Mike Little

Humanism, Stoicism, 🏳️‍���, he/they.
Developer Advocate at altis-dxp.com, humanmade.com. Owner at zed1.com. Cofounder of WordPress. Mastodon: @mikelittle@mikelittle.com

peoplevsbirds:

“Back in my day we didn’t have all this gender confusion!!”

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the-awkward-turt:
“profeminist:
“Source
Want more info? Here ya go: This Biology Teacher Disproved Transphobia With Science ALSO:
Sex redefined“The idea of two sexes is simplistic. Biologists now think there is a wider spectrum than that.”
More on...

the-awkward-turt:

profeminist:

Source

Want more info? Here ya go: 

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This Biology Teacher Disproved Transphobia With Science 

ALSO:

Sex redefined

“The idea of two sexes is simplistic. Biologists now think there is a wider spectrum than that.”

More on anti-trans arguments as bad science

As a biologist I am reblogging this so hard.

Biological sex is not and has never been a binary. The complexity of the natural world cannot be contained in neat little societal boxes. Stop using science to justify your bigotry.

(via lilybumblebee)

bobwp:

The Buyer’s View, Scaling Enterprise with Karim Marucchi and Tom Willmot

Explore how enterprises can leverage WordPress and open source software for customization, integration, and addressing market challenges in this insightful podcast episode.

This show is sponsored by…

Avalara: providing cloud-based and scalable global tax compliance that is hassle-free, safe and secure plus topped off with enterprise-class security.

Episode Transcript

Karim:Well, hello, welcome to Scaling Enterprise WordPress and Open Source Software. This is the Buyer’s View. As you might remember from our last episode, we are going to be doing two podcasts a…

villanocorrales:

free-style-dreams:

whereifindsanity:

Hotel California on Guzheng by Moyun.

♏️🎶👏👏👏

Woooooooow… 👏🏻👏🏻👏🏻

digitaldiscipline:

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there are many unexpected hierarchies to being a marine biologist

(via quasarkisses)

vague-humanoid:

COVID autopsies also show evidence of the SARS-CoV-2 virus persisting throughout the body, including in the colon, the thorax, muscles, nerves, the reproductive tract, and the eye. In some cases, remnants of the virus showed up in the brain of a deceased patient 230 days after… https://t.co/875DQEKZ89  — potatum🥔 (@pot8um) July 5, 2024ALT

@startorrent02 @quasi-normalcy

Abstract

We assessed the distribution of SARS-CoV-2 at autopsy in 22 deceased persons with confirmed COVID-19. SARS-CoV-2 was found by PCR (2/22, 9.1%) and by culture (1/22, 4.5%) in skull sawdust, suggesting that live virus is present in tissues postmortem, including bone. Occupational exposure risk is low with appropriate personal protective equipment.

COVID autopsies also show evidence of the SARS-CoV-2 virus persisting throughout the body, including in the colon, the thorax, muscles, nerves, the reproductive tract, and the eye. In some cases, remnants of the virus showed up in the brain of a deceased patient 230 days after their first initial symptoms.

Some studies even suggest an infection of the SARS-CoV-2 virus can ‘reawaken’ other dormant viruses in the body, like the Epstein barr virus, which has been linked to chronic fatigue syndrome/myalgic encephalomyelitis (CFS/ME).

gailcarriger:

10 Best ways readers can support authors they love

So your favorite author has a new book out! Yay!

How can you best support them and their book and continued career writing the things you want to read?

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1. Buy the book

I hope this goes without saying but buying the book legally is the single most supportive thing you can do for your favorite author. However, readers often ask me what is the best WAY to buy that book that gives the author the most money. (The following list this is VERY loosey goosey and presupposes that the author be wide & hybrid like me. We authors have many different business models. Or, in some cases, no business model what so ever. Which just allows the author to be taken advantage of. Sigh.)

