“Shaun was not only a fantastic addition to my team, but also a leader, a thinker and a go-getter, and helped encourage and change mindsets. A dream to work with, with a voracious desire to learn and grow.”
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London, England, United Kingdom
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K FAST(Korean FAST Channel) is definitely FAST, but we still need to do more to promote Korean content, especially Korean K-pop. The K FAST platform,…
K FAST(Korean FAST Channel) is definitely FAST, but we still need to do more to promote Korean content, especially Korean K-pop. The K FAST platform,…
Liked by Shaun Keeble
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🚀 Join us at the GLOBAL FAST & AVOD SUMMIT during #MIPCOM CANNES 2024 and discover how the FAST model is transforming the future of television!…
🚀 Join us at the GLOBAL FAST & AVOD SUMMIT during #MIPCOM CANNES 2024 and discover how the FAST model is transforming the future of television!…
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Live sports alert! The Women's Cup is happening LIVE exclusively on VIZIO's WatchFree+ starting this Friday, August 9. We're thrilled to broadcast…
Live sports alert! The Women's Cup is happening LIVE exclusively on VIZIO's WatchFree+ starting this Friday, August 9. We're thrilled to broadcast…
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James Grant Hay
Calling all brand managers, retail media represents the next big growth phase for the connected TV ecosystem. Marketers are invited to Connected TV Marketing Association working group for retail platforms, video services and tech vendors to connect and collaborate on viewership, audience and commerce data for the next retail video boom in shoppable TV. Shoppable ads on CTV serve to bridge the final gap, transforming discovery into action. This group aims to explore deeper into consumer preferences and future predictions for the shoppable landscape. For vendors and media agencies there is a fast-growing opportunity to bridge the video-retail gap, supplying tech, data and media services. The convergence of two of the most exciting channels in media; commerce and connected TV, presents an enormous opportunity for the Australian advertising market. Currently, 85% CTV users prefer ad-supported streaming TV and favour second-screen shopping on their smart phone, while watching TV. Right now, Temu already has more online retail customers in Australia than Coles, Bunnings and the entire Flybuys loyalty program. Procter & Gamble has collected more than 1 billion IDs, to target with more precision. Get in touch to join our next video working session for retail media stakeholders via email info@ctvma.org.au or DM me to find out more! 🛒 ctvma.org #ConnectedTV #RetailVideo #RetailMediaNetworks #Shoppable #Retailmedia
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Veronika Trčková
🚨 2024 Media Pluralism Report: 📰 Harsh working conditions, threats, and increased arrests in Spain, Netherlands, and Turkey. 🗣️ Legal protections exist but enforcement is weak, with growing surveillance and violence. 💸 Media ownership concentrated in the hands of giants like Google and Meta. 📝 Rising pressures from owners and advertisers compromise newsroom integrity. 👩🔧 Gender and minority representation remain inadequate. Source: Centre for Media Pluralism and Media Freedom, 2024 Report #MediaFreedom #JournalismMatters #PressFreedom 🔗 https://lnkd.in/eQx6Ev7c
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Andreas Beckwith
#ITVX record month - the value of localisation "ITV’s Euro 2024 coverage, along with a new season of Love Island and a selection of new dramas drove record streaming numbers in June for ITVX, with 375.8 million streams across the month, making it ITVX’s best ever month in streaming, up 54 per cent year on year." It's hard to remember almost 2 years when ITVX was about to launch, there were big questions about its viability in an increasing competitive space, dominated by #global #svods #avods However, ITV has taken the #streaming world in the #UK by storm, and keeps going from strength to strength. It had huge success with the Post Office drama Mr Bates vs The Post Office. Now, with the #euro2024 tournament, viewing was always likely to go up, but it's hardly an anomaly, its on the back of consistent strong performance for ITV. "The 19 Euro 2024 matches on ITV in June were streamed just under 84 million times, with the current season of Love Island up to 76 million streams after 28 episodes, which is up 10 million on the comparable point in the season last year. Including streams to previous seasons which are also available on ITVX, Love Island has delivered over 80 million streams across June. New dramas pulled strong audiences in June including The Flash, the DC superhero series and Arrow spinoff, darkly comedic crime thriller Bay of Fires, and the UK premiere of Orphan Black: Echoes starring Krysten Ritter and Keeley Hawes. Commissioned dramas including Red Eye and Douglas Is Cancelled continue to grow and were also top performers in the period." Yesterday, I posted about Tubi's entrance into the UK, and the huge name they bring. However, ITV has a real mix for UK audiences. They have the big films from Hollywood that will always have an audience. They also have UK commissioned series, reality TV, as well as benefitting from years of presence in the market, with its series and shows having ingrained following in the UK, as any local service would. While the #streamingmedia space seems to get crowded, and competition is intense, its easy to think those with the deepest pockets will eventually triumph. That's not the case. Apple TV is maybe the best example, with cash to burn, but has not threatened #Netflix's domination of the SVOD market. Just because big US global streamers set their eyes on the UK, it doesn't mean that they will be successful. #Localisation is the key driver of growth and success across the world, Netflix has invested heavily in local production, and this has helped them maintain their top spot around the world. I predict there will be no global model, Netflix may lead worldwide, but after that, local players will dominate in their markets, beating out some of the global streamers, because they have their ear to the ground, and target their audience, rather than relying solely on mass appeal. https://lnkd.in/efSc6rqh #tvindustry #mediaindustry #creativeindustries #streamingplaforms
