We are thrilled to unveil our collaboration with the legendary Vampire Weekend on their latest music video "Gen-X Cops," edited by the talented Sofia Kerpan and directed by the visionary Drew Pearce. This music video marks a significant milestone as part of their highly-anticipated upcoming album "Only God Was Above Us", the first since 2019. Read more about their upcoming album and watch the Gen-X Cops music video on Vulture.
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New Post: Future Islands – ‘People Who Aren’t There Anymore’ review: sedate rather than soul-stirring - https://lnkd.in/gwPcJ5zs - Future Islands have long blended moments of bliss and ecstasy with heartbreak. They thrive in this gap: the thoroughline of Baltimore band’s music is that their transcendent, New Wave-inspired songs have a tendency to end with a positive resolution, even if it doesn’t quite look that way in the beginning. The prevailing mood is of self-belief. READ MORE: Future Islands want to know what comes next Having emerged in the early 2010s, some of the quartet’s biggest singles – particularly the masterful ‘Seasons (Waiting On You)’, which NME declared the best song of 2014 – continue to soundtrack exhilarating highs, both on-screen and at festivals across the globe. Most recently, the track was used in Season Two of British LGBTQ+ comedy Big Boys, heightening the emotion and romance of a pivotal scene that depicted the overwhelming feelings that emerge as a new relationship begins to cement itself. Cynicism, therefore, has traditionally been absent in the world of Future Islands. Yet on the band’s seventh LP ‘People Who Aren’t There Anymore’, themes of divorce, grief and desperation loom large, inspired by breakups that both lead vocalist Samuel T Herring and bassist William Cashion have recently gone through. It feels appropriate that they would emerge from a period of personal upheaval with tracks that consider the cathartic potential of change, then. Album highlight ‘Thief’, a true meeting of music and message, pairs breathless confessions with a kinetic percussion section. “The pain is never ending / But I’m forgiving, at least,” Herring sings. ‘Peach’, ‘The Tower’ and ‘Say Goodbye’ are all classic Future Islands offerings, using upbeat textures from ‘80s pop and roaring to life off the back of a muscular groove or drum kick. The effect is warm but unshakably familiar, and it means that individual moments shine a little less: only the dusky atmospherics of ‘Deep In The Night’ feel like a true outlier here. There’s no question that Herring still writes songs capable of evoking strong emotions, but this time around they can occasionally feel too twinkly and repetitive. What’s missing is some risk-taking; unpredictable production flourishes that could better reflect the overall mood of the album and all the ambiguities that accompany a major life change. That’s why ‘People Who Aren’t There Anymore’ just falls short of its goal of becoming a transformative record for the band. It has its winning moments – ‘Iris’ pulls off a tricky balance of being irresistibly catchy and yet moving – but as big new beginnings go, Future Islands deliver a streamlined version. Details Release date: January 26 Record label: 4AD The post Future Islands – ‘People Who Aren’t There Anymore’ review: sedate rather than soul-stirring appeared
Future Islands – ‘People Who Aren’t There Anymore’ review: sedate rather than soul-stirring
shipwr3ck.com
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🎵 I mix behavioral science inside music centric experiences to help individuals/teams accelerate clarity, alignment and results. 🎵 Team Optimization 🎵 Keynotes 🎵 Advisor 🎵 Behaviorist 🎵 Musician 🎵 Lifelong Learner
As artists, we're wired to stretch beyond expectations and boundaries, not because of what the world will think, but because it's what we must do, and sometimes, our art shocks people... I want to throw it back to my old hometown of Atlanta. One of the amazing things about Atlanta is its diverse music scene and culture, including amazing Rap duo, Outkast. We all know and love their high-energy club jams, we all like to "shake it like a Polaroid picture". Andre 3000 (with erstwhile partner BigBoi, he's half of Outkast) announced a new solo record, his first in 17 years. That would be amazing news, but here's what stopped me. Andre's album 'New Blue Sun' is entirely a vehicle for his instrumental Flute music... I've been fascinated lately by the idea that nobody is ever limited to our idea of them. Everyone is a complex, unique individual that we only know a tiny piece of. Andre 3000 might hold a very particular image in your mind, and I'd bet it does not include an extended Flute exploration. Andre is dead serious about this album and his craft. The interviews with him explaining his fascination with wind instruments and the inspiration for this album are amazing. Andre's flute album is streaming now, and getting good reviews, check it out. FunFact: In the 2000's, Outkast was regularly seen attending shows featuring local Rock bands in Atlanta clubs, for no reason other than to check out the music. I always thought that was cool. #innovation #leadership #authenticity #thursdayvibes
