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The pleasure of the finale is in watching Vergara say goodbye to this character.
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“If one more man tells me he’s protecting me, I’m going to cut his balls off!”
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Fun, effective, sexy, bloody, sometimes surprising, frequently lovely and thoughtful stuff.
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This is a fun show, one that I have a feeling is about to get a lot more fun (for certain definitions of “fun” anyway) as the real cocaine cowboy ...
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Two absolutely rapturous montages — the latter set to a kickass version of “Watermelon Man” — stand out as the episode’s absolute highlights.
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Vergara stars in the title role in this fictionalization of Blanco's story, from the creators of Narcos.
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It's fitting that a narcocorrido about Amado accompanies the final scene of the series.
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Narcos is always at its best when it's simultaneously at its most elegiac and most cynical.
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This episode's highlight is simply the performance of José María Yazpik as Amado.
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New ones will always roll in to replace the old.
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In a plot- and action-heavy episode such as this, Narcos: Mexico rarely has time to let things breathe, cinematically speaking.
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We're only halfway through the season, but the party is already over.
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The fourth episode of the show’s third season opens with what amounts to a flashback to the original Narcos’ second-season climax.
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Narcos: Mexico may be over, but there's a lot more to this story.
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Words like violence break the silence.
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You need to set things up in order to knock them down.
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"Welcome to Juarez, Mr. Hank."
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"It feels different from the kingpins we’ve seen in the past, which is an exciting opportunity," showrunner Carlo Bernard told Decider.
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Netflix hasn't quit the cocaine game just yet.
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One thing Narcos teaches you is to look for the little things.