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Post a Comment On: Bruce Charlton's Notions

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Blogger J said...

Excellent points. Your message was grim but overall I felt lightened having read this - maybe it was nice to realise that my difficulties are not solely due to my spiritual immaturity or other personal shortcomings.

And this blog is a clear exception to the idea that truth cannot be communicated...

15 September 2013 at 09:27

Blogger Bruce Charlton said...

@J - Personal shortcomings do often have a lot to do with this - certainly they do in my case - but then, there is nothing we can do about our fundamental personal shortcomings, is there? They are a given. We have to work with them, somehow. Probably, these limitations are clues (not obvious) to what we ought to be doing, which is likely NOT what we wish/hope we ought to be doing.

15 September 2013 at 11:50

Anonymous Anonymous said...

No doubt this is a rather frivolous observation, but I hope it's germane to the topic at hand.

I watched an old film the other day and was struck by how much the story and its dénouement only made sense on the basis of shared moral assumptions (or certainties) which were virtually unquestioned in the society of that time. In a world where people have no deep and abiding convictions about any serious matter, I suspect such a film must be meaningless - as I expect it is to "modern" audiences.

The film I'm talking about was Brief Encounter.

15 September 2013 at 18:34

Anonymous Nicholas Fulford said...

I have for years enjoyed the Sufi tales of wisdom, by they the Indres Shah tales of Mullah Nasrudin or "Tales from Masnavi" by Jalal al-din Rumi.

Below is a translation from Farsi of the tale, "The Elephant in the dark" from "Tales from Masnavi". While variations of this exist in several traditions, this one is a concise and accurate rendition of the lesson.


SOME Hindus had brought an elephant for exhibition and placed it in a dark house. Crowds of people were going into that dark place to see the beat. Finding that ocular inspection was impossible, each visitor felt it with his palm in the darkness.

The palm of one fell on the trunk.
‘This creature is like a water-spout,’ he said.

The hand of another lighted on the elephant’s ear. To him the beat was evidently like a fan.

Another rubbed against its leg.
‘I found the elephant’s shape is like a pillar,’ he said.

Another laid his hand on its back.
‘Certainly this elephant was like a throne,’ he said.

The sensual eye is just like the palm of the hand. The palm has not the means of covering the whole of the beast.

The eye of the Sea is one thing and the foam another. Let the foam go, and gaze with the eye of the Sea. Day and night foam-flecks are flung from the sea: of amazing! You behold the foam but not the Sea. We are like boats dashing together; our eyes are darkened, yet we are in clear water.


Each has a unique vantage point, but sees with limited vision. To frame infinity from any one point of view is to embrace error, and to do so with certainty is to insure that error will become a snare which continuously impedes progress.

15 September 2013 at 19:19

Anonymous Arakawa said...

@NF:

That may be, but whatever vantage points let the observers know to get out of the way when the elephant goes stampeding (even if they don't understand why) are a lot more objectively useful!

(Partial apologies to Bruce for framing this in fairly negative terms....)

16 September 2013 at 03:03