Jonathan Larson’s pop-rock tribute to the East Village bohemia of the late 1980s doesn’t look like a musical that would age well, but what was oppressive on stage — all that righteous passion! — is lightened, liberated in the film. The characters don’t just break into song; they burst into who they are. What shines through is the beauty of Larson’s bohemia: not to be a rebel but, simply, to be alive.
Rent
By
Owen Gleiberman
Owen Gleiberman is the former film critic at Entertainment Weekly. He left EW in 2014.
Published on December 2, 2005 05:00AM EST