Private Prisons How They Are Profiting Under the Trump Administration


By Hauwa Ahmed, AmericanProgress.org privateprisons1 Getty/Jessey Dearing/The Boston Globe There are more people behind bars in the United States than there are living in major American cities such as Phoenix or Philadelphia. According to a 2018 report from the U.S. Bureau of Justice Statistics, nearly 2 million adults were being held in America’s prisons and jails. Of these 2 million prisoners, about 128,063 were detained in federal or state facilities operated by private prison facilities, a 47 percent increase from the 87,369 prisoners in 2000. In 2016, the U.S. Department of Justice’s (DOJ) inspector general initiated a review to examine conditions at a number of for-profit prisons that the federal government contracted with from fiscal year 2011 through fiscal year 2014. A report on the findings indicated that private prisons had a 28 percent higher rate of inmate-on-inmate assaults and more than twice as many inmate-on-staff assaults compared with federally run or operated prisons. Furthermore, the report found that for-profit prisons in the United States were more likely to endanger inmates’ security and rights. These problems were so significant that in August 2016, the Obama administration announced that it would begin to phase out private prisons. As the number of incarcerated individuals in for-profit prisons grew, so did the number of immigrants detained in such facilities. According to a report by the Sentencing Project, about 4,841 immigrants were detained in for-profit facilities in 2000. By 2016, that number had soared to 26,249 immigrants—a 442 percent increase. In the wake of the DOJ’s decision to phase out the use of for-profit prisons, the Homeland Security Advisory Council reviewed the U.S. Department of Homeland Security’s (DHS) use of private immigration detention facilities. Immediately after this review was announced, the stock prices of private prison company giants CoreCivic—formerly the Corrections Corporation of America—and the GEO Group Inc. dropped by 9.4 percent and 6 percent, respective. A majority of the council agreed with the view that DHS should begin to move away from using private prison facilities but recommended that while they were still in use, they “should come with improved and expanded (U.S. Immigration and Customs Enforcement) oversight.” Following the inauguration of President Donald Trump in January 2017, however, the administration immediately shifted course to robustly support private prisons. In February of that year, then-Attorney General Jeff Sessions revoked the Obama administration’s initiative, and by April 2017, the DOJ began requesting bids for contracts to house federal inmates in private prison facilities once again. That same month, the GEO Group won a $110 million contract to build the first detention center under the new administration. The fact that private prisons have serious, documented flaws raises questions as to why the Trump administration is so eager to support them. It is noteworthy that a pro-Trump PAC and the president’s inaugural committee have benefited from the private prison industry’s financial contributions. The Trump family business has benefited from the industry’s patronage as well. This issue brief details how Trump administration policies have increased the migrant detainee population—and the profits of private prisons—as well as endangered the lives of migrants being held in detention. The brief then illustrates just how much money private prisons have spent in U.S. political campaigns. Trump administration policies have increased the number of migrants in detention The Trump administration has implemented policies that have increased the number of migrants in detention. In early 2017, President Trump signed an executive order titled “Enhancing Public Safety in the Interior of the United States,” which instituted a massive expansion of immigration enforcement within the United States. It defined enforcement priorities so broadly that all undocumented individuals became subject to deportation orders, regardless of how long they had been in the country. The order represented a radical departure from the Obama administration’s approach, which prioritized the removal of migrants who had been found guilty of crimes. The executive order also directed state and local police to enforce federal immigration laws. Similarly, in April 2019, current Attorney General William Barr rescinded a decision that enabled eligible asylum-seekers to request bond from immigration judges. This decision effectively instituted indefinite detention due to the fact that some migrants will now be held in detention for months or years before their cases are adjudicated. Moreover, in July 2019, DHS increased its application of expedited removal, a fast-track summary process for deporting noncitizens without a hearing from an immigration judge. Last week, the Trump administration issued a final rule in a legally questionable attempt to make changes to the 1997 Flores agreement, a long-standing legal agreement specifying basic standards of care for minors in detention. As interpreted, this agreement requires that minors not be held in unlicensed secure detention facilities for more than 20 days. If implemented, the administration’s changes would effectively cause undocumented children and their families to be detained in inadequate, unlicensed facilities indefinitely. According to the president of the American Academy of Pediatrics, “no child should be placed in detention … even short periods of detention can cause psychological trauma and long-term mental health risks.” As expected, the Trump administration’s hard-line immigration policies have led to a record-high number of immigrant detainees. Currently, there are about 54,344 immigrants detained in about 200 detention centers across the country. In 2017, the last time ICE produced such data, more than three-fourths of the average daily detainee population was being held in a for-profit detention facility. CoreCivic and the GEO Group are recipients of more than one-half of private prison industry contracts. These companies manage the detention of immigrants seeking asylum, those awaiting hearings in immigration courts, and those who have been identified for removal. For every 100 immigrant detainees, 32 are in GEO Group facilities, and 21 are in CoreCivic facilities. A record number of immigrants have died in detention. Since 2017, 27 immigrants have died in ICE custody, including a transgender woman named Roxsana Hernandez. Johana Medina Leon, also a transgender woman, died shortly after being released from custody. Of these 27 immigrants, 21 have died in facilities that are owned or operated by for-profit prison companies. In June 2019, the government’s own investigators determined that conditions in major private prison facilities were “unsafe and unhealthy” and violated ICE’s own standards. Despite these failures, the industry is benefiting enormously. Trump administration policies around enforcement priorities and detention practices have led to an increase in the demand for detention space, which has resulted in record-high profits for private detention facilities. Under the Trump administration, ICE has significantly increased its enforcement operations, which has directly contributed to the rise in the migrant detainee population. In order to achieve this, ICE has consistently exceeded its budget. According to reporting from Buzzfeed News, there were 52,398 people in ICE custody in May 2019. Congress provided funds for ICE to maintain an average of 45,000 people in detention per day in the latest budget, but with about 54,344 migrants in detention currently, the agency is overspending these funds by more than 15 percent. DHS has also increasingly begun diverting funds that had been earmarked for other agency operations to ICE in order to fund enforcement and detention operations. According to a Roll Call report, DHS intends to divert more than $200 million from other programs—including disaster relief programs—to fund immigration detention. This is the fourth consecutive fiscal year in which DHS has repurposed funds meant for other agency operations toward immigration enforcement. Significantly increasing the number of immigrants in detention means record-high profits for private prisons During his 2016 campaign, then-candidate Trump expressed support for expanding the role of private prisons and espoused hard-line immigration policies. The morning after his election, stocks in CoreCivic increased by 34 percent, and those in the GEO Group rose by 18 percent. The two companies have informed their shareholders that federal government contracts are integral to their profitability. In memos to their shareholders, both companies acknowledge that policies with the potential to reduce the U.S. detainee population constitute potential risk factors to their business model. Table 1 indicates the extent to which both CoreCivic and the GEO Group are dependent on three government agencies—ICE, the Federal Bureau of Prisons, and the U.S. Marshals Service—for their business. privateprisons2 In light of the fact that both CoreCivic and the GEO Group have depended on just three agencies charged with enforcement and detention operations for an average of about 48 percent of their revenues over the past two years, these two companies have a vested interest in the Trump administration’s punitive immigration policies to ensure that they remain profitable. Conditions in private detention facilities endanger immigrants’ lives In FY 2018, DHS received $3 billion for custody operations. At least 75 percent of the detention facilities for which DHS contracts are privately owned or operated. Despite this level of funding, conditions at these detention centers remain dangerous, and detainees’ rights are routinely violated. A 2019 Office of Inspector General (OIG) report on an investigation of ICE oversight of its contracted detention facilities indicates that the agency routinely waives its own standards, including those meant to ensure the health and safety of detainees. Additionally, ICE often fails to include its quality assurance surveillance plan (QASP)—a key tool for ensuring that facilities meet ICE’s performance standards—in facility contracts and rarely imposes financial consequences for facilities that are noncompliant. According to the OIG report, only 28 out of the 106 contracts reviewed contained a QASP. The report also stated that between October 1, 2015, and June 30, 2018, ICE imposed financial penalties on only two occasions despite documenting thousands of instances in which facilities failed to comply with detention standards. The OIG also investigated three GEO Group facilities and found “egregious violations of detention standards.” All three facilities were found to have expired food, putting detainees’ health at risk. The GEO Group-operated Aurora, Colorado, facility failed to provide recreation and outdoor activities to detainees. At another GEO Group-operated facility in Adelanto, California, the OIG identified detainee bathrooms that “were in poor condition, including mold and peeling paint on the walls, floors, and showers, and unusable toilets.” All of these infractions violate ICE’s standards. According to a 2018 letter from the Office of Rep. Kathleen Rice (D-NY) to DHS, “Of the 298 transgender people ICE detained in FY 2017, 13% were placed in solitary confinement.” This not only has adverse effects on detainees’ mental health and well-being but is also against ICE’s rules. While there is existing Obama-era guidance on how to provide care for transgender migrants in ICE custody, the guidance is not mandatory. Due to ICE’s negligence, LGBTQ+ immigrants continue to face a higher risk of sexual violence than the general population. And as for-profit prisons continue to play an outsize role in immigration detention while providing substandard care, the health and safety of vulnerable populations such as LGBTQ+ migrants remain especially at risk. Private prison companies are major players in political spending Although private prisons have been ineffective at providing high-quality detention services, they have been effective at supporting political allies. In the 2016 presidential election, for example, the GEO Group and CoreCivic donated $250,000 each to President Trump’s inaugural committee. In 2017, the GEO Group moved its annual conference to a Trump-owned resort in Boca Raton, Florida. Additionally, the GEO Group contributed heavily to the campaigns of some members of the U.S. House Appropriations Subcommittee on Homeland Security, the congressional subcommittee charged with funding DHS. These companies and their employees also contribute to congressional candidates, donating overwhelmingly to those running as Republicans. According to the Center for Responsive Politics, CoreCivic and its employees have spent about $3 million on campaign contributions to federal candidates and PACs since 1990. Eighty-five percent of CoreCivic’s contributions to federal candidates since 1990 have gone to Republicans, while 13 percent of its contributions have gone to Democrats. Additionally, CoreCivic has spent $26.1 million on lobbying since 1998. The GEO Group and its employees have donated about $4.4 million to federal candidates and PACs since 2004. Since that year, 54 percent of the GEO Group’s campaign contributions went to Republican candidates, while 15 percent went to Democratic candidates. Conclusion The Trump administration’s immigration policies as well as existing immigration legislation create structural incentives to increase detention, which has largely been achieved through the use of private prisons. This increased role drives these companies’ profitability while endangering the lives of immigrants through inadequate care and a lack of accountability. Special interests should not profit from immigration enforcement. Congress and the administration should hold private detention facilities that violate ICE’S standards accountable.
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justiceforbreonna
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A Message From Neil


photo: Michael Miller
Hi everyone. I just want you to know that I am aware the paper seems to have a lot of bad news and less music news than I would like. This is just what is happening in America and we can’t just close our eyes and ears. It’s a real issue. America is in serious trouble. Democracy is threatened. Today is no time to give up. It’s time to double down for justice and democracy. But we do have a lot of things being made ready for release here for you right now. Two Crazy Horse classics - ‘Way Down in the Rust Bucket’ on Dec 6, ‘Return to Greendale’ on November 6, and NYA Volume 2 on that same day - Nov 6 as well. NYA will be the place to get Volume 2. Pre-orders will be announced soon. All the NYA Volume 2 info will be coming right here very soon. In these days, like you, I have been staying home as much as I can, and that’s a lot. I have been working, staying busy, with projects that have actually come into being because of the crisis we are sharing. For me, a project called “The Timeless Orpheum” has been taking my time. It is a concert film with a lot of twists and turns, telling my story and yours, our history together. It will premiere right here in the Hearse Theater - for subscribers only, before it is offered elsewhere. We have had a wonderful time making this movie and it will be exciting for us to see how you like it. After it is introduced here at NYA for a few weeks, it will be offered in general release. Maybe in blu ray, which is the highest quality product for movies, much better than streaming because the sound and picture are much more clear. We live in the streaming world now and quality is for the few who seek it. We will always have it for you here at NYA. Big news will be coming regarding how we sell to the general public. We know NYA is just a niche and the complete audience is not even aware of us as of yet. The public will have an easy way to get the quality we offer. That announcement will be coming very soon. All the best, stay safe. Register and vote. We need change in the USA! be well, love Neil
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IT’S IN OUR HANDS itsinourhands


 
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Police Unions How they Became Such Powerful Opponents to Reform Efforts


Half a decade after a spate of officer-involved deaths inspired widespread protest, many police unions are digging in to defend members. policeunionsbecame1 Lt. Bob Kroll, the president of the Minneapolis Police Union, discussing the release of body camera footage in the shooting death of Thurman Blevins in 2018. Credit...Elizabeth Flores/Star Tribune, via Associated Press By Noam Scheiber, Farah Stockman and J. David Goodman, New York Times Over the past five years, as demands for reform have mounted in the aftermath of police violence in cities like Ferguson, Mo., Baltimore and now Minneapolis, police unions have emerged as one of the most significant roadblocks to change. The greater the political pressure for reform, the more defiant the unions often are in resisting it — with few city officials, including liberal leaders, able to overcome their opposition. They aggressively protect the rights of members accused of misconduct, often in arbitration hearings that they have battled to keep behind closed doors. And they have also been remarkably effective at fending off broader change, using their political clout and influence to derail efforts to increase accountability. While rates of union membership have dropped by half nationally since the early 1980s, to 10 percent, higher membership rates among police unions give them resources they can spend on campaigns and litigation to block reform. A single New York City police union has spent more than $1 million on state and local races since 2014. In St. Louis, when Kim Gardner was elected the top prosecutor four years ago, she set out to rein in the city’s high rate of police violence. But after she proposed a unit within the prosecutor’s office that would independently investigate misconduct, she ran into the powerful local police union. The union pressured lawmakers to set aside the proposal, which many supported but then never brought to a vote. Around the same time, a lawyer for the union waged a legal fight to limit the ability of the prosecutor’s office to investigate police misconduct. The following year, a leader of the union said Ms. Gardner should be removed “by force or by choice.” Politicians tempted to cross police unions have long feared being labeled soft on crime by the unions, or more serious consequences. When Steve Fletcher, a Minneapolis city councilman and frequent Police Department critic, sought to divert money away from hiring officers and toward a newly created office of violence prevention, he said, the police stopped responding as quickly to 911 calls placed by his constituents. “It operates a little bit like a protection racket,” Mr. Fletcher said of the union. A spokesman for the Minneapolis Police Department said he was unable to comment. A few days after prosecutors in Minneapolis charged an officer with murder in the death of George Floyd, the president of the city’s police union denounced political leaders, accusing them of selling out his members and firing four officers without due process. “It is despicable behavior,” the union president, Lt. Bob Kroll, wrote in a letter to union members obtained by a local reporter. He also referred to protesters as a “terrorist movement.” Mr. Kroll, who is himself the subject of at least 29 complaints, has also chided the Obama administration for its “oppression of police,” and praised President Trump as someone who “put the handcuffs on the criminals instead of us.” In other instances, unions have not resisted reforms outright, but have made them difficult to put in place. Federal intervention is often one of the few reliable ways of reforming police departments. But in Cleveland, the union helped slow the adoption of reforms mandated by a federal consent decree, according to Jonathan Smith, a former U.S. Justice Department official who oversaw the government’s investigation of policing practices there. Mr. Smith said union officials had signaled to rank-and-file officers that the changes should not be taken seriously, such as a requirement that they report and investigate instances in which they pointed a gun. “I heard this in lots of departments,” Mr. Smith said. “‘Wait it out. Do the minimum you have to do.’” He said he believed that the reforms have since taken hold. Steve Loomis, the Cleveland police union president at the time of the consent decree, said he and his colleagues saw some of the mandated rules as counterproductive. “Every time a kid points a gun, he has to do a use-of-force investigation,” Mr. Loomis said of his younger colleagues. “Now guys aren’t pointing their guns when they should be pointing their guns.” Robert Bruno, a professor of labor relations at the University of Illinois, posited that many police officers see themselves as authority figures who equate compromise with weakness. Other experts said it was rational for police unions, which are often regarded with suspicion by others in the labor movement and see themselves as distinct from it, to protect their members so relentlessly. “A major role for police unions is basically as an insurance policy,” said Dale Belman, a labor relations professor at Michigan State University who has consulted for police unions. “The feeling of a lot of officers is that it’s very easy to sacrifice them. Something goes wrong and boom.” This has only become more true in an era of ubiquitous cellphone cameras and social media. And the feeling of being under siege has only strengthened demands from union members that they be protected. In Baltimore, where the city and the Justice Department reached a consent decree in 2017 to overhaul police conduct, the union has described a police department in chaos, with severe staff shortages and low morale. Those who remain said they feel unsupported by their commanders. “They’re ready to throw police officers under the bus to appease the media and don’t support us even when our actions are appropriate,” said one officer surveyed in a report released last year by a group helping the department implement reforms. It remains to be seen how the unions will respond to reform initiatives by cities and states since Mr. Floyd’s death, including a new ban on chokeholds in Minneapolis. But in recent days, unions have continued to show solidarity with officers accused of abusive behavior. The president of a police union in Buffalo said the union stood “100 percent” behind two officers who were suspended on Thursday after appearing to push an older man who fell and suffered head injuries. The union president said the officers “were simply following orders.” All 57 officers on the Emergency Response Team, a special squad formed to respond to riots, had resigned from their posts on the team in support of the suspended officers, according to The Buffalo News. Unions can be so effective at defending their members that cops with a pattern of abuse can be left untouched, with fatal consequences. In Chicago, after the killing of 17-year-old Laquan McDonald by officer Jason Van Dyke, it emerged that Mr. Van Dyke had been the subject of multiple complaints already. But a “code of silence” about misconduct was effectively “baked into” the labor agreements between police unions and the city, according to a report conducted by task force. New York City’s police unions have been among the most vocal opponents of reforms in Albany, including calls to reform the state’s tight restrictions on the disciplinary records of officers. Amid growing momentum in recent days for making those records public, the city’s police unions joined statewide police groups on Friday in urging the Legislature to keep the law in place. “No rational policy discussion can take place against a backdrop of burning police vehicles and looted store fronts,” read a memo of opposition from the police groups. The city’s patrol officers’ union, with roughly 24,000 active members, and another representing sergeants have been sharp critics of Mayor Bill de Blasio, who took office in 2014 riding a wave of discontent over stop-and-frisk policing. The mayor promised reform, but after the fatal shooting of two uniformed officers in Brooklyn by a man who invoked the police killing of Eric Garner, Mr. de Blasio faced an all-but-declared revolt by rank-and-file officers. The head of the patrol officers’ union, Patrick J. Lynch, said at the time that the mayor had “blood on the hands.” Many officers turned their backs on Mr. de Blasio at the slain officers’ funerals. And, days later, many more engaged in what amounted to a de facto work slowdown. Arrests plummeted as did tickets for minor infractions. Mr. Lynch has stood by officers even when there is ample evidence of misconduct, defending the officers who killed Amadou Diallo in 1999 and another who, in 2008, shoved a bicyclist to the ground during a protest ride. The union provided lawyers for the officers involved in both cases. policeunionsbecame2 Kim Gardner, a reform-minded prosecutor in St. Louis, said police union objections have blocked her proposal for a unit that would investigate police misconduct independently of the department. Credit...Christopher Smith for The New York Times When liberal politicians do try to advance reform proposals, union officials have resorted to highly provocative rhetoric and hard-boiled campaign tactics to lash out at them. This past week, the head of the sergeants’ union in New York posted a police report on Twitter revealing personal information about the daughter of Mr. de Blasio, who had been arrested during a protest. In St. Louis, the business manager of a local police union, Jeff Roorda, penned an unflattering poem about Ms. Gardner, the local prosecutor, in a union newsletter that read: “You’re a disaster, Misses Kim/ Your heart is dark and vile/You’d rather charge a policeman/ Than all the murders you could file.” The union has also run social media ads against an alderwoman who has also advocated reform, Megan Green, referring to her as a “Communist Cop-Hater” and superimposing her head on the body of Mao Zedong. Mr. Roorda declined to comment. At times, the strident leadership appears to beget still more strident leadership. In 2017, Chicago’s Fraternal Order of Police elected a new president who denounced a federal Justice Department investigation prompted by the shooting of Mr. McDonald as “politically motivated” and pledged to fight the “anti-police movement.” That president was ousted this year by a candidate who had derided the ensuing consent decree as “nonsense” and criticized his predecessor for failing to stand up to City Hall. While statistics compiled by the group Campaign Zero show that police killings and shootings in Chicago have fallen following a set of reforms enacted after a federal investigation, advocates worry that the union will undermine them in contract negotiations. Police unions have traditionally used their bargaining agreements to create obstacles to disciplining officers. One paper by researchers at the University of Chicago found that incidents of violent misconduct in Florida sheriff’s offices increased by about 40 percent after deputies gained collective bargaining rights. “By continuing to elect people who stand for those values, it more deeply entrenches the break between the community and the police,” said Karen Sheley, director of the Police Practices Project for the American Civil Liberties Union of Illinois. “It makes it far more difficult for reform efforts to go forward.” As critics of the police get louder and more mainstream, union members have elected more aggressive leaders. In Minneapolis in 2015, Mr. Kroll defeated the union’s longtime president by a nearly two-to-one margin after the city installed a police chief intent on reform. “I believe Bob Kroll was elected out of fear,” said Janeé Harteau, the police chief at the time, adding that Mr. Kroll’s message to officers was: “We are the only ones that support you. Your community doesn’t support you. Your police chief is trying to get you fired.” Mr. Kroll did not return a call seeking comment. John Elder, the Police Department spokesman, said the current police chief and Mr. Kroll have a strong relationship. Ms. Harteau said that the department introduced new rules requiring officers to protect the “sanctity of life” and intervene if they saw a colleague improperly using force, but that the union under Mr. Kroll undermined the changes by protecting officers who violated the policies. Data on police shootings and killings in the city appear to show little change despite the reforms. “I struggle to know if they have gotten more extreme, or if the world has changed and they haven’t,” Mr. Fletcher, the city councilman, said of the union. “Either way, they are profoundly misaligned with the moment.”
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warnerrecords-watertower Warner Music pledges support to social justice groups


In a move that shows why I am proud to record for Reprise records, Warner Music Group and the Blavatnik Family Foundation announced a $100-million fund Wednesday aimed to support the music industry and groups promoting social justice, specifically against violence and racism. The two groups will appoint an advisory panel to identify groups that strengthen education and promote “equality, opportunity, diversity and inclusion,” according to a statement. “This fund will support the extraordinary, dedicated organizations that are on the front lines of the fight against racism and injustice, and that help those in need across the music industry,” Steve Cooper, CEO of Warner Music Group, said in the statement. “Our advisory panel, which will draw from a diverse cross-section of people from our team and the wider community, will help us be very thoughtful and accountable in how we make an impact. We’re determined to contribute, on a sustained long-term basis, to the effort to bring about real change.”
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NEW HEARSE THEATER PSD Movietone Screen 2underrenovation Open During Renovations!


The new Hearse theater, due before the next Fireside Sessions, will look the same but have multiple screens available. Built to accommodate the traffic we are experiencing with the Fireside sessions and our Movietone curated offerings as well as our continuing series, our new Hearse Theater will include ‘free’ presentations and well as 'subscriber only’ presentations. These features will all be available in one new Hearse Theater for everyone visiting NYA.
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HEARSE THEATER MOVIETONE SCHEDULE Screen 2


  • August-20 Thursday - LITTLE THING CALLED LOVE from BERLIN Directed by Michael Lindsay-Hogg FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 21 Friday - PREMIERE LIKE A HURRICANE from CRAZY HORSE - ‘WAY DOWN IN THE RUST BUCKET’ Directed by L.A. JOHNSON FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 22 Saturday - PARADOX Directed by dhlovelife FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 23 Sunday - LIVE AT VICAR STREET Directed by Ned O’Hanlon FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 24 Monday - FAR FROM HOME from PRAIRIE WIND Directed by L.A. Johnson FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 25 Tuesday - SAMPLE AND HOLD from A RUSTED OUT GARAGE directed by L.A. Johnson FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 26 Wednesday - WALK ON from FRIENDS AND RELATIVES at Red Rocks Amphitheater in Morrison, CO Directed by L.A. Johnson FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 27 Thursday - VIOLENT SIDE from A RUSTED OUT GARAGE Directed by L.A. Johnson FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 28 Friday - PREMIERE LOVE AND ONLY LOVE from CRAZY HORSE - ‘WAY DOWN IN THE RUST BUCKET’ Directed by L.A. JOHNSON FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 29 Saturday - MUDDY TRACK with Crazy Horse Directed by Bernard Shakey FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 30 Sunday - LE NOISE sessions complete Directed By CK Vollick FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
  • August 31 Monday - HE WAS THE KING official video directed by L.A. Johnson FIRESIDE SESSIONS I-IV Barnyard Edition, Porch Episode dhlovelife
Visit MOVIETONE page 4, for more Hearse Schedule updates and today’s Hearse Theater presentation. Schedule subject to change. Thanks! NYA
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FIRESIDE SESSIONS BREAKS NYA RECORDS


Our most watched presentation of all time is the beginning of a series at NYA. Filmed by dhlovelife! Thanks and LOVE TO ALL! NYA
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Fireside Sessions Begin


NYA thanks you all for watching the Fireside Sessions. We will be keeping this one up so everyone can see it free. Tell your friends if you think they would like the sessions. We welcome all visitors to NYA to watch free.
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STAYING WITH FACEBOOK


NYA is delaying removing Facebook sign-ins for a couple of months. The reason is that with all the issues people are facing, asking them to make a transition now, would just add another complication to their lives and tax our customer support. Because of the crisis, people seem to be using Facebook more than ever right now to stay in communications with others. We will be there for you too. ny
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GO TO TIMELINE 2020


. . . .and find all the release dates. The timeline is looking into the future now. There is so much coming. Hold onto your hats. Homegrown vinyl in the house right now. Finished records! Thanks reprise. Thanks J.Hanlon and Chris Bellman, Elliot Mazer and Ben Keith. Home grown is all analog! The purest sound. Hear the vinyl. Get a nice phonograph player. This is the record to do that on! My first ever narration with Ben “Longgrain” Keith and live sound effects. Some beautiful music and fun rockin songs as well. This is the one that got away. I am stoked to share this with you. ny
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Bernie Sanders Is Reviving the Promise of FDR’s Economic Bill of Rights


There are deep parallels between what Bernie Sanders is proposing and what Franklin Delano Roosevelt promised. by Sophie Vaughan bernierevivingfdr1 U.S. Senator Bernie Sanders speaking with supporters at a campaign rally in Des Moines, Iowa. (Photo: Gage Skidmore, courtesy of Flickr) On a bright Saturday afternoon, a week before polls were set to open for the South Carolina Democratic primary, the First Calvary Baptist Church in Columbia, South Carolina, was brimming. More than a hundred people had gathered at the church for a “community conversation” regarding the candidacy of Senator Bernie Sanders, featuring Minnesota Attorney General Keith Ellison and Dr. Cornel West. bernierevivingfdr2 Sanders supporters and people interested in the campaign gathered for a "community conversation" at First Calvary Baptist Church, Fellowship Hall in Columbia, South Carolina. Though the crowd was diverse, when I asked attendees why they supported Sanders, most gave the same reasons: Medicare for All, the promise of a universal and publicly funded health insurance program, and free public college and lower student debt. “We know what it’s like to work three jobs and not have health insurance,” said Elgin resident Addie Puszczewicz, a stay-at-home mom who came to the event with her young son and husband, a truck driver. bernierevivingfdr3 Sanders supporter Nitiki Satterwhite, a 43-year-old mother and risk manager who lives in Columbia, said she supports Sanders in part because of his stance on free public college. In a larger sense, the dozen people I interviewed said workers across the country are struggling. And that, under a Sanders administration, they believed things might get a bit easier in states like South Carolina, where one out of every three jobs pays less than $25,000 a year. “The wealth gap is ridiculous,” said Daniel Harkness, a thirty-three-year old who works in manufacturing. “I grew up in a poor neighborhood in Columbia and appreciate the fact that Bernie wants to make changes to help.” Despite their concerns, only a few of those I met had heard of Sander’s Twenty-First Century Economic Bill of Rights, an all-encompassing platform that includes Medicare for All, a federal minimum wage hike to $15 an hour, and tuition-free college, among other policies. Increasingly, Sanders surrogates on the campaign trail have framed the candidate’s ideas as an extension of the Economic Bill of Rights, a concept first proposed in 1944 by President Franklin Delano Roosevelt in his State of the Union address. “In 1944, FDR proposed an Economic Bill of Rights,” said Nina Turner, the former Ohio senator and national Sanders campaign co-chair, at a rally in New Hampshire earlier this month. “A right to a job, right to a living wage, right to affordable housing, right to a quality education, right to a secure retirement, right to decent housing. Who does that sound like?” Roosevelt’s Economic Bill of Rights came about at the end of World War II, building on a concept he supported at the outset of his presidency in 1933. He laid out his vision more clearly in 1941, when he described the “Four Freedoms” that he believed should be guaranteed to all people: freedom of speech and expression, freedom to worship, freedom from want, and freedom from fear. It was the freedom from want that Roosevelt hoped to codify through a constitutional amendment, in the same way the Bill of Rights guaranteed the right to freedom of speech, religion, and press, says Harvey Kaye, a professor of Democracy and Justice Studies at the University of Wisconsin-Green Bay. Kaye authored the 2015 book The Fight for the Four Freedoms: What Made FDR and the Greatest Generation Truly Great. “We have come to a clear realization of the fact that true individual freedom cannot exist without economic security and independence,” Roosevelt said in the 1944 speech. “Necessitous men are not free.” The Economic Bill of Rights never came to fruition because Roosevelt’s illness and eventual death prohibited him from pushing further for the amendments. With his campaign, Sanders has now taken on the mantle of this bill of rights. One of the proposals that Roosevelt outlined, “the right to adequate medical care and the opportunity to achieve and enjoy good health,” sounds similar to the hope expressed by many Sanders supporters at the community conversation. Of course, Sanders is not the only Democratic candidate to propose legislation in the vein of the Economic Bill of Rights to mitigate rampant wealth inequality. None of these candidates, however, have placed their policies so explicitly in the lineage of Roosevelt’s Economic Bill of Rights as Sanders. Senator Elizabeth Warren frequently invokes Roosevelt in her speeches and supports similar Medicare for All and free public college plans as Sanders. Hawaii Representative Tulsi Gabbard also supports Medicare for All. The remaining Democratic candidates—Vice President Joe Biden, former New York City Mayor Michael Bloomberg, former South Bend, Indiana, Mayor Pete Buttigieg, Minnesota Senator Amy Klobuchar, and billionaire investor Tom Steyer—all oppose a Medicare for All plan. But many propose that those who can’t find private insurance should be able to qualify for expanded government insurance plans. None of these candidates, however, have placed their policies so explicitly in the lineage of Roosevelt’s Economic Bill of Rights as Sanders. While Sanders has not proposed a constitutional amendment for his economic rights as Roosevelt did, the point is already subject of debate among those who study Roosevelt. Kaye says Roosevelt was serious about the constitutional amendment, but some scholars, such as Harvard Law School Professor Cass Sunstein, argue that the President never planned to actually go through with pushing for this amendment. Sunstein says the rights were merely a framework to advocate economic rights be respected to the same extent as social rights. Michael Wukela, Sanders’s South Carolina communications director, says that for the campaign today, the Economic Bill of Rights is not a proposed amendment but a framework to show the interconnectedness of policies aimed at returning power to people and restoring American democracy. “We’re not a nation with a king and a queen, but we’re a nation of citizens beholden to each other and only each other,” Wukela says. “This country goes through cycles, and when we have a few people getting so far ahead of everyone else in terms of wealth, we start having a shift away from that.” Mark Paul, an assistant professor of economics and environmental studies at the New College of Florida, co-authored the 2018 article in The American Prospect. “An Economic Bill of Rights for the Twenty-First Century,” and is currently working on a book expanding on the piece. “I think with the rise of Trump, people are done with marginal changes and are looking for bigger structural changes, and that’s what the Economic Bill of Rights offers,” says Paul. He added that provisions, such as rights to banking and financial services, should be added to Roosevelt’s original list in order to update it for the modern economy. Sanders’s rights package contains important legislative components, such as those for Medicare for All and the Green New Deal, which promise massive investment and job creation as part of a strategy to combat climate change. But Paul says it is also a tool to organize the Democratic platform. “In 2016, Democrats didn’t have a singular message,” Paul says. “People were angry about college and health care and environmental concerns and racism. All these things are important, but the goal for the Economic Bill of Rights is to bring them together under one roof.” bernieauthorsophievaughan2 Sophie Vaughan is a freelance writer traveling to and reporting from hot spots of the 2020 election. NYA thanks The Progressive
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Climate-Change Bill Designed to Shore Up Conservation-Based Farming


