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Displaying all articles tagged:
Art Review
art review
June 14, 2024
Jenny Holzer’s Word Salad
Her takeover of the Guggenheim reads like intellectual clickbait for the extended Trump era.
By
Jerry Saltz
art review
May 27, 2024
Maurizio Cattelan’s Enormous Wall of Kitsch
A shiny bauble meant to comment on capitalism and to sell.
By
Jerry Saltz
art review
May 14, 2024
LaToya Ruby Frazier’s MoMA Show Does Too Much
The photographer wants to “stand in the gap between working-class and creative-class people.” But her show’s venue makes that impossible.
By
Madeline Leung Coleman
art review
Apr. 24, 2024
Taxi Driver
Was Always About Race
A new film by Arthur Jafa restores the Scorsese classic to its original intention.
By
Jerry Saltz
art review
Mar. 19, 2024
What to See and What to Skip at the Whitney Biennial
Jerry Saltz searches for the real thing at the museum’s latest survey of contemporary art.
By
Jerry Saltz
art review
Mar. 8, 2024
Byzantium Regained
The Met’s exhibition of art from the African territories of the Byzantine Empire was a triumph.
By
Jerry Saltz
art review
Feb. 23, 2024
The Met’s Tremendous Harlem Renaissance Show Redefines Modernism
Jerry Saltz says we’ve gotten everything wrong about the big bang of 20th century art.
By
Jerry Saltz
art review
Feb. 16, 2024
Pictures From a Genocide
An astonishing new show of Native American ledger drawings brings a historic crime into focus.
By
Jerry Saltz
art review
Jan. 20, 2024
What Was the Bodega?
Tschabalala Self’s ambivalent investigation of the cornershop.
By
Jerry Saltz
art review
Dec. 21, 2023
The Impeccable Peacocks of Barkley Hendricks
A master portraitist takes his place alongside the Whistlers at the Frick.
By
Jerry Saltz
art review
Nov. 30, 2023
The Triumph of Dana Schutz
Five years after the Whitney scandal, she is doing her best work yet.
By
Jerry Saltz
art review
Nov. 17, 2023
A Painter’s New Civil War
The perverse visions of Hilary Harkness.
By
Jerry Saltz
art review
Oct. 24, 2023
The Beautiful Ones
The tender paintings of Njideka Akunyili Crosby.
By
Jerry Saltz
art review
Oct. 17, 2023
Judy Chicago Didn’t Stop at ‘The Dinner Party’
Her famous (and controversial) installation cast a long shadow over her career. A New Museum show expands the Chicago canon.
By
Jillian Steinhauer
art review
Oct. 3, 2023
The Fearless Freedom of Henry Taylor
His new retrospective at the Whitney is the best show of 2023.
By
Jerry Saltz
art review
Sept. 26, 2023
Three Jews and a Painting
Who is Marc Dennis teasing?
By
Jerry Saltz
art
Sept. 21, 2023
A 19th Century Masterpiece That Scandalizes Still
Manet’s
Olympia,
now on view at the Met, remains as disturbing as ever.
By
Jerry Saltz
art review
Sept. 8, 2023
The Deadpan Precision of Ed Ruscha
Cars, suntans, palm trees, and swimming pools.
By
Jerry Saltz
remembrance
Aug. 11, 2023
Brice Marden’s Infinitesimal Hinge
The artist, who died this week at the age of 84, made minimalism new.
By
Jerry Saltz
art review
June 21, 2023
Agata Slowak’s Personal Jesus
The Polish artist’s classically inspired paintings put a new spin on Catholicism and Freud.
By
Jerry Saltz
art review
June 20, 2023
The Subversive Self-Portraits of Iiu Susiraja
“Being blank is the same as being real,” she has said.
By
Jerry Saltz
art review
June 13, 2023
A Persia of the Mind and the Loins
The sensual drawings of Reza Shafahi.
By
Jerry Saltz
art review
June 5, 2023
When Did Art Fairs Become Painting Fairs?
The numbing sameness of the art world’s tent-city souks.
By
Jerry Saltz
art review
May 26, 2023
Nina Katchadourian’s Hidden Connections
The artist has turned the Morgan into a cabinet of curiosities.
By
Jerry Saltz
art review
May 11, 2023
Kyle Dunn’s Night Fever
A new show examines moments of strange, intense emotion.
By
Jerry Saltz
art review
Apr. 25, 2023
The Joyful Confessions of Xiyadie
A new show explores the hidden pleasures and regrets of a gay artist from China.