Here is “the most money per book goes directly to the author”…

  1. Digital, print, audio purchased directly from an author’s website
  2. Digital purchased from Amazon – KoboB&N – Apple
  3. Amazon print on demand
  4. Anywhere else print on demand online or in a store (these books almost all originate from Ingram)
  5. Traditionally published print, purchased online or in store (high format dependent – hardback, trade or mass market paperback)
  6. Traditionally published digital (highly contract dependent)
  7. Traditionally published foreign editions & translations (digital or print)
  8. Libraries*
  9. Short story reprints (anthologies/audio collections)
  10. Anything priced below $2.99

Not included but probubly falls at the end of the list: Digital book subscription models (like Audible, KU, Raddish) where the author is paid in listened hours/page-reads/check-outs via a communal pool

I am a wide hybrid author which means my indie books are available in most formats on most venues, often as many places as (if not more so than) my traditionally published books.

The above 10 options cover the gambit of my experience and take into account the same book priced the same in all venues and what actual % of the retail price I (theoretically) earn from a purchase. I talk more about how I came up with this list and the complexities of royalty calculating in this blog post.

* Libraries are a special case because they’re important for access and discoverability (see #8), but generally speaking most authors see very little actual money from them.

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2. Buy that new book within the first 2 weeks of release

But up to a month after release is pretty darn good too. Again this has to do with algorithms and something called the “honeymoon period” that surrounds a new book’s release.

Also, if you want your favorite author to make lists and win awards the first few weeks of sales are the most critical. It’s the only way for them to do so (with some very rare exceptions).

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3. Rate a new book as soon as you can

Star ratings (and reviews, even short ones) provide social proof as well a juicing search algorithms. The more ratings (and reviews) a book gets during the above mentioned honeymoon period, the more it will be recommended to prospective readers and the more those readers will trust that is it good and give it a try.

Honestly whenever you can review a book, please do. However and wherever!

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4. Please, please, please review it

If all you want to do is throw it stars, please do that. But if you want to write a few lines about it, that’s awesome too.

And if you want to use your review in multiple venues that’s even better. GoodreadsAmazon, BookBub, B&N, Apple, Foyles, Angus Robertson – none of them are proprietary about reviews, you can post the same review to multiple venues. Generally speaking, Amazon is the most important but if you review in one of the other venues it counts more because there are so few.

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5. Tell a friend

If you know someone who will love this book TELL THEM. This is the number one way readers find new books, because someone said to them that they thought they’d like it.

In person, online, in a book group, it doesn’t matter. Just tell a friend, share the love!

If you think someone will like your favorite author, share that author’s work with them. Now you have a common interest, you can drink tea and gossip together.

Honestly? This also takes the form of posting about it to social media whether it’s a pretty picture or a few words about this fun book you read recently.

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6. Nominate the book you love for lists & vote

Whether in a Libby or Goodreads list or via tagging or if it’s up for an award. Tell others about the book and what tropes it uses by voting it up lists (or adding it to them), campaigning for it with your favorite bloggers, suggest it for your book group.

Lots of readers actually find new books this way. If it’s on a list or people are already talking about it then add your 2 cents, post a comment, vote it up. All this means it gets attention from different arenas.

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7. Preorder the next book

Preordering a book is a big deal. Whether the author is traditionally published or not, preorders are a career godsend. They facilitate everything being prepared ahead of time, and they prove to publishers and vendors that there is real enthusiasm for the book and author.

Also, there are certain vendors that will juice their recommendation algorithms if a book is getting a lot of pre-release attention.

In other words, places like Amazon will show the book to more prospective readers because it’s clear people are excited about it via those preorders.

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8. Ask your library to order that book

Libraries play a huge role in the arena of authors getting discovered by NEW readers. Many many readers find new authors and books via their local library. Also it’s very important for accessibility, making the book available to everyone. But that print book has to be requested and in demand for it to be worth it for the library to get it in stock.