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"Music lovers, get ready to update your playlist with the freshest sounds of May! 🎶🔥 Rascal Recommends has handpicked some top albums for you to jam out to all month long. Check out LRRecords' blog now and discover your new favorite artists! #musicrecommendations #newmusic #LRRecords"
Rascal Recommends - May 2024
lrrecords.com.au
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Ruts happen. Staying stuck can be optional.// Strategist for stalled middlescent leaders. ⚡️Free Personal Rut Strategy Chat⚡️
I regularly find innovation lessons in peculiar areas. It's been known to show up in some gritty, roughhewn and magical places for me... Songwriting is one of those places. I've known many musicians and have witnessed songs come to life, but I simply can't explain the magic of how disparate sounds become a song. I saw Shane MacGowan, the original frontman and lyricist of The Pogues, died early this morning. Many of you will be playing his dark Christmas classic, "Fairytale of New York," this season without being fully aware of the mark The Pogues left on popular music. Innovation can happen by breaking convention. It can also happen by forcing together unlikely ingredients in uncommon ways. The Pogues managed to wedge elements of traditional Irish folk melodies and instrumentation with a filthy "kick-in-the-door" punk attitude. MacGowan fused those together with lyrical elegance that only Irish poets seem to have. Contrary to reason, even his songs about dying had the capacity to make fans feel alive. Irish-infused punk has become a pretty ubiquitous musical genre. We take it for granted that it's always been there. It's the familiar soundtrack for every Irish pub in every north American college town. Shane MacGown and The Pogues effectively created that entire genre. It might be argued they opened the door for musicians all over the world who sought to fuse their traditional folk sounds with a punk urgency. Shane's voice was not empirically pretty. It sounded like gravel and bootleg, bathtub whiskey. I definitely would not want to have been that dude's liver either, but he sure could put words together. There are plenty of great, singular musical talents out there. Singular, however, doesn't mean innovative. Taylor Swift, for example is singular and great at what she does, but (for now) isn't breaking new musical ground. That's okay, most do not. I'm not yet sure precisely what innovation lessons I take from Shane's story beyond: 1. Be Yourself 2. Speak What You Know 3. Use Your Voice Boldly 4. Don't Be Afraid To Break A Few Things (Or, fuse unexpected things together by sheer force of will) I'm sure there are some tears being shed into pint glasses all over the world today. Here's to dead Irish poets and inspiration that fuels the heart. https://lnkd.in/gWyMXgGk
Shane MacGowan, Pogues Frontman, Dies At 65 - SPIN
https://www.spin.com
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#922 (11/21/23) Tues Wake-up: Don’t settle for ordinary It's another lonely evening In another lonely town But I ain't too young to worry And I ain't too old to cry Ride On AC/DC This AC/DC song is an uncharacteristically slow blues balad for the band. Bon Scott provided the vocals for the song, which was originally released on the “Dirty Deeds Done Dirt Cheap” album and then re-released on the “Who Made Who” album. The song focuses a man reflecting on his mistakes he has made in a relationship and with alcohol and the hopes he might turn himself around. In 1979 the French rock band Trust covered the song on their debut album after they supported AC/DC when they played live in Paris in late 1978. Bon Scott was so impressed that he came back to jam on this song with Trust at the Scorpio Studios in London on Feb 13th, 1980, only six days before his death. A recording of that session was released on the bootleg Bon Scott Forever Vol 1. AC/DC has only played the song live in their show once, which happened on June 11, 2001 while performing outside of Paris at the Stade de France on their Stiff Upper Lip tour. They performed it in their encore, announcing they were playing it for John Lee Hooker, who had died the day before. AC/DC have sold more than 200 million records worldwide and more than 71 million albums in the US, making them the 10th highest selling artist in the US and 14th worldwide. Jim Rohn reminds us, “If you are not willing to risk the unusual, you will have to settle for the ordinary.” Change will come, whether you are ready for it or not. Resist the urge to reject anything you feel is unusual as many times it’s a subconscious mechanism to try and slow down change. Change will come, whether you are ready for it or not, and by rejecting the unusual, you are likely to miss key opportunities to better leverage the change all around you. Alone we are strong but #togetherwearestronger #bestrong #alwaysthere #liftsomebodyup #mindsetmatters
