It’s All “Irrational Clothing”—The Spring 2025 Menswear Shows Reflect the Chaotic State of Fashion

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From left to right: Undercover, Magliano, Prada, Hermès, Wales Bonner, Junya Watanabe, Dries Van Noten, Loewe.Photos: Gorunway.com

Putting together a trend report is a most daunting task. How to summarize months of work and countless looks—plus all the front-row chatter—into one list? After the spring 2025 menswear collections, the project was even more challenging. What does one make of a season of contradictions?

With the Olympics taking place in Paris this month, the men’s shows were immediately followed by couture, effectively turning Paris into a two-week fashion marathon. It was go, go, go all the time, a pace not helped by the closed metro stations, ludicrous traffic, and a perceptible undercurrent of anxiety. That talk in the front row? It was often about just how few designers are making money and the world crises amidst which fashion strains for relevance.

On the runways what we saw was push-pull between magnitude and intimacy. A year after his debut show at Louis Vuitton, Pharrell Williams took over the UNESCO Headquarters courtyard for a massive display about togetherness, while Kim Jones placed giant sculptures by the ceramicist Hylton Nel on his runway, where he sent out a sweater with the embroidered message “Dior for my real friends.” Rick Owens, ever the disruptor, staged a spectacle of epic proportions—we saw 10 looks, each repeated 20 times, on a total of 200 models—that was, at its core, a conversation about intimacy. Its vastness made one feel both small and present. “We’re trying to give people options to what are standard conventional ideas of aesthetics,” Owens said. “If we can blur the lines and make people consider other things, maybe that can lead to blurring the lines in consideration of how people treat each other.” My seatmates all cried.

The finale at Rick Owens, spring 2025 menswear.

Hed Mayner staged a tiny show that underscored the hulking proportions of his clothes, his magnificent jackets and trousers caressing the knees of every attendee as they walked by. Likewise at Grace Wales Bonner, whose tightly-sat show at the Musée des Arts Décoratifs amplified the laidback sultriness of her ode to sea-side living, a theme also touched upon at Hermès.

The body and the best way to expose it were top of mind, starting in Milan with Luca Magliano’s cheeky nod to cruising and sex: “They have to be addressed with no shame or judgment, because it’s who we are,” he said. Loosening up after a fall Prada collection rooted in the constraining formality of traditional masculinity, Raf Simons and Miuccia cut their trousers slouchy and shortened the hems of their tops, effectively making the midriff the key erogenous zone of the season, though Paul Mescal who attended Gucci in short shorts and a loose button down that revealed his abdomen also did his part. Add Loewe, Emporio Armani, and Dsquared2 to that mix—almost everyone seemed eager to follow that happy trail.

The fall men’s collections in January emphasized wearability. Classicality remained a theme this season, but there was a new sense of nonchalance at Lemaire, Ami, and Dolce & Gabbana. “Sophisticated, but not pretentious” is how Ami’s Alexandre Mattiusi described it. While ties remained a thing, a couple of key labels in Milan satirized them. They were comically long at Moschino and irrationally large at JW Anderson. “Irrational clothing,” is how Anderson summed up his eponymous collection, an idea that somewhat wraps the season.

“We can sell clothes, which is great. But the goal for an artist is to create emotion,” said Mike Amiri. He’s found a sweet spot between his appetite for coolness and his romantic sensibility, and his show was a little pocket of joy packed in the middle of the week.

But there was no emotional high or sense of community quite like that felt at Dries Van Noten’s farewell show, which drew a who’s-who of fellow designers. Swapping nostalgia and sentimentalism for a timely sense of forward-looking optimism, he sent out metallic florals and breezy fabrics with a spellbinding buoyancy, a key story of the season that he gave a sense of gravitas to. That is what he’s always done—replace the occasional banality of this that we do with a raison d’être.

The finale at Dries Van Noten, spring 2025 menswear.

Dries Van Noten takes one final bow.

Read through for the 11 top trends of the spring 2025 menswear collections.

Core Work

Midriffs and happy trails become the center of attention.

A Leg Up

But gams got a closer look, too.

Give Me A (High) Break

Slim jackets with short lapels for a sense of dressiness…

Invertebrate Tailoring

…And billowing fabrics on coats and trousers for a sense of ease.

Easy Breezy

Sheer outerwear (and pants too)? It’s really a thing.

Call the Gardener

Lavender carriers and head-to-toe florals.

Too Many Lines Crossed

Plaid is now a spring fabric.

Waistland

Foldover and inside-out waistbands underline the midriff erogenous zone.

A Classic Man

You can’t go wrong with a nice shirt and good pair of pants.

I See Paris, I See France

Why can I see your underpants? Cotton boxers make a comeback.

Untied

Funky ties that undo last season’s formality.