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The original Ecce Homo-style fresco of Christ – before retouching, left, and after
The original Ecce Homo-style fresco of Christ – before retouching, left, and after Celia Gimenez's daubing. Photograph: AP/Centro de estudios Borjanos
The original Ecce Homo-style fresco of Christ – before retouching, left, and after Celia Gimenez's daubing. Photograph: AP/Centro de estudios Borjanos

Ecce dinero: Spanish turn ruined Christ fresco into money-spinner

This article is more than 11 years old
Paying tourists flock to see Spanish octogenarian's ill-fated retouching of precious painting in church and snap up souvenirs

A year ago Cecilia Gimenez's botched attempt to restore a fresco of Christ inspired ridicule and references to monkeys. Now the 81-year-old Spanish artist is having the last laugh.

The disfigured fresco has drawn more than 40,000 visitors and raised more than €50,000 for a local charity in the town of Borja since gaining worldwide attention. It has spurred the town to put the likeness on merchandise it hopes will sell for years to come. And Gimenez has even had her own art exhibit, with two dozen of her other works showing until 24 August in the town of 5,000 people.

Gimenez and a local council are to sign a deal next week to share profits from merchandise featuring the image, with the artist getting 49% and the council the rest, said councilor Juan Maria Ojeda, who listed the tourism and income figures.

The turnaround is apparently quite a relief for the Spanish retiree, who was overwhelmed by the attention a year ago. "Now it seems like everyone's happy," local paper Heraldo de Aragon quoted the once media-shy Gimenez as saying in Sunday's edition. "I'm grateful that things have quieted down."

The fresco originally depicted Christ with a crown of thorns in a style known as Ecce Homo – Behold the Man. The church painting was for decades a little-known piece of religious art by a minor Spanish artist. It had remained in peaceful obscurity in the Misericordia sanctuary since it was painted in 1930.

That was until Gimenez, a longtime devotee of the work, decided it needed some attention because it was flaking due to the damp church air. The attempt didn't go so well and some dubbed her retouching of it Ecce Mono – Behold the Monkey.

But soon the retouched version grew popular. The image started appearing without authorisation on everything from T-shirts to mobile phone covers, coffee mugs and wine labels. People arrived in Borja asking to see the painting.

The council started charging an entrance fee of €1, giving the money to the Sancti Spiritus charitable foundation, which used the windfall to help pay bills at a care home for 60 elderly people. The council also got lawyers to establish copyright and draw up a merchandising agreement that will see the image put on plates, postcards and cigarette lighters, among other items.

"It's a timely agreement," said Ojeda, the councillor. "The money is going to good causes."

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