Pop Smoke's death casts shadow over his 'Boogie' film debut
āBoogieā is a sometimes-fascinating film about the pull of culture and family on a teenager trying to figure out his complicated life.
Eddie Huang, the restaurateur who created the show āFresh Off the Boat,ā wrote and directed the movie, which features a promising debut performance from Taylor Takahashi in the title role. Taylour Paige, as Boogieās girlfriend, is even better. Sheās riveting as her character expresses both frustration and burgeoning confidence.
But thereās a shadow hanging over the film, which opens in theaters Friday. Pop Smoke, the rapper making his film debut as Boogieās rival, was killed after filming completed. The tragedy doesnāt overtake his performance or the film, but knowledge of his death definitely colors it.
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Alfred Chen (Takahashi) is a gifted basketball player with dreams of the NBA. But so far he doesnāt have a major college scholarship offer. His father (Perry Young) has transferred Boogie (āI prefer my stripper name,ā he tells a teacher) to a new school, so that he can showcase his skills. And more importantly, so that he can compete against Monk (Pop Smoke), a legendary player at a rival school who turns out to be a rival in more ways than one.
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For his father, anything less than Boogie making the NBA would be considered a failure. Mr. Chen (we never learn Boogieās parentsā first names) and Mrs. Chen (Pamelyn Chee) fight constantly, each belittling the other and their choices in what has become the family business ā the basketball business, as one person puts it.
The pressure on Boogie is incredible, on the court, in the classroom, around the dinner table at home. He begins flirting with Eleanor (Paige), who has sworn off seeing athletes. But Boogie is persistent in his sometimes obnoxious attempts to impress her, and she slowly warms to him.
Boogie pays frequent visits to the outdoor court where Monk reigns with absolute swagger, watching, taking mental notes. During his own games, Boogie frustrates his coach (Domenick Lombardozzi) by freelancing too often. A meltdown in front of scouts is particularly inopportune; some schools are concerned about his temper.
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Mrs. Chen ā who blames Boogieās temper on her husband, naturally ā has had enough. She secretly starts working with an advisor, Melvin (Mike Moh), who wants to steer Boogie to a Chinese professional league. Heāll make money and he will be hailed as a conquering cultural hero, Melvin assures. Of course, no one bothers to consult Boogie. And thereās a catch: Boogie will lose his college eligibility if he signs.
The screenplay occasionally dips into clicheĢs, but the relationship between Boogie and Eleanor feels genuine. Thatās largely due to the performances. Takahashi has a breezy confidence that he blends with Boogieās confusion and anger ā a potent combination. Paige is magnetic. Like Boogie, she has her own issues to deal with. In the scenes between them, good as Takahashi is, you gravitate to her. Her intensity holds the screen.
Pop Smokeās role is more one-note. Heās the villain in the story. He sells it, though. Monk is as cocky as it gets, talking trash in the most personal of terms to get into Boogieās head. Well, into anyoneās head he happens to play against. But he knows Boogie is his ultimate opponent. The season and the film build toward the game between their schools. The showdown doesnāt play out exactly as you might expect, until it kind of does.
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Thereās a lot of promise here, all over the film, and not just with Takahashi and Paige. Fans of āFresh Off the Boatā know that Huang can be funny (though he didnāt like it). Itās nice to see him stretch out into more dramatic territory, even if heās not quite on as sure footing there. Certainly āBoogieā makes you want to see whatās next.