This masterpiece of poetic realism features one of Gabin's most renowned performances, a smart subtext about French colonialism, and enough exotic atmosphere to keep your head in the clouds long after the final scene.
Above all, the film is a classic of "poetic realism," that distinct brand of pessimistic '30s French urban drama that gave lyrical, sometimes even surrealistic, interpretations to working-class romances and underworld characters, settings and dramas.
The movie elevated the basic gangster picture into what became known as the niche genre of poetic realism. And, aside from Garbo, never have key lights on a star's face caused so much swooning among fans.
Interesting movement holds through the entirety. Life in the native quarter, with its squalor and intrigues, is particularly well presented and photographed.