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Alison Mathers
Lessons in Leadership… This week I had the privilege of hosting David Rhodes, Executive Chairman, Sky News Group here at NBCUniversal as part of our Talent Talks series. Topics were wide ranging, from covering the UK v US election campaigns to the use of AI in the future of News. We also pivoted to discuss an incredible book that David contributed to on ‘27 Articles’; Lawrence of Arabia’s set of guidelines on military leadership – Many of which serve as the founding principles of business leadership today - Here are a few key takeaways from it: Ø Go easy for the first few weeks – A bad start is difficult to atone for. Ø Your ideal position as a leader is when you are present but not noticed. Ø Hear all that passes and search out what is going in underneath. Ø Cling tight to your sense of humour, you will need it every day. https://lnkd.in/eHMD5ua4
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Adam Harris
📺 I believe Gen Z has a huge appetite for TV content despite the scary 👻 data from todays OFCOM Media Nations report. 💡However, distribution and formats need to be adapted to better meet the changing behaviours of this digitally native cohort 👾 At Gaggl, TV content is hosted by creators distributed on live social platforms and is experienced by our Gen Z viewers as a live, video game-like, community activity. 🤔 Our Watch, React, Interact broadcast philosophy is consistently generating 45 minute average watch times Vs todays report which states 16-24s watch just 20 mins of live TV. 🔮If you are a content owner, creator manager or advertiser and you fancy chatting about the future of TV, let me know! Greg Miall James Duffield https://lnkd.in/dbmdiTtC
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Chris Redmond ©️®️
I want to help streaming and broadcast companies make the best products they can Most companies in the space are SME companies. Smaller organisations of 200 people or less trying to utilise the expertise of their team and vision to make the best product possible But in such a competitive marketplace, is that enough? Is that ALL you have at your disposal to craft the best product you can? What if there was one more consideration, or piece of input, that could make the difference that makes the difference to the success of the product The functionality The UX The price point The right target geography The launch date The list Goes On What if OTTRED could offer you the virtual team you could never afford, to review and provide advice before you go to market? The experience The external view The local knowledge of every region Commercial insight Well, now we can help you with this service from OTTRED with our Product Review Board We have product experts from around the world to be your Product Review Board (PRB) You might be small. Or you might be well established. Or you might be geographically specific and want to be more global Book a sitting with The PRB to benefit from insight and advice to help you maximise the market impact you want to make with the launch or re-launch of your product Click here for more information - https://lnkd.in/dBvqcbZn
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Samsul Anam
HOW COMPETITIVE IS YOUR BROADCASTING COST? The main cost to operate a Free To Air TV station is the production cost, the other is broadcasting/transmission cost. Nowdays, the survival of your business depends on how effecient your business operates. One way to measure your TV is performing competitively compare to your rivals is by measuring how effective your broadcasting cost is. The more effective your cost the more efficient your TV station is. The broadcasting/transmission cost is usually a cost that hard to reduce, but with the development of technology, we can always look for more effective and efficient tools. Basically , there 2 main stream in FTA, satellite and terestrial, but sometimes, some tv stations broadcast trough internet as well. Each of these means have their own advantages. For satellite and terrestrial, the cost is fixed, while using internet, the cost will depend on the audience, the more audience the higher the cost. For new TV stations that develop the FTA network, you can use SRT as alternative to reduce the high cost of satellite and MPLS, SRT offers a reliable video stream over general internet network. Instead of private network whic is expensive. SRT hardware is cheaper than other alternatives. For mature TV stations, SRT offers cost efficiency over the long run periode as you need to invest on the new equipment for the first year, and enjoy the low cost of transmission on the second year. To control the quality of your broadcasting content and the commercials of your local broadcast, you can use automation of broadcasting monitoring system applications which is centralized in your main office. That will reduce your cost heavily on your broadcast monitoring management. If you need back up for satellite and internet source broadcasting, you can use multimedia router system applications that automatically switch the video source once each source failed, and return to main source once the source is available. You can find all of those products on www.ilsstream.com. We would be very happy to discuss your need and give you best alternatives for your broadcasting business. Please drop your email at sales@ilsstream.com if you have inquiry of our product or just to seek some inputs to cut your broadcasting cost significantly.
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Kevin Price
2 years working for radio experts now, and that means 2 years of expanding my knowledge of the audio industry as a whole. Instead of focusing on what spin is being put on the audience figures for a certain set of stations, it's great to be able to look at EVERYONE, and see how amazing all radio stations, and audio platforms are doing (well done all). It's a great time to be in the audio industry, with record numbers listening, across a variety of devices. Creatively, with all this choice, it's never been more important to ensure cut through with your message. Maybe an expert can help you get it right!! (that's me by the way 😉 ) For the full low down on the numbers in the last quarter - check out our blog!
