“Bride of Frankenstein” (dir. James Whale, 1935)
![BRIDE OF FRANKENSTEIN, from left, Elsa Lanchester, Boris Karloff, 1935](https://cdn.statically.io/img/www.indiewire.com/wp-content/uploads/2023/10/MBDBROF_EC346-1.jpg?w=300)
Who romances who: James Whale’s campier, stranger, and altogether superior sequel to the definitive 1931 film adaptation of Mary Shelley’s “Frankenstein” takes a minor plot point from the original novel and spins an entire Greek tragedy out of it. After Frankenstein’s Monster (Boris Karloff, in his iconic role) disappeared at the end of the last film, he resurfaces and returns to his master (Colin Clive) with an unusual request: to create a female monster who would be capable of loving him.
How their romance sours: In recent years, “Bride of Frankenstein” has been widely appraised as a queer film, with analysis focusing on the Monster’s search for a companion as a metaphor for the struggles of queer people to find love in a world that rejects them. So it’s no surprise that his attempts to mold Elsa Lanchester’s iconic Bride into a woman that will love him only end in heartbreak and tragedy, a bitterly sad ending that remains potent decades later.