What’s on TV tonight: Piglets, Changing Ends, How the West Was Won and more
Your complete guide to the week’s television, films and sport, across terrestrial and digital platforms
![Mark Heap and Sarah Parish in Piglets](https://cdn.statically.io/img/www.telegraph.co.uk/content/dam/tv/2024/07/19/TELEMMGLPICT000385329953_17213872610370_trans_NvBQzQNjv4BqRo0U4xU-30oDveS4pXV-Vv4Xpit_DMGvdp2n7FDd82k.jpeg?imwidth=350)
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Your complete guide to the week’s television, films and sport, across terrestrial and digital platforms
First he was a football hardman, then a film star – but now he’s just as likely to be advocating for the countryside from his Sussex farm
Former wrestler Hulk Hogan’s latest publicity stunt is reminiscent of his mortifying bid to run for the 2000 Presidential campaign
Margaret Thatcher chose his imaginary telephone conversation between Walter Raleigh and his West India Company boss on Desert Island Discs
The famously aloof stand-up is thrilled to be back on stage, and, if his last show was a fraction sharper, this new one is a treat even so
The famously aloof stand-up is thrilled to be back on stage, and, if his last show was a fraction sharper, this new one is a treat even so
Nice 1960s styling, but Oscar-winning Natalie Portman is far better than this deathly slow murder-mystery
The lurid Trumpian satire strayed a little too close to reality in a season four finale that proved more prescient than entertaining
Anne-Marie Duff, Dominic Cooper, Eddie Marsan... some of Britain’s finest actors star here, so why is it such a dud?
Season five of Netflix's The Crown is finally here. But who is playing who?
From being chaperoned on set of Gaslight at just 17 to winning her fifth Tony for Blithe Spirit age 83
Your complete guide to the week’s television, films and sport, across terrestrial and digital platforms
First he was a football hardman, then a film star – but now he’s just as likely to be advocating for the countryside from his Sussex farm
Former wrestler Hulk Hogan’s latest publicity stunt is reminiscent of his mortifying bid to run for the 2000 Presidential campaign
Ralph Nelson’s film depicted the slaughter of Native Americans by the US Cavalry in bloody, censor-troubling detail. The backlash was brutal