You can also request it digitally via your library’s app.

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9. Join the author’s newsletter

If they have one. A newsletter is an author’s only real safe way of staying in touch with you. Authors can (and do) get kicked off of (or frustrated by) social media. Also if the stars aren’t aligned just so, you will likely miss their posts (especially about new books).

A newsletter is really the only way authors can stay in touch with readers in a way that isn’t threatened by bigger, meaner, for profit venues like Facebook. These places make money by restricting who sees a post (even if you follow the author) so that they can charge authors advertising fees to actually reach their own readers. A newsletter is the only tool and author has to bypass this.

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10. Follow the author for releases

Follow the author in a way that means you’ll know when their next book comes out. Amazon | BookBub | Goodreads will send you notifications when your favorite author has a new release, if you follow them.

Even if you don’t buy or participate in these venues you can create an account purely so that account sends you new release notifications about your favorite authors. Just create the account and associate your preferred email address with it and then +follow your favorites. All three of the above will let you know when any author you follow releases a new book.

Bonus! Super fan?

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Buy in multiple formats & older stuff

If you like to consume this way, multiple versions are great. Say you want a print edition for your shelf but actually like to read digital. Or a print edition to share with friends, the audiobook for your commute. That kind of thing. Also if you are a collector and support you favorite author by buying special or limited editions that is a huge deal to most of us. Thank you!

But if you don’t like multiple formats, consider multiple books. Many authors have backlists, and you may not have read everything. Consider poking about their website to see if there’s something you missed. A few of us will have “all books” pages or checklists so you can collect them all.

If you realize you’ve missed one or two in there, taking the time to fill out your collection is actually a huge deal to most full time authors. Those of us who manage to make a living this way are usually doing so entirely on the strength of our backlist (AKA older, previously published books).

Authors have careers and write new books because YOU READERS spread the word, share the love, and support them.
For no other reason.
You.
Thank you for thinking about how you might best help us.
Thank you for giving me a career as a writer.
Thank you for reading.

Yours,

Miss Gail

(via gailcarriger)

quietborderline:

kyraneko:

cheshire-cat-101:

Ok I want to say something controversial

But you are responsible for your own safe spaces. You can block tags, block words, block people.

“But i thought fandom was supposed to be a safe space” —yeah you have to curate it.

Unfortunately one persons’s safe space may be another persons’ trigger. That’s ok. Simply block them, block the tag, block the word etc. They can do the same for you.

Maybe I’m just out of touch, but I’ve been around since the days of “don’t like, don’t read” and that’s a good philosophy. If it squicks you, scroll past. If it causes you anxiety or upset, block! Plenty of people are responsive if you ask them to tag an upsetting trigger. And if they’re dicks about it, block em.

Since different people have different needs, one person’s safe space will be another’s Trauma Central.

I don’t know who said it first, but “I need to be able to express my anger without shame” and “I need to be away from yelling and loud noises” are both valid needs people can have for a safe space that really aren’t compatible with each other.

So are “I need to process my trauma” and “I need to not meet any trauma.”

Or “I want a safe space to tell/read the stories that speak to me” and “those stories are distressing to me.”

Insisting that your needs are the only needs anyone should have is not a safe space, it’s its own act of violence.

You don’t get to make others homeless to make the universe your personal safe space.

Read this bit again:

“Insisting that your needs are the only needs anyone should have is … its own act of violence.”

(via blissthisway)

writing-is-a-martial-art:

thewritinggrindstone:

whatagrump:

Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):

  • “For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.
  • “But what if you’re using a question mark rather than a period?” they asked.
  • “When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.
  • “When breaking up a single sentence with a dialogue tag,” she said, “use commas.”
  • “This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”
  • “There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.

And!

  • “If you’re breaking dialogue up with an action tag”—she waves her hands back and forth—”the dashes go outside the quotation marks.”

Reblog to save a writer’s life.

(via blissthisway)