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What’s the Deal With That Bar Rule in Top Gun: Maverick? An Investigation.

Photo: Scott Garfield/Paramount Pictures

A lot happens in Top Gun: Maverick that might take your breath away. After finally watching the biggest movie of the year, though, I could think of one thing only: the weird rule about phones in that bar. What was up with that?

A quick recap: Upon returning to Top Gun, Maverick (Tom Cruise) stops at a Navy bar and watches a very normal game of darts in which one player covers the other’s eyes. But Maverick can’t believe his eyes when he spies his old flame Penny (Jennifer Connelly) working behind the counter. Just as sparks appear on the verge of rekindling, the two agree to keep things platonic. Penny then celebrates their arrangement by ringing a bell to let everybody in the place know Maverick is buying the entire bar a round … because he put his phone on the counter … which is against the rules … which he should know because they’re listed on a tiny sign.

Right away, people start thanking and dunking on Maverick, including a tanned Adonis played by Glen Powell who orders “four more on the old-timer.” It all seems like a put-on at first, but then Penny actually holds Maverick’s feet to the money-fire. I can’t stress enough that he is smiling this entire time as if this is all just another classic Maverick aggressive bar flirtation.

When Maverick tries to pay the enormous bar tab, his credit card gets declined, and Penny won’t accept the cash in his pocket as an advance.

“I’m afraid rules are rules,” she says, ringing the bell once more, causing everybody at the bar to chant “Overboard! Overboard!” as a trio of yoked fighter pilots materialize behind our Maverick and throw him out of the bar like three Uncles Phil tossing out Jazz.

Once excommunicated, Maverick realizes Rooster (Miles Teller), the son of his famously dead former wingman, Goose (Anthony Edwards), has been playing piano in the bar this whole time. Maverick is now lost in painful memories of their complicated history. Penny notices him moping through the window, and it is strongly implied that she correctly intuits the cause of his sudden sadness — not that he might be sad because he just lost untold hundreds of dollars and got clowned on with extreme prejudice merely for texting Iceman (Val Kilmer).

The movie hasn’t even begun to cook yet, but throughout all the awesome sky action to come, I remained fixated on that phone rule. Why would the rule be so rigidly enforced? Are viewers supposed to applaud the rule, even though it smacks of boomerish disdain for these darn millennials and their dang phones? How often would the rule have to be violated before everyone at the bar knew what each specific ding of the bell means? And why are they all so excited, anyway — don’t they worry someone they care about might be next? Oh, and most important of all: Why does a sequel to the cinematic apex of American patriotism apparently hate freedom?

Refusing to let the matter drop after the credits, I searched high and low for answers.

It turns out this bar is inspired by a real place: the World Famous I-Bar, located at Naval Station North Island in Southern California. Reportedly, I-Bar has been a cherished Navy hangout since the 1930s, and it does indeed have a rule against putting cell phones down on the counter along with several other rules that also penalty out to “buying a round of cheer.”

But if the filmmakers thought they were weaving in The Bear-like authenticity with this phone rule, they were sorely mistaken.

I asked my Marine father-in-law about the rules at I-Bar — incidentally, this was the first time having a Marine father-in-law proved more helpful than terrifying — and his face lit up. Hearing about the I-Bar’s rule against wearing uniform hats inside took him right back to the days when he might have had a drink in such a place. The no-hat rule is a well-known tradition, as he recalls. His Marine days ended before cell phones were everywhere, though, so he couldn’t weigh in on that rule.

Why did the no-hat rule get replaced in the movie by a rule against speaking ill of the Navy? Seems redundant for a bar on a Navy base. Photo: Paramount Pictures

None of this helped me better understand why people at a bar would enjoy ejecting customers, let alone going it about as roughly as Goose getting ejected from that jet. All over a silly rule on a little sign! To find out, I got in touch with the Jennifer Connelly equivalent at the I-Bar — a woman named Debbie Stoneman, who has worked there for 22 years.

The phone rule started many years ago, according to Stoneman, when an admiral came to I-Bar and was dismayed to see so many eyes glued to so many phones. It sort of took the place of a previous rule that if anyone called the bar looking for their husband, the bartender rang a bell and the husband had to buy everyone a beer.

Buying a round is not as bad as it seems in the movie, though. The real bar is much smaller than the one in Top Gun, and drinks are only $6.50, so the average round is about $70. In fact, the largest tab Stoneman remembers anyone paying for a round ever was a couple hundred bucks — a relatively paltry sum compared with whatever Maverick pays when he returns the next day.

The denomination of the bills in his wad is conveniently obscured. Photo: Paramount Pictures

If people tend to be good sports about buying a round, as Stoneman claims, it’s probably because they were aptly warned first. Following the phenomenon of Top Gun: Maverick, I-Bar has posted signs with the house rules near the front and back doors, making them nearly impossible to miss. Some of the many recent visitors — civilians are welcome, but they need a military escort to get on base — even break the rules intentionally just to live out their Top Gun fantasies.

But what happens when people aren’t such good sports about buying a round?

Absolutely nothing.

“We can’t make anybody buy a round,” Stoneman says. “It’s just a suggested thing only.”

With this last revelation, everything makes sense. Of course the real-life bar hasn’t trained its patrons to enforce and celebrate expelling the noncompliant. That would be a hostile, legally sketchy, and downright un-American thing to do.

I reached out to Top Gun: Maverick screenwriter Christopher McQuarrie to find out how this dramatization came about, but he was “too busy” to respond to my questions. Perhaps it’s because he is currently in Europe, directing the next two Mission: Impossible movies; perhaps it’s because he’s afraid of the truth. Little does he know, however, that I have a tiny sign on my desk clearly stating that any creatives who don’t respond to my questions have to buy me a Jersey Mike’s sub — and unlike the rules at I-Bar, it is not just a suggested thing only.

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What’s the Deal With That Bar Rule in Top Gun: Maverick?