Everybody Loves Raymond

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

Funny Face and The Sandy Duncan Show are two American sitcoms aired by CBS starring Sandy Duncan as part of its 1971 and 1972 fall lineups, respectively. Both series were created and produced by Carl Kleinschmitt. In the spring of 1971, after having appeared in numerous television commercials and having a great success on Broadway in the 1970 revival of The Boy Friend, Sandy Duncan's show business career was quickly ascending. She had just completed her first major motion picture - The Million Dollar Duck for Walt Disney and was about to start on her second film - the screen adaptation of the Neil Simon play Star Spangled Girl which was to be produced and released by Paramount Pictures. Duncan was also signed by Paramount to film a television pilot loosely based on the 1957 film musical Funny Face which they hoped would be picked up by CBS to be part of their 1971–1972 fall television schedule. A pilot was filmed in the spring of 1971 and CBS executives were very enthusiastic. As a result, Duncan was already being touted by the network as the brightest new star of the 1971 fall season.

Pryor's Place is an American children's television series that aired on CBS. The live-action series starred comedian Richard Pryor as himself.

Melba is an American television sitcom which aired on CBS from January 28, 1986 until September 13, 1986. The series was a vehicle for singer/actress Melba Moore.

The George Wendt Show is an American sitcom that aired on CBS from March 8, to April 12, 1995. The series stars George Wendt and Pat Finn as two brothers who own a car garage and host a call-in radio show about car repair.

Life With Father is an American sitcom that aired on CBS from November 1953 to July 1955. The series centers on the patriarch of an upper-middle-class New York household family. It was the first live color program for network TV to originate in Hollywood.