Bilge Ebiri is a film critic for New York and Vulture. His work has appeared in The Village Voice, the New York Times, Rolling Stone, and the Criterion Collection.
Longlegs Is Mostly TerrifyingThis tense, odd thriller mines the horror of ordinary people compelled to do terrible things — an unnerving reflection of modern anxieties.
deep dives
The Discomforting Legacy of Wendy TorranceShelley Duvall’s performance in The Shining is just one of the many bold, perplexing aspects of Stanley Kubrick’s beloved adaptation.
best of 2024
The Best Movies of 2024 (So Far)A sprawling western, a thrilling prequel, and a nonagenarian who finally gets a starring role worthy of her talents.
I Never Want to See This Movie AgainThe Devil’s Bath, a twisted horror drama from the directors of Goodnight Mommy, is both deeply captivating and deeply upsetting.
movie review
Dakota Johnson Is Actually Great in DaddioSean Penn is better than he’s been in years in Christy Hall’s old-fashioned strangers-in-a-cab drama. But Johnson nearly acts him off the screen.
What Exactly Was Mad Max Doing in Furiosa?Tom Hardy’s Fury Road stunt double appears as Mad Max in one brief cameo. But George Miller might have plans to explain this little passage.
The 12 Best Movies We Saw at Cannes This YearA Brighton Beach stripper saga, an absurdist Canadian satire, a body-horror fable, and all the movies we’ll be yelling about in the months to come.
cannes 2024
It’s No Wonder That Cannes Fell for AnoraThere are wild moments in Sean Baker’s Palme d’Or winner that feel like real life letting itself in through the door and upending the narrative décor.
How Do You Know When the World Is Over?Beneath the modest surfaces of Ryusuke Hamaguchi’s Evil Does Not Exist runs an undercurrent of personal and ecological apocalypse.
