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Bravo to Creative New Zealand who have looked at the wicked problem of funding and supporting arts journalism. This 51 page report is a comprehensive look at arts criticism and journalism in a small market-- no band aids or quick fixes. It doesn't hide from market failures and gives an insight into the kind of support necessary if they really want to see a thriving arts journalism community. New Zealand's music industry recognises that culture matters and that healthy, robust storytelling is the key to fostering that culture. Does Australia's? https://lnkd.in/gfrZg2tD

Canada Shows Interest in the Canary Islands: Audiovisual Companies Explore Collaboration Around 80 participants attended two days of meetings between representatives from the Canary Islands Government, Proexca, the Canary Islands Audiovisual Cluster, and the Canadian audiovisual sector. One key takeaway was the plan for a future reverse trade mission, where Canadian companies can visit the archipelago to experience this rapidly growing industry firsthand. This mission reinforces the Canary Islands Government’s strategy to diversify the archipelago’s economy, prioritizing emerging sectors that generate sustainable job growth in the islands. Read more 👉 https://lnkd.in/gB6hPGNv Gobierno de Canarias Clúster Audiovisual de Canarias

Taiwan has set in place its most determined plan ever to cement the country’s creative industry place on the global stage. If there is one uncertainty, it’s the election in January 2024, which could, if things don’t go according to the current plan, change everything. But for now, the so called “black tide” initiative is a powerful force, leaving no doubt about the current administration’s well-funded commitment and support. From the beginning of 2024, there's NT$10 billion/US$318 million over four years in the 1+4 T-content plan (aka “Black Tide”) to provide comprehensive support for the development of Taiwan’s cultural content industry in six major aspects of culture and the arts. The rest of the story is at https://lnkd.in/gK5qMAEa #contentasia #TAICCA #taiwandrama

Let’s start 🚀

VOA reporter Salomé Ramírez Vargas reported from the vibrant streets of Mexico City! 🇲🇽🎥 She was part of an impressive team dispatched to cover the latest events. What are some tips journalists in the field use while covering important historic events? Here are three essential tips for fellow journalists working in the field: 1️⃣ Build Local Contacts: Establishing relationships with locals can provide valuable insights and assistance. 2️⃣ Stay Adaptable: Conditions can change quickly, so always be ready to adjust your plans. 3️⃣ Use Visuals Effectively: Compelling visuals enhance storytelling and engage your audience. 📸: Salomé Ramírez Vargas/VOA

As a #creator in #southafrica, remember: #Authenticity: Be YOU-nique! Your originality shines brighter than a diamond, I truly believe authenticity is the magnet that attracts true connections and opportunities. #Consistency: Rome wasn't built in a day, and neither is a brand! Stay in the game and put in effort every day. #Relatability: Speak to hearts, of people! But first understand who your audience is and then create content that resonates with their experiences and aspirations.

Good morning. Monday mood. Let's go 📽 🎬 🎥 📀 ♻ The #Films on the Move action shall encourage and support the wider distribution of recent non-national European films by encouraging sales agents and theatrical distributors in particular to invest in promotion and adequate distribution of non- national European films. - Expected Results: Development of pan-European theatrical and/or online distribution strategies for non-national European films; Increased investment in theatrical and/or online promotion and distribution of non-national European films in view of expanding audience reach; Develop links between the production and distribution sector thus improving the competitive position of non-national European films on a global market - Description of the activities to be funded under the call for proposals: The activities to be funded are campaigns for the pan-European theatrical and/or online distribution of eligible European films, coordinated by the sales agent of the film. - Applications should present adequate strategies to ensure more sustainable and more environmentally-respectful industry and to ensure gender balance, inclusion, diversity and representativeness. - Deadline: 14 March 2024: (For further information: Funding & tenders #EU)

Travel to Finland

Did you know? The current Creative Europe programme had a 67% budget increase, going from €1.46 billion for the 2014-2020 period to €2.44 billion for 2021-2027. One-third of this sum was budgeted for 2021-2022 to address the challenges of the COVID-19 pandemic. Read the latest #CreativeEurope Monitoring Report to find out how the EU supported the #creative and #cultural sectors in 2021 and 2022. 🔗https://lnkd.in/eufrsmij