How Lin-Manuel Miranda's historical 'Hamilton' reflects America now: 'Itâs always going to have something to say'
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Lin-Manuel Miranda takes off his cap and tousles his longish quarantine hair, like heâs ready to get back on stage, throw on that colonial coat and rap historical rhymes as Alexander Hamilton at a momentâs notice.
âI haven't cut my hair and I think it's because I miss it,â Miranda says via video interview of playing the flowingly coiffed central character of the Tony Award-winning, history-making musical "Hamilton." âIt also helps that my wife likes the hair.â
Because of the COVID-19 pandemic, the only way anyone will see âHamiltonâ anytime soon is on Disney+ (starting Friday), though the upside is this filmed production of the show will be streamed by a legion of new fans.
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âWhat blows my mind is more people will see the show on July 3, 4 and 5 than have seen it in the previous five years,â says Miranda, 40, of âHamilton,â which began its record-breaking Broadway run in 2015 before becoming a touring attraction. âEven if that's just the Disney+ subscribers that exist now, that's 50 million people. I'm really grateful that the wider world can see it in this way.â
The first act of the genre-smashing musical, with Black and Latino actors playing the Founding Fathers, takes Alexander Hamilton through the Revolutionary War, where he was the right-hand man of George Washington (Christopher Jackson) and the husband of Eliza Schuyler (Phillipa Soo). The second act shifts to Hamilton's tumultuous political and personal lives as a rival to Thomas Jefferson (Daveed Diggs) and longtime friend Aaron Burr (Leslie Odom Jr.).
Directed by Thomas Kail, the âHamiltonâ movie was primarily filmed in 2016 over two live performances before original cast members began to exit â and a week before Miranda departed. The show's brain trust wanted the musical to be more accessible to audiences after âwe were strapped to that rocket shipâ of being a Broadway sensation and the show became a tough ticket to get, he says.
Over the years, Miranda has found it interesting how "Hamilton" has moved through the world and through time, âfrom the moment I got the incredible privilege of singing the first song in the White House (in 2009), back when we had a president who invited artists to the White House, to watching the show resonate under the Trump administration."
For example, there used to just be a laugh with the line âImmigrants, we get the job done.â Now it gets a âYeaaaaaaah!â from the audience âas immigrants have been increasingly under attackâ in the USA, Miranda says.
With the national conversation currently centered on white supremacy and systemic racism, âthe lyrics about slavery â what all of these characters did and what they didn't do â hit differently now because the show, just in telling Hamilton's story, brushes against the origins of this country. Itâs always going to have something to say,â Miranda says. âIf I had any insight in the writing of this thing, it was everything that was present at the founding is still present: the sins of it, the paradoxes of it, the ways in which we fall short of the ideal 'All men are created equal' the moment we wrote it down.â
Having recently watched the movie, what stands out to Miranda now is how young the people were who fought in the Revolutionary War â Hamilton, for example, was in his early 20s â and how young the people are leading the charge in the protests happening as a result of George Floydâs death.
âIâm inspired when I see a sign at a Black Lives Matter protest that says, 'History has its eyes on you,â â says Miranda, referring to the "Hamilton" song in which Washington tells Hamilton about a tragic failure in his first command. The pandemic has forced âa real reckoning of what kind of country we want this to be. That's an unexpected resonance, just young people demanding change that kind of echoes across centuries.â
Another thing Miranda noticed with the âHamiltonâ film: âThat's the most tired I've ever been,â he says with a laugh. âI had a newborn child, I was doing two outdoor performances for a thousand people out on the street every week, and I was doing seven shows a week.â
Still, he misses it. "I'm sure I'll jump in again,â says Miranda, who's currently on coronavirus-forced hiatus from directing his own movie musical, the late Jonathan Larsonâs âTick, Tick ⊠Boom!â
"Playing Hamilton is a 14-course meal," he says. "You get to do all the things: You grow up, you fall in love, you have gunfights, you have affairs, you have incredible verbal battles, you fight in wars.
âThere was such a hullabaloo when I was leaving the show, and even then, I tried to tell people, âGuys, I wrote a part in it I can come back to over and over. You're going to be so sick of me when I'm on my sixth revival tour of this.' "