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The Guardian - Back to homeThe Guardian

Andrew Clements

July 2024

  • Efficient and characterful … Rose Wollman and Dror Baitel.

    Breaking Glass Ceilings: Music by Unruly Women album review – a celebration of defiant female composers

  • Jan Lisiecki performing at London's Wigmore Hall.

    Jan Lisiecki review – titanic moments in one man’s fight to free the prelude

  • Multitalented … Eighth Blackbird.

    Lang: Composition as Explanation album review – Gertrude Stein set to music

  • Sian Edwards conducts Birmingham Contemporary Music Group playing Sonata For Broken Fingers.

    Sonata for Broken Fingers review – chamber opera of Stalin’s terror fails to grip

  • Beethoven: Complete String Quartets album review – up there with the best

  • Brahms: The Symphonies album review – less is more for Nézet-Séguin and the COE

  • Hebrides Ensemble/Lamprea review – Schoenberg’s Pierrot is pushed to extremes

  • London Sinfonietta/Paterson review – bespoke instruments and microtones in all-Mexican programme

June 2024

  • Ben Goldscheider at the Purcell Room, London.

    Goldscheider/Dawson review – the horn is plenty

  • Robin Tritschler - press handout image - © Garreth Wong - press handout image 2024

    Songs for Peter Pears album review – wide-ranging and lucid collection

  • Stradella- Mottetti - Concerto Italiano - Daylight session photo - press image

    Stradella: Mottetti album review – flair and style, brilliantly executed

  • Ausrine Stundyte and John Lundgren in Eine Florentinische Tragödie

    Zemlinsky: Eine Florentinische Tragödie album review – adultery and murder in Renaissance Italy

  • Chamayou: Cage² album review – each piece is a brightly coloured gem

  • Katia and Marielle Labèque review – Glass’s Cocteau trilogy perfumes the air, literally

  • Rectangles and Circumstance album review – collaborative and gleefully eclectic collection

  • Mahler: Symphony No3 album review – grandeur and beauty in Vänskä’s sober approach

  • ‘I’ve always been a glass half full person’: Aldeburgh festival’s outgoing CEO Roger Wright

  • Best culture of 2024 so far
    The best albums of 2024 so far

  • Blond Eckbert review – Judith Weir’s bare-bones opera kicks off Aldeburgh festival

  • CBSO/Morlot review – A beautiful lament for corrupted nature

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