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Stage

  • Daisy Edgar-Jones in Twisters.

    Going out, staying in
    From Twisters to Latitude: a complete guide to this week’s entertainment

    The 90s action blockbuster gets a belated sequel, and Duran Duran get the picturesque music fest started
  • Bob Newhart in 1972 as psychologist Bob Hartley in his eponymous TV sitcom.

    Bob Newhart obituary

  • Olisa Odele, Kadiff Kirwan and Kaireece Denton in The Hot Wing King.

    The Hot Wing King review – Katori Hall’s comedy sizzles with joy

  • Lynn Faces.

    Lynn Faces: the play confronting coercive control – with the help of Alan Partridge’s PA

  • Mat Fraser and Liz Carr, both dressed in white and black, hold a discussion

    Unspeakable Conversations review – Liz Carr and Mat Fraser’s straight talk is enthralling

  • ‘It’s mind-blowing for me’: Boris Charmatz on leading Pina Bausch’s Tanztheater Wuppertal

  • Close Up review – zoom in on a sporty dance of cool control

  • Imelda Staunton in Hello, Dolly! at the Palladium.

    Hello, Dolly! review – Imelda Staunton plays the matchmaker with stunning results

  • Brian Logan

    Daniel Kitson detests audience participation but still manipulates us like marionettes

    Brian Logan
  • Gains in complexity with each new cast … Michael Strecker, Letizia Galloni and Simon Le Borgne in Forever.

    Forever (Immersion dans Café Müller de Pina Bausch) review – a heartbreaking redux

  • Fiona Shaw on stage and Nassim Soleimanpour via video call in a performance of Echo on 13 July.

    Echo review – starry meditation on shapeshifting meaning of home

  • The reader interview
    Rob Delaney: ‘The average British citizen is funnier than the average American’

  • La Vie Secrète des Vieux review – older people reveal the full glory of their sex lives

  • The Baker’s Wife review – Stephen Schwartz’s lip-smacking musical has a soggy derriere

  • A New York accent in ancient Rome? So what, it’s no less accurate than RP

    Rebecca Rideal
  • ‘The story appeals and endures’ … Little Women’s musical adaptation the Hayes theatre.

    Little Women review – where’s the magic in this musical adaptation?

    The acting is generous and the tale is timeless – but many production details feel bafflingly bare, at odds with the story’s warmth
  • Kyle Gass  performing with Tenacious D.

    Who’s laughing now? The gags that derailed comedy careers

    Kyle Gass’s ill-judged Donald Trump assassination jibe has put Tenacious D on ice. Will he be for ever cancelled, or bounce back like Billy Connolly and Jo Brand?
    • I may be in my 90s, but I’m not sure I want Hollywood to ‘de-age’ me like Tom Hanks

      Sheila Hancock
    • Gareth Southgate tried to unite rather than divide, says Dear England writer

    • The play that changed my life: ‘Comedians got me the job running the National Theatre’

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