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Undervalued Yet Graceful: Decoding the Genius Tune of Tekno’s sophomore album “The More, The Better” 🚀🔥". "Tekno is like that everyday neighbor you don't know much about, but he comes across as a cool guy. That was my initial impression when I heard about the release of his sophomore album, 'The More, The Better.' It was a day filled with musical glitches where he competed for social scene with other notable drops, including Rugur, and other official releases that Friday. The project exceeded my expectations. I had the pleasure of listening to it while on my way to work and discussing the promotional strategy with our marketing team. The album consists of tracks that stay true to the pure Afrobeat genre, using everyday terms in a simple yet effective way. I must say, the A&R team that curated the playlist took their time. The album strikes a balance in mood, catering to listeners with various temperaments. They didn't venture into experimenting with new sounds, but it worked well for the album's overall vibe. While I won't put the producers in the typical A-list category, they did an incredible job curating melodies with lasting replay value. Speaking of the tracks themselves, I have quite a few favorites, but one that stood out for me was 'Play.' It's the kind of song you'd listen to casually, but its essence truly unfolds when you take a moment to absorb it. The beat maintains a steady tempo, inviting listeners to delve into the artist's profound thoughts. It was indeed a blissful experience that added a sense of ease to my outlook on life. In conclusion, I believe this album is a highly underrated piece of artistic work. It deserves all the hype it can get, provided you take the time to listen. 'The More, The Better' is available on all streaming platforms." :https://lnkd.in/dQ-B9UKx #DiscoverNewMusic #AlbumRelease #AfrobeatReview
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Recently, the music world witnessed an intriguing turn of events with Drake, one of the most influential artists of our time. After releasing his much-anticipated album "For All My Dogs," Drake announced a hiatus from music. This move sent ripples through the industry. However, in a surprising twist, he returned only weeks later with an extended version of the album featuring half a dozen new tracks. These tracks were not only recorded post-album release but also surpassed the original album's quality in a mere two-week creative burst. This phenomenon is a fascinating study of spontaneity, creativity, and the pursuit of passion, reminiscent of Jay Z's creation of "The Black Album." Drake's sudden return and adding new songs to "For All My Dogs" presents a unique case of creative spontaneity. While the original album was a year in the making, the extended tracks were a product of an unplanned, intense two-week session. Interestingly, these tracks have been regarded as superior to the rest of the album. This raises questions about the nature of creativity and whether the best work stems from prolonged effort or spontaneous inspiration. This scenario mirrors Jay Z's approach to "The Black Album," which was completed in just four months. Jay Z's process from inception to production was a whirlwind of inspiration and passion, starkly contrasting the typically laborious process of album creation. This comparison underscores an essential truth about creativity: sometimes, the most impactful work emerges from a place of genuine enthusiasm and unforced creativity. The case of Drake's extended album offers broader insights into life and career choices. It's a vivid reminder that pursuits driven by passion and joy often yield more fulfilling results than those born from obligation or forced effort. In both Drake's and Jay Z's cases, their most authentic and resonant work came from a place of spontaneous inspiration, aligning with their true passions. Drake's unexpected return with an extended version of "For All My Dogs" is a compelling example of the power of spontaneous creativity. It challenges conventional notions of artistic process and highlights the importance of following one's heart. This lesson extends beyond music, offering a valuable career and life choices perspective. Ultimately, Drake and Jay Z's experiences remind us that the most rewarding paths are often those taken not out of necessity but out of genuine love and enthusiasm for the work. #drake #jayz #creativityunleashed