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Broadcast 2040+
Not everyone has access to streaming services and millions rely on terrestrial TV daily. This is why the Broadcast 2040+ campaign, and our partners, are backing a hybrid TV future, supporting terrestrial TV to 2040 and beyond, alongside online streaming 📺. Today, we celebrate the launch of our partner the @Digital Poverty Alliance’s 2nd Annual Delivery Plan the launch of its Charter for Digital Inclusion, which commits to collaborating with stakeholders to ensure universally accessible services for all. We’d like to particularly highlight clause 2.4, which supports a delay in internet-only infrastructure, including television and telephony, until there is universal access to internet across the nation – something closely aligned to our call to action, which highlights the ongoing importance of a hybrid service. A big thank you to the Digital Poverty Alliance for supporting our mission to protect these vital services for millions of communities across the UK. Learn more and read the plan below: https://lnkd.in/eEdWwvdH
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Daniel Wilson
Great to see another full room here on day 2 of PPS Progressive Media . Kane Baron on Stage for 3 days spilling all our insider podcast insights for you... If you're not here... Why not!? Message us for more details on how you can have your own successful Podcast by following our simple steps to success! #podcast #podcasting #marketing #skills
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Joona Kortesmäki
You could assume that streaming services or 📺 platforms are where people primarily discover new content to watch. However, according to the Comcast Advertising report "Content Discovery in a Multiscreen TV World," there are even more significant sources at use such as: 👨👩👧👦 Friends & Family: The top source in the UK (60%) and Spain (55%). 📱 Social Media: Highly influential in Spain (54%) and the US (49%). 🔍 Online Searches: The European way (42%). The report 👉🏻 https://lnkd.in/df2TXnzT #TV #streaming #VOD #ContentDiscovery
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Lynne Parker
I have so much that I still want to achieve with Funny Women CIC but it's impossible without proper support from the industry we serve. If all the broadcasters, management companies and venues who benefit from the work we do to develop and showcase new comedy talent in the annual Funny Women Awards, got together and supported us, then the sky is the limit! If everybody who books live comedy, commissions scripts, makes TV programmes and produce films put a little bit in, then we could make some of this happen, I'm sure. Not to mention the owners of social media platforms where comedy is now a 'go to' for attracting audiences. We have lots of options to get involved, so please PM me for more info. Please remember that as a non-profit we rely on partnerships that work for all parties and if you're not investing in us at even the most basic level, then it's hard for me to justify our support. On that note, I'm writing a book and, if you join our Funny Women Patreon from as little as £1.50 + VAT a month you'll get early access as it unfolds. The income generated from my book episodes will go towards running the Funny Women Awards and covering all the other complex overheads involved with this organisation. Funny Women is my life's work. That may sound corny, but it's true and I need your help to keep it going. All details here: https://lnkd.in/eq-hx835 I'm sad and a little frustrated that getting financial support is so difficult for the arts in general and I'm hoping that my story, and that of some of the brilliant funny women I'm featuring in my book, might explain why some of us put passion above everything else. #funnywomen #funding #patronage
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Nikols Latuff
The Media Act 2024 has been passed, an important (and awaited) moment for the UK's media industry. Here are some key points: 🗣 It formally recognises the unique value of radio in law and introduces measures to ensure its continued availability and accessibility on smart speakers and other voice-activated platforms. 📻 Outdated commercial radio regulations will be removed, providing more flexibility to broadcasters while securing local news provision. 🍏 The Act addresses the challenges posed by global tech platforms, ensuring that UK media businesses can maintain prominence and standards across new digital and streaming services. Fun fact 🤓 Did you know that UK broadcasters (BBC radio and commercial radio combined) generate over £1.5bn in gross value to the UK economy? Yep. Thanks to Radiocentre for this nice brief: https://lnkd.in/dpyD79s2
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EVEARA
Universal Music Group and TikTok have just announced a new licensing agreement that marks a significant milestone in the ongoing evolution of digital music platforms. Universal Music Group (UMG) recently made headlines by re-launching its extensive catalogue on TikTok. This strategic decision reflects the platform's critical role in promoting music. With UMG's vast roster of artists now back on TikTok, musicians connected to Universal Music will once again be able to use the tool to increase their reach and engagement, driving streams and sales across multiple platforms. As TikTok continues to shape the music industry landscape, it remains a cornerstone of music promotion, offering unparalleled reach, engagement and potential for artists to thrive in the digital age. With its algorithm-driven content discovery system, TikTok has become a breeding ground for viral music trends, pushing songs to the top of the charts and introducing new artists to millions of users worldwide. Its engaged community actively participates in challenges, dances and trends, creating an organic environment for music discovery and promotion. #TikTokMusic #MusicMarketing #UniversalMusicGroup #ViralHits #DigitalMusicPromotion Read more: https://lnkd.in/d4XtD6e2
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