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Dance music
May 2024
Australian critic's picks
Critic’s pick: Haai, the DJ making euphoric electronica with Kylie, Fred Again and Jon Hopkins
Why clubbers are raving about Germany’s cross-country Techno Train
This much I know
Adele Roberts: ‘My GP told me I was too young for cancer. She sent me for tests anyway and saved my life’
One to watch
One to watch: Fat Dog
Alexis Petridis's album of the week
Dua Lipa: Radical Optimism review – ‘psychedelic pop-infused’? Pull the other one!
Troye Sivan wins song of the year at 2024 Apra awards for Rush
April 2024
Club culture
‘We handed out raw fish to clubbers’: the mind-bending acid house tour of London
Club culture
MC Conrad, acclaimed drum’n’bass vocalist, dies aged 52
Justice: Hyperdrama review – an uncertain return to the dancefloor
Porij: Teething review – dance music without drama or daring
Mad fer it! The young musicians flying the flag for Britpop
Dance giants Justice return: ‘The only thing we argued over were the bongos’
‘We went from naive, hippyish protesters to hardcore anarchists’: the criminal justice bill protests, 30 years on
A Certain Ratio: It All Comes Down to This review – punk-funk stalwarts on a euphoric high
Book of the day
Travels Over Feeling: Arthur Russell, a Life review – down the rabbit hole with a musical maverick
‘I want to bring the party up north’: Nia Archives on unleashing a Yorkshire rave revolution
Alexis Petridis's album of the week
Nia Archives: Silence Is Loud review – bold, fresh jungle unbound by tradition
Chechnya bans dance music that is either too fast or too slow
Vegyn: The Road to Hell Is Paved With Good Intentions review – steely relentlessness and glossy melodies
‘Blue Monday is one of the 20th century’s greatest artworks’: Wolfgang Tillmans on swapping his camera for a microphone
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