Congresswoman Chellie Pingree (center) talks with farm owner Penny Jordan (right).
By Bryce Oates, DailyYonder.com The bill, introduced by member of Congress serving a rural Maine district, supports existing USDA programs to reduce greenhouse-gas emissions. A new bill seeks to address climate change by expanding existing USDA programs that support conservation-based agriculture and greenhouse gas emission reductions on farms. The sponsor is an organic farmer that represents a majority rural District in Maine. “We’re not trying to reinvent the wheel with this legislation. We’re trying to expand the impact of programs that we already know are working but could use additional resources and funding,” Representative Pingree (ME-1st, Democrat) said in an interview with the Daily Yonder. Pingree, who serves on both the House Appropriations Subcommittee on Agriculture and the House Agriculture Committee, is one of a handful of Democratic House members representing rural districts that has been supportive of the proposed Green New Deal. which he described as an “aspirational tool to bring about climate action.” 1) R. 5861 “is designed to put comprehensive, practical plans on paper to cut emissions while improving the rural economy,” Pingree said. If enacted, the Agriculture Resilience Act would aim to reach the following goals by 2030:
  • quadruple the total federal funding for food and agriculture research and extension
  • restore at least half of lost soil carbon
  • reduce greenhouse gas emissions related to the feeding of ruminants by at least 50 percent
  • convert at least two-thirds of wet manure handling and storage to alternative management
  • triple on-farm renewable energy production
Pingree’s bill would improve funding of USDA’s Climate Hubs, provide resources for on-farm research and data collection on improved crop rotations, cover crops and using pasture-based livestock to enhance soil health rather than concentrating manure as a potential pollutant of rural air and water. The Union of Concerned Scientists (UCS) is supporting the bill. “This legislation is a breadth and scope and level of new investment that is commensurate to the crisis we are facing in terms of climate and extreme weather and effects in rural communities,” said Karen Perry Stillerman, Senior Strategist and Analyst for the UCS Food and Environment Program. “The bill makes things like the USDA Climate Hubs real, with legislative and an actual budget. Right now there are people within USDA who are performing this work on their own time. Imagine what they could do with an actual budget,” Stillerman said. “Things such as directing the RMA (USDA’s Risk Management Agency that administers federal crop insurance programs- ed.) to account for climate risk in their actuarial tables. That, to me, is taking the concept and making the impacts of climate change real” she added. Additional research and science budgets at USDA could help with “refining systems,” according to UCS. Stillerman pointed out that most of available research is conducted by the private sector and focuses on maximizing crop yields of major crops like corn, or soybeans. “We’re not yet looking at the effectiveness of cover crop and cover crop mixtures, or looking at how we find the right cultivars…every piece of ground, every farm is different, and we really need that localized research…with farmers on the ground to figure out what works best and grows best in their local environment,” Stillerman said. The National Sustainable Agriculture Coalition (NSAC) is also supportive of Pingree’s legisation. “We think this is the first real, substantive bill to offer opportunities for farmers to do what they do well, and that is to be good stewards of the land and to help us to begin to turn the tide against climate change,” said Eric Deeble, NSAC Policy Director. NSAC is also supportive of the bill’s focus on research, education, and extension. Deeble recognizes the value of the bill’s provisions that measure conservation outcomes of programs that are already in place, showing their impact and value. “The other component of the research section is to make sure that farmers who need this information come to know the science and data right away so that they can implement the scientific research much more quickly than they had in the past,” Deeble said. According to Deeble, a big component of the bill is focused on soil carbon and resiliency, additional investments in the SARE program, seeds and breeds research, integrated pest management, long-term agroecological research, and other production systems. The bill also integrates climate change for priority points and scoring for farmers applying to participate in the nation’s largest conservation program in terms of acres, the Conservation Stewardship Program (CSP). CSP has been repeatedly targeted for elimination by many Republicans, including President Trump’s budgets and throughout the 2018 Farm Bill debates in the House and Senate. 1) R. 5861 also provides hundreds of millions of dollars in increased funding for farmers to install clean energy generation systems, such as solar arrays and energy-conserving heating and cooling equipment, through REAP (the Renewable Energy for America Program). “If the goal is to reduce greenhouse gas emissions, REAP is critical for farmers to utilize modern technology to cut those emissions,” Pingree said.
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I believe the president, and in the president


Opinion | Impeachment is a victory for Trumpism georgetconway-500 By George T. Conway III Feb. 5, 2020 George T. Conway III is a lawyer in New York and an adviser to the Lincoln Project, an anti-Trump super PAC. I believe the president, and in the president. I believe the Senate is right to acquit the president. I believe a fair trial is one with no witnesses, and that the trial was therefore fair. I believe the House was unfair because it found evidence against him. I believe that if the president does something that he believes will get himself reelected, that’s in the public interest and can’t be the kind of thing that results in impeachment. I believe former national security adviser John Bolton has no relevant testimony because he didn’t leave the White House on good terms. I believe the president’s call was perfect. I believe he is deeply concerned about corruption in Ukraine. I believe the president can find Ukraine on a map. I believe Ukraine interfered with the 2016 election, and that the intelligence community’s suggestion otherwise is a Deep State lie. I believe the Democratic National Committee server is in Ukraine, where CrowdStrike hid it. I believe President Barack Obama placed a “tapp” on the president’s phones in 2016, and that the Russia investigation was a plot to keep him from winning, even though the plotters didn’t think he could win. I believe former special counsel Robert S. Mueller III was conflicted because he quit one of the president’s golf clubs, and that he and his Angry Democrats conducted a Witch Hunt to destroy the president. But I believe Mueller’s report totally exonerated the president, because it found no collusion and no obstruction. I believe it would be okay for the president to say he grabs women by their p-----s, because he is a star, and stars are allowed to do that. But I believe he didn’t say that, even though he apologized for it, because I believe the “Access Hollywood” tape was doctored, because he said it was. I believe E. Jean Carroll lied when she accused the president of rape, because he said she’s not his type. I believe the dozens of other women who accused him of sexual misconduct are also lying, because he would never think of grabbing them by their p-----s or anything else. I believe the president didn’t know Michael Cohen was paying off porn star Stormy Daniels, and that Cohen did it on his own, because the president had no reason to pay her off. I believe the president was reimbursing Cohen for his legal expertise. I believe the president is a good Christian, because TV pastors say so, and that it’s okay he doesn’t ask for God’s forgiveness, because he doesn’t need to, since he’s the Chosen One. I believe the president knows the Bible, and that two Corinthians are better than one. I believe the president wants to release his taxes but has not because he’s under audit, which is why he has fought all the way to the Supreme Court not to disclose them. I believe he will disclose them when the audit is over, and that they will show him to be as rich and honest as he says he is. I believe the president is a very stable genius, and that he repeatedly tells us so because it’s true. I believe the president can spell. I believe any spelling mistakes he makes are because he’s a very busy man who doesn’t watch much TV, or because he’s intentionally triggering the libs. I believe Hurricane Dorian was headed straight for Alabama. I believe the president’s map wasn’t altered with a Sharpie, and that if it was, he didn’t do it, since he didn’t need to because he was right. I believe the president didn’t call Apple’s CEO “Tim Apple,” and that he said “Tim Cook of Apple” really, really fast, but that if he did say “Tim Apple,” it was to save words, which he always tries to do. I believe windmills are bad and cause cancer. I believe there was a mass shooting in Toledo and that there were airports during the Revolution, because the president said so. I believe the president is defeating socialism, despite the subsidies he’s paying to save farmers from his protectionism and the $3.2 trillion he’s added to the national debt during his term. I believe the president has made tremendous progress building the wall, that Mexico paid for it in the trade deal, that the wall will soon run from San Diego to the Gulf of Mexico, that it will stop those caravans cold, and that it won’t fall down. I believe the president has a 95 percent approval rating among Republicans, and that there’s no need to cite polls for that. I believe the president had the largest inaugural crowd ever, regardless of what any photos from liberal bureaucrats might show. I believe there is no longer a nuclear threat from North Korea. I believe China pays all tariffs levied on imported Chinese goods. I believe the president is truthful. I believe the Fake News media lied each of the 16,241 times they have said he has made a false or misleading claim. I believe the president is selfless, and always puts the nation’s interests first. I believe he isn’t a narcissist, but he’d be entitled to be one if he were one. I believe the president would never exercise his presidential powers to advance his personal interests, but if he did, that would be okay, because whatever is in his personal interests is necessarily in the nation’s interests as well. I believe Article II of the Constitution gives the president the right to do whatever he wants. NYA thanks The Washington Post
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JAPAN BUILDS 22 NEW COAL BURNING PLANTS


As many as 22 new coal burning plants to be built in Japan despite Climate Risk. japanbuilds22newcoal Satsuki Kanno lives across the bay from a coal-burning power plant under construction in Yokosuka, Japan. Noriko Hayashi for The New York Times
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Could the strike on an Iranian general trigger a draft? The Selective Service, explained.


triggeradraft1 Air Force veteran Mike Fitzgerald of Kirkwood, Mo., stands near a protest outside the federal courthouse in St. Louis on Saturday. Photo: David Carson/AP By Kayla Epstein In the hours since the Trump administration announced that the high-ranking Iranian commander Qasem Soleimani had been killed in a U.S. airstrike, Americans wondered: Does this mean war? And for young people, there was a follow-up: Would I have to go? Trump plunges toward the kind of Middle Eastern conflict he pledged to avoid. triggeradraft2 The impact of President Trump’s decision to order a strike against Soleimani has yet to be seen, and it has turned up the heat on America’s already tense relationship with Iran, a country the president has portrayed as one of America’s most dangerous adversaries. Google searches for terms such as “conscription,” “Selective Service” and “Iran” spiked, according to Trends data, as youthful social media users on platforms like TikTok and Instagram dealt with this collective political anxiety the best way they knew how: by spinning out endless memes about getting drafted in a hypothetical, but seemingly imminent, World War III. On Friday, the website for the Selective Service, a federal agency tasked with maintaining a database of adult men who could be called upon should a crisis require a draft, experienced technical difficulties as people flooded the site. Trump says Iranian military leader was killed by drone strike ‘to stop a war,’ warns Iran not to retaliate. The draft was suspended in 1973 because of intense public and political opposition to the Vietnam War, and Congress and the president would have to pass legislation to bring it back, should an emergency call for it. But America still keeps a database of all young men who could be called upon should the draft ever return. triggerdraft3 Every year, millions of young adult men are required by law to register with the Selective Service, “a relatively low-cost insurance policy for our nation,” as the agency puts it. Killing of Iranian commander exposes Democratic divide over America’s role in the world If you’re a male residing in the United States between ages 18 and 25, you are required by law to register for the Selective Service. The mandate applies whether you’re a U.S. citizen, immigrant, or undocumented immigrant. Women are not currently required to register, and signing up for the Selective Service does not enlist a person in the military. Failure to register for the Selective Service could lead to criminal penalties and an inability to qualify for federal student loans and federal jobs. But would the latest escalation with Iran lead to a conflict so intense that the long-dormant draft would be instated, as the United States did during the Civil War, World War II, Korean War and, most famously, the Vietnam War? Probably not, said Patricia Sullivan, of the University of North Carolina at Chapel Hill, who researches military policy. “I think there is almost no chance at all that the draft will be reinstated,” Sullivan told The Washington Post. “With Iran, there’s almost no chance that we’re getting into the kind of ground-war scenario that large numbers of ground troops would be needed and we would implement the draft.” Sullivan added that the military is now so professionalized, and the cost of training each soldier so high, that it would not necessarily make sense to add a surge of new recruits that may not be qualified. The people who had the most reason to be concerned about an escalation with Iran were the military forces already in the Middle East region, Sullivan said, not civilians who might be conscripted in a hypothetical draft. NYA thanks New York Times
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Trump Administration Backs Bayer in Weedkiller Court Fight TrumpBacksBayer Photo: regis duvignau / Reuters EPA, Justice Department file brief supporting company’s arguments that Roundup weedkiller didn’t require cancer warning


Government lawyers argued it would have been illegal for Bayer to print cancer-risk warnings on Roundup labels. By Jacob Bunge and Timothy Puko The Trump administration is backing Bayer AG in the German chemical maker’s high-stakes court fight over the world’s most widely used weedkiller. The Environmental Protection Agency, working with the Justice Department, filed court papers Friday supporting Bayer’s argument that glyphosate, the active ingredient in the company’s Roundup herbicide, poses no cancer risk. The filing backs Bayer’s appeal in federal court of a $25 million verdict in the case of a California man who blamed Roundup for causing his non-Hodgkin lymphoma, one of tens of thousands of similar cases. Lawyers for both government agencies argued the verdict should be overturned because it would have been illegal for Bayer to print cancer-risk warnings on Roundup labels. They said Congress granted the EPA the sole authority over safety labels on chemical products, and the agency wouldn’t have approved a cancer warning for Roundup. While it isn’t the first time a regulator has weighed in on such a case, legal scholars said the filing would likely catch the appeals court’s attention. The federal government will often weigh in on cases when the interpretation of a federal statute is involved, they said. Several Roundup trials have been postponed in recent months as Bayer and plaintiffs’ attorneys try to negotiate a settlement as part of a court-ordered mediation overseen by Ken Feinberg, who helped divvy up compensation to victims of the 9/11 terrorist attacks and the 2010 Deepwater Horizon oil spill. Bayer is under pressure to resolve the litigation after the company’s shares dropped 23% since the first verdict in August 2018, with the company since then divesting several businesses and laying off thousands of staff world-wide. In the spring, investors refused to back the actions of Bayer’s management in a vote at the company’s annual shareholder meeting. Bayer acquired Monsanto Co., Roundup’s maker, in June 2018 for $63 billion. The government’s filing reiterates the agency’s long-held view that glyphosate doesn’t represent a cancer risk, most recently upheld in a December 2017 EPA review. “EPA has a longstanding position—It’s not just this administration which determined that this pesticide does not cause cancer,” said Jeffrey Clark, the assistant attorney general of the Environment and Natural Resources Division at the Justice Department in an interview. “EPA should be in control. Congress set it up that way.” That view is being challenged in U.S. courtrooms, where farmers and residential gardeners have pointed to the International Agency for Research on Cancer’s 2015 classification of glyphosate as “probably carcinogenic to humans,” while criticizing company-funded studies that the EPA and other regulators have included in their glyphosate assessments. Bayer rejected IARC’s link between glyphosate and cancer, saying the agency cherry-picked some studies and ignored others that regulators have used to establish the chemical’s safety. Three consecutive juries ruled in favor of plaintiffs over the past year and a half, awarding hundreds of millions of dollars in damages. The EPA’s brief comes in the case of Edwin Hardeman in the Ninth U.S. Circuit Court of Appeals, the only one of the three trials so far to take place in federal court. Aimee Wagstaff, Mr. Hardeman’s attorney, called the appeal a “Hail Mary” and said courts have previously rejected the argument made by the company and the government that federal regulations should negate the civil suits. “We are confident the Ninth Circuit will also reject Monsanto’s argument and rule in favor of Mr. Hardeman,” she said. U.S. regulators and administration officials have stepped up their defense of glyphosate, the most widely used weedkiller among U.S. corn and soybean farmers, as the number of lawsuits balloons and some towns and countries have moved to ban the spray. In August, EPA Administrator Andrew Wheeler said the agency wouldn’t permit cancer warnings to be included on jugs of Roundup and other glyphosate-based herbicides, calling it a potentially false claim as the EPA has determined the chemical to be safe. That directive came after California unsuccessfully tried to require cancer warning labels for glyphosate, citing IARC’s classification of glyphosate as a probable carcinogen. Bayer argued in its own recent Hardeman case filing that the EPA’s refusal to allow warnings should override the jury’s decision. The company argued it cannot be held liable by the jury for marketing a legal product with an EPA-approved label, which many scientists and regulators say isn’t carcinogenic. The EPA’s brief mirrors those arguments. It says that while states can restrict the sale or use of pesticides, they cannot set any requirements for what can go on the label, adding only the EPA can. The EPA’s filing could give Bayer additional ammunition as the company faces more scheduled trials in 2020. Plaintiffs’ central argument—that Bayer knew its herbicide posed a cancer risk, and failed to warn users—could be challenged because the product’s chief regulator barred manufacturers from including such a warning, lawyers said. The appeals court judges “may not ultimately agree with the side the government is supporting for other reasons,” said Ben Feuer, an appellate lawyer in San Francisco, but the agency’s brief “is going to be closely parsed and they will engage with it.” —Sara Randazzo contributed to this article. NYA thanks WSJ
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BOXING DAY


When I was growing up, Boxing day was a mystery. I didn’t know what it was . . .. just that it was the day after Christmas! I was sure it had something to do with boxes because we had so many gift boxes. I still don’t know what it means and I don’t really want to google away the mystery in my life. NYA wishes you all a very Happy Boxing Day. Mystery is good! love NY
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COLORADO REVIEWS


nych-colorado-500 if you believe the good ones, you have to believe the bad ones-ny “Neil Young continues to be rock ‘n’ rolls cranky conscience… COLORADO along with MOUNTAINTOP is like experiencing masters at work but at the same time so idiosyncratic and unpolished… Very striking. COLORADO is a hit.” – NPR /All Songs Considered COLORADO finds Young sparring in open-ended spontaneous journeys with his old friends Billy Talbot, Ralph Molina, and Nils Lofgren, who slips right back into the mix with masterful ease as if he’s been there all along.” – Premier Guitar Magazine “Neil Young is back with his old band Crazy Horse in all their ragged glory with COLORADO, a beautiful, rambling, chaotic howl against climate change, division and hate. At 73, he shows no signs of slowing down, as he cranks up both rage and tenderness as only he can with the latest incarnation of Crazy Horse”. – Associated Press “In 2019, Young is one of the few rockers of his generation who’s still making music on the same meandering, uncompromising terms he staked out in his youth. “You might say I’m an old white guy,” he proposes on the eco-friendly “She Showed Me Love.” He is, and we do, and he’s working that old-white-guy magic all over this record.” – Rolling Stone “Young’s fourth album of the century with his most famous band is simple and heartfelt, gritty and tender. COLORADO surpasses recent works by speaking directly to that ephemeral nature of life, our tragedies and joys and disappointments. And if one thing has remained unwavering about them (Young & Crazy Horse), it’s that you know they mean every word.” – Pitchfork “At 73, Young is just warming up. If you enjoy that teenage band squalling in your neighbor’s garage as much as you value the intersection of poetry and truth, COLORADO is a great fit”. – USA Today “Crazy Horse has earned its reputation as one of rocks nosiest, brashest, most magnificently ragged ensembles. So one surprising aspect of COLORADO is its quieter moments, songs built on some of the most poetic and graceful lyrics Young has written in at least a decade”. – The Los Angeles Times “Indelible melodies and eco-anthems. For Young, fidelity is a form of art and truth”. - Wired “loose and inspired” – Billboard “Cranked up and cautiously optimistic”. – Variety “A legendary collaboration continues for COLORADO. Neil Young has one of the most recognizable names in American music, and his familiar voice is getting any quieter with time. Crazy Horse are back. Young is living in the moment”. - NPR Music “Alternately ruminative and riled up”. – Denver Post “From the first note, there’s no mistaking that craggy guitar, the rise-and-fall pulse, the hypnotic fade into nothingness. In many ways, the Young-Crazy songbook is carved out of a single slab of stone, the endless endless of a jam that has never been particularly “cool” or technically proficient, but emblematic of something deeper in the human spirit. While locking in with his bandmates with a crude, off-the-cuff intensity that suggests a genre unto itself, Young spouts what’s been on his mind lately. There are worse things than Neil Young speaking his mind over Crazy Horse’s primal thud and thunder”. - Chicago Tribune “Neil Young rides again with Crazy Horse, reaches new heights. The music is appropriately rugged and raw conjuring some of that old magic”. - San Francisco Chronicle “The most accessible records he’s made since 2007’s Chrome Dreams II, and yet it still has a strong bite that only The Horse can bring out of him. COLORADO feels like it has a spark that’s prone to kick off a promising era for Shakey…it sounds like it was recorded with purpose and focus. Track by track (COLORADO) plays purely like a force of nature. An absolute treasure.” – Consequence Of Sound “Not many artists have the guts to use their platform for the sake of poignancy and on-the-nose politicizing. That’s Young’s charm and with Crazy Horse by his side, COLORADO is the most lucid sign of sage rage that he’s put forth since The Monsanto Years. A breath of fresh air.” – Flood “They are still together and they still sound like no one else. Half a century later, Young and his longtime comrades are still committed to making a raggedly glorious racket. ‘Thanks for making this all happen again’ he sings. ‘We’re gonna do it again like we did back then.’ Long May they run.” – Aquarium Drunkard “‘It’s better to burn out than to fade away,” Neil Young famously sang. At 73, (with the release of) COLORADO, the Canadian-born rocker has yet to do either.” – AARP COLORADO, the latest from Neil Young with Crazy Horse, is a tour de force…(it) truly stands on its own as Young’s best work in 30 years.” - The Aquarian Weekly (4 out of 4 stars) COLORADO beholds the rock n roll miracle: Neil Young and The Horse shaking off the dust and re-charging their power 3500 feet above sea level. Even in their 50th year – see unfazed by their age. Music has kept their spirits young. His message, like his music, largely hasn’t changed since the 70’s, yet he sounds more relevant to 2019 and better than ever”. – Set List.FM COLORADO plays more like a greatest hits collection.” – Consequence Of Sound “The Notion of Neil and Crazy Horse cranking up their amps and making some righteous noise sounds like some sort of comfort food fans have been hungry for. On COLORADO Lofgren gives (Young) a strong, stable framework that allows Neil to explore. Lyrics are thoughtful and of the moment. Recognizably the work of a great artist.” – All Music “Constructive gift ideas for the climate-denier in your life: Neil Young has regrouped his legendary band Crazy Horse, to record COLORADO, largely about earth and climate change…which blares with ragged, gritty distortion. Young also settles down for sentimental, earthly musings. ‘It’s the only thing that matters’, Young said to AARP.” - Mashable “2019 was the year of Lizzo and Billie Eilish, yes, but it was also the year of Classic Rock. The Godfather of Grunge just released a killer record of new material. COLORADO, with his trusty buzzsaw of a band, Crazy Horse, is a potent, raw mix of Young’s power and singular vision.” – Dallas Observer “The first impression one gets upon listening to COLORADO is that Young has still got it. His distinct trembly voice hasn’t aged a day.” – Mxdwn “Crazy Horse is a rowdy beast of a band.” – Philadelphia Inquirer “Crazy Horse always brought out the best in Neil Young. Now, the real thing is back…impassioned and spontaneous, plus brimming with ecological urgency. He’s found new rage buried in his bones that occasionally seems like the core reason he keeps making music.” – Ultimate Classic Rock COLORADO includes 10 tracks that shed light on subject matter dominating Young’s present thoughts, expertly presented by a band whose synergy is truly audible. Young’s penchant for the perfectly imperfect remains in this raw-sounding and honest record… powerful and real.” – Pancakes and Whiskey “Neil & Crazy Horse sustains their rock & roll swagger on the inspired COLORADO. The man is a seemingly endless spring of expression. COLORADO is sincere, forceful and familiar”. – Albumism “Young is always looking for something new and challenging. For fans of Young and Crazy Horse, we look forward to what’s next. Hopefully, we don’t have to wait another seven years to find out.” – Chicago Now “As Young moves into his mid-70’s, it is nothing short of amazing that he has rarely lost his originality or his stride and this album is a blistering testament to his continued relevance.” – Colorado Springs Independent “Crazy Horse have not only managed to avoid acrimony, they’ve also continued to make vital music throughout their entire tenure. Crazy Horse’s ineffable alchemy has been rendering utterly mesmerizing since 1969”. – Slant “That undeniable chemistry (Crazy Horse) has is on full display on COLORADO. COLORADO also has some riffs that remind you why people call Neil the Godfather of grunge. When he hits, he hits.” – Brooklyn Vegan “Burn out or fade away? Head to the mountains and release your best album in two decades. COLORADO’s 10 songs capture what we’ve always loved about Crazy Horse: their tenderness, creativity and ability to shake your bones with distortion – often all in one song.” – Exclaim “Neil Young’s COLORADO marks a triumphant return for Crazy Horse…an immersion and a completely primal approach to music. The 10 new songs on COLORADO are music more well-rounded and musically inviting that usual. It’s one for the ages” – No Depression “Crazy Horse bring out the best in Neil Young. Nice to have them back in a place where it all sounds so natural.” – Ultimate Classic Rock COLORADO captures the potent chemistry between these seasoned musicians. Young says all that needs to be said about the abiding connections in his life, not the least of which is the one he maintains so fruitfully with Crazy Horse.” – Glide
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PROTESTORS SEEN AS TERRORISTS


Revealed: how the FBI targeted environmental activists in domestic terror investigations

