Katy Perry finds freedom in getting older, Vegas residency: 'I donāt have to prove anything'
LAS VEGAS ā Katy Perry is in the toilet.
Sheās wearing a short white dress and thigh-high boots and singing āCalifornia Gurls," her breezy 2010 smash and one of nine No. 1 hits in her nearly 15 years as a pop music titan.
She climbs out of the Godzilla-sized orange commode and scampers down a stack of equally colossal rolls of toilet paper to skip around the pink-and-yellow checkerboard stage with her dancers. As the song zips along with its endlessly appealing chorus, a tall, velvety brown character rises from the bowl (need we say more?), wiggling to the melody.
Soon, sheās cavorting with an oversized tube of toothpaste while singing a mashup of āHot N Coldā and āLast Friday Night (T.G.I.F)ā followed by a swinging jazz-ercized rendition of āWaking Up in Vegas.ā
Friends, this is Perry ā Las Vegas style.
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Since the last week of December, Perry has conquered The Theatre at Resorts World with her delightful residency dubbed, appropriately, Play.
The concert ā more of a spectacle ā is five acts plus an encore spotlighting Perryās signature pop gems (āTeenage Dream,ā āDark Horse,ā āRoarā) and complemented by massive set pieces (crunched beer cans, a rocking horse) and an acre of feather boas.
Act three, titled āEat Me,ā includes dancers frolicking in mushroom cap hats, Perry entering on a gliding snail, red-fringed latex chaps and a supersonic version of āI Kissed a Girlā that culminates with Perryās guitarist shooting sparks from the neck of her instrument.
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Call it a fever dream or an acid trip sans the acid, but the show breathes cleverness and originality and is, as Perry calls it, a āfun bit of escapism.ā
She returns for another spate of dates Friday through June 11 and again in late July, with more shows expected later this year.
From her home, Perry talked with USA TODAY about her lively Vegas production, along with her new business ventures and balancing motherhood with nearly 2-year-old Daisy Dove, her daughter with fianceĢ Orlando Bloom.
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Question: The show is so vibrant and kooky and it looks ā¦ exhausting. Do you have to physically prepare even more than on past tours?
Katy Perry: You definitely have to be mindful that you have a show coming up after a six- or eight-week break. I get really strict about two or three weeks before. (The set) is like a giant kidās jungle gym and Iām a 37-year-old adult. So I have to train like an athlete and do physical therapy and use the sauna and let go of my Taco Bell.
Q: Thereās also a fair amount of acting ā beyond a singing persona ā in the show. Has that been difficult for you?
Perry: I always feel like I dial up my personality and become this character and use a certain tone onstage. The show is fun and silly and goofy. But it also has a huge layer of redemption and the theme of unconditional love and finding that love at the end and going through hell to find it in some ways. Itās not a Broadway show; there isnāt a lot of dialogue except for conversations with a giant toilet.
Q: Is there a particular segment of the show that makes you nervous because of all the scampering around youāre doing in high-heeled boots?
Perry: We say our prayers for protection every single time. I mount a huge rocking horse and that can sometimes have its moments. When we come back after a break, sometimes (the dancers) mess with me and rock it really hard. Itās like going back to my teenage self and riding a surfboard.
Q: In the last part of the show you sing āThe Greatest Love of All,ā which I thought was an interesting choice since it hasn't been part of your live shows or album repertoire. Why that song?
Perry: Iām curious, why did you think it was an interesting choice?
Q: Probably because itās so associated with Whitney Houston.
Perry: I donāt sing it like she sings it. I wanted to do my own interpretation of it in its original (George Benson) form. After I had my daughter, the song spoke to me in a different way. I feel like Daisy has given me the greatest love of all and I find it now in my family life.
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Q: You made a comment during the show I saw that youāre 37, so you have Botox. Do you feel that the industry is still unkind to women as they get older?
Perry: The truth is, the music industry is a young personās game. Everybody loves music and the passion, but the fandom is younger; thatās just what it is. Iām just going to keep on making music as the message comes to me. The great thing Iāve been able to find is a lot of freedom. In the beginning, I was creating art because the art moved me, and somewhere along the way, the noise comes in and you start making art with a little influence from the outside. If you can survive that, you get to a point where you (don't care what others think) and you go back to making art from that really pure place again. I donāt have to prove anything anymore. I have graduated from all of it with honors. I became valedictorian, so what extra credit do I get? (Laughs.)
Q: Youāve got a shoe line (Katy Perry Collections), you co-founded De Soi beverages, youāre a judge on āAmerican Idolā and a mom. How are you balancing everything?
Perry: Thereās a lot more balance when you have a family. A lot falls away that isnāt really important. Itās more focused when you do decide to work because you think, these two hours I could be going to the park or the zoo, especially in these years of a childās life when their whole mind is being formed. Vegas was a fantastic opportunity to take my daughter to preschool and then Mommy goes to work. But Iām at my best multitasking. Iām transitioning a little more into the entrepreneurial space and the shoe line was an opportunity to become a CEO. These are branches of my tree. My trunk will always be music, but I have many branches.