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Tom Clancy's Jack Ryan - Season One
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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
Watch Instantly with ![]() | Per Episode | Buy Season |
Purchase options and add-ons
Genre | Action & Adventure/Television, Television |
Format | Subtitled, Widescreen |
Contributor | Wendell Pierce, Dina Shihabi, Ali Suliman, Abbie Cornish, John Krasinski |
Language | English |
Number Of Discs | 1 |
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From the manufacturer
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Synopsis:
When CIA analyst Jack Ryan stumbles upon a suspicious series of bank transfers his search for answers pulls him from the safety of his desk job and catapults him into a deadly game of cat and mouse throughout Europe and the Middle East, with a rising terrorist figurehead preparing for a massive attack against the US and her allies.
Cast:
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John Krasinski as Jack Ryan |
Wendell Pierce as James Greer |
Abbie Cornish as Cathy Mueller |
Ali Suliman as Suleiman |
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Product Description
John Krasinski steps into the peril-prone shoes of Tom Clancy's ex-Marine/ex-broker in this gripping suspense series that follows a young Jack Ryan from the days the CIA moved him from behind an analyst's desk and into the field, as his case file of suspect business transactions puts him squarely in the crosshairs of the Yemeni terrorist Mousa Bin Suleiman (Ali Suliman). Abbie Cornish, Wendell Pierce, Dina Shihabi, John Hoogenakker also star. 8 episodes on 2 discs. 6 2/3 hrs. Widescreen; Soundtracks: English Dolby Digital 5.1, Dolby Digital stereo, German; Subtitles: English, Spanish, German.
Product details
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 8.32 ounces
- Media Format : Subtitled, Widescreen
- Run time : 6 hours and 40 minutes
- Release date : June 4, 2019
- Actors : Wendell Pierce, Ali Suliman, Abbie Cornish, Dina Shihabi, John Krasinski
- Dubbed: : German
- Studio : PARAMOUNT
- ASIN : 6317790426
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #60,694 in Movies & TV (See Top 100 in Movies & TV)
- #4,768 in Action & Adventure Blu-ray Discs
- Customer Reviews:
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Top reviews
Top reviews from the United States
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The show, perhaps inevitably by its nature, is often problematical and troubling in its depiction of how American power is used and abused around the world. But at least it makes a serious attempt to be thoughtful and nuanced. It avoids mindless Islamophobia by creating a diverse range of Muslim characters (including one of the flawed CIA heroes), even making the Muslim lead villain (albeit fundamentally evil) a complex human being who sometimes evokes empathy. The villain's devout Muslim wife is one of the most fascinating and sympathetic characters.
The show is very well acted, impressively produced, and well written overall. Although the depiction of drone strikes pushes the envelope of unrealistic nonsense, one can only appreciate the effort the writers took to explore the moral dilemmas created by this horrifically tempting ability to play God, including following through on the efforts of one drone pilot to atone for a horrible mistake in which he was involved. It's good for American viewers to be forced to pay attention to the horrific practice, being done in their names, of aerial drone strikes in many countries around the world (something Americans would of course never tolerate being done in their own or any Western allied country).
See my 2-star review of Season 2 for a critique of how in that second season "Jack Ryan" takes a nose-dive, abandoning many of the nuanced virtues of the first season while doubling down on many of its flaws.
A minor sidenote (a comment I could make about MANY other contemporary American movies and cable/internet TV shows, so I'll vent on it here at some length to get it out of my system):
Why are even mature shows like this one, obviously unsuitable for children in any event (given all the violence), and clearly targeted only to adults, becoming so prudishly Victorian in their approach to sex? Is our society regressing in that regard?
It used to be (decades ago) that a violent R-rated spy or adventure film would often have some genuinely racy sex scenes (often with implied orgasm) and ample nudity (historically biased toward female nudity, but over the years more male actors showed it all too, for example Kevin Bacon in the trashy 1998 thriller "Wild Things"). Most European films and even TV shows have long taken a far more relaxed and realistic approach to nudity on screen.
Here we have a very hot lead actor (John Krasinski) portraying the title hero of the show, and his girlfriend (portrayed by Abbie Cornish) is very sexy as well, a fully rounded (no pun intended!) female character: intelligent, forceful, and unapologetically owning her own sexual agency.
Yet there's exactly one (so-called) "sex scene" between Krasinski and Cornish in all of Season 1 and it's laughably tame (PG-13 at most). And in tiresomely familiar fashion it fades out before anything really happens. Weirdly, there's more erotic energy (and nudity) in the one sex scene between the main villain and his wife (though it's ultimately tame as well).