From The Guardian US law enforcement officials preparing for fresh Keystone XL pipeline protests have privately discussed tactics to stop activists “by any means” and have labeled demonstrators potential “domestic terrorism” threats, records reveal. Internal government documents seen by the Guardian show that police and local authorities in Montana and the surrounding region have been preparing a coordinated response in the event of a new wave of protests opposing the controversial Keystone XL tar sands pipeline, which would carry crude oil from Canada to Montana, South Dakota and Nebraska. Civil rights organizations say the documents raise concerns that law enforcement is preparing to launch an even more brutal and aggressive response than the police tactics utilized during the 2016 Standing Rock movement, which drew thousands of indigenous and environmental activists opposed to the construction of the Dakota Access pipeline (DAPL) to North Dakota. At Standing Rock, law enforcement organized repeated rounds of mass arrests and filed a wide array of serious charges in local and federal courts against activists. Police also deployed water cannons, teargas grenades, bean bag rounds and other weapons, causing serious injuries to protesters. The documents are mostly emails from 2017 and 2018 between local and federal authorities discussing possible Keystone protests. They show that police officials are anticipating construction will spark a sustained resistance campaign akin to the one at Standing Rock and that police are considering closing public lands near the pipeline project. The new records have come to light as the Keystone pipeline project has overcome numerous legal hurdles with help from the Trump administration, and as the project’s owner, TC Energy (formerly TransCanada), is moving forward with initial construction efforts. Among the major revelations in the documents:
  • Officials at a 2017 law enforcement briefing on potential Keystone XL protests said one key tactic would be to “initially deny access to the property by protestors and keep them as far away (from) the contested locations as possible by any means”, according to an email summary from a US army corps of engineers security manager in Nebraska in July 2017.
  • Officials with the Bureau of Land Management (BLM) said in 2017 that the bureau had 10 armed officers in Montana and was prepared to “work with local (law enforcement) to deny access to federal property”. In 2018, army corps officials were also in discussions with the Montana disaster and emergency services department to discuss ways to “close access” to lands near the pipeline route, including areas typically open for hunting and other activities.
  • A “joint terrorism task force” involving the US attorney’s office and other agencies, along with federal “counterterrorism” officials, said it was prepared to assist in the response to protests and a “critical incident response team” would be available for “domestic terrorism or threats to critical infrastructure”. Authorities have also pre-emptively discussed specific potential felony charges that protesters could face, noting that a “civil disorder” statute was used to prosecute activists at Standing Rock.
  • Authorities have been preparing for possible protests in the Fort Peck area, home to a Native American reservation and indigenous people opposing the project.
“There is a lot of muscle behind this effort to make sure that Keystone is constructed,” said Alex Rate, legal director of the American Civil Liberties Union of Montana, which obtained the documents through records act requests and shared them with the Guardian. “There are historically marginalized communities, primarily indigenous folks, who have grave concerns about the impact of this pipeline on their sovereignty, their resources, their religion and culture. They have a first amendment right to assemble and make their viewpoints heard.” Remi Bald Eagle, intergovernmental affairs coordinator of the Cheyenne River Sioux tribe, which is located along the pipeline route, said the police buildup was part of a long history of armed subjugation of native people in the region. “This is an experience of the tide of Manifest Destiny still coming at us,” Bald Eagle said, referring to the 19th-century belief that US settlers had the right to expand across the continent. The files follow repeated revelations that the FBI and other law enforcement agencies have investigated environmental groups and leftwing activists as possible “terrorists”. Keystone XL was rejected by the Obama administration and then revived by Donald Trump shortly after his inauguration in 2017. The $8bn project has been subject to multiple legal challenges, including over the environmental review process, but pre-construction efforts are now under way. protestorsterrorists2 Opponents of Keystone XL have warned about the environmental and cultural impact of the project for a decade – concerns that came into sharper focus last month after the existing Keystone pipeline, which follows a similar route, leaked 383,000 gallons of tar sands into a swath of North Dakota wetlands. The new Keystone records, which come from a number of government agencies and were released after a protracted legal battle, also show that officials have specifically met with police involved in the Standing Rock response to discuss “lessons learned”. North Dakota police officials told law enforcement prepping for Keystone that one of their biggest mistakes was their failure to keep activists far away and shut down access to nearby lands. In one 2018 BLM document, labeled “KEYSTONE XL PIPELINE PUBLIC SAFETY ISSUES”, officials discussed the “available resources” to respond to protests in Montana. “The FBI will have primary investigative authority for all national security investigations, including but not limited to international terrorism, domestic terrorism, and weapons of mass destruction,” BLM wrote. US border patrol would also be available to assist law enforcement around the border and has access to “drone assets”, the document continued. Border patrol also provided a surveillance drone that police used to track Standing Rock protesters. BLM also discussed purchasing “riot batons”, helmets and gas masks in advance of possible protests. Mike Glasch, an army corps spokesman, said that the “by any means” comment came from the agency’s security chief, who was “relaying talking points” from police officials in Mandan and Morton County in North Dakota, adding: “Any method that we would employ to protect the safety of our employees and the public, as well as property and equipment, would be within the limits of the law and be the least invasive possible, while still protecting the public’s first amendment rights.” A spokesperson for the Morton county sheriff, Kyle Kirchmeier, said he advises law enforcement that “may be involved with potential pipeline protests to make it their goal to keep protesters off of private property and any areas that may be considered a public hazard, such as ditches or highways”, adding that he “is supportive of people’s right to protest, but they need to do so in a lawful manner”. Kirchmeier said he did not recall the 2017 briefing. A Mandan police spokesperson declined to comment. Glasch said the army corps had not closed access to its land around the project, but added: “Since a construction site comes with inherent hazards, options are being analyzed for methods to keep any non-essential personnel away from potential construction sites, while at the same time considering constitutional rights.” He said it was too early to speculate about specific potential closure plans. A spokesperson for the US attorney’s office did not respond to questions about the “terrorism” references but said the office’s “goal is to provide coordinated assistance to local, tribal and state law enforcement to protect public safety and civil rights, and to protect federal lands, while enforcing federal law”. The FBI declined to comment. A border patrol spokesperson said the agency would “assist, upon request, with any law enforcement activities within the border area near the pipeline”. Spokespeople for BLM and TC Energy did not respond to questions. “Law enforcement are getting ready. They’ve been having meetings behind closed doors,” said Angeline Cheek, an indigenous organizer from the Fort Peck reservation. “We know that they’re preparing … We’ve been preparing for the last three years.” Rate, from the ACLU, said there was no legal justification for the government to pre-emptively shut down lands in an effort to stop protests. He said it was also troubling for law enforcement to prepare a “militarized” response and suggest that activists could pose terrorist or criminal threats before any actions had even begun. “They are thinking of them as potential ‘domestic terrorists’. There is simply no support for adopting that paradigm,” said Rate. “The public justifiably thinks of BLM as a land management agency and not necessarily in the business of arming themselves and going out and squelching protesters.” Candi Brings Plenty, an Oglala Lakota Sioux activist working with the ACLU of Montana, said they were not surprised to learn that law enforcement was talking about stopping indigenous activists “by any means”. “That is the type of language that has been spoken to us our whole lives,” they said, adding: “We live these injustices on a daily basis. This is finally being unveiled for what it is.” Brings Plenty, who led a two-spirit camp at Standing Rock, said they would not be intimidated by law enforcement and hoped people would still support the fight against Keystone – instead of just accepting the pipeline. “It’s almost become the norm for folks to look the other way, feeling like there isn’t something they can do, that it’s beyond their grasp,” they said. “I want folks to see these pipelines the way they do the glaciers in the arctic. This is happening right here in their own front yard.”
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VENICE DROWNING


venice-drowning-01 venice-drowning-02 venice-drowning-03 People walk on a footbridge across a flooded street Wednesday after an exceptional overnight “acqua alta” high tide. (Marco Bertorello / AFP via Getty Images) VENICE HAS always been linked closely with the water that surrounds it. The city is thought to have been founded by refugees seeking protection from Germanic invaders by sheltering in the northwestern Adriatic Sea’s islands and marshes. By the 12th century, the doge would annually drop a ring into the Adriatic to symbolically wed the sea. The Venetian merchant republic ruled the Mediterranean shipping trade for centuries, and the wealth it generated funded the construction of a glittering metropolis on piles driven into the city’s lagoon. But Venice is sinking, and the seas are rising — and never before has the water seemed so close. Some 85 percent of the city flooded this week as the highest tidewaters in more than 50 years inundated its historic core. A viral video caught a man swimming through St. Mark’s Square, site of the Doge’s Palace, the city’s iconic campanile and the 11th-century St. Mark’s Basilica. In its hundreds of years, the basilica has flooded only six times. Two of those times came in the past two years. Venice’s problems stem from more than just the audacity of those who built a major settlement on a shallow lagoon. The ground below the city is shifting as the aquifer below the lagoon depletes. Meanwhile, man-made climate change is boosting sea levels steadily and promoting extreme weather. Virginia’s Hampton Roads, home to some of the United States’ most important military installations, faces a similar dual threat of sinking land and rising seas, resulting in major flooding problems in naval drydocks and other critical infrastructure. venice-drowning-04 People walk on a trestle bridge during high water in Venice on Friday. (Andrea Merola / AP) For coastal areas contending only with climate-related sea-level rise, sinking Hampton Roads and Venice are warnings of what is in store when water levels get increasingly ahistorical. Shoreline development that once faced only occasional risk will be inundated more and more often. Communities will have to face the dilemma of retreating from the coast or spending huge amounts of money trying to engineer protections. In Venice’s case, there is no choice at all. Less a modern city than an open-air museum, Venice cannot be surrendered to the sea, despite expert projections that the city will be entirely submerged by 2100. The current plan to save the city calls for the installation of a system of floodgates that would close when high water threatened, similar to a proposal to wall off New York Harbor in response to sea-level rise. But as the water continues to advance, Venice’s lagoon may have to be more or less permanently closed off from the Adriatic, which would radically alter its ecosystem and pose problems for disposing municipal waste. Saving Venice will take money, time and compromise. In substantial ways, the place will not be the same. Humanity must ask how many Venices it wants in the decades to come. For centuries, humans have built their civilization around water, under a certain set of climatic conditions, in anticipation of only the rare catastrophe. Unless humans make easier changes now to reduce global warming’s risks, they will have harder choices in the future, in places ancient and new, in ways predictable and unexpected. venice-drowning-05 venice-drowning-06 NYA THANKS THE WASHINGTON POST
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THEATERS CLOSING


In many small towns, theaters have been closing at a brisk rate. This has been going on for a long time and most theaters in small town USA are gone now. We will be showing Shakey Picture’s ‘Mountaintop’ in theaters across the continent in our second screening for one night only. We love it when people share the experience of watching together. These days of communal experiences with art are fading fast as folks continue to disappear into their devices by themselves. Shakey pictures will not be releasing Mountaintop as a DVD or Blu ray. NYA will be streaming Mountaintop at the Hearse theater exclusively in December, as soon as the theater releases have concluded. ny
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IMPOSSIBLE BURGER ????


Reports of Impossible Burger Health Reactions Lead to National Health Survey

gmofreeusalogo-704 UNIONVILLE, Conn., Sep. 30 /CSRwire/ - Reports from people who experienced adverse health reactions following the consumption of the Impossible Burger or other products produced by Impossible Foods have prompted GMO Free USA, a national nonprofit, to launch a public health survey to gather more data from people experiencing similar reactions. The U.S. Food and Drug Administration (FDA) does not provide the public with a simple procedure to report adverse reactions arising from the consumption of novel foods containing genetically engineered ingredients. GMO Free USA will collect the data and submit it to the FDA. The highly processed Impossible Burger contains soy leghemoglobin manufactured from GMO yeast, which comes along with 46 contaminating yeast proteins, all of which are new to the food supply and never before consumed by humans. Impossible Foods’ safety testing of these potentially allergenic or toxic proteins was limited to two short term rat feeding studies, one 14 days and the other 28 days. An independent analysis of these feeding studies by molecular geneticist Michael Antoniou, PhD and Claire Robinson MPhil, found unexplained changes in weight gain and signs of potential toxicity in the 28 day study. Consumer advocacy organizations Consumers Union2 and Center for Science in the Public Interest3 recently expressed concerns about inadequate safety testing. As Impossible Foods expands distribution beyond restaurants into grocery stores, it is in the interest of public health to track adverse health reactions. GMO Free USA is urging individuals who have experienced mild to severe digestive or other health reactions following consumption of the Impossible Burger or other Impossible Foods products to participate in the health survey: gmofreeusa.org/take-action/impossible-burger-health-survey GMO Free USA is a national 501(c)(3) nonprofit advocating for a clean, healthy food system and educating consumers about the hazards of GMOs and synthetic pesticides. NYA thanks GMO Free USA
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Facebook


Usage Drops 26 Percent!

By Gene Marks facebookdrops26percent A giant digital sign is seen at Facebook's corporate headquarters campus in Menlo Park, California AFP via Getty Images According to a new report, Facebook usage has dropped a stunning 26% since 2017. According to research gathered by Active Inc., we have been spending significantly less time on Facebook over the last two years. The study gathered that Americans typically spent approximately 14 hours a month in 2017. However, in 2019 the average usage was 9 hours per month, falling 26%. The survey also revealed that social media users in the U.S. currently belong to approximately 5.8 different social media networks, predicting that the number will go up to over 10 in the next 4 years. Data has revealed that younger users—between the ages of 12-34— are gravitating toward other social media sites such as TikTok, Snapchat, and Facebook-owned Instagram. (Source: Fast Company) Although Facebook still remains extremely popular among small businesses and a potentially powerful way to find and serve customers, its problems cannot be ignored. This may be a good year to take a deep dive into TikTok, Snapchat or Instagram, for example, and see if perhaps those sites may offer better - or additional - opportunities.
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MOUNTAINTOP HEARSE THEATER DELAY


NYA postpones Hearse screenings of Mountaintop

Just like we did here in North America, we are showing Mountaintop in theaters throughout Europe on November 18. The European theaters have asked us to not screen Mountaintop publicly until 2 weeks after their screenings. This will delay the Hearse screenings planned and preserve our roll-out of the COLORADO record throughout Europe, supported by the theater screenings. NYA became aware of this yesterday and we decided to pull the Hearse screenings, delaying them until Dec 2 approximately to accommodate the wishes of the European Cinemas. Mountaintop has been very well received at our 125 North American screenings and we are looking forward to showing it here at the Hearse Theater for you. Thanks for waiting. NYA.
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DELETE


How to Make a Clean Break With the Clingiest Social Networks

from wired.com Breaking up is hard to do. Harder yet when there's a deactivation period. facebook-exit The major social networks don't want you absconding with your precious data, so deleting your accounts requires some determination. Social networks walk a fine line between being a useful tool and a crippling addiction. Whether you want your free time back or don’t like your information scattered about on the internet, you may be considering deactivating some accounts. Wanting to delete your account is one thing, but actually being able to hit the delete button is another story. Social media outlets make money off of you and your information, so it shouldn’t come as a surprise that they don’t want to let you go. Because of this, the biggest networks have made it overly complicated to delete your account. But if you are set on getting rid of them, here’s what you’ll have to do. Facebook You’ve had your Facebook account for about a decade, and in that time you’ve posted a little too much personal information. Maybe you’re just sick of all the baby pictures and slightly offensive status updates your friends are sharing. You’ve had enough. If you’ve ever deactivated your account, you may have noticed that everything goes back to normal the next time you log in, as if nothing has happened. That’s because deactivating your Facebook account is not the same as deleting it. When you deactivate your account, you are just hiding your information from searches and your Facebook friends. Although nothing is visible on the site, your account information remains intact on Facebook’s servers, eagerly awaiting your return. Even so, deactivating your account is still a complex process. Go into your settings and click General. At the bottom, you'll find Manage your Account. From there, click on "Deactivate your account" and type in your password. Before you're completely off the hook, Facebook shows you photos of all the "friends" you'll miss ("Callie will miss you", "Phoebe will miss you", "Ben will miss you") followed by a survey asking you to detail your reasons for leaving. Get through that, click Deactivate, and you're good to go. Now, to permanently delete your account, you'll need to learn where the delete option resides. The easiest way to find it is by clicking the "Quick Help" icon in the top-right corner, then the "Search" icon. When you see the search field, type “delete account.” You'll see a list of search results. Click on "How do I permanently delete my account?" and Facebook will give you the obscure instructions to “log into your account and let us know.” In this case, “let us know” is code for “delete my account,” so click on that link. From here, the final steps are clear: Enter your password and solve the security captcha, and your request to permanently delete your account is underway. Yes, you read that right—it's just a request. Facebook delays the deletion process for a few days after you submit your request, and will cancel your request if you log into your account during that time period. You know, just in case you change your mind. It's crucial that you don't visit Facebook during this waiting period. Delete the app from your phone. If you want to delete your account but don't want to lose all your account information, download all your crucial data first. The information you can download includes everything from the photos and statuses you post, to the ads you’ve clicked and the IP addresses you’ve used. The list of what’s included is extensive, but you can view it in its entirety here. Also, due to the nature of this data, you’ll want to keep it in a safe place. To download your account, go into Settings> General Account Settings > Download a copy of your Facebook data and then click “Start My Archive.” When your download is ready, Facebook will send you an email with a link to download. For added security, this link will expire after a few days, so download it quickly.
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WHO'S GONNA STAND UP? NEIL YOUNG AND CRAZY HORSE


#lovelife #protectwhatyoulove #climatestrike #fridaysforfuture Earth - where we live so far... so good…
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Dispatch:


-From the Children’s Strike in New York

“We should not be the ones who are fighting for the future, and yet, here we are,” Greta Thunberg tells the Climate Strike, New York City
They put the number at 300,000 – but who knows? The important thing wasn’t the number, it was that a new generation made its unforgettable coming out to the world. Later in the day, after our family returned home with an ecstatic kind of exhaustion, we read about the 185 countries, the unprecedented uprising everywhere on the Earth – for the Earth. Our choir was invited by Brazilians opposing Bolsonaro – to march with indigenous leaders from Amazonia. They were quietly powerful, nearly naked with feathers and small branches, while everyone was crazy around them. They were in town for the United Nations, as were representatives of 193 countries, and Greta Thunberg – for the annual General Assembly. The timing of it all grew the drama, starting with Thunberg’s arrival like a Charles Lindbergh in reverse, sailing on a carbon-free boat from Europe. Traditional media-style hero-worship seems not the right idea for the uprising for the Earth. Greta Thunberg’s spectral presence is not like celebrity. This child-woman is out of category. Something remarkable was generating on Saturday around her. Hundreds of thousands of youth were more like an eco-system and less like an institution; more like first responders to a tragedy and less like professionals with opinions; more like music and less like speedy information. They were kids who were not in the system yet led by a kid who was not in the system yet. It felt like all the interlocking professionals in “the system” were watching, fascinated. Thunberg was inspired by the Parkland survivors, and she doesn’t smile a lot. While there is joy in the swirling mass of youth, the action she is calling for has not happened yet and she seems to know it. The hundreds of thousands marched right by the stock exchange without interrupting the symbolic center of the fossil fuel economy. This new radicalism, which everyone is saying will be so much deeper and different - how will it manifest? In her speech at the march’s end, she quietly thundered with the hurricanes and wildfires of the summer. Her politics come down to this: hold those who have caused climate violence accountable for their actions while demanding real change by political and business leaders. This has not worked up to this point. The banks have lent $2 trillion to fossil fuel projects since the Paris Climate Agreement. CO2 levels are accelerating in the atmosphere in 2019. But while Thunberg and her youth rebellion is mesmerizing, will the fossil fuel and big bank oligarchs simply ignore her as they have the whole environmental movement for decades? For the change to be enough to bring back the birds and the frogs, and to calm down these storming children, Wall Street will have to be flooded for real. Reverend Billy
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Neil Young’s Lonely Quest to Save Music


