PXP’s Post

💥 The Disaster Season: Unreal Engine Cinematics This is a special "Unreal Engine Showcase" edit from the full film, focusing solely on the CG shots. With just three dedicated team members— Marceli Kryk, Filip Siemiginowski, and myself directing—we're incredibly proud and really.. surprised by the outstanding results achieved by our small team of two CG artists! A special shoutout to Marceli, the Lead Cinematic Artist, who also designed the sound for this particular edit that i did. This is what being multidisciplinary truly means! ⚔ Check out the full film here: Behance - https://lnkd.in/dgpazDfP Vimeo - https://lnkd.in/dAHZ7D2B Youtube - https://lnkd.in/d5KZjePm www.boundaryofdisaster.io DISCLAIMER: No AI has been used to create this project. #Porsche #PorscheAG #GT3RS #Cinematic #UnrealEngine #EpicGames #Pathtracing #CGI #Animation #Automotive Porsche AG Unreal Engine Epic Games ROUTE Wooden Gun VEIN Postproduction

Creating amazing stop-motion films is no easy feat; it demands an extraordinary amount of patience and talent. The meticulous manipulation of puppets and sets frame by frame, with each second of film requiring 24 individual frames, showcases the technical mastery and attention to detail required in this art form. I recently discovered the captivating work of Justin Rasch of STUNT PUPPET PICTURES, a visionary in the world of stop-motion animation. Since its establishment in 2005 with his wife Shel, their family-owned studio has become renowned for producing visually stunning and emotionally resonant films, like this excerpt from Pinocchio. #StopMotion #Animation #JustinRasch #StuntPuppetPictures #Molten #MoltenImmersiveArt #MoltenAffect #Curation #Curator #Artcuration #Artcurator #DorothyDiStefano music credit Vincent In Paris by Justin Allan Arnold | https://lnkd.in/g5bA2i2h Music promoted by https://lnkd.in/g6wX74v6 Creative Commons / Attribution 4.0 International (CC BY 4.0) https://lnkd.in/gk5bZifK

Looking at scene breakdowns and approaches from camera to visual effects / realtime you have to adapt to production needs. Sometimes you will have to make custom solutions per project or even per scene / segment. Coming from a background as a cinematographer I always make connection as a VFX / VP Supervisor direct to the camera team. This adapted and updated Snoricam style rig (nice RED Raptor X btw) Will is fitted with gives a unique POV and enhances quite a few aspects of this action sequence. When the film comes out its going to be fun to breakdown how they approached this in Previs / Stuntvis and actual production. Its great as a learning tool to share with teams as you can gain alot from BTS as to the process other filmmakers are using. You can see how films especially action films have inspired games with a very familiar POV camera FOV in games. It also would not be hard to build a Previs / Techvis of this rig in UE5 or Blender to audition the moves, shot pacing and lens choices. :) 📽 credit to Will Smith on his operating skills and to the grip dept for rigging up this modified Snorricam 😎 #behindthescenes #badboys #filmmaking #process #vfx #cinema #games RED Digital Cinema

Creating amazing stop-motion films is no easy feat; it demands an extraordinary amount of patience and talent. The meticulous manipulation of puppets and sets frame by frame, with each second of film requiring 24 individual frames, showcases the technical mastery and attention to detail required in this art form. I recently discovered the captivating work of Justin Rasch of STUNT PUPPET PICTURES, a visionary in the world of stop-motion animation. Since its establishment in 2005 with his wife Shel, their family-owned studio has become renowned for producing visually stunning and emotionally resonant films, like this excerpt from Pinocchio. #StopMotion #Animation #JustinRasch #StuntPuppetPictures #Molten #MoltenImmersiveArt #MoltenAffect #Curation #Curator #Artcuration #Artcurator #DorothyDiStefano music credit Vincent In Paris by Justin Allan Arnold | https://lnkd.in/g5bA2i2h Music promoted by https://lnkd.in/g6wX74v6 Creative Commons / Attribution 4.0 International (CC BY 4.0) https://lnkd.in/gk5bZifK