So it's OK to depict people having their heads blown off but not, you know, getting off? Pleasure is more verboten than violent death? What kind of twisted message does that send, especially to the many kids and teenagers who will of course watch this with or without parental permission? What kind of weird social hang-ups about sex does it imply? I'm not suggesting porn; even a very intense sex scene, with strongly implied orgasms, need not involve any nudity or graphic depictions at all, and can be done tastefully in a way that advances plot and character development (Krasinski's hesitant developing relationship with Cornish is a major part of Season 1, though sadly she vanishes without explanation in Season 2). Maybe young people would be less obsessed with seeking out internet porn if there were more mature and realistic depictions of adult sex in mainstream fare?
Krasinski has exactly one brief moment of nudity in all of Season 1 (not connected to the pathetic sex scene): a brief glimpse of his bare backside in the shower, and even that carefully blurred, especially toward his front when there's a brief sideview. Heaven forfend that we might think he's anything other than a Ken doll! I'm guessing the whole point of that was to intentionally balance out the one brief glimpse of the villain's wife's behind (in their only sex scene). Showing female but not equivalent male nudity is rightly condemned as sexist.
In a European film, I suspect we might have seen a lot more of Ryan and his girlfriend. Yeah, you can say that would be "gratuitous," but isn't a shower scene itself (however tame) gratuitous? People get naked in real life, they have bodies and enjoy them, and the whole point of a movie or TV show is to depict people and life, right? As noted above, their relationship is a big part of the story, and sex is a big part of such a relationship.
Why are adult viewers, well into the 21st century, being treated like 13-year-olds who might giggle during sex ed class? Modern books (for decades now!) have been far more frank in dealing with sexuality. Why do movies and TV shows continue to lag so laughably far behind, actually regressing from the candor of previous decades? Apparently, even as the internet is ever more flooded with low-quality porn, we still live in a bizarrely repressed Victorian era when it comes to high-quality "mainstream" visual entertainment.
I found myself enjoying this show quite a bit. In fact, when I have time I look forward to binging season 2 when I have time. I have not read the books, but I imagine there were huge liberties taken with the show. It is good, I'd give it a better rating but there was so much devoted to a very weird subplot involving a drone operator that was pretty much a waste of our time. The Jack Ryan part of the story gets you invested, so you tolerate this weird subplot involving "Tombstone", a drone operator. The ONLY thing that ties this subplot together is the fact that he defies orders and "kills" a target that was about to rape the wife of the antagonist who was fleeing her husband. (Somehow the target survives with little more than scratches and burns). But the whole story arc made no sense. I don't know if the writers had more material and it got cut out or not enough and they needed to fill the gaps with this nonsensical filler. It wasn't even good.
The whole time you root against this crybaby. His "wingman" (wingwoman) is actually far more likeable as a character. And none of it makes sense. He hates his job. feels bad about what he does. Wah, wah wah. He takes $107+ dollars and decides to "gamble it all away" on roulette. First, losing $107 isn't a big thing in Vegas, so again, you're not invested in this. He doubles his money. Lets it ride, doubles again. And again. Now puts it all on 1 number and luck would have it, he wins. So instead of losing $107 he wins $29,960.
All the while there's a husband wife "team" cheering him on. They all go back to his hotel room celebrating. The husband/wife are apparently some weird kinky couple where the husband like to watch. "Tombstone has sex with the wife right in front of the husband. When it's over the husband beats him, but doesn't steal the money. None of this is explained. None of this is relevant to Tombstone storyline, let alone the story at large. I get the feeling that the "writers" do everything possible to interject their own weird depravity into a story at all costs. It was really distracting, and such a waste of time for the rest of the show that actually matters.
In the end, Tombstone travels to a dangerous country to take his newfound gains to give to one of his victims' family, because as it turns out that target was a mistake. Likely still a terrorist, but, it wasn't the person intelligence thought it was. Now, he was already struggling with what he does, but then this put him over the edge. In the end, he gives the money to the father/grandfather who welcome him with filthy tea and he buys all the kids' eggs for roughly $29K. And that's it. Nothing else. He doesn't become radicalized and join up against Ryan. Never meets Ryan. Never hears of Ryan. Has NOTHING to do with the story at all. It is so out of place. Again, I think it's more of a statement form a writer to slip in his/her politics or worldview. Whoever did it, was given a LOT of leeway. Because as long as this review is, the actual screen time was far longer....for ZERO reason. Nothing tied together.
Top reviews from other countries
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Die islamistische Verschwörung hat viele Facetten: Suleiman ist nicht nur Täter, sondern auch Opfer – von Rassismus und Ausgrenzung als Araber in Frankreich. Gewalt, Entführungen und Menschenschmuggel und andere perfide Verbrechen sind die Folgen dieser Demütigungen. Auch die US-Agenten haben ihre Abgründe. Gut ist nicht nur gut, Böse nicht nur böse.
Das Timing stimmt: Mit viel Action und Tempo inszeniert, aber auch ruhige Momente sorgen für kleine Atempausen in der bis zum Schluss spannenden Geschichte.
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This is very disappointing