the review review

He says low-quality streaming is hurting our songs and our brains. Is he right? By David Samuels I want to thank David Samuels for writing this review. I will be commenting here and there. . . . . ny Neil Young is crankier than a hermit being stung by bees. He hates Spotify. He hates Facebook. He hates Apple. He hates Steve Jobs. He hates what digital technology is doing to music. “I’m only one person standing there going, ‘Hey, this is [expletive] up!’ ” he shouted, ranting away on the porch of his longtime manager Elliot Roberts’s house overlooking Malibu Canyon in the sunblasted desert north of Los Angeles. The dial thermometer at the far end of the porch indicated that it was now upward of 110 degrees of some kind of heat. Maybe the dial was stuck. I don’t hate Steve Jobs.. . . . When you hear real music, you get lost in it, he added, “because it sounds like God.” Spotify doesn’t sound like God. No one thinks that. It sounds like a rotating electric fan that someone bought at a hardware store. ny-lonelyquest1 photo: 1975 Henry Diltz No one in their right mind would choose to live in the canyons outside Los Angeles, especially in the summertime between noon and 5. There isn’t enough water or shade. After a few months of summer heat, the scrub on the mountainsides is baked dry. Then someone gets sloppy with a stray cigarette butt or a campfire or the power company fails to maintain a power line and a spark accelerates into a terrifying wildfire that sends up pillars of thick smoke that from a distance hovers over the canyons like an illustration from an old Bible. News crews record burning mansions, which are intercut with the winsome llamas of the rich and famous that have been safely removed to Zuma Beach. Stragglers are incinerated in their cars. The view was incredible, though. Young has been living up here on and off for decades. At one point, he owned more than 1,000 acres of much-coveted Malibu real estate, where movie producers and actors and billionaire tech tycoons build mansions with supersize swimming pools, grotesque advertisements of corruption and hubris, which are some of the major sins that Young rails against. I owned that big land up North near Redwood City . . . . . not Malibu . . I enjoyed listening to Young rant on about the modern condition. We were vibing. He is passionately opposed to global warming, genetically modified seeds, corporate greed-heads who are despoiling Mother Nature and an assortment of other sinners who interfere with our God-given right to happiness. His ire this afternoon, directed through me and my notebook and my Sony digital recorder, was focused on the engineers of Silicon Valley, against whom he has been zealously waging war for decades. Silicon Valley’s emphasis on compression and speed, he believes, comes at the expense of the notes as they were actually played and is doing something bad to music, which is supposed to make us feel good. It is doing something bad to our brains. The same goes for everything else that Silicon Valley produces, of course: the culture of digital everything, which is basically a load of toxic, mind-destroying crap. It’s anti-human. “I’m not putting down Mark Zuckerberg,” he continued, his voice taking a turn. “He knows where he [expletive] up. Just the look on his face,” he said, wagging his finger toward a television screen inside Roberts’s living room, where the Facebook chief executive was giving sworn testimony before a panel of lawmakers investigating Russian interference in the 2016 election. “You know, he came to me in a dream the other night, and I felt really sorry for him,” he said. “He was just sitting there sweating and kind of didn’t know how to talk, because he [expletive] up so badly.” There he was, Zuckerberg, on the large-screen TV, sweating bullets. I am putting down Mark Z. He is in over his head. Maybe everybody having a platform that can be manipulated behind the scenes. . . . ‘likes’ bought and sold . . . robots posting damaging lies . . . . . progress of that type. . . . . is not that great for humanity. Young was no longer the righteous wandering hippie avatar of his early album covers. He’s an old man now at 73. He’s fleshy and jowly and red-faced, with long, stringy hair. He looked like a prosperous prairie farmer (hogs or cows, some form of livestock) minus the overalls. You can imagine Farmer Neil attending church every Sunday and preaching manic sermons from the pews. What’s still the same are his eyes, smoldering like two hot coals stuck beneath his overhanging brow that featured so prominently on the cover of “After the Gold Rush,” his third album, released in September 1970, back when young people, stoned on primitive weed, might plausibly spend an entire weekend listening to his visions of a lone wanderer adrift in a lost Eden. As we went back and forth about the dynamics of digital sound-compression and the general evil of big tech, Young got mad about his Facebook user agreement, which not even his high-priced lawyers can untangle. “I’m pissed off about my user agreement,” he says. “I’m pissed off about my privacy policy.” Yet I could tell that this wasn’t what he wanted to be talking about. Young doesn’t want to be a downer. He is passionate about music. The point of music, and of Young, is to make people feel less lonely. I had taken him to a dark place that he didn’t want to go. “I really wish this interview hadn’t happened,” he later said, seeming more downhearted than angry. “I feel horrible,” I answered, and I did. I was hoping to soothe the old rock star, who spoke to me through the headphones of my Sony Walkman at the moments I felt most isolated and alone. The last thing I wanted to do was make him feel bad. It felt awful. What I wanted was to hear him play music and to write more songs. “I mean, the worst thing I could have done is to make you feel defeated,” I told him, “and now that’s what I’ve done.” Neil Young has always been a little too hot to handle, so passionate and smart and always a little bit off his rocker, which might be part of the glory and also the downside of being Neil Young. Yet what weirds me out most about his emotional weather patterns, which are superfamiliar to me from my teenage Walkman years, is the new sense that each of his individual miniflights and tantrums was being processed by a tiny hyperaware control freak who lives inside Young’s personal control tower. The little man charts every little fragment of new meaning or awareness and what its trajectory might potentially signify on a giant whiteboard. Young hears you listening, and he is hip to that angle, and he incorporates that in his next riff. Polite conversation under such conditions can be a baffling and frustrating type of experience. After an hour, we agreed to turn the tape recorder off, and Roberts orders pizza. But the little man in the control tower was still up there, watching. I call the little man ‘my commentator’. He is with me on my most uncomfortable shows. Thankfully, music shuts him up most of the time. My diagnosis, after a lifetime of listening and an afternoon on Roberts’s porch and a couple of longer off-the-record interviews about his life and work, is this: Neil Young is trapped in a cycle of second- and third- and fourth-guessing, which is an affliction that is not unique to his brain. To escape from this cycle, he is continually forcing himself back into the moment and then trying to capture that feeling and energy, which is a specific kind of artistic choice. That larger cycle, combined with his magnificent control over his art, is what makes him such a uniquely vital and generative artist, at an age when peers like Bob Dylan, Paul McCartney and Mick Jagger have become skeletal holograms of their former selves. When he looks back, which is something he did often during our conversations, it is toward the specificity of what some younger version of Neil Young did in a particular moment when he really nailed it. The latest live album he released was recorded at a gig in 1973, in Tuscaloosa, at the University of Alabama; it is part of an archival series, and they are all miracles. As Young once put it, “I’d rather play in a garage, in a truck or a rehearsal hall, a club or a basement.” What he is after is not some ideal sound but the sound of what happened. The missed notes and off-kilter sounds are part of his art, which is the promise of the real, but also, even mainly, of imperfection. The idea that big technology companies are engineering all that back-and-forth out of his music just kills him. It’s gotten to the point where he doesn’t want to write music anymore, he admitted. I tried once again to console him. “The songs always came to you in bunches,” I said. It’s an encouraging thought. But Young was only willing to meet my optimism halfway. “I’ve got great melodies, and the words are all profanities,” he answered. “I was just telling Elliot the other day, I’m not interested in making any more records,” he insisted, plunging us down once more into the void. “They sound like (expletive).” I made another record anyway. . . . for myself. I dropped the profanities and dealt with the feelings. . .. . . writing the real songs I felt . .. . . because I get to hear it the way we made it. Too bad about most of you. . . . you don’t. I really wish you could feel the new music. Young’s belief in the saving power of music couldn’t be any more personal. In 1951, at age 5 in Ontario, he got sick with a fever, which turned out to be polio. His father, the hockey writer Scott Young, chronicled the Toronto Maple Leafs and wrote young-adult novels about stouthearted boys on ice that were a staple of Canadian boyhood. Neil was not meant for hockey. His mother, Rassy, was a sharp-witted panelist on the popular weekly Winnipeg television show “Twenty Questions”; she was always intensely protective of her son. When I asked him about what it felt like to be a sick child and to grow up lonely, he said: “I loved playing music, and I wasn’t that alone. You know that’s what I wanted to do, that’s what I wanted to do with my life, and that’s all I paid attention to.” Maybe Young could have become a big rock star without that childhood illness, without being so complicated. His peers talent-wise, at 19, included genius musicians like Stephen Stills, Duane Allman, Jimmy Page and Jimi Hendrix, the last of whom was the greatest American popular musical talent maybe ever. What set Young apart from that company was his sustained refusal to bend to anyone else’s idea of what audiences wanted to hear. His signature move was to accomplish something amazing and then blow it up, in the pursuit of something that would sound even more real. “Neil Young,” his first solo album, recorded in 1968, at 22, after his departure from the supergroup Buffalo Springfield, showed off ageless melodies combined with clever, wised-up lyrics (“I used to be a folk singer/keeping managers alive”). The album failed to sell. The sound was too pretty and too clever at the same time. His second studio album — and first with his longtime band Crazy Horse — “Everybody Knows This Is Nowhere,” is my personal favorite Neil Young record, and was also Elliot Roberts’s favorite (he died two months ago). It introduced what became Neil’s defining edge, i.e., the sound of his ruminations, distortions and mistakes. The album made it to No. 34 on the American charts, and included the hit “Cinnamon Girl.” He wrote much of the album while running a fever of 103. Young joined with Stills, David Crosby and Graham Nash (my personal ordering of talents) in the supergroup Crosby, Stills, Nash and Young, with Young positioned as the defiant outsider against the gorgeous harmonies of the latter three. CSNY turned Joni Mitchell’s song “Woodstock” (she watched the festival on TV) into a generational anthem, and then imploded. (Side note: The year after Neil Young got sick as a child, Mitchell — then a young girl living in Fort Macleod, Alberta — contracted polio during the same outbreak of that disease. She also found herself in writing songs. Maybe something about that childhood illness, which left both children weakened for several years, altered the way that Young and Mitchell processed the evidence of their senses. The dreamy harmonics both favored, and the way that the music and the words shade into each other, suggests both the wooziness and the emerging clarity that a child coming out of a fever might experience.) Young’s fourth solo album, “Harvest,” distilled his songwriting gifts, which had been given broad exposure through the supernovalike appearance and implosion of CSNY, into a collection of Southern California-inflected hits like “Heart of Gold,” “The Needle and the Damage Done,” “Old Man” and “Words (Between the Lines of Age)”; it became the best-selling American album of 1972, despite critics labeling the raw vulnerability of the songs as off-putting, self-pitying or as one critic put it “embarrassing.” The AM radio success of “Harvest” cleared a path toward the stratospheric levels of commercial songwriting success and luxury-hotel-suite destruction enjoyed by the Eagles, a supergroup of superbrilliant songwriters who, unlike Young, preferred highway driving. In response to the success of “Harvest,” Young switched up his style again, obliterating his hit radio melodies with epileptic seizures of dissonance and feedback. (Young himself suffered from epilepsy, to the point that he would have seizures and sometimes black out.) “Heart of Gold,” as he explained it in his liner notes, “put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride, but I saw more interesting people there.” For the time being, there would be no more pretty melodies and note-perfect guitar playing. Instead, Young’s music centered on a distinctive alternation of melodic beauty, earsplitting feedback and passages where he seemed to be playing his guitar with his fist. On a third or fourth listen, these passages often revealed themselves to be part of larger, deliberate, gorgeous patterns that bent the listener’s ear in the directions that he wanted it to go. You had to listen to the whole albums all the way through to really hear the songs. Young’s own guitar playing sounded too deliberate to express the fullness of his own sound, so he often featured the rhythm guitar playing of Frank Sampedro, who played loud rock ’n’ roll in his garage, which was the sound that Young was after in perfecting imperfection. Within his own specific lineage of deeply melodic rock-guitar playing, incorporating infinite branching possibilities and a taste for soulful, aggressive dissonance, Young is great to listen to. But a better pure player than Young would be a guy like, say, John Frusciante, the former guitarist for the Red Hot Chili Peppers, who is wildly talented. Give both men 30 seconds to solo, and Frusciante would blow Young off the stage, just as Duane Allman would blow Frusciante off the stage. Young is something else, though. He’s a genius, a word that can be usefully defined as the ability to create and realize an original style that, in turn, can for decades generate its own genres of music containing the DNA of deeply original songs by other extremely talented, original songwriters and musicians, all of whom owe something to him. His music helped shape the melodic-depressive post-Beatles catalog of Pacific Northwest angst, which was brought to its songwriting peak by Kurt Cobain of Nirvana and Elliott Smith, the Irving Berlin and Cole Porter of suicidal ideation and addiction. Cobain committed suicide on April 5, 1994. Smith, who was an even more intimate songwriter, in the same catchy, brilliant, self-pitying vein, stabbed himself through the heart and bled to death on Oct. 21, 2003, in an apartment in Los Angeles. While the circumstances of both deaths are disputed by conspiracy theorists, Neil Young is indisputably still here. But he is stumped. Let’s take a moment to look at the future of recorded sound, the topic that has got him so overheated. The invention of the phonograph in 1877 by Thomas Alva Edison, a k a the Wizard of Menlo Park, and one of the great visionaries in American history, marked the culmination of several decades of attempts to capture the magic of sound in physical, reproducible form. Early sound recorders used a large cone to capture the air pressure produced by sonic waves created by a human voice or an instrument. The cone directed sound waves against a diaphragm attached to a stylus, which thereby inscribed an analog of those waves onto a roll of paper or a wax-coated cylinder. The use of electrical microphones and amplifiers by the 1920s made it possible to record a far greater range of sound with far greater fidelity. Magnetic tape, which was pioneered in Germany during the 1930s, propelled another giant leap forward in fidelity, while also beginning the process of freeing sound from the physical mediums on which it was recorded. Tape could be snipped and edited and combined in ways that allowed artists, producers and engineers to create symphonies in their own minds and then assemble them out of multiple takes performed in different places and at different times. The introduction of high-end consumer digital-sound-recording systems by companies including Sony and 3M further loosened music’s connection to a physical medium, thereby rendering sound infinitely plastic and, in theory, infinitely reproducible. Then came the internet, which delivered on the mind-boggling promise of infinitely reproducible sound at a cost approaching zero. At ground level, which is to say not the level where technologists live but the level where artists write and record songs for people who care about the human experience of listening to music, the internet was as if a meteor had wiped out the existing planet of sound. The compressed, hollow sound of free streaming music was a big step down from the CD. “Huge step down from vinyl,” Young said. Each step eliminated levels of sonic detail and shading by squeezing down the amount of information contained in the package in which music was delivered. Or, as Young told me, you are left with “5 percent of the original music for your listening enjoyment.” Producers and engineers often responded to the smaller size and lower quality of these packages by using cheap engineering tricks, like making the softest parts of the song as loud as the loudest parts. This flattened out the sound of recordings and fooled listeners’ brains into ignoring the stuff that wasn’t there anymore, i.e., the resonant combinations of specific human beings producing different notes and sounds in specific spaces at sometimes ultraweird angles that the era of magnetic tape and vinyl had so successfully captured. If you want to envision how Young feels about the possibility of having to listen to not only his music but also American jazz, rock ’n’ roll and popular song via our dominant streaming formats, imagine walking into the Metropolitan Museum of Art or the Musée d’Orsay one morning and finding that all of the great canvases in those museums were gone and the only way to experience the work of Gustave Courbet or Vincent van Gogh was to click on pixelated thumbnails. But Young hears something creepier and more insidious in the new music too. We are poisoning ourselves with degraded sound, he believes, the same way that Monsanto is poisoning our food with genetically engineered seeds. The development of our brains is led by our senses; take away too many of the necessary cues, and we are trapped inside a room with no doors or windows. Substituting smoothed-out algorithms for the contingent complexity of biological existence is bad for us, Young thinks. He doesn’t care much about being called a crank. “It’s an insult to the human mind and the human soul,” he once told Greg Kot of The Chicago Tribune. Or as Young put it to me, “I’m not content to be content.” I was surprised to find myself talking with Young at all. He only really agrees to speak with the press, or to the press, to publicize something new and weird, like his 3,000 square feet of miniature Lionel train track that he housed in his barn or the experimental film he recently made with his wife, Daryl Hannah. For years, Young also put on a benefit concert for the Bridge School, which educates children who have cognitive and sensory disorders. Young’s sons, Zeke and Ben, both have cerebral palsy. That’s another thing about Young that rescues him from nihilism and self-pity: He does stuff, even if what he does sometimes seems loony. He made a documentary and a YouTube channel about converting his 1959 Lincoln Continental to operate on alternative fuels, and he has been known to distribute unlicensed non-G.M.O. seeds at his shows, from which his fans can grow their own, uncontaminated grains. A few years ago, he appeared on David Letterman’s show to introduce his PonoPlayer, which was his first attempt to right the wrongs that streaming music is doing to our brains. “It means righteous in Hawaiian,” he told Letterman, who seemed both impressed by the device and thoroughly perplexed by the need for it. “Is this a digital way of recording analogous sound?” Letterman asked. “I’m struggling here to find something I can understand.” His next remedy, which is why he invited me out to Roberts’s home, is a website that he calls the Neil Young Archives: a digital repository of his recorded work that he introduced last summer at considerable personal expense. (“Let’s say, ‘Well over a million dollars,’ ” Roberts suggested to me later, with a sigh.) The interface for the Archive looks like a set of old file cabinets that might have been heisted from an old-time bail bondsman’s office. By clicking open the various cabinets, you can stream every song that Young ever released and a growing portion of his unreleased songs in information-rich file formats and play them back through a DAC, which is a digital-to-analog converter device that approximates the sound of good vinyl. You need to get a DAC that can handle it. That’s not the one in your computer. Even without the Dac however, the sound of the high resolution flies is greatly improved. The source really matters. It makes a giant difference, especially with a good DAC. “What I do with my life now is I try and preserve what I did so that decades from now it will still be there,” Young said. “I wish I could do this for Frank Sinatra. I wish I could do it for Nelson Riddle. I wish I could do it for all of the great jazz players. I wish I could do it for all the great songwriters and musicians and everybody who recorded during the time and before the time that I did. But I can’t.” There are audiophiles who mutter politely but approvingly about Neil’s crusades. And there are the non-gear-heads who remain passionate about American popular music and the miracles it contains. Ooooh-la-la-la, la-la-la-la. That’s the harmony on “Down by the River,” and it’s glorious, right? Your whole brain relaxes in a warm bath of sound. Now try to feel that pure glory and relaxation, that sense of wide-open spaces, the unique confluence of cultures and sounds that together make up America’s purest and least-expected gift to humanity and all the history and pain and loneliness and satisfaction behind it, in a lo-fi digital stream. At the center of Young’s efforts are his own engineers, who are at least as important to him as Old Black, his favored Gibson Les Paul. “He wants the honesty of what went down, not some pasted-together overdubbed representation that’s not the truth,” John Hanlon, one of his favorite engineers, told me from the modest beach house where he takes breaks from recording and remastering miles of Young’s tapes. When we met, he had just completed mastering a 1973 live performance at the Roxy of “Tonight’s the Night,” which is one of Young’s finest and most harrowing records. The rawness of the anger and the sorrow and the joy that are all mixed up together on that record transcends any particular cut. “The truth is that the human condition is imperfect,” Hanlon says of that record. “He captures that imperfection. He wants to capture it in its birth, at the moment that it happens.” ny-lonelyquest2 Neil Young and Crazy Horse performing in Fresno photo: CK Vollick Hanlon has spent years working his way up the Young recording hierarchy, at the topmost rung of which lived an engineer and producer named David Briggs, whose driving, funny, off-kilter personality is best captured in a photograph that shows him in a cowboy hat holding a long black rifle; the gleam in his eye suggests that he wouldn’t mind shooting someone. “That’s the guy that I wanted to find out about,” Hanlon recalls. When Briggs died, Tim Mulligan, who had been mixing Young’s live shows since the 1970s, inherited some part of Briggs’s mantle. Then came Hanlon, who was brought up to the ranch in 1990 to engineer “Ragged Glory.” Hanlon was brought in by Briggs, five years or so before Briggs died. . . . “He’s a control freak,” Hanlon says, in a tone of complete approval. “If he wants your opinion, he’ll ask for it. If he doesn’t, it’s foolhardy to wade in. He’s 10 steps ahead of you in his thought process.” Young’s favorite place to listen to his own songs isn’t the studio, Hanlon says. It’s behind the wheel of his car. Consciously, you’re driving the car, which leaves your mind more open, which is a trick that Briggs taught Young. “We get on the two-lane blacktop,” Hanlon explains. “There’s something that happens when you drive, without trucks. You hear what comes to the top without focusing too hard.” The physical condition of 40- and 50-year-old master tapes from the golden age of rock ’n’ roll depends on how they were recorded and stored and on what kind of tape, which is why remastering old recordings is such a pressing necessity and why digital-recording technology, as opposed to low-quality streaming services, can be a gift to musicians, properly deployed. While some types of tape, like Scotch 250 tape, are usually fine, even after decades in storage, other forms of analog tape haven’t fared as well. “Ampex 456 half-inch, quarter-inch tape,” Hanlon says, when I ask about the worst offender. Run it through a pinch roller to play it, and the backing comes off as an oily gunk. You need to bake it in an oven at low heat to reconstitute the backing and make the tape usable. With Young’s old Buffalo Springfield stuff, you could see right through the Mylar, Hanlon says, which means that the music on those tapes, or some of it, is simply gone. Tim Mulligan has worked together with Neil since “Harvest,” in 1971. His first session was a remote in the old hay barn where Young recorded “Words,” along with “Alabama” and “Are You Ready for the Country.” The guy who knew how to bake Ampex tape, he tells me, was George Horn, a mastering engineer who worked at CBS San Francisco and later at Fantasy Studios in Berkeley. “George had a crude setup using a hair dryer and cardboard box,” Mulligan recalls. “We then upgraded to a convection oven with a candy thermometer and timer.” The tapes were carefully rewound, then cleaned, lubricated and repaired until they were playable again and could be rerecorded. After a few precious days, the old tapes turned back into gunk. The master tapes for “Everybody Knows This Is Nowhere” were in particularly bad condition, Mulligan recalls. So it’s important to get the work done right and get it done now. Even engineers in Silicon Valley can hear a difference in the stuff they are selling and what Young’s team is so desperately trying to preserve. As Tim Cook, the head of Apple, recently told a reporter, without any evident trace of humor, “We worry that the humanity is being drained out of music.” Steve Jobs, Cook’s predecessor, was also a big music fan. “He listened to vinyl in his living room because he could hear real music,” Young told me. “ And he loved music.” When I ask if he ever spoke directly to Jobs about turning Apple’s iTunes into a platform for music that didn’t sound bad, Young nodded. “Oh, yeah,” he answered. “He said, ‘Send us your masters and I’ll have my guys do what they can with them to make them sound great.’ I said, ‘Well, that’s impossible, your iPod won’t play anything back.’ ” Jobs disagreed. “He said, ‘Well, our guys can make it so that your music can play back through it.’ And you know he was right,” Young said. “It does play back, and you can recognize it.” He pauses. “But it’s not my music.” Steve just didn’t know you can’t get blood from a stone, but he believed he could with his ace engineers . . .and he was trying. When Jobs’s biographer asked him about Young’s offer, as related in the biography “Becoming Steve Jobs,” Jobs snapped, “(Expletive) Neil Young.” That didn’t work Steve. . . . All of my life, I had never rid myself of the preposterous idea that someday Young would vouchsafe to me some life-altering truth, until one day it happened. My younger son, Elijah, I told Young, has a great ear for music, but his ability to process sensory information is off, which means that he has been drowning since birth in an ocean of sound. This has led to problems with language and balance and nausea. From the time he was born, his hands were also clenched into tiny fists, and they remained that way for over a year. He seemed to be in some kind of pain. Otherwise, he is a bright, intensely curious child, who is fascinated by the workings of cause and effect and understands language at a normal 5-year-old level but repeats words with great difficulty. To compensate for his deficits, Elijah was blessed with a rock-star smile that can light up a room — a smile so bright and warm that he learned to use it to distract people from his obvious physical discomfort, in a world that was always wobbling and flipping over, and from his inability first to talk and then to pick up small objects or insert a screw into a bolt. Instead, he smiled at people. When they asked him his name, his inability to produce intelligible sounds made him turn away quickly in frustration, which was usually interpreted as shyness. He would try to build a tower out of blocks, then knock down all the blocks. Then he would turn back to them, laugh and flash that smile. What a beautiful passage. . . . . A child in pain is a tragedy and a burden that can be all-consuming, but that’s not how I experience Elijah. He is my friend. He is a source of joy and love and warmth, who has also been the cause of several hundred sleepless nights, which can in turn be the source of soaring anxiety. Thanks to Elijah, I have become aware that speech is a conscious act that requires the coordination of 32 muscles in the mouth, 16 of which affect the shape and positioning of the tongue. It could be cerebral palsy, a light case, perhaps, Young replied, in an oblique reference to his sons. It is something like that, but it’s not that, so I wasn’t sure exactly how to answer. It’s not genetic. It’s not fatal. Something was inflaming his young brain, disrupting the formation of healthy neural connections; the cause might be historical, or ongoing. Either way, there were kinks in the channels through which sights and sounds flowed. Either those channels had to be ironed out or new ones had to be opened up. I asked Young what it does to a marriage to have a child like that. Neil has been married three times. His ex-wife, Pegi, Ben’s mom, was a singer-songwriter and environmentalist but died on Jan. 1, 2019, of cancer. She had worked with Young, to whom she was married for 36 years, before divorcing in 2014, to establish the Bridge School. “It’s good for the marriage,” he said firmly. “If it’s a good marriage, it brings the marriage even closer together. It’s one of life’s great experiences. It’s an enriching thing because it teaches you the value of love.” Young’s immersion in a program of intensive therapy for his son Ben led him to become obsessed with new ways of hearing and modulating sound. His album “Trans” was a monument to his attempts to communicate with Ben and to find a musical language that could convey what Ben was hearing — and perhaps even serve some therapeutic purpose. As Neil put it to his biographer Jimmy McDonough, the album was “the beginning of my search for a way for a nonoral person, a severely physically handicapped nonoral person, to find some sort of interface for communication. The computers and the heartbeat all have to come together here — where chemistry and electronics meet.” In that moment, talking about our sons, I realized how all of Young’s obsessions fit together: They are centered in a common understanding of experience and how it shapes us. Human development is led by our senses. Our senses exert a formative and shaping pressure on our brains. So if our experience of the world around us can damage our brains and our souls, it makes a kind of intuitive sense that music can also help us feel better. Every musician, and every music fan, believes that. It was this belief that led me to the work of a French doctor named Alfred Tomatis, who, in the late 1940s and ’50s, began manipulating sound in the hope of healing people. Among his patients were opera singers and fighter pilots, whose brains had stopped processing sound correctly as a result of work-induced auditory trauma. Because our fight-or-flight response is connected to our auditory system, any disturbances can cause a host of physical symptoms. Tomatis came up with a treatment that involved decreasing or emphasizing specific frequencies of what he believed to be particularly salient forms of music — including Gregorian chants and the music of Mozart, which is perhaps the most perfectly structured and at the same time most effortlessly fluid sound that human beings have ever made (at once the most human and the most perfect music on the planet). These interventions helped retune the muscles that control the auditory pathways through which sound makes its way to the brain. (In the Streaming Age, Classical Music Gets Lost in the Metadata.) In the 1950s, Tomatis successfully used his techniques to help opera singers whose prolonged and eventually traumatic exposure to their own vocal extremes left them unable hear high any midrange sounds. After graduating from medical school, he worked for the French Air Force, where he noticed that prolonged exposure to certain ranges of sound produced by factory machinery and jet engines produced a range of negative physiological and psychological effects, in addition to hearing loss. But Tomatis’s methods languished in relative obscurity for the second half of the 20th century in part because they didn’t align with the then-dominant machine model of our brains, which suggested the organ contained a set of parts that performed specific functions. Once broken, those functions could not be restored. The machine model of the brain “has been a disaster clinically,” says the psychiatrist Norman Doidge, who over the past decade has popularized much of the pioneering work in the science of neuroplasticity in two best-selling books. “We now know that mental and sensory experience and activity actually change the brain’s ‘wiring’ or connections,” Doidge told me. As Eric Kandel, one of Doidge’s teachers at Columbia, defined it, “Neuroplasticity is the ability of the brain to change its behavior as a result of experience.” In 2000, Kandel was awarded the Nobel Prize in medicine or physiology. At dinner at a fancy Italian restaurant in Toronto, I told Doidge about Elijah. What particularly interested me, I said, was that his symptoms mirrored those of a child to whom Doidge had devoted a case history in his second book. Could he help us? Maybe, he said. With proper reshaping of his auditory cortex, Elijah’s balance might get better and his nausea might stop, which would in turn make it possible for him to develop more normally. Doidge suggested that we take Elijah to the Listening Center in Toronto for an assessment. The center is run by Paul Madaule, who was first Tomatis’s patient in France, then his assistant. Coincidentally, I added, Young experiments with masking and distorting sound contained some similar ideas. He had two sons with cerebral palsy. “He was probably on to something,” Doidge said. Spending a day and a night in downtown Fresno, Calif., is like walking into the dreamscape of a midperiod Neil Young album, with once-glorious movie palaces taken over by churches that minister to addicts and drunks. The signs along the way advertise Aladdin Bail Bonds, the Mezcal Lounge and the Lucky You Tattoo parlor. One of the messages of Neil Young’s music has always been that flat spaces are lonely, and the people who inhabit them feel small. In the next year, Young would announce that he was releasing a book about sound, “To Feel the Music,” written with Phil Baker, who helped developed the PonoPlayer. He also found enough new inspiration to record an album with Crazy Horse, his first in seven years, called “Colorado.” While I was in town, I was able to catch a show. That was one of the first shows Crazy Horse did with Nils Lofgren back in the band. We had not yet decided to do an album at that time. It had been several years since we had played. Fresno’s sizable vagrant population was distinguishable from the concertgoers clustered outside the Warnors Theater mainly by the amount of dust on their shoes. The concert had been announced only a week earlier, which meant that pretty much everyone there was a local — the kind of audience that Young likes best. The inside of the Warnors Theater has been perfectly restored, with a high gilded ceiling and gorgeous acoustics. “I’m still living the dream we had/For me, it’s not over,” Young sang onstage, facing his band, Crazy Horse, with Nils Lofgren on guitar. There was something clumsy and vulnerable in the way that the men faced each other onstage, bowing back and forth as they soloed in a show of old-school male competitive affection. That got a lot looser fast and we started to really play great. . . . . “Thanks for coming out,” he told the crowd when he was done. “We appreciate it. Glad you could get those tickets. I like seeing you people here.” A cigar-store Indian hovered over his shoulder. I counted only four people in the audience who were holding up phones. He played “Tired Eyes,” then “Powderfinger,” flailing away at his big old guitar laid across his bouncy gut. “You are like a hurricane/There’s calm in your eye/I wanna love you but I’m getting blown away.” I recently lost 33 lbs off my bouncy gut and feel much better for it. . . . . . try it . . . “God bless you, Neil,” an old hippie lady in a blowzy floral dress shouted. Maybe he only looked cranky. He finished another song and gazed up at the ceiling in wonderment, admiring the great cathedral of sound in which he was standing. I don’t know if the evils that Neil Young is warning us about will come to pass. I don’t know if G.M.O. seeds are truly killing us or if all the missing information that Silicon Valley is engineering out of music and the rest of our lives is doing something truly evil to our brains or whether these are simply the latest obsessions of a habitually cranky, inventive, restless man. There are plenty of neurologists who remain skeptical of the idea that sound can help rewire people’s brains. What I can also tell you is this: I listen to rich audio files through a decent-quality DAC and I hear more, and it makes me feel better. Also: I don’t know when or how or if certain parts of my son’s brain will get unstuck. I don’t know whether he will learn to talk in a way that his friends or teachers or people besides me and my wife and his brother and sister can easily understand. I’m not even sure what degree of change is desirable. Some brains, like Neil Young’s and Joni Mitchell’s, are just wired differently. I hope the kid is happy, gets to hear great sound . . . and lives a full life . . . just like I feel for my own kids . . . That said, I will never forget watching Elijah during the first week of his therapy in Toronto, as modified Mozart was piped into his brain and he just suddenly looked down at his little fist and started opening and closing his hand for the first time — because suddenly, he could. After the second session, six weeks later, his reflexes and fine-motor skills had markedly improved, to the point where he could catch a ball or slap his mother across the face when she says “no” to his request for another marshmallow. He isn’t nauseated anymore. He can walk and even run, while continuing to be a joy to be around. Just the other day, in the bath, waiting for his mother to come home, he looked at me and said, “Oh, me home, Mama!” So beautiful. . . . . I listened to the tapes that Elijah was hearing, on which Mozart’s perfect sound was continuously interrupted by filtering that sounded like static, before it then reasserted itself — an effect that is familiar to any Neil Young fan. The filtering effects had helped in whatever way to heal Elijah’s brain. I think this was resetting his brain . . . letting it feel the difference . . . . recognize it . . . . So what is the effect of engineering so much complexity out of the music we listen to, and replacing it with fake, jacked-up sounds, doing to my brain and to yours? It’s the Spotify effect. . . . . . . It’s strange to imagine that Young might be a prophet of sorts — but maybe not. His lesson is that everything human is shot through with imperfection. Filtering that out doesn’t make us more perfect; it is making us sick. He’s a great artist, which means that he sees and hears more, which may make him a loon, but is also why he is still worth listening to. “These places are so great,” Young said onstage in Fresno. “We’re so lucky they’re still here.” He sang, in fine voice: “He came dancing across the waters/With his galleons and guns.” At 73, he is still a man walking through a hurricane, which begins inside a perfect melody that dissolves into dissonance and feedback, inside of which there is something wonderfully, miraculously whole. I would like to thank the author, David Samuels, for this fine thoughtful article and I am so happy his son is making such great progress. . . . . .ny NYA thanks The New York Times
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Famed Gold Star Recording Studio inspires San Diego-bred musical - '33⅓'


famedgoldstarspringfield Rock and Roll Hall of Famers Buffalo Springfield, with members Stephen Stills and Neil Young at left, are shown at Gold Star Recording Studio in the 1960s. A San Diego musical about Gold Star is now under way. (Photo by Henry Diltz) By George Varga San Diego’s Brad Ross and Jonathan Rosenberg didn’t have to look far for source material for “33⅓ — House of Dreams,” their fledgling musical about one of the most celebrated independent recording studios in rock and pop-music history. Stan Ross, Brad’s father and an expert audio engineer, co-founded Gold Star Recording Studio in 1950 at the corner of Santa Monica Boulevard and Vine Street in Hollywood. It became the studio of choice for Phil Spector, whose famed “Wall of Sound” production technique was created at Gold Star. So were such Spector-produced classics as The Ronettes’ “Be My Baby,” The Crystals’ “Da Doo Ron Ron” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’.” All told, more than 100 Top 40 hits were recorded at Gold Star. A sampling includes: Ritchie Valens’ “La Bamba”; Eddie Cochran’s “Summertime Blues” and “C’mon Everybody”; The Champs’ “Tequila"; Dobie Gray’s “The In Crowd”; Sonny and Cher’s “I Got You Babe"; Hugh Masekela’s “Grazin’ in the Grass”; and Charles Wright & The Watts 103rd Street Rhythm Band’s “Express Yourself.” Stan Ross and fellow Gold Star founder David S. Gold closed the famed studio in 1984 and it burned down later that year. In a fascinating local twist, Ross and Gold were hired in 1974 to come to Santee and build what is now operating as Twinstar Recording Studio. Twinstar is virtually identical to Gold Star, minus Gold Star’s one-of-a-kind echo chamber. “I always wanted to do something special to remember Gold Star and my father, who died in 2011,” said Brad Ross, a San Diego dentist who enlisted the help of Rosenberg, his longtime patient and friend. Both are musicians and have launched a fundraising drive to bring their hit songs-packed musical to life on stage, ideally in San Diego. A labor of love for the younger Ross and Rosenberg, “33⅓” is special enough that San Diego Repertory Theatre honcho Sam Woodhouse hopes the Rep will host the musical’s debut, once enough funding is secured. “We don’t have a deal, and we’re not announcing that we’re producing the show, but we’re working on finding a way to make it happen,” Woodhouse said. “I really hope we can.” He spoke animatedly about the invitation-only workshop production he saw of “33⅓” last summer in La Jolla. Woodhouse was sufficiently impressed by the musical’s unique storyline and audience-pleasing potential that he hopes to include “33⅓” as part of the Rep’s 2018-19 season — possibly even as its opening production. Doing so will be largely contingent on whether Ross and Rosenberg can obtain an estimated $150,000 in underwriting. The two recently launched an online Indiegogo crowdfunding campaign that includes filmed testimonials about Gold Star from Herb Alpert, Brian Wilson, Bill Medley of the Righteous Brothers and others who regularly recorded there and are happy to sing the studio’s praises. Woodhouse’s interest is shared by San Diego Ballet Artistic Director Javier Velasco. He directed and choreographed the “33⅓” workshop production, for which his frequent creative partner Steve Gunderson served as musical arranger. Both are eager to be involved with getting it on stage. “I’m extremely enthusiastic about the piece,” Velasco said. “A lot of times — when you’re dealing with these types of stories — it’s about someone who was a genius, like Tina Turner. But this is a story about people who helped other people create and who made this space, Gold Star, where people could create. “And that seems like a unique, untold story that keeps it from becoming just another jukebox musical or a revue of greatest hits from the 1950s to 1970s. With ‘33⅓,’ there’s actually an examination of the creation.” Despite the many hit singles made there, Gold Star is just as significant for the memorable albums that were produced at the studio. Herb Alpert & The Tijuana Brass recorded their first six albums at Gold Star. Brian Wilson and the Beach Boys recorded parts of their landmark “Pet Sounds” and other albums there. Spector produced the Ramones’ “End of the Century” and Leonard Cohen’s “Death of a Ladies Man” there. For good measure, the music of the prime time TV cartoon group Alvin and the Chipmunks was born at Gold Star. Gold Star is also where former San Diegan Kim Fowley produced the debut album by the all-girl band the Runaways and the San Diego-bred band Iron Butterfly recorded “In-a-Gadda-Da-Vida.” Other past and present San Diego artists who recorded at Gold Star range from punk band The Zeros to guitar greats Mundell Lowe and Barney Kessel (the latter a key member of Spector’s famed Wrecking Crew studio band at Gold Star). “We’re a couple of San Diego guys who have a passion for rock ’n’ roll and the legacy of rock ’n’ roll,” said Rosenberg in a recent joint interview with Ross. “This will not be a typical jukebox musical, because the story we’re telling is so compelling. We have the best San Diego has to offer with Javier Velasco and Steve Gundersen. We’re really excited, and they are, too.”
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Trump Administration Weakens Endangered Species Act Amid Global Extinction Crisis


