Rei kawakubo comme des garcons

Comme des Garcons' The Ceremony of Separation FW15 photo by PAOLO ROVERSI head lace and make up by Julien D'ys by commedesgarcons

In this rare manifesto designer Rei Kawakubo of Commes des Garcons reveals some of the paths she follows to find absolutely NEW paths, her rigorous challenge to herself.

Oxford fashion critic Mahoro Seward, on Rei Kawakubo's 'hiroshima chic' and the importance of literature in understanding avant-garde fashion.

Museo Universitario de Arte Contemporáneo. "Language of Costume," July 29, 1975–November 30, 1975.Saint Louis Art Museum. "Vanity Fair: Four Centuries of Fashion from The Metropolitan Museum of Art," February 3, 1979–April 1, 1979

The *Met*’s *Costume Institute Benefit* is arguably best known as the *Met ...

Black cotton dress, designed by Rei Kawakubo, Tokyo, 1983, for Comme des Garçons

Adut Akech, Akuol Deng Atem, Aliet Sarah, Niko Riam, Nyarach Ayuel, and Shanelle Nyasiase are styled by Kate Phelan in 'Brand New Ancients' Vogue UK.

“The Art of In-Between” is the first exhibition the Met has presented on a living designer since the Yves Saint Laurent show in 1983.

She is one of the most respected living designers today.

The complete Comme des Garçons Spring 1998 Ready-to-Wear fashion show now on Vogue Runway.