By
Jerry Saltz
art review
Apr. 11, 2023
A Sanctuary Between Japan and America
Miyoko Ito’s work traverses the divide between past and present, and between one country and another.
By
Jerry Saltz
art review
Apr. 3, 2023
Sarah Sze’s Big Little Things
The interstitial worlds of “Timelapse” take over the Guggenheim.
By
Jerry Saltz
art review
Mar. 20, 2023
An Artist Reckons With the ‘Fat’ Body
Shona McAndrew says she didn’t look at herself in a mirror for ten years.
By
Jerry Saltz
art review
Mar. 7, 2023
The Beaded Masterpieces of Myrlande Constant
The master weaver writes Haitian myths anew.
By
Jerry Saltz
art review
Feb. 28, 2023
The Magical Last Hours of the Felix Gonzalez-Torres Show
How viewers can change the meaning of a great artist’s work.
By
Jerry Saltz
art review
Feb. 9, 2023
Marlon Mullen’s Anomalous Translations
His new show at JTT gallery rearranges the visible into bright, pulsing abstractions.
By
Jerry Saltz
art
Jan. 6, 2023
William Eggleston’s Atmospheric Disturbances
His photographs from the 1970s are a clairvoyant glimpse of the future.
By
Jerry Saltz
art
Oct. 28, 2022
A Painting for a World in Collapse
What
The Raft of the Medusa
reveals about contemporary political art.
By
Jerry Saltz
remembrance
July 27, 2022
Jennifer Bartlett’s Great Tree of Life
The artist wanted to make a work “that had everything in it.”
By
Jerry Saltz
art review
June 7, 2022
Yu-Wen Wu’s Algorithmic Odyssey Around the World
A brilliant work on the immigrant experience, courtesy of a glitch in the Matrix.
By
Jerry Saltz
art review
May 19, 2022
A Universe in South Central
Lauren Halsey’s new show is an overflowing tribute to her Los Angeles neighborhood.
By
Jerry Saltz
art review
May 3, 2022
Matisse’s Miracle in Red
A small exhibition at MoMA captures a big moment in Modernism.
By
Jerry Saltz
art review
Apr. 1, 2022
The Whitney Biennial Falters On
The 2022 show has just enough high points to get you through it — including three stunning Charles Ray sculptures.
By
Jerry Saltz
best of 2021
Dec. 17, 2021
The Best New York Art Shows of 2021
The art world has changed forever. But New York galleries still rule.
By
Jerry Saltz
art review
Dec. 9, 2021
For Gillian Wearing, Authenticity Is a Matter of Opinion
In her Guggenheim show “Wearing Masks,” the British artist explores the gray area between the self and performance.
By
Anna Furman
art review
Nov. 12, 2021
John Currin Is the Caligula of Painting
A new show is even more unsettling and disturbing than those that made his controversial name.
By
Jerry Saltz
art review
May 12, 2021
Frieze New York and the Return of the Megafairs
Social reentry, sensory overload, and some very good art at the first big event since … well, you know when.
By
Jerry Saltz
art review
Apr. 12, 2021
In Artist Cory Arcangel’s Latest Show, Kim Kardashian Provides the Material
The artist gives the smartphone game
Kim Kardashian: Hollywood
the white-cube treatment at Greene Naftali.
By
Katie Rothstein
art review
Apr. 6, 2021
The Detonations of Alice Neel
The artist’s portrait show at the Met is packed with raw emotional power.
By
Jerry Saltz
art
Mar. 18, 2021
The Frick on Madison Finally Lets You See Fragonard Up Close
Empowered by its new setting, work once considered frivolous becomes visual thunder.
By
Jerry Saltz
art review
Feb. 25, 2021
Heartbreak and Resurrection in ‘Grief and Grievance’ at the New Museum
A brutal, essential show that pulls from the canon of Black contemporary art.
By
Jerry Saltz
art
July 15, 2019
Why Did It Take So Long for the World to Recognize the Genius of Joseph Yoakum?
In fairness, it took me a long while, too.
By
Jerry Saltz
art review
June 25, 2019
Alexander Calder’s
Circus
is Back in Town
The artist’s wee sideshow is restored, and back at the Whitney.
By
Jerry Saltz
art
Nov. 2, 2018
This Long-Running MoMA Show Might Restore Your Faith in Utopianism
Finding solace in Bodys Isek Kingelez.
By
Jerry Saltz
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