Environmentalists see the rule as another handout to industry amid rising alarm that the ecosystems on which humans rely are collapsing. Three months after leading scientists warned that humans have driven up to 1 million species around the globe to the brink of extinction, the Trump administration has finalized a sweeping overhaul of the Endangered Species Act, weakening one of America’s most important laws for protecting imperiled plants and animals. The new rules, unveiled on Monday, change how federal agencies implement portions of the conservation law, making it easier to remove recovered species from the protected list and opening the door for more drilling and other development. It also scraps the “blanket section 4(d) rule,” a provision that automatically extends the same protections to plants and animals listed as threatened as the act affords those listed as endangered, and revises how agencies go about designating habitat as critical to species’ long-term survival. Help us tell more of the stories that matter from voices that too often remain unheard. The changes, first proposed in July 2018, allow federal agencies to consider economic factors when making decisions about granting species protections, which the law has previously explicitly prohibited, and potentially limit their ability to account for the impacts of future climate change. The administration has said the overhaul will “modernize” and “improve” the law, lifting regulatory burdens while continuing to protect species. Karen Budd-Falen, the Interior Department’s deputy solicitor for fish, wildlife and parks who once called the ESA “a sword to tear down the American economy,” was among several agency officials who briefed reporters about the changes during a call Monday. The rules, she said, will “ensure transparency” in the ESA process and “provide regulatory assurances and protection for both endangered species and the businesses that rely on the use of federal and private land.” Environmentalists see it as another handout to industry amid rising alarm that the ecosystems on which humans rely are collapsing, creating an existential threat. Jamie Rappaport Clark, president and CEO of the conservation nonprofit Defenders of Wildlife and a former director of the U.S. Fish and Wildlife Service, told reporters Monday that the final rules politicize the listing process, make it harder to designate critical habitat and would “absolutely” drive threatened species closer to extinction. “This effort to gut protections for endangered and threatened species has the same two features of most Trump administration actions: It’s a gift to industry, and it’s illegal,” Drew Caputo, vice president of litigation for lands, wildlife and oceans at the nonprofit Earthjustice, said in a statement about the change. “We’ll see the Trump administration in court about it.” speciesact1 Aaron Bernstein/Reuters Interior Secretary David Bernhardt during a congressional budget hearing on Capitol Hill in May 2019. The Endangered Species Act was passed with strong bipartisan support in 1973 and has succeeded in preventing 99% of listed species from going extinct, including the Yellowstone grizzly bear, bald eagle, peregrine falcon, manatee and humpback whale. Today, it protects more than 1,600 plants and animals, as well as the habitats critical to their survival. A three-year study of the planet’s living world compiled by nearly 500 scientists for the United Nations in May showed that up to 1 million species of land and marine life could be made extinct by humans’ actions if present trends continue. The scientists said the rate of species extinction is up to hundreds of times higher than it has averaged over the past 10 million years. And a report last week from the Intergovernmental Panel on Climate Change, or IPCC, the leading U.N. body of researchers studying human-caused global warming, determined that humans have altered as much as 76% of the planet’s ice-free land ― exploitation that is helping to drive the climate and biodiversity crises. Despite its impressive track record, the Endangered Species Act has been a longtime target of industry and Republican lawmakers. They argue the law has been abused to control land and block economic activities, namely fossil fuel development. “The best way to uphold the Endangered Species Act is to do everything we can to ensure it remains effective in achieving its ultimate goal ― recovery of our rarest species,” Interior Secretary David Bernhardt, a former oil and gas lobbyist, said in a statement Monday. “The Act’s effectiveness rests on clear, consistent and efficient implementation.” speciesact2 SOPA Images via Getty Images A grizzly bear and her cub walk through a meadow in Yellowstone National Park. A coalition of 10 state attorneys general was among the many groups that condemned the Trump administration’s proposal to roll back species protections. In a September letter to the administration, the coalition called the proposed changes “unlawful, arbitrary, and harmful.” Massachusetts Attorney General Maura Healey and California Attorney General Xavier Becerra vowed Monday to fight the rules in court. “I know that gutting the Endangered Species Act sounds like plan from a cartoon villain, not the work of the president of the United States,” Healey said during a call with reporters. “But unfortunately that’s what we’re dealing with today.” The goal of the overhaul is clear: to “undercut the science” and reduce the number of listed species, according to David Hayes, the executive director of New York University’s State Energy and Environmental Impact Center and former deputy secretary at the Interior Department under President Barack Obama. The only reason to consider economic impacts when making ESA decisions is to “poison the well and obtain a sort of public reaction to the listing,” he said. “The unifying principle of all these regulatory changes,” he added, “is to lessen the effectiveness of the act and to move away from what science tells you to do.” Gary Frazer, assistant director for endangered species at the U.S. Fish and Wildlife Service, said Monday that removing language that prohibits agencies from considering economic factors is simply aimed at better informing the public about those potential effects. He stressed that final listing decisions will continue to be made “solely on the basis of the best available scientific information and without consideration of the economic impacts.” Even as the administration was working to finalize the new Endangered Species Act rules, the U.S. Fish and Wildlife Service, which administers the act with the National Oceanic and Atmospheric Administration, was working to weaken or remove protections for threatened and endangered species, according to an internal 2018 memo obtained by freelance reporter Jimmy Tobias. speciesact3 Bruce Bennett via Getty Images An American bald eagle flies over Mill Pond with a freshly caught fish on July 29, 2018 in Centerport, New York. Bernhardt has a long history of fighting the Endangered Species Act. In 2008, as the Interior Department’s top lawyer during the Bush administration, Bernhardt issued a legal memo that concluded the law cannot be used to protect imperiled species from climate change and told federal agencies not to consider the impact of planet-warming greenhouse gases when making permit decisions. Later, as a private industry lobbyist and lawyer, he was involved in litigation against the federal government for its implementation of the act. His former clients include the Independent Petroleum Association of America, an industry trade group that has described the Endangered Species Act as a “broken law that does not help species.” The IPAA successfully lobbied the Trump administration to delay federal protections for the Texas hornshell mussel, as The Guardian reported last year. It also pushed for the Interior Department to ease ESA protections for the American burying beetle, according to internal emails obtained by the conservation group Western Values Project. In May, the federal agency proposed downlisting the beetle from endangered to threatened. Bernhardt has a long list of potential conflicts of interest and is one of several top Interior officials being investigated for alleged violations of ethics rules dealing with former employers. During his current stint at Interior, Bernhardt has played a key role in regulatory rollbacks, including loosening Obama-era protections for the greater sage grouse, a move that opened the door for more drilling, mining and other development in the game bird’s habitat. A recent investigation by The New York Times unearthed public records showing that Bernhardt intervened to block a scientific report by the Fish and Wildlife Service about the threat certain pesticides pose to more than 1,000 endangered species. Asked about the agency’s planned Endangered Species Act overhaul during his confirmation hearing in March, Bernhardt said the act has “wonderful goals, wonderful objectives,” but also “some ambiguity.” At a congressional budget hearing in early May, Rep. Mike Quigley (D-Ill.) accused Bernhardt of “rolling back endangered species protections to benefit your former clients.” “I take offense to the concept about profiting and your allegation that I’m here to do the bidding” of corporations, Bernhardt said. “I came here just like you to do the work of the public.” Sen. Tom Udall (N.M.) joined other Democratic lawmakers in blasting the final rules, saying it would “take a wrecking ball” to the conservation law. “For more than 40 years, the ESA has been a pillar of environmental protection in this nation,” he said on a press call. “But as we’ve seen time and time again, no environmental protection, no matter how effective or popular, is safe from the Trump administration.” Udall added that lawmakers must consider stopping the ESA rollback “by any means,” including using the Congressional Review Act.
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Revealed: how Monsanto's 'intelligence center' targeted journalists and activists


Internal documents show how the company worked to dis-credit critics and investigated singer Neil Young nypotr-monsantoyears500 “they should have just called me directly. I remember all the shaky things I have done.” Neil Young by Sam Levin Monsanto adopted a multi-pronged strategy to target Carey Gillam, a Reuters journalist who investigated the company’s weedkiller. Monsanto operated a “fusion center” to monitor and discredit journalists and activists, and targeted a reporter who wrote a critical book on the company, documents reveal. The agrochemical corporation also investigated the singer Neil Young and wrote an internal memo on his social media activity and music. The records reviewed by the Guardian show Monsanto adopted a multi-pronged strategy to target Carey Gillam, a Reuters journalist who investigated the company’s weedkiller and its links to cancer. Monsanto, now owned by the German pharmaceutical corporation Bayer, also monitored a not-for-profit food research organization through its “intelligence fusion center”, a term that the FBI and other law enforcement agencies use for operations focused on surveillance and terrorism. The documents, mostly from 2015 to 2017, were disclosed as part of an ongoing court battle on the health hazards of the company’s Roundup weedkiller. They show:
  • Monsanto planned a series of “actions” to attack a book authored by Gillam prior to its release, including writing “talking points” for “third parties” to criticize the book and directing “industry and farmer customers” on how to post negative reviews.
  • Monsanto paid Google to promote search results for “Monsanto Glyphosate Carey Gillam” that criticized her work. Monsanto PR staff also internally discussed placing sustained pressure on Reuters, saying they “continue to push back on [Gillam’s] editors very strongly every chance we get”, and that they were hoping “she gets reassigned”.
  • Monsanto “fusion center” officials wrote a lengthy report about singer Neil Young’s anti-Monsanto advocacy, monitoring his impact on social media, and at one point considering “legal action”. The fusion center also monitored US Right to Know (USRTK), a not-for-profit, producing weekly reports on the organization’s online activity.
  • Monsanto officials were repeatedly worried about the release of documents on their financial relationships with scientists that could support the allegations they were “covering up unflattering research”.
The internal communications add fuel to the ongoing claims in court that Monsanto has “bullied” critics and scientists and worked to conceal the dangers of glyphosate, the world’s most widely used herbicide. In the last year, two US juries have ruled that Monsanto was liable for plaintiffs’ non-Hodgkin lymphoma (NHL), a blood cancer, and ordered the corporation to pay significant sums to cancer patients. Bayer has continued to assert that glyphosate is safe. “I’ve always known that Monsanto didn’t like my work … and worked to pressure editors and silence me,” Gillam, who is also a Guardian contributor and now USRTK’s research director, said in an interview. “But I never imagined a multi-billion dollar company would actually spend so much time and energy and personnel on me. It’s astonishing.” Gillam, author of the 2017 book, Whitewash: The Story of a Weed Killer, Cancer, and the Corruption of Science, said the records were “just one more example of how the company works behind the scenes to try to manipulate what the public knows about its products and practices”. Monsanto had a “Carey Gillam Book” spreadsheet, with more than 20 actions dedicated to opposing her book before its publication, including working to “Engage Pro-Science Third Parties” in criticisms, and partnering with “SEO experts” (search engine optimization), to spread its attacks. The company’s marketing strategy involved labeling Gillam and other critics as “anti-glyphosate activists and pro-organic capitalist organizations”. monsantorevealed Monsanto must pay couple $2bn in largest verdict yet over cancer claims Gillam, who worked at the international news agency Reuters for 17 years, told the Guardian that a flurry of negative reviews appeared on Amazon just after the official publication of Whitewash, many seeming to repeat nearly identical talking points. “This is my first book. It’s just been released. It’s got glowing reviews from professional book reviewers,” she said. But on Amazon, “They were saying horrible things about me … It was very upsetting but I knew it was fake and it was engineered by the industry. But I don’t know that other people knew that.” A Bayer spokesman, Christopher Loder, declined to comment on specific documents or the fusion center, but said in a statement to the Guardian that the records show “that Monsanto’s activities were intended to ensure there was a fair, accurate and science-based dialogue about the company and its products in response to significant misinformation, including steps to respond to the publication of a book written by an individual who is a frequent critic of pesticides and GMOs” He said the documents were “cherry-picked by plaintiffs’ lawyers and their surrogates” and did not contradict existing science supporting the continued use of glyphosate, adding, “We take the safety of our products and our reputation very seriously and work to ensure that everyone … has accurate and balanced information.” (A Reuters spokesperson said the agency “has covered Monsanto independently, fairly and robustly”, adding, “We stand by our reporting.”) ‘They saw us as a threat’ The internal records don’t offer significant detail on the activities or scope of the fusion center, but show that the “intelligence” operations were involved in monitoring Gillam and others. An official with the title “Monsanto Corporate Engagement, Fusion Center” provided detailed analyses on tweets related to Gillam’s work in 2016. The fusion center also produced detailed graphs on the Twitter activity of Neil Young, who released an album in 2015 called the Monsanto Years. The center “evaluated the lyrics on his album to develop a list of 20+ potential topics he may target” and created a plan to “proactively produce content and response preparedness”, a Monsanto official wrote in 2015, adding it was “closely monitoring discussions” about a concert featuring Young, Willie Nelson, John Mellencamp and Dave Matthews. Monsanto ‘fusion center’ officials wrote lengthy reports about singer Neil Young’s anti-Monsanto advocacy. “We have reached out to the legal team and are keeping them informed of Neil’s activities in case any legal action is appropriate,” the email said. A LinkedIn page for someone who said he was a manager of “global intelligence and investigations” for Monsanto said he established an “internal Intelligence Fusion Center” and managed a “team responsible for the collection and analysis of criminal, activist / extremist, geo-political and terrorist activities affecting company operations across 160 countries”. He said he created Monsanto’s “insider threats program”, leading analysts who collaborated “in real time on physical, cyber and reputational risk”. “They saw us as a threat,” Gary Ruskin, the USRTK co-founder, said in an interview. “They were conducting some kind of intelligence about us, and more than that, we don’t know.” Government fusion centers have increasingly raised privacy concerns surrounding the way law enforcement agencies collect data, surveil citizens and share information. Private companies might have intelligence centers that monitor legitimate criminal threats, such as cyberattacks, but “it becomes troubling when you see corporations leveraging their money to investigate people who are engaging in their first amendment rights”, said Dave Maass, the senior investigative researcher at the Electronic Frontier Foundation. David Levine, a University of California Hastings law professor, said he had not heard of any other private corporations running “fusion centers”, but said it did not surprise him that Monsanto was engaged in this kind of intensive digital monitoring. The records showed Monsanto was also concerned about Ruskin’s Freedom of Information Act (Foia) requests targeting the company, writing documents on its relationships with researchers had the “potential to be extremely damaging” and could “impact the entire industry”. In 2016, one Monsanto official expressed frustration of criticisms that the company paid academics to write favorable reports on their products: “The issue was NOT that we wanted to pay the experts but an acknowledgment that experts would need to be compensated for the time they invest in drafting responses for external engagement. No one works for free!” Michael Baum, one of the attorneys involved in the Roundup trials that uncovered the records, said the records were further “evidence of the reprehensible and conscious disregard of the rights and safety of others” and that they would support ongoing punitive damages for people who got cancer after using Roundup. “It shows an abuse of their power that they have gained by having achieved such large sales,” he added. “They’ve got so much money, and there is so much they are trying to protect.” NYA thanks the Guardian
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CAMERON CROWE writes about CSNY


CSNY 1974, our album of the week, is remembered with a vivid description of those times on Page 5. It’s great writing about a big time long ago. Check it out! Thanks Cameron. We appreciate your contribution to the Times Contrarian. ny
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Archives Film Projects Take Precedent


NO TOURS SCHEDULED BEFORE 2020

NYA will be devoting the rest of this year to Shakey Pictures projects that deserve our focused attention to complete and deliver at their highest level. Bringing you all of the footage Shakey Pictures has collected through the years is a pleasure to us. We are combing through and completing. The following is an incomplete list of these current projects, including: CRAZY HORSE- ‘A Rusted out Garage’, ‘GREENDALE LIVE’, ‘ALCHEMY’, ‘COLORADO SESSIONS’, ‘CATALYST’, TOKYO BUDOKAN 76, LONDON ODEON HAMMERSMITH 76, SOLO TRANS 82, STRAY’ GATORS- ‘HARVEST SESSIONS’ 71 SOLO 'GREENDALE - Live at Vicar street’ SOLO ‘The Boarding House’, 1977 SOLO ‘SILVER AND GOLD’, 90s SOLO ‘Stamford Shakespearean Theater 1971’, SOLO ‘BBC 1971’, TRANS 2020 (animated Trans release). We will be in the editing suites for the duration of 2019, putting some parts of this together for you. Thanks for coming to our shows! We plan to be back in 2020! Right now we are gathering the work of a lifetime for you to enjoy at the Hearse Theater and beyond. love NY / Crazy Horse / Promise of the Real
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FLORIDA?


As the World Heats Up, the Climate for News Is Changing

Mike Stocker - Sun Sentinel
As Europe heats up, Greenland melts and the Midwest floods, many news organizations are devoting more resources to climate change as they cover the topic with more urgency. Some news organizations have changed their approach to climate change as temperatures rise, melting the Southern Patagonian Ice Fields, among other effects. In Florida, six newsrooms with different owners have taken the unusual step of pooling their resources and sharing their reporting on the issue. They plan to examine how climate change will affect the state’s enormous agriculture sector as well as “the future of coastal towns and cities — which ones survive, which ones go under,” according to a statement released when the initiative was announced last month. Florida’s record-breaking heat waves, devastating storms like Hurricane Michael and increased flooding at high tide have not been lost on Mindy Marques, the publisher and executive editor of The Miami Herald, one of the six organizations taking part in the effort. “It’s undeniable that we are living with the impact of changes in our climate every day,” Ms. Marques said. The other five outlets that have joined the initiative are The Palm Beach Post, The South Florida Sun Sentinel, The Tampa Bay Times, The Orlando Sentinel and WLRN Public Media. Ms. Marques said the partnership was not politically motivated. “We’re not launching a campaign,” she said. “We’re launching information, knowledge.” The Guardian, the left-wing British daily, recently updated its house style to prefer the phrase “climate emergency” over “climate change.” It also recommends “climate science denier” in place of “climate skeptic.” The publication has also started listing the global carbon dioxide level on its daily weather page. The New York Times established a desk dedicated to climate change in 2017, with editors and reporters in Washington and New York who collaborate with bureaus around the world. But even among journalists who want to convey that climate change is a crisis, there is not unanimity about how to play it. Matthew C. Nisbet, a communications professor at Northeastern University and the editor of the journal Environmental Communication, has argued for more nuance. “We have good research that in amping up the threat without actually providing people with things they can do, you end up with fatalism, despair, depression, a sense of paralysis, or a sense of dismissiveness and denial,” he said. Mr. Nisbet, who recently published an article headlined “The Trouble With Climate Emergency Journalism” in the journal Issues in Science and Technology, warned that fever-pitch coverage could make climate science go the way of dietary science, a discipline that has suffered, in his view, from credulous reports of new studies that regularly upend conventional wisdom — fat is bad; no, carbs are bad; no, eat like a cave man. “People don’t know what to believe,” Mr. Nisbet said. “They lose trust in the science and in the journalism about the science. and the complexity of the issue is lost.” David Wallace-Wells, the deputy editor of New York magazine whose work has appeared in The Times, argued the contrary, saying that a dash of alarmism suits alarming developments. Mr. Wallace-Wells’s 2017 cover story for New York magazine — a precursor to his recently published book, “The Uninhabitable Earth: Life After Warming” — drew criticism from scientists who said he had painted worst-case scenarios based on exaggerations of the data’s implications. Mr. Wallace-Wells said he had written the article “consciously outside the boundaries that had been established of what was considered responsible storytelling about climate, because I felt that was not serving the story all that well.” Barely a year after the kerfuffle around that article, a panel of scientists convened by the United Nations issued a dire report, which forecast severe climate change as soon as 2040. To describe it, some news organizations pressed the panic button, à la The Guardian: “We Have 12 Years to Limit Climate Change Catastrophe, Warns U.N.” (Mr. Wallace-Wells’s contribution was headlined: “U.N. Says Climate Genocide Is Coming. It’s Actually Worse Than That.”) But even those that played it straight could not help but convey urgency. “U.N. Report: ‘Unprecedented Changes’ Needed to Protect Earth from Global Warming,” went the USA Today headline. Other outlets held off, however, with 28 of the top 50 American newspapers by Sunday circulation publishing nothing on the report the day after it was issued, according to the liberal watchdog Media Matters for America. The Columbia Journalism Review bashed the nonchalant response to the U.N. report in an April 22 essay headlined “The media are complacent while the world burns.” Written by the longtime environmental reporter Mark Hertsgaard and the magazine’s top editor, Kyle Pope, the piece took issue with the “climate silence” of major news organizations and singled out the paucity of time given to the issue on television news, “where the brutal demands of ratings and money work against adequate coverage of the biggest story of our time.” A neat illustration of the extremes in how climate change has been covered was evident on a recent edition of the nightly Fox News program “The Story With Martha MacCallum.” The segment began with a clip from John Oliver’s HBO show in which Bill Nye the Science Guy, a winner of multiple Emmys who specializes in explaining scientific concepts in simple terms, lit a globe on fire and ordered his viewers, in unprintable language, to grow up and face the crisis. After the clip played, Ms. MacCallum’s guest, the Fox News personality Jesse Watters, weighed in. “The planet renews itself,” Mr. Watters said. “And I just am doubtful that man is causing the warming, because these experts have been saying this for years. The experts said there was going to be a Y2K meltdown. Didn’t happen. The experts said there was Russian collusion. Didn’t happen. The experts said there was going to be President Hillary Clinton. Didn’t happen.” Mr. Watters’s view lines up with the roughly one-third of Americans who believe that climate change is mostly because of natural trends, according to a new study from the Yale Program on Climate Change Communication. It is also in keeping with the opinion of Mr. Watters’s onetime dining partner, President Trump, who pulled the United States out of the Paris climate accord and has called the idea that climate change results from human activity a “hoax” and “fake science.” At the other end of the spectrum, the activists of Extinction Rebellion, a group founded in Britain last year, argue that most journalists have not met the crisis with sufficient urgency. In addition to recent protests in London and Paris (where some participants were tear-gassed), the group has aimed at the news media, with demonstrations last month outside the offices of The New York Times, The Washington Post and Fox News. “You’re still not talking about it like it’s an emergency,” said a group spokeswoman, Alanna Byrne, referring to large media outlets, “and that’s what we have to do now: Be honest to the public about the full-scale changes we have to make.” On April 30, The Columbia Journalism Review and The Nation sponsored a town hall on how to cover climate change as part of an initiative called Covering Climate Change: A New Playbook for a 1.5-Degree World. It has brought together Japan’s Asahi Shimbun, Canada’s McLean’s, The Philadelphia Inquirer and other outlets that have pledged to step up coverage of the issue before a United Nations climate summit scheduled for September. “It’s outdated to say that covering the effects of climate change is advocacy,” said Mr. Pope, the Columbia Journalism Review editor. “It’s an enormous story. The effects of this are completely nonpartisan.” nya thanks the Miami Herald. READ MORE EARTH NEWS p6
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I Opted Out of Facial Recognition at the Airport—It Wasn't Easy opted-out-of-facial photo: Stephanie Yeow/AP


Allie Funk is a research analyst for Freedom on the Net, Freedom House's annual country-by-country assessment of internet freedom. She focuses on developments in the US and Asia. The announcement came as we began to board. Last month, I was at Detroit’s Metro Airport for a connecting flight to Southeast Asia. I listened as a Delta Air Lines staff member informed passengers that the boarding process would use facial recognition instead of passport scanners. As a privacy-conscious person, I was uncomfortable boarding this way. I also knew I could opt out. Presumably, most of my fellow fliers did not: I didn't hear a single announcement alerting passengers how to avoid the face scanners. To figure out how to do so, I had to leave the boarding line, speak with a Delta representative at their information desk, get back in line, then request a passport scan when it was my turn to board. Federal agencies and airlines claim that facial recognition is an opt-out system, but my recent experience suggests they are incentivizing travelers to have their faces scanned—and disincentivizing them to sidestep the tech—by not clearly communicating alternative options. Last year, a Delta customer service representative reported that only 2 percent of customers opt out of facial-recognition. It's easy to see why. As I watched traveler after traveler stand in front of a facial scanner before boarding our flight, I had an eerie vision of a new privacy-invasive status quo. With our faces becoming yet another form of data to be collected, stored, and used, it seems we’re sleepwalking toward a hyper-surveilled environment, mollified by assurances that the process is undertaken in the name of security and convenience. I began to wonder: Will we only wake up once we no longer have the choice to opt out? Until we have evidence that facial recognition is accurate and reliable—as opposed to simply convenient—travelers should avoid the technology where they can. The facial recognition plan in US airports is built around the Customs and Border Protection Biometric Exit Program, which utilizes face-scanning technology to verify a traveler’s identity. CBP partners with airlines—including Delta, JetBlue, American Airlines, and others—to photograph each traveler while boarding. That image gets compared to one stored in a cloud-based photo-matching service populated with photos from visas, passports, or related immigration applications. The Biometric Exit Program is used in at least 17 airports, and a recently-released Department of Homeland Security report states that CBP anticipates having the ability to scan the faces of 97 percent of commercial air passengers departing the United States by 2023. This rapid deployment of facial recognition in airports follows a 2017 executive order in which President Trump expedited former President Obama’s efforts to use biometric technology. The Transportation Security Administration has since unveiled its own plan to improve partnership with CBP and to introduce the technology throughout the airport. The opportunity for this kind of biometric collection infrastructure to feed into a broader system of mass surveillance is staggering, as is its ability to erode privacy. Proponents of these programs often argue that facial recognition in airports promotes security while providing convenience. But abandoning privacy should not be a prerequisite for achieving security. And in the case of technology like facial recognition, the “solution” can quickly become a deep and troubling problem of its own. For starters, facial recognition technology appears incapable of treating all passengers equally at this stage. Research shows that it is particularly unreliable for gender and racial minorities: one study, for example, found a 99 percent accuracy rate for white men, while the error rate for women who have darker skin reached up to 35 percent. This suggests that, for women and people of color, facial recognition could actually cause an increase in the likelihood to be unfairly targeted for additional screening measures. Americans should be concerned about whether images of their faces collected by this program will be used by companies and shared across different government agencies. Other data collected for immigration purposes—like social media details—can be shared with federal, state, and local agencies. If one government agency has a database with facial scans, it would be simple to share the data with others. This technology is already seeping into everyday life, and the increased regularity with which Americans encounter facial recognition as a matter of course while traveling will reinforce this familiarity; in this context, it is easy to imagine content from a government-operated facial recognition database being utilized in other settings aside from airports—say, for example, monitoring peaceful protests. There are also serious concerns about CBP’s storage of this data. A database with millions of facial scans is extremely sensitive, and breaches seem inevitable. Indeed, CBP officials recently revealed that thousands of photos of people’s faces and license plates were compromised after a cyberattack on a federal subcontractor. Once this sort of data is made insecure, there is no hope of getting it back. One cannot simply alter their face like they can their phone number or email address. Importantly, there have been some efforts to address facial recognition in airports. The government’s Privacy and Civil Liberties Oversight Board recently announced an aviation-security project to assess privacy and civil liberties implications with biometric technologies. Members of Congress have also shared similar concerns. Nevertheless, the Biometric Exit Program needs to be stopped until it prioritizes travelers’ privacy and resolves its technical and legal shortcomings. At the state and local level, public opposition has driven cities and states to consider—and, in some cases, enact—restrictions on the use of facial recognition technology. The same healthy skepticism should be directed toward the technology’s deployment at our airports. Congress needs to supplement pressure from travelers with strong data protection laws that provide greater transparency and oversight. This should include strict limits on how long companies and government agencies can retain such intimate data. Private companies should not be allowed to utilize data collected for business purposes, and federal agencies should not be able to freely share this data with other parts of government. Policymakers should also ensure that biometric programs undergo thorough and transparent civil rights assessments prior to implementation. Until measures like these are met, travelers should be critical when submitting to facial recognition technology in airports. Ask yourself: Is saving a few minutes worth handing over your most sensitive biometric information?
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PROTECT EARTH dresden-image-1408 DRESDEN


First there was TINDERBOX, and Copenhagen. Denmark made us feel welcome. It is so amazing to be back in Europe! Our second European show was a great experience for us all. I was feeling the music and playing with my Promise of the Real soul brothers in Germany. The audiences here are beautiful, as is this land. So well cared for, Germany’s landscape is a great example for the rest of the world, particularly the most anti-climate science countries. Once you see the difference vividly by going from place to place around the world, it is obvious. If you don’t travel, you have to believe the political leaders, who in some cases are anti-science. Germany is proof that caring for the Earth is real and beautiful! Thanks Germany, for bringing us back again! NY + POTR
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Eddie Vedder Speaks
Elliot Roberts and Pearl Jam


