Amy sherald

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Artist Amy Sherald Depicts a Vast Array of Black Leisure through Monumental and Nuanced Portraits | Colossal Los Angeles, Angeles, Amy Sherald Art, Amy Sherald, Hope Is The Thing With Feathers, Contemporary African Art, Great Works Of Art, African American Artist, Colossal Art

Amy Sherald plumbs the multitudes of Black leisure in The Great American Fact, a series of arresting portraits that are currently on view at Hauser & Wirth Los Angeles. From a woman resting on a bicycle to two surfers readying for the water, the oil-based paintings observe moments of respite and pleasure at a monumental scale, sometimes spanning nearly nine feet across. Although she surrounds her subjects with vivid patches of color and portrays them wearing bright garments, Sherald…

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Peter Milne
Amy Sherald Art, Amy Sherald, African American Museum, Kehinde Wiley, Afrique Art, African American Artist, Colossal Art, National Portrait Gallery, African American Art

Before painter Amy Sherald was grabbing headlines for her National Portrait Gallery rendition of former First Lady Michelle Obama last February, she was a Clark Atlanta University fine art student, who hung out at Ponce de Leon's Eats and Club 112, living in an apartment in Reynoldstown.

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A Major Exhibition and Monograph, Amy Sherald’s ‘The World We Make’ Shapes a Hopeful Future Through Monumental Portraiture | Colossal Amy Sherald, Jenny Holzer, Alfred Eisenstaedt, Search People, Colossal Art, Modern Crafts, Arts Ed, African Diaspora, Black Artists

In her first major exhibition outside of the U.S., artist Amy Sherald (previously) presents a body of work that’s distinctly American. The World We Make, which is now on view, brings Sherald’s signature grisaille portraiture to Hauser & Wirth London. Monumental in scale and primarily rendered on flat, monochromatic backdrops, the oil paintings reference a sense of determined optimism to shape reality. “The works reflect a desire to record life as I see it and as I feel it. More

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Jen Welle