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- Netflix
- May 30, 2023
- Netflix
- May 30, 2023
Summary The sketch comedy series from Tim Robinson was executive produced by Andy Samberg, Akiva Schaffer, and Jorma Taccone.
Created By: Zach Kanin, Tim Robinson
- Netflix
- May 30, 2023
- Netflix
- May 30, 2023
Season Premiere: May 30, 2023
82
6.2
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Summary The sketch comedy series from Tim Robinson was executive produced by Andy Samberg, Akiva Schaffer, and Jorma Taccone.
Created By: Zach Kanin, Tim Robinson
Where to Watch
Not available in your country?
ExpressVPN
Get 3 Extra months free
$6.67/mth
Season Episodes
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Top Cast
Metascore
Universal Acclaim
Based on 8 Critic Reviews
82
88% Positive
7 Reviews
7 Reviews
13% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
Metascore
Universal Acclaim
Based on 8 Critic Reviews
82
88% Positive
7 Reviews
7 Reviews
13% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
As season three character The Driving Crooner would say, “It’s just too good!”
I Think You Should Leave is absurdity at its most brilliant, and thankfully, Robinson and Kanin have given us a great crop that doesn't need any goosing.
User Score
Generally Favorable
Based on 13 User Ratings
6.2
62% Positive
8 Ratings
8 Ratings
8% Mixed
1 Rating
1 Rating
31% Negative
4 Ratings
4 Ratings
User Score
Generally Favorable
Based on 13 User Ratings
6.2
62% Positive
8 Ratings
8 Ratings
8% Mixed
1 Rating
1 Rating
31% Negative
4 Ratings
4 Ratings
There are no user reviews yet. Be the first to add a review.
I Think You Should Leave with Tim Robinson hasn’t lost a step in its third season, and in fact it’s probably gained a few, given that the inherent strangeness beneath the surface of our society is only becoming more inflamed.
To say it isn’t as ambitious as what came before would be to as true as a gut feeling can get, but it would also ignore the bold imagination and earnest commitment that fuels one of TV’s most unpredictable experiences.
Though the sketches occasionally feel like pale repeats of classics from seasons past, you still can’t beat that rollercoaster feeling of not knowing where a sketch will go, or what Robinson will do with his rubber-faced physicality and downright feral line delivery.
Robinson’s cult hit goes off in all manner of unexpected and irrational directions. It may not redefine itself in its third go-round, but it still affords a hilarious and endlessly rewatchable vision of a country whose inhabitants are spinning out of control—or, as one of Robinson’s wackos states, “I see the world wildly and in wild ways.”
This is not bad, and I’m glad it’s here. But it’s not the same, and maybe the price these guys have to pay for their talent is that when you make something so singular, there’s nothing to compare it to but itself. By those standards, this one feels like a miss…but seriously, ask me again in a month.