My old friend Eddie, and the whole Pearl Jam Family, I appreciate your friendship so much. Thanks for recognizing Elliot. Thanks for all your support with the Bridge School over so many years. If you need me, I am there to help you with your endeavors in any capacity I can. Life, love, Neil.
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The Agenda
Trump Leadership Council


trumpagenda2 Dealmaker: Trump and Leadership Council member Larry Kudlow (right) meet with auto executives in May 2018, a few months before the administration rolled back Obama-era fuel-efficiency standards, one of a number of giveaways to the fossil-fuel industry. Photo credit: Evan Vucci/ AP/ REX/ Shutterstock By Andy Kroll It could have been an episode of The Apprentice. On a summer day in 2016, a group of businessmen and women descended on Trump Tower in Manhattan. They exited their black SUVs and rode the golden elevators to the 26th floor, where they assembled in a boardroom and awaited the presumptive presidential nominee of the Republican Party. A year earlier, surely no one in that meeting had the faintest notion that Donald Trump would make a credible run for president. But by the spring, he’d dispatched Low-Energy Jeb, Lyin’ Ted and the rest, and was well on his way to securing enough delegates to clinch the nomination. The corporate leaders who formed one of the GOP’s most reliable constituencies faced a dilemma: Get behind Trump or find yourself potentially frozen out of the next administration, in the unlikely event that he won. Trump took his seat at the head of a long table and thanked his guests for coming. It was the inaugural meeting of the Trump Leadership Council, a kitchen Cabinet and sounding board featuring representatives from many of America’s biggest industries: energy, finance, transportation, pharmaceuticals, agriculture, defense, construction and health care. The men and women around him were told the meeting would be totally confidential. The handful of Fortune 500 executives in attendance were outnumbered by leaders of privately held corporations and little-known companies that, under more normal circumstances, would never find themselves in a position to inform the thinking of the standard-bearer of a major political party. They weren’t the country-club, Chamber of Commerce types that had backed Bush and Rubio and Kasich; they were more on the fringe, including Obama-bashing coal barons, China-hating steel producers and modern-day oil-and-gas wildcatters. Both the largest potato producer and truck-stop operator were also there. “They weren’t conventional Republicans,” council member and Heritage Foundation economist Stephen Moore tells Rolling Stone. “They were more maverick business leaders.” Moore himself had carved out a position as the far right’s go-to economist, and has stirred up headlines saying things like “I’d get rid of a lot of these child-labor laws. I want people starting to work at 11, 12,” and that women shouldn’t be involved in sports unless they’re attractive. In the three years since that inaugural meeting, the council’s impact has been seen across the administration. At the urging of coal and oil industry representatives, Trump’s EPA has systematically rolled back environmental protections and frozen new ones, affecting the air and water of thousands of people. The council’s trade hard-liners have advised Trump to embrace tariffs in the trade war with China — a move that has put farms out of business and cost every family in America hundreds of dollars a year, according to one analysis, as a result of higher-priced goods. The National Association of Manufacturers, a lobby group for big business whose leader, Jay Timmons, was a council member, sent the Trump administration a wish list of 132 regulations that NAM members took issue with, including Obama’s signature climate change legislation, the Clean Power Plan, and the FCC’s net neutrality rule. A recent report by the watchdog group Public Citizen found that the Trump administration has moved to implement 64 percent of NAM’s recommendations. trumpagenda1 Jay Timmons, CEO, National Association of Manufacturers Photo credit: National Association of Manufacturers The creation of the Trump Leadership Council back in 2016 went almost entirely unnoticed at the time. Until now, the members of the council have not been made public. But Rolling Stone obtained a complete list of the members and interviewed half a dozen people who attended and organized the council (the full list is published at the bottom of this article). Together, they form a lost chapter in the story of how Trump’s pro-industry, anti-regulation America First agenda became a reality. “With Trump, we’ve had a corporate takeover of government with no parallel in American history,” says Robert Weissman, president of Public Citizen. “Your research shows the seeds were planted early on in the campaign.” The Trump Leadership Council was the brainchild of Harold Hamm. Hamm, who runs the Oklahoma City-based oil and gas company Continental Resources and is worth an estimated $11 billion, was one of the few business execs to back Trump early on. (He did not respond to requests for comment.) Hamm acted as an unofficial adviser to Trump’s campaign, and helped secure the final delegates needed to lock up the nomination in the final stretch of the 2016 Republican primary, according to one source familiar with Hamm’s role. (It was no coincidence, the source said, that Trump announced he’d crossed the delegate threshold before speaking at an oil-industry conference in North Dakota, and that the first person he thanked was his “very good friend” Harold Hamm.) The last of 13 children born to Oklahoma sharecroppers, Hamm was truly self-made and had little in common with Trump, yet the two men hit it off. Two of Hamm’s associates, Blu Hulsey and John McNabb, began assembling a list of corporate chiefs who would help shape Trump’s policies. They discovered that much of Corporate America wasn’t jumping at the opportunity to associate with a candidate who demonized immigrants, mocked his opponents’ appearance and stoked conspiracy theories about their families. “Some people blanched,” one organizer recalls. “Some said they’d do it because he was the nominee.” By June, they had pulled together a list of 48 people. Despite Trump’s campaign theme of draining the swamp in Washington, the list was stocked with industry representatives and registered lobbyists, including former Minnesota Gov. Tim Pawlenty, then-president and CEO of the Financial Services Roundtable, the banking industry’s lobbying group; John Lechleiter, then-CEO and chairman of pharmaceutical giant Eli Lilly; Jerry Howard, CEO of the National Association of Home Builders; and lobbyists for behemoth defense contractors Boeing, Raytheon and Lockheed Martin. Three of Trump’s economic advisers — Moore, then-CNBC commentator Larry Kudlow and economist Arthur Laffer — also joined. The industry best represented on the council was energy — a who’s who of fossil-fuel champions, including coal baron Bob Murray of Murray Energy, who’s called climate change a “hoax”; Joe Craft of Alliance Resources, one of the U.S.’s biggest coal companies; and Larry Nichols of Devon Energy, the $11 billion oil giant that has long been a fierce opponent of climate regulations. Leading the energy team was, of course, Harold Hamm. “The council mirrors Trump’s presidency in that even the mainstream polluters wouldn’t be found on this council,” says Michael Brune, executive director of the Sierra Club. “You instead find people who are more extreme, more radical, more dangerous in their views — and who have been shaping Trump’s agenda since before he took office.” Hamm, who never went to college, started his own oil company and pioneered the drilling technique known as horizontal fracking. “Climate change isn’t our biggest problem,” he said during his prime-time speaking slot at the 2016 Republican Convention. “It’s Islamic terrorism.” A dean at the University of Oklahoma accused him of pressuring the school to dismiss scientists studying links between fracking and earthquakes. (Hamm denied this.) Hamm’s goal is to make America energy-independent from the rest of the world. “We can be the Saudi Arabia of oil and natural gas in the 21st century,” he told The Wall Street Journal in 2011. To do that, the federal government needed to get off the backs of energy producers like him — meaning less oversight by the EPA and the ability to drill on federal land controlled by the Department of the Interior. Hamm and an industry front group he co-founded, the Domestic Energy Producers Alliance, have led the fight to protect longstanding tax loopholes worth billions to the oil and gas industry. After decades of steering clear of politics, Hamm began giving generously in the late 2000s and served as Mitt Romney’s top energy adviser in 2012. He gave $1 million to groups aligned with the Koch brothers. Back in Oklahoma, he donated the maximum to the industry-friendly 2014 attorney-general campaign for Scott Pruitt, who Trump later tapped to head the EPA. Hamm had first met the president four years earlier, when he visited Trump Tower and left with a collection of Trump ties. He wore one on the cover of Forbes, which pleased Trump so much that he sent Hamm a fawning letter (and more ties). Trump calls Hamm the “king of energy.” The purpose of the Trump Leadership Council was not only to advise Trump but also to stump for his campaign and his policies in TV appearances, at the upcoming convention and more. “As you recall, there were few business leaders willing to go on the record in support of Trump’s campaign,” says Dan DiMicco, the former chairman of Nucor Corp., a North Carolina-based steel company, and a member of the council. “We were a group of his supporters willing to be out explaining and supporting his campaign.” trumpagenda3 Harold Hamm, CEO, Continental Resources. Photo credit: Sue Ogrocki/ AP/ REX/ Shutterstock With Hamm seated to Trump’s right and McNabb to his left at that first meeting, Trump’s starting point, several attendees told me, was simple: What laws do you want to see repealed, what regulations unwound? This was typical fare coming from any presidential nominee, but Trump of course was different. His campaign was in many ways a blank slate. He didn’t run with a policy agenda in mind and had no overarching ideological framework. And because he had such a slim political network to tap, he was indebted to the people at Trump Tower that day offering to help. “Trump was very aware of who put their neck out on the line for him early,” one attendee told me. Moore expected Trump to stick around the meeting for a brief period and then make his exit. Instead, he stayed the entire time, quizzing representatives from each sector and taking notes. “In my entire career of doing this — we do it every four years, every presidential cycle — I have not given a policy briefing directly to a candidate like that,” says Jerry Howard of the home-builders association. Mostly what Trump heard from the attendees was that Obama had gone crazy with regulation and was hurting their growth, if not running them out of business. They backed the idea of overhauling the tax code, but even more than that they wanted to see Trump take aim at Obama’s regulations. “Whether it’s community banks or the coal industry or construction, it was pretty universal that the regulatory structure had become a deterrent to growth,” Moore says. “That had an impact on Trump’s thinking to prioritize deregulation if he got into office.” The council’s influence on Trump was immediate. The word “regulation” hadn’t appeared once in his 2015 announcement speech, but in the summer of 2016, slashing regulations became one of Trump’s new rallying cries on the campaign trail. He called regulation “one of the greatest job killers of them all” and claimed excessive red tape cost the country $2 trillion a year — a figure produced by the National Association of Manufacturers. If elected, he went on to say, he would do away with 70 percent of all federal regulations. He was especially critical of the EPA and called for “complete American energy independence,” a favorite Hamm talking point. trumpagenda4 Dan DiMicco, Ex-CEO, Nucor Corp. Photo credit: Rogelio V Solis/ AP/ REX/ Shutterstock The council met again at the Cleveland Browns’ football stadium, during the Republican Convention in July 2016, and went on to produce a series of issue-focused white papers on energy, taxes and banking, according to Moore. “They were blueprints for a lot of Trump’s agenda,” Moore says. “Those issues were highly discussed, and Trump ended up using a lot of that data for his whole agenda.” (Moore declined to share the documents.) If joining the Leadership Council was a gamble, the executives saw their early bet on Trump pay off handsomely. (The White House declined to comment.) DiMicco, the former steel executive and longtime China critic, was put in charge of the transition team for the U.S. Trade Representative and later named to a trade advisory board by Trump. Rep. Tom Price (R-Ga.), who at the council’s first meeting had led a discussion about how to replace Obamacare, was picked to be secretary of the Department of Health and Human Services (and was later forced out over a spending scandal). Dr. Mark Esper, a vice president at defense contractor Raytheon, was named secretary of the Army in 2017. “It’s the best time that we’ve ever seen for the defense industry,” Raytheon CEO Thomas Kennedy gushed last year. (At the president’s urging, Congress increased the military’s already-bloated budget, and Trump has sped up the process for approving arms deals.) And Trump publicly weighed nominating Stephen Moore to the Federal Reserve Board this spring, but the idea was dropped after even Senate Republicans scoffed at Moore’s record. DiMicco saw his pro-tariff position elevated inside the White House with the appointment of an ally named Peter Navarro. Navarro had written books critical of U.S. trade policy with China and received funding from DiMicco’s company, Nucor, for a documentary titled Death by China. After an internal battle pitting Navarro, DiMicco and the self-described America Firsters against National Economic Council director and former Goldman Sachs banker Gary Cohn and his allies, the America Firsters prevailed. In March 2018, Trump officially imposed nearly $3 billion in tariffs on steel and aluminum imports, and has been escalating the trade war ever since. As of June, Trump had approved tariffs on $250 billion of Chinese exports to the U.S. “It’s unprecedented,” says David Dollar, a senior fellow at the Brookings Institution. “This is, in modern times, quite extraordinary. It’s been decades since the U.S. has done anything like this.” trumpagenda5 Bob Murray. CEO, Murray Energy Photo credit: Jae C Hong/ AP/ REX/ Shutterstock But probably no industry got a president friendlier to its cause than fossil fuels. Trump’s first EPA director, Pruitt, was more than willing to do the industry’s bidding; while Oklahoma AG, he once copied-and-pasted a document written by Devon Energy onto his official letterhead and sent it to the EPA (which he sued more than a dozen times). Craft, of Alliance Resources, met with Pruitt at least seven times during Pruitt’s first 14 months at the EPA, according to official calendars. Pruitt even traveled to Craft’s hometown of Hazard, Kentucky, to announce his plan to gut Obama’s Clean Power Plan, which would phase out the use of coal. Bob Murray of Murray Energy submitted to the administration a 16-point “action plan” on company letterhead to revive the coal industry; within a year, Trump officials had moved to implement more than half of them, including killing the Clean Power Plan and withdrawing from the Paris Agreement. EPA head Andrew Wheeler, Pruitt’s replacement and a former lobbyist for Murray Energy, has moved forward with weakening methane-emissions protections, mercury regulations and fuel-efficiency standards for cars. “They have attacked safeguards anchored in science that protect collectively tens of thousands of lives and prevent hundreds of thousands of asthma attacks,” says Vickie Patton, general counsel at Environmental Defense Fund, “and they’ve done it at the urging of the economic interests of the few.” The Trump Leadership Council eventually went the way of most advisory boards, members told me, atrophying and going dormant as the new administration found its footing, but not before members and their companies gave just over $3 million to Trump’s inauguration. By late 2017, the council was rebranded the American Leadership Council, with Hamm as chairman and his oil-and-gas colleague John McNabb as vice chair, to pressure Congress to deliver on Trump’s America First agenda. The council’s influence is felt to this day, with members serving in the administration — Larry Kudlow, the CNBC host, replaced Cohn as Trump’s top economic adviser — or guiding the president in an unofficial capacity, part of the crew of “outfluencers” the president frequently calls on for advice. One lobbyist recalled White House staffers complaining about Trump calling DiMicco to talk trade. Moore told me that Hamm, who in 2017 was named to the board of a dark-money group helping to re-elect Trump, visits the White House “often.” Whatever happens in 2020, Trump’s all-out assault on regulations will long outlive his presidency, whether it’s four or eight years. At a time when the climate crisis threatens the future of humanity, Trump and his corporate backers have taken the country in the opposite direction. “This administration’s agenda was set well before Trump was elected,” says Brune of the Sierra Club. “Just about any safeguard to protect the country’s air, water and climate is up for sale. And if it makes Trump’s polluter friends happy, that’s what he’s promised to do and what he’s going to do.”
THESE ARE THE PEOPLE Trump Leadership Council list obtained by Rolling Stone: Aerospace and Defense Dave Melcher, President and Chief Executive Officer, Aerospace Industries Association John Bonsell, Vice President, Government Affairs, SAIC General Leo Brooks, Vice President, Government Operations, Boeing Company Steven Cortese, Executive Vice President, Washington Operations, DRS Technologies Dr. Mark Esper, Vice President, Government Relations, Raytheon Blake Larson, Chief Operating Officer, Orbital ATK David Manke, Vice President, International Government Relations, United Technologies Robert Rangel, Senior Vice President, Washington Operations, Lockheed Martin Michael Strianese, Chairman and Chief Executive Officer, L3 Mitch Waldman, Corporate Vice President, Government and Customer Relations, Huntington Ingalls Banking, Tech, Trade, and Commerce Tim Pawlenty, President and Chief Executive Officer, Financial Services Roundtable Scott Asplundh, Chief Executive Officer, Asplundh Tree Expert Ted Austell, Vice President, Government Operations, Boeing Company Roy Bailey, Chief Executive Officer, Giuliani Deason Capital Interests Steve Brooks, President and Chief Executive Officer, Phoenix American Insurance Group Jerry Howard, Chief Executive Officer, National Association of Home Builders
Larry Kudlow, Senior Contributor, CNBC Art Laffer, Founder and Chairman, Laffer Associates Hu Meena, President and Chief Executive Officer, C Spire Rob Stien, Vice President, Government Relations and Regulatory Affairs, InterDigital Transportation Transportation Jim Haslam, Founder, Pilot Corporation David Grzebinski, President and Chief Executive Officer, Kirby Corporation Christopher Lofgren, President and Chief Executive Officer, Schneider National Tonn Ostergard, President and Chief Executive Officer, Crete Carriers Manufacturing Jay Timmons, President and Chief Executive Officer, National Association of Manufacturers Dan Dimicco, Chairman Emeritus, Nucor Steel Roddey Dowd, Chief Executive Officer, Charlotte Pipe & Foundry Company Alan Landes, President and Chief Operating Officer, Herzog Contracting Health Care John Lechleiter, Chairman, President and Chief Executive Officer, Eli Lilly Kathleen Harrington, Division Chair, Government Relations, Mayo Clinic Kelby Krabbenhoft, President and Chief Executive Officer, Sanford Health Kristen Morris, Chief Government and Community Relations Officer, Cleveland Clinic Tom Price, U.S. House of Representatives, Georgia Marshall Snipes, Managing Director, Triton Value Partners Southwest Agriculture/Energy Harold Hamm, Chairman and Chief Executive Officer, Continental Resources Meredith Allen, President and Chief Executive Officer, Staplcotn Marketing Cooperative Chuck Conner, President and Chief Executive Officer, National Council of Farmers Cooperatives Joe Craft, President, Chief Executive Officer and Director, Alliance Resources Martin Craighead, Chairman, President and Chief Executive Officer, Baker Hughes Dr. Howard Hill, Veterinarian, National Pork Producers Council Donald Hoffman, President and Chief Executive Officer, Excel Services Steve Moore, Distinguished Visiting Fellow, The Heritage Foundation Bob Murray, Chairman, President and Chief Executive Officer, Murray Energy Corporation Gene Nicholas, Director, Northern Plains Capital Larry Nichols, Co-Founder and Executive Chairman, Devon Energy Ron Offutt, Founder and Chairman, R. D. Offutt Company Ryan Weston, Executive Vice President, Florida, Texas and Hawaii Sugar Cane Growers Bill Wilson, Distinguished University Professor, North Dakota State University NYA Thanks Rolling Stone
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Coca Cola & Fair Oaks Farms
The Biggest Undercover Dairy Investigation in History


ARMvideodeadcow Watch video here. Today the largest undercover dairy investigation in history is being released with video evidence documenting systemic and illegal abuse at Fair Oaks Farm in Fair Oaks, Indiana. Fair Oaks Farms is one of the largest dairies in the U.S. and produces dairy products for the Fairlife milk brand - which is produced, marketed and distributed by the Coca-Cola Corporation. cokebottle Undercover investigators for Animal Recovery Mission (ARM) have confirmed that male calves from Fair Oaks Farms are in fact transported to veal farms (Midwest Veal and Calf Start), despite the corporation's claims that it does not send its male calves to veal farms. The following abuses were witnessed on virtually a daily basis: Employees were observed slapping, kicking, punching, pushing, throwing and slamming calves; calves were stabbed and beaten with steel rebars, hit in the mouth and face with hard plastic milking bottles, kneed in the spine, burned in the face with hot branding irons, subjected to extreme temperatures, provided with improper nutrition, and denied medical attention. This resulted in extreme pain and suffering by the calves, and in some cases permanent injury and even death. In addition, the ARM investigator captured footage of drug use and illegal marijuana cultivation by Fair Oaks employees and supervisors. Animal Recovery Mission calls on the Coca-Cola Corporation, which claims to have a progressive stance on animal welfare, to end their relationship with Fairlife Corporation and cut their ties with the veal industry. NYA thanks ARM investigations
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Impossible Burger Attacks Moms Across America!
for Publishing Pesticide Results


Written by Dr. Joseph Mercola Impossible Foods Resorts to Insults, Name-Calling to 'Defend' Their Fake Burger Impossible Foods is billing its Impossible Burger as a healthier, more sustainable option than beef, but when tested by consumer advocacy group Moms Across America (MAA), concerning levels of the herbicide glyphosate were found in the food. It's not at all surprising, considering the Impossible patty is made mostly of genetically engineered (GE) soy protein, and in the U.S. about 94 percent of soybean acres are planted with such GE seeds, which are designed to tolerate glyphosate, i.e., Roundup, herbicides. This alone pokes holes in their attempts to greenwash an otherwise highly processed fake food, but the company's response to MAA's findings is even more disconcerting. Impossible Foods' rebuttal to MAA's glyphosate testing has taken a page out of Monsanto's playbook: When a study shows reason for concern, immediately attempt to discredit the source using any means necessary, including insults and name-calling. Rather than acknowledging that glyphosate in their food could be a problem — especially in light of the recent court cases against Bayer (which acquired Monsanto in 2018) totaling billions in judgments due to people who developed cancer as a result of Roundup use — they engaged in a veritable smear campaign against MAA. In their Unofficial Correction of Moms Across America, Impossible Foods states, "MAA is an anti-GMO, anti-vaccine, anti-science, fundamentalist group that cynically peddles a toxic brew of medical misinformation and completely unregulated, untested, potentially toxic quack "supplements" … ." Really? In actuality, Moms Across America is a group of moms on a mission to raise awareness about toxic exposures and create healthy communities. They've previously commissioned research that's revealed glyphosate lurking in everything from almond milk and hummus to orange juice and veggie burgers — information consumers should know. Impossible Foods also highlighted MAA's point that a staggering number of Americans have nonalcoholic fatty liver disease (NAFLD), to which they rebutted, "Huh? This is a complete non-sequitur." Perhaps they're not aware, then, that as more and more glyphosate has been sprayed on agricultural lands, parks and backyards, entering our food and water supplies, NAFLD rates have trended upward, from a prevalence of 15% in 2005 to 25% in 2010. Glyphosate not only has been linked to liver damage at ultralow doses,6 but people with a more severe form of NAFLD called nonalcoholic steatohepatitis, or NASH, had significantly higher residues of glyphosate in their urine, according to one recent study. As for MAA's statements that glyphosate-based herbicides have been "proven to be carcinogenic," Impossible Foods stated this is "a ridiculous claim" and "No regulatory authority in the world considers glyphosate to be carcinogenic to humans at current exposure levels," tell this to the victims behind the at least 13,400 lawsuits that have been filed claiming exposure to glyphosate-containing Roundup caused health problems, including cancer. NYA thanks Organic Consumers Association.
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SAVE OUR FOOD
Free the Seed.
Today, just four giant companies control more than 60 percent of all the world’s seed sales.


By Dan Barber Additional reporting and graphics by Ash Ngu Photographs by Ruth Fremson saveourfood-1 Not long ago I was sitting in a combine tractor on a 24,000-acre farm in Dazey, N.D. The expanse of the landscape — endless rows of corn and soybeans as precise as a Soviet military parade — was difficult to ignore. So were the skyscraper-tall storage silos and the phalanx of 18-wheeled trucks ready to transport the grain. And yet what held my attention were the couple of dozen seeds in my palm — the same seeds cultivated all around me. We are told that everything begins with seed. Everything ends with it, too. As a chef I can tell you that your meal will be incalculably more delicious if I’m cooking with good ingredients. But until that afternoon I’d rarely considered how seed influences — determines, really — not only the beginning and the end of the food chain, but also every link in between. The tens of thousands of rows surrounding me owed their brigade-like uniformity to the operating instructions embedded in the seed. That uniformity allows for large-scale monoculture, which in turn determines the size and model of the combine tractor needed to efficiently harvest such a load. (“Six hundred horsepower — needs a half-mile just to turn her around,” joked the farmer sitting next to me.) Satellite information, beamed into the tractor’s computer, makes it possible to farm such an expanse with scientific precision. The type of seed also dictates the fertilizer, pesticide and fungicide regimen, sold by the same company as part of the package, requiring a particular planter and sprayer (40 feet and 140 feet wide, respectively) and producing a per-acre yield that is startling, and startlingly easy to predict. It is as if the seed is a toy that comes with a mile-long list of component parts you’re required to purchase to make it function properly. saveourfood-2 We think that the behemoths of agribusiness known as Big Food control the food system from up high — distribution, processing and the marketplace muscling everything into position. But really it is the seed that determines the system, not the other way around. The seeds in my palm optimized the farm for large-scale machinery and chemical regimens; they reduced the need for labor; they elbowed out the competition (formally known as biodiversity). In other words, seeds are a blueprint for how we eat. We should be alarmed by the current architects. Just 50 years ago, some 1,000 small and family-owned seed companies were producing and distributing seeds in the United States; by 2009, there were fewer than 100. Thanks to a series of mergers and acquisitions over the last few years, four multinational agrochemical firms — Corteva, ChemChina, Bayer and BASF — now control over 60 percent of global seed sales. saveourfood-3 Flowering curly kale, a variety called Baltisk Rod Purpurkal, being grown for seed at Fresh Roots Farm in Montana. The farm is collaborating with the Organic Seed Alliance on a toolkit for farmers who want to produce seed. saveourfood-4 Kristina Hubbard “I have never talked to a farmer who is comfortable with this level of concentration. It’s unprecedented.”- Kristina Hubbard, Director of advocacy and communications at the Organic Seed Alliance The financial crisis brought us from boom-era complacency to nail-biting angst over institutions that were considered too big to fail. A decade wiser now, why are we not spooked by just four chemical companies largely controlling our future food supply? Flavor, long under siege, is having its moment as consumers abandon the processed foods of the center aisle in search of local and organic ingredients. Cooks have known forever that this kind of food tastes better; scientists are confirming that it’s better for the earth, too. Organic growing reduces the use of harmful chemicals, improves the soil’s ability to sequester carbon and retain water, and strengthens biodiversity. As the climate grows more severe and unpredictable, we will need seeds adapted to this kind of farming, and to their environments — precisely what a centralized, chemical-driven industry is not built to provide. Instead, Big Seed keeps getting bigger, doubling down on a system of monocultures and mass distribution. The problem is not that these seed corporations are too big to fail. It’s that they are failing to deliver what growers need to grow and what we want to eat. It’s worth noting that seed oligarchies are a relatively new thing. Scratch that. Seed companies are new. From the Big Bang of agriculture around 10,000 B.C. until a hundred or so years ago, farmers saved their seeds to plant for the next season. Thousands of varieties evolved across the globe, constantly adapting to their environment and to the preferences of the culture and cuisine. Nineteenth-century American farmers benefited from this diversity of vegetables, grains and fruits. It was a good time to be a seed. Not only welcomed but encouraged to stay through a government-backed seed distribution program, free seed allowed farmers to perform trial and error to see what worked. It was a brilliant idea — except from the perspective of the nascent seed industry. Seed that was freely distributed, and freely saved and traded by farmers, stifled privatization. After decades of lobbying, the industry won (surprise!) and Congress ended the program in 1923. Meanwhile, thousands of years of intuitive plant breeding and selection were evolving into a science. On the heels of the Austrian monk-cum-geneticist Gregor Mendel, plant breeders began making intentional crosses between plant varieties to create stable hybrid offspring. saveourfood-5 Farmers examining hybrid seed corn in Grundy County, Iowa, in 1939. (Library of Congress) saveourfood-6 A hybrid seed corn dryer in Grundy County in 1940. (Library of Congress) Hybrid seeds were a hit with farmers because they could provide higher-yielding and more uniform plants. And seed companies loved them because they forced farmers to buy new seed every year. (If you save seeds from hybrid plants, the next generation will not be uniform.) The first hybrid corn became commercially available in the early 1920s. Twenty years later, nearly all of Iowa was planted with hybrid corn. Some seed purists consider hybrids the original sin. Tempting farmers away from saving their own seed is, by their measure, directly connected to the corporate seed juggernaut we’re faced with today. Since I’m writing this while sitting next to a brigade of cooks preparing several hybrid vegetables and grains for our restaurant’s menu, I’d argue that in a fallen world, hybrids are often reliable — and, in the right breeder’s hands, delicious. It’s true, though, that hybrids displaced valuable diversity and precipitated seed privatization. The knockout punch for farmer-controlled seed was the utility patent. In a landmark (and utterly bananas) decision in 1980, the Supreme Court ruled in favor of allowing patents on living organisms. It wasn’t long before the same protections were extended to crops. New advances in genetic engineering supported the argument, with companies claiming seeds as propriety inventions rather than part of our shared commons. Utility patents restricted farmers’ freedom to save and exchange seed and breeders’ right to use the germplasm for research. The slow march of seed consolidation suddenly turned into a sprint. Chemical and pharmaceutical companies with no historical interest in seed bought small regional and family-owned seed companies. Targeting cash crops like corn and soy, these companies saw seeds as part of a profitable package: They made herbicides and pesticides, and then engineered the seeds to produce crops that could survive that drench of chemicals. The same seed companies that now control more than 60 percent of seed sales also sell more than 60 percent of the pesticides. Not a bad business. More than 90 percent of the 178 million acres of corn and soybeans planted last year in the United States were sown with genetically engineered seeds. It’s a vision as dispiriting as it is unappetizing. Vegetables have been spared some of this genetic tinkering but are increasingly victim to the same aggressive corporate seed environment. Last year the pharmaceutical company Bayer acquired the world’s largest vegetable seed company, Monsanto. For these megacompanies, capturing a large share of the vegetable seed market means capturing patentable genetics. Since 2001, the scope of utility patents has expanded to include novel plant traits. (Before this, you could own a variety, but not its traits, in the same way that you can own a beachfront property but not the particles of sand.) On his Oregon farm, Frank Morton produces 146 varieties of organic lettuce, 88 of which he created. His lettuces, like this Lava Dome mini crisphead, are coveted by top chefs for their distinct colors, flavors, crispiness and butteriness. In three decades of breeding, he has never filed for a patent on his lettuce varieties, because he wants others to build on his work. “Patents are completely unethical. We all need access to traits. My varieties are probably being used to create new varieties right now. I love that.” There is now a patent on “low pungency” onions and “brilliant white” cauliflower. There are patents on grape tomatoes with enhanced sweetness and a long “shelf life” gene and a patent on a “pleasant tasting” melon (which sounds as tempting as toothpaste). For lettuces, there are too many to count — salad greens are some of the most lawyered-up vegetables in your refrigerator. If the consequences of this genetic land grab are not immediately apparent to us, they are to plant breeders who find themselves maneuvering around recently restricted genetic traits. A carrot breeder recently told me about working on a new variety of purple carrot only to bump up against restrictions for the level of purple color: “I had to be careful I didn’t infringe on their ‘purpleness’ patent and instigate a lawsuit, so I stayed clear.” But there’s more. Investigative journalists heed the maxim “follow the money.” Let’s follow the carrot. With the risks involved, most breeders avoid purple carrots entirely (and red carrots, too — there’s a patent on a certain level of redness). Orange carrots keep their hegemony. Ever notice how supermarket carrots in January look identical to carrots sold in August? That’s the seeds’ software at work again: Carrots cultivated in different regions of the country, and increasingly different regions of the world, look and taste the same. What’s true of carrots is true of zucchini and onions and celery and you name it. One breeder described it as “the aesthetics of sameness.” saveourfood7 Lane Selman “People get diversity in tomato or corn, but they tend not to translate that to other crops like cilantro.” - Lane Selman, founder of the Culinary Breeding Network, which brings chefs, farmers and breeders together to develop new organic vegetable varieties This entrenched standard forces the breeder to select for similar genetic traits; it squeezes out diversity. The wacky purple carrot becomes a casualty, but so do differently shaped and sized carrots, and the distinctively flavored ones, or the carrots best suited for cold hardiness or drought resistance. Unique kinds of carrots — the product of decades, if not generations of selection — are discarded. This is an ineffable loss. It does, however, suit retailers and processors and just about everyone trying to sell you vegetables. Less diversity locks in harvesting rates, machinery, shipping crate sizes, shelf space, and on and on. Above all, the seed industry argues, it lowers prices. ORGANIC FARMERS FACE CHALLENGE For organic farmers, the options are especially grim. They need seeds bred for their ability to outcompete weeds and to resist pests and disease. But large seed companies don’t invest in organic research, not really. Why bother when most farmers can simply spray the problem away? And when you’re making money on the chemicals, the logic really breaks down. According to a report published by the Organic Seed Alliance, most large-scale organic crop acreage is planted with conventional seed. Despite a recent uptick in the production of organic seed, there isn’t enough to go around. “Not if you want to plant 200 acres,” one midsize organic farmer told me. “Not even if you want to plant 50 acres.” Farmers find themselves hobbled by weak plants that were designed to be weaned on chemicals. It’s not hard to see why organic food is expensive. Farmers have to price the organic carrots to reflect the cost of production in a world designed for them to fail. In the checkout aisle, we wince. A consensus is reached: Organic carrots are a noble idea but not a practical one to feed our growing population. And yet, these ingredients could be a lot more practical and affordable if they received more than a sliver of research and development investment. From 1996 to 2018, funding for public organic plant breeding totaled $27.5 million. I’m reminded of a multinational seed company executive who once boasted that his company invested a million dollars a day in corn seed research. A million dollars a day! In 27 days he would blow through 22 years of public organic seed investment. Imagine the advances an organic vegetable breeder could make with a fraction of that. Now picture that funding originating from public tax dollars, where plant breeding can be focused not on capturing patents and profits, but on increasing organic yields, along with flavor and nutrition. And what if we replicated this model across different regions, with an institution in each state? Before you dismiss this as an Alexandria Ocasio-Cortez carrot fantasy, know that we don’t need to invent such institutions. We already have them. Our land-grant college system — conceived to promote agriculture and technical education — has been, for more than 150 years, the envy of the world. These universities were home to thriving public plant breeding departments until a wave of defunding in the 1980s gutted them. Today, land-grant breeders are an endangered species. (Many have been replaced by plant scientists studying the genome, supporting the next generation of genetic tinkering like Crispr — often at the expense of classical plant breeding research.) Hundreds of programs have been whittled down to single digits for each crop. Onions are down to three land-grant breeders. Sweet corn has two. Bill Tracy leads the sweet corn program at the University of Wisconsin, Madison. His work is intended to help the state’s corn farmers. “I probably have graduated 40 Ph.D. students, and none of them have gone into academia because of what they perceive as a funding disaster.” Carrots have just one land-grant breeder: Irwin Goldman at the University of Wisconsin, Madison. According to Dr. Goldman, short of overturning intellectual property law (unlikely to happen) the federal government could level the playing field against private interests by revitalizing these public programs. For $10,000 a day, he believes, carrot researchers could address a long list of needs, like breeding carrots with large green tops to suppress weed growth in the absence of herbicides, and selecting carrots for specific soil conditions for greater mineral absorption and nutrient density. There’s untapped deliciousness, too — new flavors and culinary potential to discover, if breeders are given the freedom to look for them. That vision may sound quaint against the industry’s Feed the World narrative, but imagine those gains across tomatoes, sweet potatoes, corn, wheat. In a world of waning diversity, what if we could give breeders the resources to create new crop varieties, as accessible as they are craveable? It’s a future that we may soon be speaking of as the present. What has stayed with me after that visit to North Dakota and the 24,000 acres of corn and soybeans was not dread or despair, or even intimidation. It is the opposite, really. Looking back at it, I felt the way you might feel staring down a mainframe computer from the 1960s. This was supposed to represent the future? For all its high-tech efficiency, it managed to feel outmoded. It’s a system that will, in the words of Shakespeare via the great environmentalist Aldo Leopold, die “of its own too-much.” The end has probably already begun. Today’s food culture is experiencing a tectonic shift as the rebellious stakeholders of our modern food movement — farmers, independent retailers, nutritionists, educators, chefs and ever-more-informed eaters — upend the marketplace. Their work is like those points in a Seurat painting, dizzyingly complex, but coordinated in impact. The more that I’ve come to understand its intricacies, the more I appreciate that lasting change in our food system has to begin with seeds. That acknowledgment is shared by a community of hard-nosed farmers, gardeners, activists and independent seed companies. With little fanfare, they continue a 12,000-year-old tradition of seed saving and improvement. They include people like Rowen White, the founder of Sierra Seeds, who is dedicated to stewarding and reanimating traditional indigenous seeds, and Lane Selman of Oregon State University, whose Culinary Breeding Network promotes the seed-to-table conversation. Rowen White visiting the Seed Savers Exchange in Decorah, Iowa. Ms. White sits on the board of the organization, which is growing several varieties of seed that can be traced back to indigenous growers. “Part of my commitment to the organic seed movement is to diversify the types of people who have the honor and privilege of stewarding seed.” Rowen White, Coordinator of the Indigenous Seed Keepers Network Ms. White is coordinating the return of seeds, like Narragansett Eight Row flint corn, to tribes whose food traditions were disrupted by colonization and displacement. The movement is buttressed, too, by organizations like the Open Source Seed Initiative, which Dr. Goldman helped found to “free the seed.” It’s created a new bastion of open source seeds, safeguarded from patents and other restrictions. These efforts need more than our support; they demand our participation, the same engagement with seeds that humans had for thousands of years. Seeds not as commodities but as a vital part of our cultural commons; seeds not as software, but as living systems: seeds as the source of a new food revolution. Dan Barber is the chef and co-owner of the Blue Hill and Blue Hill at Stone Barns restaurants in New York and the co-founder of Row 7 Seed Company. NYA thanks New York Times
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TO FEEL THE MUSIC
A New Book


