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Dance music

May 2024

  • Haai

    Australian critic's picks
    Critic’s pick: Haai, the DJ making euphoric electronica with Kylie, Fred Again and Jon Hopkins

  • passengers dancing on the Techno Train

    Why clubbers are raving about Germany’s cross-country Techno Train

  • Adele Roberts

    This much I know
    Adele Roberts: ‘My GP told me I was too young for cancer. She sent me for tests anyway and saved my life’

  • five people, three with unsmiling faces visible, one wearing a dog face mask, one with a bandana tied round their face. one of the unmasked ones is holding a small dog

    One to watch
    One to watch: Fat Dog

  • Alexis Petridis's album of the week
    Dua Lipa: Radical Optimism review – ‘psychedelic pop-infused’? Pull the other one!

  • Troye Sivan wins song of the year at 2024 Apra awards for Rush

April 2024

  • ‘Some Ibiza magic’ … ravers at The Trip in London in 1988.

    Club culture
    ‘We handed out raw fish to clubbers’: the mind-bending acid house tour of London

  • MC Conrad

    Club culture
    MC Conrad, acclaimed drum’n’bass vocalist, dies aged 52

  • Xavier de Rosnay and Gaspard Augé of Justice.

    Justice: Hyperdrama review – an uncertain return to the dancefloor

  • Porij.

    Porij: Teething review – dance music without drama or daring

  • Mad fer it! The young musicians flying the flag for Britpop

  • Dance giants Justice return: ‘The only thing we argued over were the bongos’

  • ‘We went from naive, hippyish protesters to hardcore anarchists’: the criminal justice bill protests, 30 years on

  • A Certain Ratio: It All Comes Down to This review – punk-funk stalwarts on a euphoric high

  • Book of the day
    Travels Over Feeling: Arthur Russell, a Life review – down the rabbit hole with a musical maverick

  • ‘I want to bring the party up north’: Nia Archives on unleashing a Yorkshire rave revolution

  • Alexis Petridis's album of the week
    Nia Archives: Silence Is Loud review – bold, fresh jungle unbound by tradition

  • Chechnya bans dance music that is either too fast or too slow

  • Vegyn: The Road to Hell Is Paved With Good Intentions review – steely relentlessness and glossy melodies

  • ‘Blue Monday is one of the 20th century’s greatest artworks’: Wolfgang Tillmans on swapping his camera for a microphone

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