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Inspired by John Dyer’s post about overcoming loss, here’s a story for the weekend about Love Shack by the B-52s. Now, back in the mid to late 1970s in Athens, Georgia a group of friends who didn’t have enough money for food shared a flaming volcano cocktail. Afterwards they went to a friend’s house and jammed. Switching instruments and roles they ignited a fire in each other. Soon this group of friends were playing at College parties and one day the guitarist, Ricky Wilson, wrote a catchy riff that would become a song called Rock Lobster. The band were suddenly thrust into the limelight. Bowie and Lennon praised the song and they did a standout performance on SNL that led to tours of Australia and Europe. The band released a couple of follow up albums but during the recording of their album Bouncing Off Satellites, Ricky discovered he had AIDS… a diagnosis he kept from the rest of the band including his sister Cindy. Ricky died before the release of the album and the band went into hiatus. I suspect many had written them off but the drummer Keith Strickland learnt how to play in Ricky’s unique style and became chief songwriter. The band went back into the studio and recorded an album called Cosmic Thing which yielded the track Love Shack… which was a huge global hit. Their biggest yet. Interestingly they wouldn’t be the first or last band to lose a member and turn adversity into success. The Shamen did it after member Will Sinnott sadly drowned. Feeder did it after drummer Jon Lee died. And famously the Manic Street Preachers achieved wider recognition after losing Richie. It’s clear that whatever the loss, it can stir something in us that helps us create something wonderful. And with that I’ll avoid a ‘top voice’ business or life lesson and leave you with Love Shack! Btw… my favourite B-52s song is the amazing Give Me Back My Man. Altogether now… The love shack is a little old place where… Happy Friday. #creativity #advertising #marketing
The B-52's - Love Shack (Official Music Video)
https://www.youtube.com/
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#NewMusicAlert! 💥 Excited to share the hottest rock news - the dynamic four-piece NYC band, TEMPT, just dropped their self-titled debut album, redefining rock genre for a new generation! This highly-anticipated album is out via Better Noise Music and it's causing waves in the music scene. 🎸 TEMPT’s sound combines the power of classic rock with cutting-edge innovation. Produced and mixed by the iconic 5X Grammy Award winner, Chris Lord-Alge (known for working with the likes of Harry Styles, Foo Fighters, Muse), the album is a masterpiece in the making. In Chris's words, TEMPT is "pushing boundaries and turning the album into a sonic journey." With 11 ground-breaking tracks, this album is shaping up to be an incredible fusion of Gen X songwriting muscle with Gen Z production finesse. And yes, it was recorded at Sticky Audio Labs in NYC and mixed at Mix LA. Talk about dedication, right?! The late super-agent, Steve Strange, and rock journalist Malcolm Dome, both praised TEMPT for their ability to reinvent rock music without bowing to trends. This album is a tribute to both of them, a testament of TEMPT’s transformative journey. Intrigued? You can stream/download the album here: https://lnkd.in/gD2NbQ6i Modern rock is under constant evolution, and listening to TEMPT feels like we're witnessing real-time innovation that’s redefining the genre. Can't wait for more music talents to push boundaries just like TEMPT does! #MusicInnovation #NewRockGeneration (Feel free to share your thoughts in the comments!👇)
TEMPT unveil explosive self-titled debut album + Cutting-edge technology used in music video for “GOLDEN TONGUE”
https://amnplify.com.au
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Ever wondered what resilience sounds like? The Ghost Inside is back, proving once again that music is not just an art form but a journey of recovery, adaptation, and sheer perseverance. Their new album, "Searching For Solace," is set to electrify the airwaves with its digital release on April 19, followed by a physical release on June 7, all through Epitaph Records. The lead single, "Wash It Away," comes with a music video that's as visually captivating as the song is emotionally stirring. It's a deep dive into themes of impermanence and the relentless pursuit of starting over, set against the backdrop of a torrential downpour and underwater scenes that you have to see to believe. This album marks a significant milestone for The Ghost Inside, coming four years after their self-titled album and nine years after a severe bus crash that forever changed their lives. It's a testament to the band's unbreakable spirit, exploring the cyclical nature of life's highs and lows and the ongoing quest for happiness. "Wash It Away" is more than just a song; it's a narrative of resilience, a reminder that happiness is a journey, not a destination. With a blend of aggressive metalcore and melodic songwriting, "Searching For Solace" promises to be an extension of The Ghost Inside's legacy of honesty, vulnerability, and evolution. For the full story and to catch the music video, head over to [Amnplify](https://lnkd.in/gZmNXr-Z). Have a great Tuesday, Ant #TheGhostInside #SearchingForSolace #Metalcore #EpitaphRecords
THE GHOST INSIDE Announce New Album SEARCHING FOR SOLACE Out April 19 + Share Music Video For Lead Single “Wash It Away”
https://amnplify.com.au
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