💥 The Disaster Season: Unreal Engine Cinematics This is a special "Unreal Engine Showcase" edit from the full film, focusing solely on the CG shots. With just three dedicated team members— Marceli Kryk, Filip Siemiginowski, and myself directing—we're incredibly proud and really.. surprised by the outstanding results achieved by our small team of two CG artists! A special shoutout to Marceli, the Lead Cinematic Artist, who also designed the sound for this particular edit that i did. This is what being multidisciplinary truly means! ⚔ Check out the full film here: Behance - https://lnkd.in/dgpazDfP Vimeo - https://lnkd.in/dAHZ7D2B Youtube - https://lnkd.in/d5KZjePm www.boundaryofdisaster.io DISCLAIMER: No AI has been used to create this project. #Porsche #PorscheAG #GT3RS #Cinematic #UnrealEngine #EpicGames #Pathtracing #CGI #Animation #Automotive Porsche AG Unreal Engine Epic Games ROUTE Wooden Gun VEIN Postproduction

Looking at scene breakdowns and approaches from camera to visual effects / realtime you have to adapt to production needs. Sometimes you will have to make custom solutions per project or even per scene / segment. Coming from a background as a cinematographer I always make connection as a VFX / VP Supervisor direct to the camera team. This adapted and updated Snoricam style rig (nice RED Raptor X btw) Will is fitted with gives a unique POV and enhances quite a few aspects of this action sequence. When the film comes out its going to be fun to breakdown how they approached this in Previs / Stuntvis and actual production. Its great as a learning tool to share with teams as you can gain alot from BTS as to the process other filmmakers are using. You can see how films especially action films have inspired games with a very familiar POV camera FOV in games. It also would not be hard to build a Previs / Techvis of this rig in UE5 or Blender to audition the moves, shot pacing and lens choices. :) 📽 credit to Will Smith on his operating skills and to the grip dept for rigging up this modified Snorricam 😎 #behindthescenes #badboys #filmmaking #process #vfx #cinema #games RED Digital Cinema

Looking at scene breakdowns and approaches from camera to visual effects / realtime you have to adapt to production needs. Sometimes you will have to make custom solutions per project or even per scene / segment. Coming from a background as a cinematographer I always make connection as a VFX / VP Supervisor direct to the camera team. This adapted and updated Snoricam style rig (nice RED Raptor X btw) Will is fitted with gives a unique POV and enhances quite a few aspects of this action sequence. When the film comes out its going to be fun to breakdown how they approached this in Previs / Stuntvis and actual production. Its great as a learning tool to share with teams as you can gain alot from BTS as to the process other filmmakers are using. You can see how films especially action films have inspired games with a very familiar POV camera FOV in games. It also would not be hard to build a Previs / Techvis of this rig in UE5 or Blender to audition the moves, shot pacing and lens choices. :) 📽 credit to Will Smith on his operating skills and to the grip dept for rigging up this modified Snorricam 😎 #behindthescenes #badboys #filmmaking #process #vfx #cinema #games RED Digital Cinema

Looking at scene breakdowns and approaches from camera to visual effects / realtime you have to adapt to production needs. Sometimes you will have to make custom solutions per project or even per scene / segment. Coming from a background as a cinematographer I always make connection as a VFX / VP Supervisor direct to the camera team. This adapted and updated Snoricam style rig (nice RED Raptor X btw) Will is fitted with gives a unique POV and enhances quite a few aspects of this action sequence. When the film comes out its going to be fun to breakdown how they approached this in Previs / Stuntvis and actual production. Its great as a learning tool to share with teams as you can gain alot from BTS as to the process other filmmakers are using. You can see how films especially action films have inspired games with a very familiar POV camera FOV in games. It also would not be hard to build a Previs / Techvis of this rig in UE5 or Blender to audition the moves, shot pacing and lens choices. :) 📽 credit to Will Smith on his operating skills and to the grip dept for rigging up this modified Snorricam 😎 #behindthescenes #badboys #filmmaking #process #vfx #cinema #games RED Digital Cinema