My new book, ‘To Feel the Music,’ co-written with Phil Baker, has been announced and is now available for pre-order on numerous book sites. ‘To Feel the Music’ is the story of my efforts to improve the quality of audio that you hear. It takes you through how the sound was and is compromised by the tech and record companies, and instead of improving over time like other technologies, it has become worse. Our book also tells the business and development story behind Pono, and then, when people wanted the convenience of streaming, how we developed Xstream high resolution streaming, the highest quality streaming in the world, as you hear it at NYA. The issue of improving audio quality has been one of the most important things we’ve been doing for decades, and something I focus on every day. We spent a year writing this and I think you’ll find it interesting and informative. The book will be released on September 9 and I hope you enjoy it. ny
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LEFT


The Mueller Report Should Shock Our Conscience

Carlos Barria/Reuters
by David French I’ve finished reading the entire Mueller report, and I must confess that even as a longtime, quite open critic of Donald Trump, I was surprised at the sheer scope, scale, and brazenness of the lies, falsehoods, and misdirections detailed by the Special Counsel’s Office. We’ve become accustomed to Trump making up his own facts on matters great and small, but to see the extent to which his virus infected his entire political operation is sobering. And the idea that anyone is treating this report as “win” for Trump, given the sheer extent of deceptions exposed (among other things), demonstrates that the bar for his conduct has sunk so low that anything other than outright criminality is too often brushed aside as relatively meaningless. If I were to list all the important lies in the report, I’d be reproducing much of the report itself. So let’s focus on the most important elements. We already knew that Michael Flynn lied about his communications with Russia, George Papadopolous lied about his contacts with a person he believed to be connected to Russia, Roger Stone lied about his attempts to obtain information from WikiLeaks, Michael Cohen lied about Trump’s continued efforts to negotiate a deal with Trump Tower Moscow, and that Trump had repeatedly misled the American people about those same dealings. We had previously known that Paul Manafort, Trump’s former campaign chairman, had lied about his contacts with Konstantin Kilimnik, a person the FBI has assessed as having contacts with Russian intelligence. But now we know the significance of those lies. They included covering up the ongoing transmission of internal Trump polling data to Ukrainians and a Russian oligarch, covering up communications about a proposed Ukrainian “peace plan” that would entail granting Russia a “backdoor” means for Russia to control eastern Ukraine. Moreover, because Manafort deleted messages and sometimes used “encryption applications” when he sent messages, we may never know the full extent of his communications — or his lies. When asked about the Trump team’s contacts with Russia, key members of his campaign staff and administration responded with blatantly false statements. These statements may not have been deliberate (they could have believed internal lies and repeated them innocently), but they were nevertheless completely and totally wrong. Hope Hicks said, “It never happened. There was no communication between the campaign and any foreign entity during the campaign.” When asked about any “contact or coordination” between the campaign and Russia, Reince Priebus said, “Even this question is insane. Of course we didn’t interface with the Russians.” The campaign did, indeed, interface with the Russians — including in Trump Tower, when Donald Jr., Paul Manafort, and Jared Kushner met with a Russian lawyer in the explicit hope of gaining dirt on Hillary Clinton. Moreover, as the Russian investigation continued, the lies multiplied. One of the most banal and petty came from Sarah Sanders, who simply made up claims to help justify Trump’s termination of James Comey: Trump himself of course got in the act. He famously edited Donald Jr.’s draft statement disclosing his Trump Tower meeting to disguise his real purpose, and — even more significantly — tried to order Don McGahn to lie to the public about McGahn’s claims that Trump had directed him to fire Robert Mueller: These lies have multiple consequences. First and most obviously, they demonstrate that the president’s word simply can’t be trusted. Yes, I know that there are readers who will immediately respond that “we already knew that” or that his dishonesty is already “priced in.” But don’t forget — as recently as last year, 76 percent of Republicans still believed that Trump told the truth “all or most of the time.” I personally know many people who believe that Trump’s ability to “tell it like it is” is one of his chief appeals. Second, the extent of the lying across the Trump team shows that Trump’s lies can’t be contained to Trump. Even honest people who believe and repeat Trump’s words or the words of key members of his team can find themselves deceiving the public. Those who resist Trump’s efforts to deceive can find themselves overruled and publicly shamed. It was to Donald Jr.’s credit that his instinct — after news of the Trump Tower meeting started to leak — was to be transparent. It is Trump’s shame that he forced his own son to put out a misleading statement instead. Third, the lies help demonstrate why the underlying investigation was so very necessary. When our intelligence agencies are aware of Russian efforts to interfere in the election and tilt it toward Trump, they know Trump officials are in contact with Russians, and they know that Trump officials are lying about those contacts, then it makes cries of “witch hunt” sound hollow indeed — especially when the actual results of the investigation demonstrate that the special counsel declined to prosecute multiple individuals who had Russian contacts, including members of Trump’s own family. I’m old enough to remember the closing days of the 1996 campaign, when the Clinton administration was already beset by an avalanche of scandals. Bob Dole looked into the cameras and asked a pointed question — “Where is the outrage?” The same question applies today, but to a different audience. The lies are simply too much to bear. No Republican should tolerate such dishonesty. NYA thanks The Corner
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LEFT


William Barr just previewed Trump’s spin over the Mueller report

Taylor Turner/The Washington Post
Barr: 'Within a week, I will be in a position to release the report to the public' Attorney General William P. Barr said on April 9 that he believes he will be able to release special counsel Robert S. Mueller III’s report “within a week." (Reuters) By Paul Waldman Attorney General William P. Barr just testified before Congress for the first time since releasing his controversial four-page summary of the report prepared by special counsel Robert S. Mueller III on the investigation into the Russia scandal. In so doing, Barr gave us a valuable preview of how the Trump administration will wage the information conflict to come. While “coverup” might be too strong a word to describe what the administration is planning, what is clear is that they will be carefully managing the information the public gets to see in order to make sure that the narrative of President Trump’s supposed innocence prevails. This is a public relations battle in which the attorney general is a key player. Here are some of the things we learned in Barr's testimony before a subcommittee of the House Appropriations Committee:
  • Barr said the redacted version of Mueller's report will be given to Congress “within a week."
  • After first dodging a question on whether he consulted with the White House before releasing his now-infamous four-page letter, Barr later said that he had not showed them the letter before releasing it.
  • Barr did not specify whether the White House has seen Mueller’s report.
  • Barr has “no plans” to assert executive privilege on the White House’s behalf to keep parts of the report secret.
  • Barr made clear that he will not be showing Congress the full report, but only the redacted version. “I don’t intend at this stage to send the full un-redacted report to the (Judiciary) committee,” he said. In other words, it will be up to him what Congress and the public see and don’t see.
So here's what's going to happen when the report is released. It will contain plenty of damaging information about the president and those around him, but huge amounts of text will be blacked out. Democrats, distrustful that all of Barr's redactions were truly necessary and were not made in part to protect Trump, will demand to at least have a select group of lawmakers review the un-redacted report. Barr will refuse. Meanwhile, Trump and his Republican allies will insist that the report only exonerates him further, no matter what it actually contains. They will try to repeat the extraordinary success they achieved when Barr’s letter was released, when newspaper headlines and TV news stories trumpeted that Mueller had essentially found Trump innocent, and it wasn’t until later that some investigators on Mueller’s team leaked word that Barr mischaracterized what they actually found and kept secret summaries they had written specifically for public consumption. Which brings us to something we need to watch for when Barr gives the redacted report to Congress: Might we hear from Mueller’s investigators again? Unless Barr has already given the full report to the White House (which is still unclear), there are only two groups of people who have seen it: Mueller’s team, and the group Barr assembled to review and redact the report. If they wind up telling the same story about the redactions — that they were all justified — then we can have some assurance that the redaction process was done appropriately. But if there’s a disagreement between those two groups, then we’ll have cause for serious concern. We should stress something else, though. Even if Mueller confirms that all of Barr’s redactions were justified, the redacted material could still contain deeply troubling, even scandalous information about what Trump and his associates did. In fact, it almost certainly will. The redactions will cover things that were revealed to the grand jury, things pertinent to ongoing investigations, things that might reveal intelligence sources and methods, and things related to people who were investigated but won’t be prosecuted. That is a vast area; it might mean most of the report will be redacted. All of those categories could and probably do include information that would deepen our understanding of the scandal and make the full scope of the Trump team’s malfeasance clear. But we may never get to see it. Which won't stop Trump and his allies from making the plainly false claim that if any piece of information was redacted, that means that it was innocent and there's nothing more to see. As we move forward, it’s important to keep in mind that the only reason Barr is attorney general right now is that last year he wrote an unsolicited 19-page memo to the Justice Department arguing that “Mueller’s obstruction theory is fatally misconceived.” Trump could not have been more clear that he pushed out his first attorney general, Jeff Sessions, because Sessions recused himself from the Russia investigation and couldn’t shut it down or otherwise use his authority to protect Trump, and he wasn’t going to make that mistake again. There’s been nothing yet to suggest that he did, or that when the redacted Mueller report comes out Barr will be anything less than a full partner in the Republican effort to convince the public that the Russia investigation was much ado about nothing and Trump is an exemplar of ethical and patriotic behavior. I’m willing to be proven wrong on that score, but I doubt I will be. NYA thanks Washington Post
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Climate Change


panel disbanded by Trump defies president to issue urgent guidance on flooding and wildfire threats

climatechange1-800 "Act now or swim later" - Children worldwide protest climate change 'Integrating climate science into everyday decisions is not just smart planning, it's an urgent necessity' Josh Gabbatiss Science Correspondent A group devoted to helping the US tackle climate change has released its first report since being officially disbanded by Donald Trump two years ago. The Federal Advisory Committee for the Sustained National Climate Assessment was set up as a panel of experts to prepare the nation for a future of rising sea levels and wildfires. It was first appointed by former president Barack Obama to assist communities who wanted to adapt to the changing climate. But Mr Trump – who has repeatedly expressed doubts about the existence of climate change – dismissed the panel after taking power in 2017. Last year, with support from Columbia University, New York State and the American Meteorological Society, the committee reconvened, but swapped the word “federal” in its title to “independent”. climatechange2-800 Announcing the move, the state’s governor Andrew Cuomo said: “In New York, we don’t believe denying climate change is a successful survival strategy and the work of this committee has never been more urgent”. Now, the group is calling for action to update infrastructure, reduce wildfire risk and manage flooding, in a world in which global temperatures continue to soar. Their newly compiled report also calls for a new network to guide state, local and Native American tribal governments on how to use climate science to change their communities for the better and cut emissions. Read more climatechange3-800 Antarctica ‘could go green as a result of climate change’ “We’re trying to produce something that adds value for those on the front lines of preparing their communities for climate change,” said Dr Richard Moss, chairman of the committee. Their recommendations are largely based on the official National Climate Assessment, a report released by Mr Trump’s own administration last year that the president publicly announced he “doesn’t believe”. In the past, Mr Trump has dismissed global warming as a “hoax” and more recently described the science underpinning it, which the vast majority of researchers agree with, as “fake”. Reports in February suggested the administration was planning to set up another panel to reconsider the US government’s official position on climate change, including prominent skeptics who have questioned the scientific consensus. Watch more climatechange4-800 Nations using ‘trick’ to restore forests that does not help climate The move by Dr Moss and his colleagues is the latest effort by local leaders to take action on global warming in defiance of their climate sceptic president. California governor Jerry Brown has been a vocal critic of the president’s stance, calling him a “liar, criminal and fool” when it came to climate change, and pledging 100 per cent clean energy for his state by 2045. The proposed Science to Climate Action Network would be independent of the federal government and would comprise experts from civil society and state, local, and tribal settings. “We live in an era of climate change and yet many of our systems, codes and standards have not caught up,” said Daniel Zarrilli, New York City’s chief climate policy advisor. “Integrating climate science into everyday decisions is not just smart planning, it’s an urgent necessity.” NYA thanks The Independent
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How Does Music Affect Your Brain?


Every Imaginable Way

by Peter Rubin

Waking up. Working out. Riding the bus. Music is an ever-present companion for many of us, and its impact is undeniable. You know music makes you move and triggers emotional responses, but how and why? What changes when you play music, rather than simply listen? In the latest episode of Tech Effects, we tried to find out. Our first stop was USC's Brain & Creativity Institute, where I headed into the fMRI to see how my brain responded to musical cues—and how my body did, too. (If you're someone who experiences frisson, that spine-tingling, hair-raising reaction to music, you know what I'm talking about.) We also talked to researchers who have studied how learning to play music can help kids become better problem-solvers, and to author Dan Levitin, who helped break down how the entire brain gets involved when you hear music. From there, we dove into music's potential as a therapeutic tool—something Gabrielle Giffords can attest to. When the onetime congresswoman was shot in 2011, her brain injuries led to aphasia, a neurological condition that affects speech. Through the use of treatments that include melodic intonation therapy, music helped retrain her brain's pathways to access language again. "I compare it to being in traffic," says music therapist Maegan Morrow, who worked with Giffords. "Music is basically like (taking a) feeder road to the new destination." But singing or playing something you know is different from composing on the fly. We also wanted to get to the bottom of improvisation and creativity, so we linked up with Xavier Dephrepaulezz—who you might know as two-time Grammy winner Fantastic Negrito. At UCSF, he went into an fMRI machine as well, though he brought a (plastic) keyboard so he could riff along and sing to a backing track. Neuroscientist Charles Limb, who studies musical creativity, helped take us through the results and explain why the prefrontal cortex shuts down during improvisation. "It's not just something that happens in clubs and jazz bars," he says. "It's actually maybe the most fundamental form of what it means to be human to come up with a new idea.” From WIRED NYA
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BOOK REVIEW
‘The Threat’ stands apart.


This is the best book to date about Trump’s Presidency (and the future of the country he is charged with leading). Intelligent and exceptionally well written, Andrew G. McCabe’s ‘The Threat’ clearly illustrates the values of the American men and women of the FBI, in a stark comparison with the President and his cabinet’s values. In the abundance of books about the current administration, ‘The Threat’ stands apart. It is not a tell all - not a sensational bread-winner from a former White House employee. ‘The Threat’ is a book that describes all that is important about the situation US citizens must now confront. It illustrates how the FBI works and how the Trump Administration works. All who read this book will know clearly the threat that the United States of America is now facing. By far the best book on the subject, it is a direct, truthful and articulate account. ‘The Threat’ is a tale to be considered thoughtfully, having a lot to do with American values and the future of a secure American democracy. In some ways it is your worst nightmare how well this situation is described by the author. The Threat is a good refresher for lost Republicans. If you care about the future of America and Democracy, read it or listen to it. NY
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Plummeting insect numbers 'threaten collapse of nature'


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GAMBLING heyamerica-flag-1408


WITH THE FUTURE

You represent the people and: Believing that only you know what’s best, even though 95% disagrees with you, you ignore the great majority.
  • You waste money you don’t have, increasing the people’s debt by more than any of your predecessors
  • you decide to save on things that people want, like clean energy.
  • you cut subsidies on new electric car prices while subsidizing big oil.
You brag about the great economy while:
  • proceeding to tear down environmental protections previously put in place for future generations of the people you have sworn to protect.
  • borrowing money from future generations.
  • breaking laws meant to protect the citizens you serve.
  • not paying your own taxes.
  • defrauding the people you represent
  • illegally profiting from your office
  • not recognizing that any people could have a great economy by selling out core values and the beliefs of science
When the experts on the National Security of your people all disagree with you:
  • you pretend they were misrepresented by the media
  • you lie
  • you disregard proof that you have lied.
When the Justice Department investigates a foreign country meddling in any election in your people’s country:
  • you take it personally and call them names in front of the people they are serving.
  • you threaten witnesses who want to tell their own story
  • you refuse to talk to the Justice Department or answer a face to face question.
When you are faced with an opposing view:
  • you call names that disparage race, dignity and equality
NYA
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SONGS FOR JUDY


a review that takes you there

By Tony Paris In 1976, Neil Young barnstormed across the U.S. with Crazy Horse, playing shows that established the band as a musical tour de force and earned their performances legendary status. Each evening, Young would open with an acoustic set; a tape compiling them has made the rounds to collectors for years. Now, Young is giving them an official release with Songs for Judy, the latest installment of his “Archive Performance Series” of releases. Twenty-three songs, eight cities, ten shows capturing Young at a time many thought him to be at the peak of his powers. Who knew, four decades later, he would still be going strong? Six of the tracks on Songs for Judy were recorded during the early and late shows at Atlanta’s Fox Theatre Nov. 24, Thanksgiving Eve, of that year. The next day, Young would fly to San Francisco, joining Eric Clapton, Bob Dylan, Van Morrison and many others to bid farewell to the Band at the Last Waltz. At the beginning of the album, Young welcomes the audience by telling a story of seeing Judy Garland in the Fox’s pit — "the abyss," he jokes, that separates him from the audience. Young says that he saw the actress, who portrayed Dorothy in The Wizard of Oz, down there carrying a music folio of “Somewhere, Over the Rainbow.” The first show that Wednesday night was sold-out. You can hear the Atlanta crowd’s enthusiasm during the “Songs for Judy Intro” at the beginning of this album, and during “Old Laughing Lady” and “The Needle and the Damage Done.” Young was incredible, solo and with Crazy Horse, performing write-home-about versions of “Like a Hurricane” and “Cortez the Killer” (both with Crazy Horse and neither included here). When the early concert was over, it was worth playing cat ’n’ mouse with ushers and security, running low, undercover, around the Fox, hiding from their flashlights as they cleared the house for the late show. When the doors for the second show finally opened, two people crouching behind the wall of “Black Heaven” at the top of the balcony surfaced and merged with the ticket-holders to find their seats. The second concert did not disappoint, as “The Losing End,” “Here We Are in the Years,” “Pocahontas” and “Sugar Mountain” here attest. It was during that last song that Young again referenced Garland’s presence, urging her to, “come on up, Judy” when he began “Sugar Mountain,” his ode to lost youth. But Garland didn’t. She wasn't there. She was never there, staring up at Young from the abyss, “Somewhere Over the Rainbow” sheet music in hand. No, the only ones there were those in the audience facing their own future, preparing to grow up and having to leave Sugar Mountain behind, whether they wanted to or not. It was time to experience life, learn its lessons, and to treasure the experiences one encounters on the journey. Outside the Fox Theatre, the temperature dipped into the mid-30s. People bundled up as they left the concert and headed out into the cold, crisp night. The future looked bright, as bright as the stars shining in that clear November sky. The wind began to blow.
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The Quiet Innovation


by Phil Baker

Normally tech innovations are announced with a huge, well-orchestrated PR campaign, press briefings, and a large advertising budget. And often times the supposed innovation is hardly one at all. Yet, for the first time in the history of the Internet, there’s been a sea change in music streaming, but hardly anyone is aware of it. It didn’t come from Google, Apple, Amazon or any of the leaders in streaming music. Instead it came from a musician that couldn’t understand why his fans had to listen to his music, severely degraded using old technology. While all the current streaming services use old technology that compresses and strips out most of the data – something invented when Apple needed to compress their music files to fit on their iPod -this musician asked why did his music and his fans need to continue put up with it? And it turned out they did not need not put up with it. The musician, Neil Young, has recently, quietly, and unassumingly, released his entire music catalog on a new website and app that lets everyone listen to it at the full quality of when it was recorded. It took some technical ingenuity to develop the solution, and he had help from a small company in Singapore. But it’s now out there for everyone to listen to and enjoy at a very nominal cost. It is proof that ingenuity can come from a tiny company and a few motivated entrepreneurs. And it is proof that as the tech giants get bigger, they lose their ability to innovate. So, if you enjoy listening to music, you should try it and see how much better music can sound on your phone, computer or tablet. And you should challenge those giant companies, the streaming companies, and the record labels, to give you what you deserve, the best quality streaming music the Internet has ever experienced. Tell them to listen to Neil at www.neilyoungarchives.com.
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ELVIS SPEAKS


HOW ELVIS FELT ABOUT POLITICS

The year was 1972 and Vietnam continued to divide the nation. A reporter asked Elvis, a veteran, about his views on Vietnam protesters and asked if he would refuse his draft orders. "Honey, I just ... keep my own personal views to myself because I am just an entertainer and I would rather not say," Elvis said. The reporter followed up by asking if other entertainers should do the same, and Elvis refused to even say that much. NY
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TRUMP SUPPORTERS


THANKS TO ALL OF YOU

We just got this letter in and want to say, “everyone is welcome”. Respect to all voters! We all have our differences and that is what democracy is about. Speak your truth. PEACE usflag-closeup-1408 I have been and continue to be a huge fan of the music of Neil Young. I have been following him since 1970 or so. Been to many concerts. He always gives all. Is it possible to love Neil and Love President Trump? Well I do. I think every person has good in them and I do not like the constant negativity towards my President. I wish it didn't affect me but Hollywood celebrities are turning half of their audience away, DeNiro, Streep, Streisand, etc. Great actors and musicians with opinions that freedom has given them but it does affect many people who voted for DT. Of course my opinion carry's no weight because I do not have an audience but by the same token the one's that do should be just a little sensitive and realize many fans that love you are conservatives and didn't vote for your candidate. Some should heed Elvis Presley's answer, which he gave prior to a MSG concert, about politics. He knew. I love you Neil, and you do what you like because I'll always love your music. This is a thoughtful person. I don’t like DT, and I don’t hide it, but I have respect for anyone who voted their conscience. NY
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EVERYTHING YOU NEED TO KNOW ABOUT NYA PRESALES!


tickets v3

HOW TO GET YOUR TICKETS

You guys have our heads spinning today with pre-sale questions and we are thrilled to have seen our subscriber numbers double since we announced these midwest shows and all before the app is released! (which between us is going to happen any day now…) so thanks for that. Here are the straight facts about NYA presales.
  1. ONLY yearly subscribers get access to pre-sales. It says it right there while you are subscribing. Don’t worry if you missed it - reach out to customer support and we will help you out.
  2. The tickets page lives in the account panel. (global menu>account>tickets) But when there is a pre-sale going on you will ALWAYS find a stack of tickets on the front cabinet. Click on that and it will take you straight to the tickets page.
  3. Browse that page and when you find the show you want to buy tickets for click the “Get Code” button. Your code will magically be revealed. This code can only be used once. You can give it away if you like, but once it's used it’s toast.
  4. Click the “copy code” button to copy your code to your computer’s “clip board” then click “Buy Tickets.” This button will open the ticket vendors page in a new tab. Use the code you just copied on this page and you should be all set.
Always reach out to customer support if you have issues on the NYA end of things. If you have issues on the ticket vendor page, it’s going be quickest if you reach out to them directly. If you can’t get a code on NYA - ask us. If your code doesn’t work on the vendor page - ask them. We will redirect you if you reach out to us - but just trying to save you guys some time. In the frenzy for the best seats in the house minutes are hours. This system was created to make sure that all of you get the best and easiest access to tickets. We think it’s great and we hope you do to. Enjoy the show(s)! -The Archives Team
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KEEP ON ROCKIN’ IN THE FREE WORLD


VOTE YOUR CONSCIENCE

DT does not have my permission to use the song ‘Rockin’ in the Free World’ at his appearances. Legally, he has the right to, however it goes against my wishes. I made this perfectly clear after he played it in a media moment to announce his candidacy. I asked him then, in a widely shared, public letter to cease and desist. However, he chose not to listen to my request, just as he chooses not to listen to the many American voices who ask him to stop his constant lies, to stop his petty, nasty name calling and bullying, to stop pushing his dangerous, vilifying and hateful rhetoric. This man does not represent the character of the people in the USA that I have come to know and love. I’m Canadian so I can’t vote in the states, but if you can, Take this great opportunity to make your voice heard, and Vote! Keep on Rocking in the Free World! Neil Young
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Oceanside Countryside


A breath of fresh air

The hand written title seen above is found on the timeline in March 1977, where it soon will be replaced by original album art.
When I walked into Reprise in 1977 and played Oceanside-Countryside for the company, Mo Ostin and Lenny Woronker were the listeners. I trusted their musical tastes then and still do. They were a sounding board for me for many years. Oceanside Countryside was a record I felt really good about. It was quite a personal record, mostly made up of acoustic songs which had no bass or drums. I made the lion’s share of it in Ft Lauderdale, just playing myself, singing the songs and overdubbing a few acoustic instruments. I was alone and went in to Triad recording studios there daily for a while, laying these new songs down. I got seven tracks there, including overdubs I added to Pocahontas, recorded previously at Indigo Ranch in Malibu. That version ended up on Rust Never Sleeps. Following Triad, I went to Nashville and recorded at Crazy Mama’s. (JJ Cale’s studio) with Rufus Thibiodeaux- fiddle, Ben Keith-dobro, Karl Himmel-drums and Joe Osborne -bass. NeilZekeRufus1408 Zeke, Rufus and I in Nashville 1977-ny It was my first recording with Joe Osborne and he was great, laying it down. What a feel. He is legendary. I’m glad I got to feel that. The tracks were all done on one day, mixed and finished. Bobby Charles, writer of ‘See you Later Alligator’ and ‘Walkin to new Orleans’ to name a couple, was with us there too, cheering us on in the control room, laughing and joking, playing the part of the Wizard. We cut one of his incredible songs, “You’ll always live inside of me,” as well. I gave it to Bobby for his own record. The resulting record was what I took to Warner Brothers in Burbank. Listening, they thought that the songs were good but they missed the drums and bass that I had not used on the seven acoustic tracks and were asking me if I thought I could do those songs with a rhythm section to make it sound more like a record and not a demo. I trusted them. “OK. I can go to Nashville and do some more there. It would be fun,” I told them. I did that; and also recorded a few more songs at Woodland Studio in Nashville. The result of that trip was the album, ‘Comes a Time’. It’s an album I know a lot of folks enjoyed. But….. it was not Oceanside Countryside. Yesterday, listening to Oceanside Countryside in the car with John Hanlon, I drank a beer and smoked a little weed. I listened to it for the first time in forty years. That album was so free and open, unencumbered by the rhythm overdubs I had added to it in Nashville. The record was alive and breathing, with all the space in the world. The acoustic guitars I had layered on at Triad were all there, in my original mixes, just as i had originally envisioned them. Hearing them made me feel so good. Unchanged and unheard for years since I first made it in Fort Lauderdale, the album was a breath of fresh air. It was a real album and it got to me. Listening to it gave me a an uplifted feeling, so heartfelt. I could see those Countryside faces in my mind; those great musicians. What an amazingly true sound and feeling it was! I am happy that I will be sharing it with you soon. OCEANSIDE-COUNTRYSIDE. NY NYA
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VOTE FOR A FUTURE


