s historical epic Shōgun, set in 1600 Japan, Carlos Rosario knew his designs would serve the very vital purpose of supporting the audience’s connection to, and understanding of the story.
In contrast to recent Best Picture winner Oppenheimer, another historical piece…
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By Matt Grobar
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Kaya Scodelario & Costume Designer Loulou Bontemps On ‘The Gentlemen’s “Instantly Iconic” Chicken Suit And “Stylistic Statement” – The Process
For costume designer Loulou Bontemps, Netflix’s The Gentlemen was her most challenging project yet with Guy Ritchie, on the back of four prior collaborations.
An action comedy based on Ritchie’s 2019 Miramax film of the same name, the show would serve as “an homage” to the popular crime flick…
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By Matt Grobar
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How ‘Tokyo Vice’ Director-EP Alan Poul & Production Designer Kikuo Ohta Gained Unprecedented Access To Japan For Max Series – The Process
While in recent years, Max’s ’90s-set crime drama Tokyo Vice has made history as the first major U.S. production to shoot entirely in Japan, it wasn’t clear from the outset that this would be possible.
Given his experience decades prior as a young associate producer on Ridley Scott’s neo-noir Black Ra…
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By Matt Grobar
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‘Ripley’ Team On Experimentalism Of Acclaimed Thriller Series – The Process Live At Netflix FYSEE
“I feel like I came to a whole other place on Ripley,” said production designer David Gropman recently of his work on the Netflix series from creator Steven Zaillian.
Echoing those made by other department heads, Gropman’s remark came in conversation with Zaillian during the inaugural live edition of…
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By Matt Grobar
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Creator Abe Sylvia & Composer Jeff Toyne Channel “Last Gasp Of The Big Studio Musical Comedy” With ‘Palm Royale’ – The Process
In bringing the comedy series Palm Royale to life for Apple TV+, creator Abe Sylvia’s hope was to create something reminiscent of “one of those movies that bankrupted the studio system in 1968” — a show that felt like “the last gasp of the big studio musical comedy.”
“Before Easy Rider and the new…
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By Matt Grobar
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Cord Jefferson & Laura Karpman Bring “The Sound Of Home” To ‘American Fiction’ With Oscar-Nominated Jazz Score – The Process
To Cord Jefferson, jazz has always felt like “the sound of home.” So when thinking about the score for his first feature, American Fiction, where family was very much front and center, he felt there could be no more appropriate genre of music on which to draw.
“I grew up in a household where jazz was…
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By Matt Grobar
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