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  • The Chaos That Has Been and Will No Doubt Return

    The Chaos That Has Been and Will No Doubt Return review – Luton’s teen spirit

    Friends facing an uncertain future attend a boisterous party in this authentically played, vibrant drama
  • The cast of Comala, Comala on stage.

    Comala, Comala review – haunting and hallucinatory musical theatre from Mexico

  • Rehearsals for Peanut Butter and Blueberries at the Kiln

    In times of racist violence, loving others can feel like a vulnerable act – but it’s an essential one

    Suhaiymah Manzoor-Khan
  • Clementine Benson in Epilogue from Lewis Major's Triptych

    Lewis Major: Triptych review – intense movers trip the light fantastic

  • Julia McDermott in Weather Girl.

    Weather Girl review – apocalyptic comedy gives chilling forecast for a burning planet

  • D‘Why are people shocked? Do they not have the same thoughts?’ … Ireland.

    ‘I went straight to whisky at 14’: David Ireland on tackling booze on stage

  • Jane Horrocks as Meg in The Birthday Party at Ustinov Studio.

    The Birthday Party review – Jane Horrocks hosts in a house of horrors

    Inviting macabre surrealism and terror by torchlight on to a brown 1950s set, Richard Jones leaves room for interpretation in Pinter’s early play
  • Margolyes & Dickens: The Best Bits

    Margolyes & Dickens: The Best Bits review – the nation’s favourite foul mouth

  • For British profit … 24 Tons of Silence, part of Songs of Roses by Ibrahim Mahama at the Fruitmarket Gallery.

    Edinburgh art festival review – haunting return of the railway that robbed Africa

  • My Mother’s Funeral: The Show review – startling comedy sprung from class war and grief

  • Pericles review – Alfred Enoch rules the stage in a neglected Shakespeare

  • Natalie Palamides: Weer review – an outrageously entertaining one-woman romcom

  • So Young review – spirited cringe comedy uncorks shock and awks

  • Fiddler on the Roof review – shtetl showstoppers speak to the present

  • What Songs May Do... review – Nina Simone puts a spell on dance duet

Loads more stories and moves focus to first new story.
  • Cumulative power … Grupo Corpo perform in Edinburgh.

    Grupo Corpo review – the Brazil of Gilberto Gil and Umbanda in music, mood and motion

    This double bill has sun and shade, and if at times the momentum gets stuck there’s still a mighty spring in its step
Loads more stories and moves focus to first new story.
  • Louise Atkinson, comedian, press photo

    Louise Atkinson: ‘Billy Connolly could tell me a story about a mayonnaise jar for two hours’

  • Olaf Falafel

    ‘This isn’t going to be sensible!’ Olaf Falafel, Edinburgh fringe’s king of one-liners

  • JOSH THOMAS

    ‘People would clap, and I’d feel repulsed’: Josh Thomas on quitting standup – and what brought him back

  • Man makes shocked face on stage while holding microphone

    Joe Rogan’s Netflix special is another tired, and unfunny, tirade

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  • Sunrise over an estate of semi-detached housing

    ‘Sprinkled with stardust’: Stoke-on-Trent’s mythic UFO landing comes to the stage

  • Brilliantly boastful … Richard Fleeshman as Shakespeare.

    Something Rotten! is a riotous Shakespeare musical ripe for the West End

  • A mere three … Ian McKellen in Henceforward (1988); Michael Gambon in A Chorus of Disapproval (1985); Jane Asher in The Things We Do for Love (1997).

    ‘My first play was terrible!’ Alan Ayckbourn on his dazzling career – and writing his 90th play

  • Nadia wears suit by lisou.co.uk; top by uk.maje.com; and jewellery by Phase (@phase._)

    ‘We need to be seen’: Nadia Nadarajah on portraying Shakespeare’s greatest heroines – as a deaf actor

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Pictures & video

  • Recirquel: Paradisum

    All eyes on Auld Reekie: Edinburgh festival 2024 begins

  • The Constituent was due to begin just as players were lining up to take penalties to secure a place in the Euros semi-finals

    0:46

    James Corden delays play to watch Euros penalty shootout with audience

    The Constituent was due to begin just as players were lining up to take penalties to secure a place in the Euros semi-finals
  • Rehearsals for The School for Scandal at the Royal Shakespeare theatre

    No rest for the wicked: The School for Scandal at the RSC

    Sheridan’s 18th-century comedy of manners is staged for the Royal Shakespeare Company this month by director Tinuke Craig. Enter a backstage world of wigs, fans and frocks
  • Groundbreaking … a scene from Mnemonic, conceived by Simon McBurney.

    A night to remember: the return of Complicité classic Mnemonic

  • ‘Don’t be afraid to shine’ … Nikita Gold

    ‘Our message? Be fabulous!’: Drag artists with Down’s syndrome

  • Maleah Joi Moon and the cast of Hell’s Kitchen perform onstage during the 77th annual Tony awards at the Lincoln Center in New York City on Sunday

    Tony awards 2024: red carpet looks and best of the show

  • Derek Deane, back centre, with English National Ballet rehearsing Swan Lake In-The-Round by Derek Deane, opening at The Royal Albert Hall on 12th June. Rehearsals taking place at ENB Headquarters at Hopewell Sq, Canning Town.
(Opening 12-06-2024)
©Tristram Kenton 05-24
(3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550  Mob 07973 617 355)email: tristram@tristramkenton.com

    Now spread your wings! Flock of 100 dancers star in English National Ballet’s Swan Lake

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    ‘My poor kid has been haunted by it’: Harry Potter and the reviewer that mattered most

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    Jack Thorne’s baby son was a key influence on Harry Potter and the Cursed Child. So it was a big day when he was old enough to see it with the playwright for the first time
  • A lab, a haven … Afolabi Alli, Matthew Romain and Harry Treadaway rehearsing for The Grapes of Wrath.

    ‘It’s the talent pipeline’: inside the National Theatre’s hit-making hothouse

    Where does the National send up-and-coming playwrights to have their ideas honed, pulled apart, rebuilt – and turned into dramatic dynamite? Our writer is granted rare access to the hallowed confines of ‘the Studio’
  • A still from the 2024 documentary Grand Theft Hamlet

    ‘Don’t kill the actors’: three friends’ quest to stage Hamlet in Grand Theft Auto

  • Ian McKellen as Estragon and Patrick Stewart as Vladimir in Waiting For Godot at the Theatre Royal Haymarket in 2009.

    The waiting is over! Have the times finally caught up with Godot?

  • ‘We need a cultural economy that can sustain a career in the arts’ … Bayadère: The Ninth Life by Shobana Jeyasingh.

    ‘The arts stop us killing each other’: stars tell Labour how to rescue Britain’s downtrodden culture

  • Christopher Villiers and Nancy Carroll

    Actors’ show-stopping art exhibition: ‘We’re used to rejection so nothing was turned down!’

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