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Jonathan Jones

Jonathan Jones writes on art for the Guardian and was on the jury for the 2009 Turner prize

July 2024

  • Oscar Murillo 2209, (untitled) surge, 2022, 150 x 150 cm

    Art Weekly newsletter
    Modernist Paris, a Monet adventure park and the death of life drawing – the week in art

  • ‘The flag and the fist together are what make this so powerful’ … Trump’s first in parallel with the American flag.

    ‘Is this what a second Trump presidency will be like?’ – our art critic on the chilling shooting image

  • Used technology to address the same dilemmas we have faced since the stone age … Bill Viola standing in front of his video installation Martyrs (Earth, Air, Fire, Water) at St Paul's Cathedral in London.

    Bill Viola made video art ask the biggest, most universal questions

    Jonathan Jones
  • Detail from Leonora Carrington, Woman with Fox bronze sculpture against a mustard yellow background

    Art Weekly newsletter
    A very British surrealist and the Tories’ legacy in cartoons – the week in art

  • Leonora Carrington: Rebel Visionary review – wild dreams of a titan of surrealism finally get their due

  • ‘It’s like Where’s Wally in broken Britain’: Ben Jennings on his Tory-era take on A Rake’s Progress

  • Art Weekly newsletter
    Barbie graces London and the Rokeby Venus heads to Liverpool – the week in art

  • Lonnie Holley review – America’s wreckage made into magical art

  • Dominique White: Deadweight review – a beautiful, twisted sea monster

June 2024

  • Sharpening the Saws by Oleksandr Bohomazov, 1927.

    Art Weekly newsletter
    Giants of Ukrainian art, Henry Moore goes to war and Chris Ofili’s myth making – the week in art

  • Tubeway army … Four Figures in a Setting.

    No perky cockneys? How Henry Moore’s sheltering souls puncture our blitz bravado

  • a detail of Protection, 2024, by Claudette Johnson.

    Art Weekly newsletter
    Blue Black portraits, electric light relief and sugar in space – the week in art

  • Yoshida Toshi, Unknown (Michi no), 1968.

    Yoshida review – brilliant prints bleached of historical colour

  • Art Weekly newsletter
    Love through the lens, a dynasty of Japanese printmaking and Leeds’s finest – the week in art

  • Royal Academy Summer Exhibition review – a gasping death-rattle of conservative mediocrity

  • Art Weekly newsletter
    Anti-apartheid art, Keith Haring graffiti and new life for fallen trees – the week in art

  • Discover Degas & Miss La La review – the death-defying trapeze artist who transfixed a master

May 2024

  • Matthew Barney, Field Panel, featuring in London Gallery Weekend.

    Art Weekly newsletter
    Degas at the circus, Emin’s rebirth and rococo inspo – the week in art

    Richard Wright hits Glasgow, London Gallery Weekend brings the glamour and fashion photography claims its place as art
  • A Damien Hirst formaldehyde work

    Today in Focus
    Damien Hirst and the dates that don’t add up

    Guardian investigations correspondent Maeve McClenaghan discusses her investigation into some of the work of the artist Damien Hirst that has been dated to the 1990s, years before it was actually made. Art critic Jonathan Jones discusses the impact Hirst’s work has had on him
  • Ed Clark’s Locomotion, 1963.

    Art Weekly newsletter
    American action, blockbusting birds and Alvaro Barrington’s gallery takeover – the week in art

    A forgotten star from the golden age of abstraction, avian amazements and new ideas in a grand neoclassical hall – all in your weekly dispatch
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