You're the Worst

Lucky is an American dark comedy television series which ran for one season on FX Networks in 2003. The show starred John Corbett as Michael "Lucky" Linkletter, a professional poker player and gambling addict. The series was created by Robb Cullen and Mark Cullen. It was nominated for the 2003 Primetime Emmy Award for Outstanding Writing in a Comedy Series. After that incident in every episode he goes on an adventure to save antiques with the help of Inder Mohan Sharma, a 500-year-old ghost, Captain Paswan and Acharya Joshi.

Starved is an FX Network television situation comedy that aired for one season of seven episodes in 2005. The series was about four friends who each suffer from eating disorders, who met at a "shame-based" support group called Belt Tighteners. Its characters included those with bulimia, anorexia, and binge eating disorder. Eric Schaeffer created the show as well as writing, starring in and directing it, based upon his own struggle with eating disorders. In addition to his own life experiences, Schaeffer also drew upon the experiences of the other members of the principal cast, each of whom coincidentally had struggled with food issues of their own.Starved was the lead-in of FX's hour-long "Other Side of Comedy" block with It's Always Sunny in Philadelphia. FX executives wanted to use the two series to begin building comedy programming and broaden the network's demographic. The series debuted on August 4, 2005 to poor critical reviews and was cancelled in October 2005, when FX picked Sunny over Starved for renewal.

A rivalry between starlettes Joan Crawford and Bette Davis is spotlighted.

A troubled young man battling mental illness wonders if the visions he experiences are real following a strange encounter with a fellow patient.

Trust is a television game show which offers large cash prizes for correctly answering a series of randomized questions of varying. The format based on preconceptions, cooperation, knowledge, strategy and mutual confidence. Soon you develop a taste for a good deal, and you can sense a suspicious one at forty paces. And above all, though you don't have to like the people you work with, you learn that you do need to trust them.

A dance musical that explores the juxtaposition of several segments of 1980s life and society in New York: the ball culture world, the rise of the luxury Trump-era universe and the downtown social and literary scene.