Lionsgate’s Post

If you haven't heard Episode One of The Power of Impact with Cat Ross of Baby Basics, you can catch up with it on Spotify here: https://lnkd.in/e3CmwEVx

A change is happening in podcasting. It’s moving more and more into different visual spaces. This does challenge some of our earlier positions about it being an audio medium. It’s now much more than that, or at least the business is. Of course, some podcasts will resolutely remain audio and some push into new spaces to grow and find sustainable revenues. An interesting time that certainly means we will need to be adding more studio cameras.

The Energy Levels of manifestors . IN THE CEO-AF SUMMIT MERCEDES DAVIS IS A KEYNOTE SPEAKER ON HUMAN DESIGN . Learn More Here : https://lnkd.in/g4tgvTiU #businessowners #entrepreneur #businesstips #smallbusinessowner #video #ceo #ceoaf #business #design #life #bestlife #podcast #amazon #music #spotify #google #streaming

I spent the past year writing and hosting a new movie podcast for Spotify and the Ringer. It's called "Do We Get to Win This Time?: How Hollywood Made the Vietnam War," and it gets into some of the biggest Vietnam films of all time: Why they were made, how they were made, and how they impacted audiences. The first few installments are now up, but if you're interested in sampling a stand-alone installment, here's a link to our episode on the making of "Apocalypse Now," featuring a new interview with filmmaker Eleanor Coppola:

#MintPodcast 🎙️| What's with the Academy's beef with popular movies? #TopOfTheMorning is a daily podcast in which we bring you all the action from the global markets and the business world to kick-start your day on a well-informed note. Listen in 👇

One of my highest watched episodes: Strategies to Master Stress & Boost Productivity! Spotify: https://lnkd.in/gGeyQttg YouTube: https://lnkd.in/gFeRYPx9

Some insights into the complexity of rights deals for podcasts, in a world where #IP is king: "For instance, the creator and/or host of a podcast series will often retain an ownership interest in the underlying property, even as the original recordings are produced and owned by a publisher such as NPR or Vox, a podcast network (Wondery) or a streaming platform (say, Spotify). Securing all the rights necessary to adapt the series for the screen, therefore, can require separate, unique negotiations with multiple entities. If the podcast series was itself based on pre-existing IP, there may be additional rights owners in the mix, adding a layer of complexity to any option deal. In this dealmaking, though, podcast creators often have greater leverage to negotiate a narrower grant of rights to a studio or network — and a degree of creative input into any adaptation of their series — than is typical in traditional film or TV option deals for published works." Reasons for why that is are discussed in the article below. 👇 https://lnkd.in/gKTMQqE5 #podcasts #entertainmentlaw

For any agency Founders who want some secrets on positioning and how to grow your business, look no further than 🌵Dan Archer of Cactus and this episode of Brand Stories, Unearthed.

New ep of #TheStreamingShow podcast with @ApplauseSocial CEO @nairsameer, where we discuss their unique business model of making shows first and selling them later, their onslaught of remakes and why he isn't put off by formulahttps://lnkd.in/dv5DkdPU