Sarah, Duchess of York channels history of rebellion, royalty and red hair into debut novel
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In authoring her debut novel, Sarah Ferguson, Duchess of York took the "write what you know" philosophy to heart.
"Her Heart for a Compassā (William Morrow, 560 pp., out now) follows young noblewoman Lady Margaret Montagu Scott as she wrestles independence from her family, the aristocracy and patriarchal society.
While the duchessā protagonist is not an exact facsimile of herself, the similarities are striking. Both Ferguson and Lady Margaret (who is based on one of Fergusonās ancestors) are redheads with polarizing reputations. They have played the role of social pariah, been blacklisted by the aristocracy and ā eventually ā found redemption in living life their own way.
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Margaret is hounded by the British press, her reputation besmirched by innuendo. āBut no one seems to care that underneath Iām an actual person,ā Margaret tells her friend Princess Louise, daughter of Queen Victoria. Ferguson was called the āDuchess of Porkā and āfrumpy Fergieā by the tabloids and was the subject of myriad scandalous headlines. āI really did mind when all those terrible articles were written about me, and sometimes still are,ā Ferguson recently told the U.K.ās Sunday Times. āI have a therapist and I rely on friendship, my family and my work to keep me focused on whatās important.ā
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Even the novelās Victorian-era details parallel Fergusonās own story. Margaret, like the former member of the royal family, is pressured to put duty above all and has to fight (and lose friends and family) to be able to work outside the restrictions of the aristocracy. They both find solace in writing as a profession and childrenās charities as a calling. Margaret founds a sanctuary for New Yorkās poorest children and donates funds from her childrenās books to help fund the endeavor. Among her many charitable activities, the duchess founded Children in Crisis in 1993 (which merged with the Street Child nonprofit). Sheās also written many childrenās books, including āBallerina Rosieā and the āLittle Redā series, and wrote a memoir, āFinding Sarah.ā
Fergusonās strategy of pulling from her own experiences makes for an intriguing coming-of-age story fans of historical drama are sure to enjoy. Co-authored with Marguerite Kaye, the novel draws from extensive research to paint a rich, believable picture of 19th-century life as Margaret finds herself in England, Scotland, Ireland and America. In the bookās historical note, Ferguson details whatās fact and whatās fiction. The locations, including Dalkeith Palace outside Edinburgh (where Margaret is banished after refusing her arranged marriage), are real. Many, the author says, can still be visited. Margaret, her parents and the man she marries were all real, too, though Ferguson cautions that much of Margaretās storyline is āentirely imagined.ā
Our one qualm, if you can call it that, is the novelās billing as a historical romance. If weāre talking the Shakespearean notion of romance, where allās well in the end, then sure, this is a romance. But readers expecting āBridgertonā levels of sexual tension will be disappointed. Indeed, the man Margaret ends up with graces just a handful of the novelās more than 500 pages. Key moments in their love story ā falling for each other, loss and reconciliation ā are over too quickly and without the gut-wrenching scenes youād expect from a romance novel.
Yet, we say this as a clarification rather than a knock: Margaretās story of courage and self-discovery stands strong on its own. Just like she does.