Skip to main content
Pitchfork

Experimental

The Pitch

(319)

The Pitch

Boundary Is the Dominican Republic’s Leftfield Techno Prodigy

The Pitch

Meet Arranger Rob Moose, the Violinist Pulling the Strings in Indie Rock and Pop

The Pitch

Pitchfork Rap Columnist Alphonse Pierre’s Favorite Records of 2023

The Pitch

The Best DJ Mixes of 2023

The Pitch

Starstruck, Skins, We Are Your Friends: Meet Segal, the Best Kept Secret in TV and Film Scoring

The Pitch

Marnie Stern Still Shreds

The Pitch

Ryuichi Sakamoto’s Son on Directing His Father’s Final Concert Film, Opus

The Pitch

The Unlikely Story of Toto’s Soundtrack for David Lynch’s Infamous Dune Adaptation

The Pitch

Who Should Be Nominated at the 2024 Grammy Awards

The Pitch

Love Hultén Is the Willy Wonka of Weird Synthesizers

The Pitch

The Elephant 6 Recording Co. Documentary Shows Why a Scruffy ’90s Indie Rock Community Still Matters

The Pitch

L’Rain Talks Shattering Expectations With Her “Basic Bitch” Album, I Killed Your Dog

The Pitch

The Story Behind the Greatest Arthur Russell Compilation Yet

The Pitch

Why Your Favorite Artists Want Marta Salogni to Mix Their Records

The Pitch

When Right-Wing Extremists Crashed the French Drone Festival

The Pitch

Musicians Are Already Using AI More Often Than We Think 

The Pitch

What Rye Lane Star Vivian Oparah Is Listening To

The Pitch

Roll Over, Beethoven: A Brief History of Dance Producers Going Symphonic

The Pitch

Hotline Miami and the Rise of Techno in Ultra-Violent Video Games

The Pitch

Television’s Tom Verlaine Changed the Guitar for the Rock Underground

The Pitch

How Composer Hildur Guðnadóttir’s TÁR Soundtrack Unlocks the Film’s Eerie Mysteries

The Pitch

What to Watch in November 2022: The Best Music Videos, Movies, and Shows

The Pitch

Robert Beatty Is Your Favorite Artist’s Favorite Album Designer

The Pitch

Lucrecia Dalt: Alien Among Us

Previous
1 of 14
Next