The Life and Times of Jerry Springer

The Life and Times of Jerry Springer

Jerry Springer’s sole sibling (Evelyn) and parents emigrated to the U.S. in 1949. As Springer often remarks, “I left England at age five when I found out I couldn’t be king.” And therein lies a more revealing truth about Springer’s character than of Bob Hope’s, from whose repertoire he borrowed. With the assistance of a New York-based Jewish refugee foundation the family settled in a tightly-knit Jewish neighborhood in Queens, New York, where Springer’s aunt resided. Richard Springer made stuffed animals and peddled them on street corners, with Jerry often in tow. Margot worked as a bank clerk. Jerry’s mother laid down firm rules governing the household. ”It was always work before play,” she recalls. “‘I guess it’s the German in us.’”

Read More

“Our Humor Expresses Our Concerns” Norman Lear and the Politics of Jewish Revolutionary Laughter

“Our Humor Expresses Our Concerns” Norman Lear and the Politics of Jewish Revolutionary Laughter

Jewish social scientists throughout the post-war period succeeded in pathologizing America’s Christian subconscious as a wellspring of “bigotry.” Lear and his team of writers likewise brought this distorted rendering of the American psyche to life in the Archie Bunker persona, a man whom the celebrated producer describes as “a fearful human being” who “was afraid of tomorrow. He was lamenting the passing of time,” Lear says of the Bunker pater, “because it’s always easier to stay with what is familiar and not move forward.”

Read More

"Putting on the Whole World" Jerry Lewis and America’s Descent into Jewish Comic Madness

"Putting on the Whole World" Jerry Lewis and America’s Descent into Jewish Comic Madness

Yet there is more here than meets the habitually adoring eye. Decades before the notion of “transgenderism” or same sex marriage emerged, Lewis’ unpredictable, crass, and effeminate character, dubbed “the Kid” or “the Idiot,” pushed the boundaries of acceptance by promoting a marked irreverence for established authority and mores; his unconventional schtick involved parodying curbed intellectual development, dressing in drag, and femininely catering on stage (or camera) to longtime comedy teammate Dean Martin…

Read More