A CRASH COURSE WITH HISTORY

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WHEELCHAIR TO WALKING


medical marijuana treatment

Dr. Robert Elkins of Saint Augustine, FL has a cannabis certification clinic where he examines patients to determine whether they can be prescribed medical marijuana, in accordance with Florida State law. He recently examined a fourteen-year-old girl with post encephalitis. She was confined to a wheelchair with tremors, and had problems with concentration, eye disturbances, and other symptoms. As a result, she qualified for a prescription. She has now been on medical marijuana for about six weeks. She is walking for the first time in two years, is much happier, has hardly any tremors, but needs to be home schooled because the school will not let her take her marijuana on the school grounds. Her mother was picking her up from school, driving her off the school grounds to give her the meds, and returning her to class, but it’s been tough on the family. She was recently on TV regarding the above problem. This has been a real success story. A friend of Dr. Elkins has subsidized the cost at the dispensary, and Dr. Elkins is treating her for free. The parents are having trouble making ends meet; both parents work, but things seem to be looking up. Dr. Elkins noted that she is the first child he has treated in his clinic, but says, “Cases like this make it all worthwhile.” Unfortunately, they have another child with ADD and some additional neurologic problems. PB NYA
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Trump Taking 3rd Big Step to Roll Back Fight Against Climate Change


V O T E

In a victory for energy companies, the administration plans to roll back rules covering methane leaks and the “flaring” or burning, of the potent greenhouse gas.
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L O S I N G G R O U N D


R E S U L T S

Why Voting is your responsiblity this time

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Trump & Russian Mob


X-SPY REVEALS EARLY HISTORY

Taj Mahal and the Russian Mob

Telluride Daily Planet Editor Justin Criado reports (edited by NYA) Bob Baer, former undercover CIA operative and current CNN correspondent, says he knows some of President Donald Trump’s Soviet secrets. The former undercover CIA operative divulged what he’s learned about Trump’s long-running relationship with Russia — specifically the KGB. The chumminess with Communists dates back to 1986, when Trump, then a real estate developer in New York City, attended a cocktail party that included KGB agents, unbeknownst to Trump. America’s future president unwittingly became an “agent of influence,” which Baer explained is a person who is “susceptible to KGB manipulation, but the word KGB never comes up.” During that time, he added, a KGB “illegal” (the term for an undercover KGB agent) filled Trump’s head with anti-Ronald Reagan rhetoric and delusions of grandeur, including planting the possibility of a U.S. presidential run, during a 1991 visit to the former Soviet Union, which was close to collapse and “broke.” “It was a piece of flattery,” Baer said. “The Russians started his political aspirations.” The “criminalization” of the KGB, the Soviet Union’s formal intelligence agency, began during the collapse, Baer explained. “What we have to look at it in this way, in 1991, the KGB didn’t give up, they simply retreated and regrouped,” he added. Russian immigrants, including KGB illegals, began settling in Brighton Beach, New York, which is the start of the Russian mafia in America, Baer explained. The mob bosses worked out of Trump’s Taj Mahal Hotel & Casino. Trump, who needed money to finance his endeavors, started taking “Russian money,” according to Baer. The scenario may sound like a “Godfather” spinoff, but Baer began digging after becoming privy to the Trump-Russia ties during the 2016 election cycle, when he received a tip from a current Democratic operative who asked him to reach out to an ex-KGB officer. “I knew from the phone number from the FBI that it was a legit KGB guy,” he said. He added that the man on the other end of line said, “We have a tape of Donald Trump.” “What I didn’t know was how did the guy see the tape? Why should I believe him? Was this KGB disinformation?” said Baer, a current CNN intelligence and security analyst who lives in the Telluride Colorado area. “I worked with the KGB for years in the CIA. They’re very good at making stuff up. I knew that Russian President Vladimir Putin (a former KGB foreign intelligence officer) wants to disrupt our democracy at any cost, and, of course, he has. He’s done a great job of it.” Baer said he “filed away” the information until the Steele dossier was released in January, which alleges misconduct and conspiracy between Trump and the Russian government during the 2016 election. He added that the music video for Russian pop-star’s Emin Agalarov “Got Me Good,” which came out in June, depicts an alleged incident with Trump and two women during the 2013 Miss Universe contest in Moscow, which he hosted with Emin’s father, Aras. Baer proclaimed the Agalarovs are KGB agents. It is unclear if the Trump video the Russians maintain to have is from the 2013 Miss Universe contest. Baer did explain that a popular tactic the KGB like to employ involves planting a camera in a hotel room air conditioning vent in order to capture less-than-flattering encounters, usually with a “lady of the night.” He explained that he used the contacts he’s collected over the years to conduct his independent investigation. “As a former CIA officer will do, I went back to my old KGB contacts,” Baer said of his recent research. “I said, ‘What happened? What’s the relationship between Donald Trump and the KGB.’ (His contacts) proceeded to lay it out.” He explained that the U.S. intelligence agencies (i.e. FBI and CIA) quit monitoring Russian activity after the 1991 collapse, and didn’t resume monitoring until 2016. “It’s been a black hole,” he said. “We’re not looking at it.” “The curtain dropped down because we were patting ourselves on the back for winning the Cold War,” Baer said. (He added that he may turn what he’s discovered into a TV series; working title: “How the KGB won the Cold War.”) The Hillary Clinton email debacle? It was the Russians. “They hacked Hillary’s email and the Democratic National Convention’s simply to cause problems after she was elected president. That’s all they wanted,” he said. “They hated her for the Ukraine. They hated her for Russian elections. They said, ‘This is great. We’ll get in her email. She’s elected president and we’ll go after her. We’ll make her miserable and the Democratic Party for four years. Then, we’ll get back in and we’ll do it again.’ Disruption. That’s what Putin is after.” When it became apparent that Trump may become the next President of the United States, the Russians worked to set up backchannels, according to Baer. The July 16 Russia-United States summit in Helsinki, Finland, didn’t help matters either, Baer said. “This servile kissing the ring of Putin really makes you wonder what’s going on,” he said. “We’re not going to know what went on in that meeting, because if there’s any tape of it, it’s Putin that has it. We simply don’t know.” He added, “You have a President of the United States that’s clearly in political trouble for his connections with Russia.” “The worst thing you can do when you look at this Russian thing is take sides,” he said. NYA has omitted portions of the original article.
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Buffalo Springfield Lives!


WHAT'S THAT SOUND?

New box set is in stores now

'What's that Sound?' has been released. It is the best Buffalo Springfield record ever made. Remastered from the original analog tapes, both mono and stereo, it is definitely superior to anything 'Buffalo Springfield' that I have heard, even the original records. If you want to hear our band, this is the best way to do it. After the Mynah Birds on Motown, my first recording in the states was Buffalo Springfield on Atco. It was a great time for me, playing with Stephen Stills, Richie Furay, Bruce Palmer and Dewey Martin in the Springfield. Our band was an influencer, lighting the way for many bands who were more commercially successful. When we first appeared at the Whiskey in Hollywood, and walked Sunset Strip with the flower children, we had no plans past success in the sixties. We were learning how to make records and play big shows. Stephen and I were in the studios all the time overdubbing and mixing, trying to make the records we heard in our heads and hearts. These were rich times for us all, working in studios alongside the DOORS and other groups of the time, sharing bills with THEM, (Van Morrison’s early band), The Byrds, (where we met David Crosby), The Seeds, Johnny Rivers, and even opening for the Rolling Stones at the Hollywood Bowl. These were big times for some green kids living the dream. ‘What’s That Sound’ is the greatest BUFFALO SPRINGFIELD COLLECTION ever. Remastered from the original analog tapes, it’s guaranteed to sound better than any earlier edition of this great and influential music. NYA was overseeing the remastering process. I have heard it and I think this is the best it can be! It sounds amazing! If you love BUFFALO SPRINGFIELD, this is the ultimate collection to have. Hear it at NYA. Enjoy it. Buy it if you can. NY Pre-order ‘What’s That Sound?’ The Complete Albums Collection - newly remastered Buffalo Springfield box set now at neilyoungarchives.com. NYA
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OHIO


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SXSW PRESS TIME


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Scattered


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PARADOX PREMIERE SXSW


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THE SOUND OF THE NYA FILE CABINET


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PARADOX TO PREMIERE at SXSW


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FREE THE MUSIC


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BEHIND THE SCENES


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CRAZY HORSE - ALCHEMY


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TIMELINE - 1973


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Taking Care of the Music


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thanks from nya!


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welcome to my archive


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a few things before you get started


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DNC Barack Obama Dials the Volume Down and the Urgency Up


Former President Barack Obama adapted his soaring oratorical style to the quiet of a museum room in his D.N.C. speech.
By James Poniewozik, AP Barack Obama ignited his political career at the 2004 Democratic National Convention, where he linked his story, of growing up as a biracial “skinny kid with a funny name,” to America’s. On the third night of the 2020 D.N.C., as he sounded an alarm not just about his legacy but about the health of democracy, his platform could hardly have been bigger. Or smaller. He stood in the Museum of the American Revolution in Philadelphia — alone, like nearly every convention speaker in the pandemic. There were no cheers, no placards, no responses to his calls. There was just the same speaker, older, sadder, but trying to convince his audience that, if they acted urgently, his 2004 faith could still be borne out. It was a Barack Obama quieter and louder than we had heard before. The audacity of hope was tempered by the veracity of the stakes. This year’s convention, given the restrictions of the pandemic, has raised the challenge: How do you electrify an empty room? The speakers and producers have tried virtual applause, talk-show intimacy and eclectic locations. Mr. Obama’s answer was to use the silence as his amplifier. Watching Mr. Obama adapt his soaring oratorical style to the chill of a museum room was like watching a veteran arena act play an acoustic set. Obama, unplugged. Gone was the ringing peroration and crescendo. Instead, he used the negative space and stillness as much as the words. He deployed micro-pauses for urgency and for emphasis: “Donald Trump hasn’t grown into the job (pause) because he can’t.” The sentence hung between “job” and “because” like an ax at the top of its arc, just before the blow. It was an expert example of what does and doesn’t work in this constricted environment. Deep emotion, yes; canned zingers, not as much. Sincerity, not snark. It draws on the skill set for giving a fireside chat — or a eulogy. Presidency Is ‘One More Reality Show’ to Trump, Obama Says Barack Obama criticized President Trump in his comments at the Democratic National Convention, saying Mr. Trump had shown “no interest” in using the office to help anyone but “himself and his friends.” Word for Word: Tonight I want to talk as plainly as I can about the stakes in this election — because what we do these next 76 days will echo through generations to come. I have sat in the Oval Office with both of the men who are running for president. I never expected that my successor would embrace my vision or continue my policies. I did hope for the sake of our country that Donald Trump might show some interest in taking the job seriously, that he might come to feel the weight of the office and discover some reverence for the democracy that had been placed in his care. But he never did. For close to four years now, he has shown no interest in putting in the work, no interest in finding common ground, no interest in using the awesome power of his office to help anyone but himself and his friends, no interest in treating the presidency as anything but one more reality show that he can use to get the attention he craves. Donald Trump hasn’t grown into the job, because he can’t. And the consequences of that failure are severe. This administration has shown it will tear our democracy down, if that’s what it takes for them to win. So we have to get busy building it up — by pouring all our efforts into these 76 days and by voting like never before: for Joe and Kamala and candidates up and down the ticket, so that we leave no doubt about what this country that we love stands for. Was that what Mr. Obama was doing? He stood in front of an exhibition wall, the words of the Constitution in script behind him, along with a spray of white and purple flowers. It looked, frankly, like it could have been a funeral, though his words, urging his listeners not to give in to cynicism, hoped for a resurrection. We’ve seen Mr. Obama play to coliseums and teeming outdoor parks, but we’ve also seen him work in quiet. His speech after the 2015 church massacre by a racist shooter in Charleston, S.C., is memorable for his singing “Amazing Grace,” but just as effective was his pause before he began the hymn, readying to summon life from a place of death. Maybe realizing the power of the words you don’t say, trusting in the response you don’t hear, is something that comes with sad experience. Mr. Obama was sober on Wednesday night, his eyes seeming rimmed with emotion, but he never came across as tentative or awkward. It was as if he were recording a dispatch just for your ears: Help us, America, you’re our only hope.
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saytheirnames


blacklivesmatter colorofchange
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DNCshowcasesvoices Democratic National Convention’s Roll Call Showcases Voices from Across America


Over a span of about 30 minutes, viewers traveled to 57 states and territories and heard from teachers, small business owners, essential workers and elected Democrats. Democrats Nominate Biden in Coast-to-Coast Virtual Roll Call On the second night of the Democratic National Convention, states called the roll to nominate Joseph R. Biden Jr. for the presidency. There was a fisherman in Alaska, a veteran firefighter in Connecticut and the father of a student killed in a school shooting in Parkland, Fla. There was a fourth-generation family farmer in Kansas, a recent college graduate in Montana, a registered nurse in New York and a tribal activist in South Dakota. And finally, after a roughly 30-minute virtual tour of America, there were Gov. John Carney and Senator Tom Carper of Delaware, standing at the Joseph R. Biden Jr. Railroad Station in Wilmington. “I have known Joe Biden for 40 years,” Mr. Carper said. “There’s nobody I trust more to lead our party, unite the country and restore our standing in the world.”
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democraticconventionsuccess DEMOCRATIC CONVENTION SUCCESS


The Democratic National Convention was on message all night and a complete success from the messaging point of view. In the beginning, speeches had an awkward moment as the director did not cue the speakers at the right time. However that was quickly remedied and did not effect Sanders or Obama. Michelle Obama’s Speech was well received as she spoke of her experience and deep feelings about America at a crossroads. Senator Bernie Sanders delivered the platform points and was the perfect person to do that. Biden obviously thought this through and did a great job. It was refreshing to hear real issues replace the divisiveness we have grown too used to over the last four years. Thanks and Congratulations Democrats. Refreshing. nya
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trumppandemic The Trump Pandemic A blow-by-blow account of how the president killed thousands of Americans.


By William Saletan, Slate.com On July 17, President Donald Trump sat for a Fox News interview at the White House. At the time, nearly 140,000 Americans were dead from the novel coronavirus. The interviewer, Chris Wallace, showed Trump a video clip in which Robert Redfield, the director of the Centers for Disease Control and Prevention, warned of a difficult fall and winter ahead. Trump dismissed the warning. He scoffed that experts had misjudged the virus all along. “Everybody thought this summer it would go away,” said Trump. “They used to say the heat, the heat was good for it and it really knocks it out, remember? So they got that one wrong.” Trump’s account was completely backward. Redfield and other U.S. public health officials had never promised that heat would knock out the virus. In fact, they had cautioned against that assumption. The person who had held out the false promise of a warm-weather reprieve, again and again, was Trump. And he hadn’t gotten the idea from any of his medical advisers. He had gotten it from Xi Jinping, the president of China, in a phone call in February. The phone call, the talking points Trump picked up from it, and his subsequent attempts to cover up his alliance with Xi are part of a deep betrayal. The story the president now tells—that he “built the greatest economy in history,” that China blindsided him by unleashing the virus, and that Trump saved millions of lives by mobilizing America to defeat it—is a lie. Trump collaborated with Xi, concealed the threat, impeded the U.S. government’s response, silenced those who sought to warn the public, and pushed states to take risks that escalated the tragedy. He’s personally responsible for tens of thousands of deaths. This isn’t speculation. All the evidence is in the public record. But the truth, unlike Trump’s false narrative, is scattered in different places. It’s in emails, leaks, interviews, hearings, scientific reports, and the president’s stray remarks. This article puts those fragments together. It documents Trump’s interference or negligence in every stage of the government’s failure: preparation, mobilization, public communication, testing, mitigation, and reopening. Trump has always been malignant and incompetent. As president, he has coasted on economic growth, narrowly averted crises of his own making, and corrupted the government in ways that many Americans could ignore. But in the pandemic, his vices—venality, dishonesty, self-absorption, dereliction, heedlessness—turned deadly. They produced lies, misjudgments, and destructive interventions that multiplied the carnage. The coronavirus debacle isn’t, as Trump protests, an “artificial problem” that spoiled his presidency. It’s the fulfillment of everything he is. Trump never prepared for a pandemic. For years, he had multiple warnings—briefings, reports, simulations, intelligence assessments—that a crisis such as this one was likely and that the government wasn’t ready for it. In April, he admitted that he was informed of the risks: “I always knew that pandemics are one of the worst things that could happen.” But when the virus arrived, the federal government was still ill-equipped to deal with it. According to Trump, “We had no ventilators. We had no testing. We had nothing.” That’s an exaggeration. But it’s true that the stockpile of pandemic supplies was depleted and that the government’s system for producing virus tests wasn’t designed for such heavy demand. So why, for the first three years of his presidency, did Trump do nothing about it? He often brags that he spent $2 trillion to beef up the military. But he squeezed the budget for pandemics, disbanded the federal team in charge of protecting the country from biological threats, and stripped down the Beijing office of the Centers for Disease Control and Prevention. Trump has been asked several times to explain these decisions. He has given two answers. One is that he wanted to save money. “Some of the people we cut, they haven’t been used for many, many years,” he said in February. “If we have a need, we can get them very quickly. … I’m a businessperson. I don’t like having thousands of people around when you don’t need them.” His second answer is that he had other priorities. In March, at a Fox News town hall, Bret Baier asked Trump why he hadn’t updated the test production system. “I’m thinking about a lot of other things, too, like trade,” Trump replied. “I’m not thinking about this.” In May, ABC’s David Muir asked him, “What did you do when you became president to restock those cupboards that you say were bare?” Trump gave the same answer: “I have a lot of things going on.” Trump prepared for a war, not for a virus. He wagered that if a pandemic broke out, he could pull together the resources to contain it quickly. He was wrong. But that was just the first of many mistakes. In early January, Trump was warned about a deadly new virus in China. He was also told that the Chinese government was understating the outbreak. (See this timeline for a detailed chronology of what Trump knew and when he knew it.) This was inconvenient, because Trump was about to sign a lucrative trade deal with Beijing. “We have a great relationship with China right now, so I don’t want to speak badly of anyone,” Trump told Laura Ingraham in a Fox News interview on Jan. 10. He added that he was looking forward to a second deal with Xi. When Ingraham asked about China’s violations of human rights, Trump begged off. “I’m riding a fine line because we’re making … great trade deals,” he pleaded. trumppandemic2 President Donald Trump signs a trade agreement with Chinese Vice Premier Liu He in the East Room of the White House on Jan. 15. Credit: Jabin Botsford/ The Washington Post via Getty Images Trump signed the deal on Jan. 15. He lauded Xi and said previous American presidents, not Xi, were at fault for past troubles between the two countries. Three days later, Alex Azar, Trump’s secretary of health and human services, phoned him with an update on the spread of the novel coronavirus. On Jan. 21, the CDC announced the first infection in the United States. Two of the government’s top health officials—Anthony Fauci, the director of the National Institute of Allergy and Infectious Diseases, and Nancy Messonnier, the director of the National Center for Immunization and Respiratory Diseases—said the virus was beginning to circulate around the world. Trump would later claim that he saw from the outset how grim the situation was. That was clear, he recalled, in the “initial numbers coming out from China.” But at the time, he told Americans everything was fine. “We’re in great shape,” he assured Maria Bartiromo in a Fox Business interview on Jan. 22. “China’s in good shape, too.” He preferred to talk about trade instead. “The China deal is amazing, and we’ll be starting Phase Two very soon,” he said. On CNBC, Joe Kernen asked Trump whether there were any “worries about a pandemic.” “No, not at all,” the president replied. “We have it totally under control.” When Kernen asked whether the Chinese were telling the whole truth about the virus, Trump said they were. “I have a great relationship with President Xi,” he boasted. “We just signed probably the biggest deal ever made.” “We’re in great shape. China’s in good shape, too.” — Trump, Jan. 22 The crisis in China grew. In late January, Trump’s medical advisers agreed with his national security team that he should suspend travel from China to the United States. But Trump resisted. He had spent months cultivating a relationship with Xi and securing the trade deal. He was counting on China to buy American goods and boost the U.S. economy, thereby helping him win reelection. He had said this to Xi explicitly, in a conversation witnessed by then–National Security Adviser John Bolton. Trump also worried that a travel ban would scare the stock market. But by the end of the month, airlines were halting flights to China anyway. On Jan. 31, Trump gave in. His advisers knew the ban would only buy time. They wanted to use that time to fortify America. But Trump had no such plans. On Feb. 1, he recorded a Super Bowl interview with Sean Hannity. Hannity pointed out that the number of known infections in the United States had risen to eight, and he asked Trump whether he was worried. The president brushed him off. “We pretty much shut it down coming in from China,” said Trump. That was false: Thanks to loopholes in the ban, the coronavirus strain that would engulf Washington state arrived from China about two weeks later. But at the time of the interview, the ban hadn’t even taken effect. The important thing, to Trump, was that he had announced the ban. He was less interested in solving the problem than in looking as though he had solved it. And in the weeks to come, he would argue that the ban had made other protective measures unnecessary. There were three logical steps to consider after suspending travel from China. The first was suspending travel from Europe. By Jan. 21, Trump’s advisers knew the virus was in France. By Jan. 31, they knew it had reached Italy, Germany, Finland, and the United Kingdom. From conversations with European governments, they also knew that these governments, apart from Italy, weren’t going to block travel from China. And they were directly informed that the flow of passengers from Europe to the United States far exceeded the normal flow of passengers from China to the United States. Trump’s deputy national security adviser, Matthew Pottinger, pleaded for a ban on travel from Europe, but other advisers said this would hurt the economy in an election year. Trump, persuaded by Pottinger’s opponents, refused to go along. “They say, ‘Oh, he should do more.’ There’s nothing more you can do.” — Trump, Feb. 28 Not until March 11, six weeks after blocking travel from China, did Trump take similar action against Europe. In a televised address, he acknowledged that travelers from Europe had brought the disease to America. Two months later, based on genetic and epidemiological analyses, the CDC would confirm that Trump’s action had come too late, because people arriving from Europe—nearly 2 million of them in February, hundreds of whom were infected—had already accelerated the spread of the virus in the United States. The second step was to gear up production of masks, ventilators, and other medical supplies. In early February, trade adviser Peter Navarro, biomedical research director Rick Bright, and other officials warned of impending shortages of these supplies. Azar would later claim that during this time, everyone in the administration was pleading for more equipment. But when Azar requested $4 billion to stock up, the White House refused. Trump dismissed the outcry for masks and ridiculed Democrats for “forcing money” on him to buy supplies. “They say, ‘Oh, he should do more,’ ” the president scoffed in an interview on Feb. 28. “There’s nothing more you can do.” The third and most important step was to test the population to see whether the virus was spreading domestically. That was the policy of South Korea, the global leader in case detection. Like the United States, South Korea had identified its first case on Jan. 20. But from there, the two countries diverged. By Feb. 3 South Korea had expanded its testing program, and by Feb. 27 it was checking samples from more than 10,000 people a day. The U.S. program, hampered by malfunctions and bureaucratic conflict, was nowhere near that. By mid-February, it was testing only about 100 samples a day. As a result, few infections were being detected. Fauci saw this as a grave vulnerability. From Feb. 14 to March 11, he warned in a dozen hearings, forums, and interviews that the virus might be spreading “under the radar.” But Trump wasn’t interested. He liked having a low infection count—he bragged about it at rallies—and he understood that the official count would stay low if people weren’t tested. Trump had been briefed on the testing situation since late January and knew test production was delayed. But he insisted that “anybody that wants a test can get a test” and that “the tests are all perfect.” Later, he brushed off the delay in test production and said it had been “quickly remedied.” He complained that additional tests, by exposing additional cases, made him “look bad.” To keep the numbers low, Trump was willing to risk lives. He figured that infections didn’t count if they were offshore, so he tried to prevent infected Americans from setting foot on American soil. In mid-February, even as he refused to bar Europeans from entering the United States, he exploded in anger when more than a dozen infected Americans were allowed to return from Japan. “I hated to do it, statistically,” he told Hannity. “You know, is it going to look bad?” In March, he opposed a decision to let passengers off a cruise ship in California. “I’d rather have the people stay” offshore, he explained, “because I like the numbers being where they are. I don’t need to have the numbers double because of one ship.” When the spread of the virus in the United States could no longer be denied, Trump called it the “invisible enemy.” But Trump had kept it invisible. The CDC would later acknowledge that due to woefully insufficient testing, the overwhelming majority of infections had gone undiagnosed. Models would show that by mid-February, there were hundreds of undetected infections in the United States for every known case. By the end of the month, there were thousands. Trump didn’t just ignore warnings. He suppressed them. When Azar briefed him about the virus in January, Trump called him an “alarmist” and told him to stop panicking. When Navarro submitted a memo about the oncoming pandemic, Trump said he shouldn’t have put his words in writing. As the stock market rose in February, Trump discouraged aides from saying anything about the virus that might scare investors. The president now casts himself as a victim of Chinese deception. In reality, he collaborated with Xi to deceive both the Chinese public and the American public. For weeks after he was briefed on the situation in China, including the fact that Beijing was downplaying the crisis, Trump continued to deny that the Chinese government was hiding anything. He implied that American experts had been welcomed in China and could vouch for Beijing’s information, which—as he would acknowledge months later—wasn’t true. On Twitter, Trump wrote tributes worthy of Chinese state propaganda. “Great discipline is taking place in China, as President Xi strongly leads what will be a very successful operation,” he proclaimed. On Feb. 10, just before a rally in New Hampshire, Trump told Fox News host Trish Regan that the Chinese “have everything under control. … We’re working with them. You know, we just sent some of our best people over there.” Then Trump walked onstage and exploited the political payoff of his deal with Xi. “Last month, we signed a groundbreaking trade agreement with China that will defeat so many of our opponents,” he boasted. He told the crowd that he had spoken with Xi and that the virus situation would “work out fine.” “By April,” he explained, “in theory, when it gets a little warmer, it miraculously goes away.” trumppandemic3 *Trump speaks at a rally in Manchester, New Hampshire, on Feb. 10. Credit: Drew Angerer/ Getty Images * Trump didn’t tell the crowd that he had heard this theory from Xi. But that’s what the record indicates. There’s no evidence of Trump peddling the warm-weather theory prior to Feb. 7, when he had an overnight phone call with Xi. Immediately after that call, Trump began to promote the idea. Later, he mentioned that Xi had said it. When Fauci, Messonnier, Azar, and Redfield were asked about the theory, they all said it was an unwise assumption, since the virus was new. The American president, against the judgment of his public health officials, was feeding American citizens a false assurance passed to him by the Chinese president. Three days after the rally in New Hampshire, Trump defended China’s censorship of information about the virus. In a radio interview, Geraldo Rivera asked him, “Did the Chinese tell the truth about this?” Trump, in reply, suggested that he would have done what Xi had done. “I think they want to put the best face on it,” he said. “If you were running it … you wouldn’t want to run out to the world and go crazy and start saying whatever it is, ’cause you don’t want to create a panic.” Weeks later, Trump would also excuse Chinese disinformation about the virus, telling Fox New viewers that “every country does it.” Trump envied Xi. He wished he could control what Americans heard and thought, the way Xi could control China’s government and media. But Trump didn’t have authoritarian powers, and some of his subordinates wouldn’t shut up. As the virus moved from country to country, Fauci, Redfield, and Azar began to acknowledge that it would soon overtake the United States. On Feb. 25, when Messonnier said Americans should prepare for school and workplace closures, the stock market plunged. Trump, in a rage, called Azar and threatened to fire Messonnier. The next day, the president seized control of the administration’s press briefings on the virus. On Feb. 26, shortly before Trump held his first briefing, aides gave him bad news: The CDC had just confirmed the first U.S. infection that couldn’t be traced to foreign travel. That meant the virus was spreading undetected. But when Trump took the podium, he didn’t mention what he had just been told. Instead, he assured the public that infections in the United States were “going down, not up” and that the case count “within a couple of days is going to be down to close to zero.” He predicted that America wouldn’t “ever be anywhere near” having to close schools or distribute more masks, since “our borders are very controlled.” When a reporter pointed out that the United States had tested fewer than 500 people, while South Korea had tested tens of thousands, Trump shot back, “We’re testing everybody that we need to test. And we’re finding very little problem.” “We’re testing everybody that we need to test. And we’re finding very little problem.” — Trump, Feb. 26 Trump’s eruption brought his subordinates into line. Shortly after the president’s angry call to Azar, Redfield told Congress that “our containment strategy has been quite successful.” At her next briefing, for the first time, Messonnier praised Trump by name. She parroted his talking points: that the United States had “acted incredibly quickly, before most other countries” and had “aggressively controlled our borders.” Azar, in testimony before the House, went further. When he was asked to explain the discord between Trump and his medical advisers, the health secretary argued that Americans, like citizens of China, needed to be soothed. The president, Azar explained, was “trying to calm” the populace because, as “we see in China, panic can be as big of an enemy as [the] virus.” Having cowed his health officials, Trump next went after the press. He told Americans to ignore news reports about the virus. On Feb. 26 and Feb. 27, Trump denounced CNN and MSNBC for “panicking markets” by making the crisis “look as bad as possible.” He dismissed their reports as “fake” and tweeted, “USA in great shape!” At a rally in South Carolina on Feb. 28, he accused the press of “hysteria,” called criticism of his virus policies a “hoax,” and insisted that only 15 Americans were infected. Weeks later, he would tell the public not to believe U.S. media reports about Chinese propaganda, either. In the three weeks after his Feb. 26 crackdown on his subordinates, Trump opposed or obstructed every response to the crisis. Doctors were pleading for virus tests and other equipment. Without enough tests to sample the population or screen people with symptoms, the virus was spreading invisibly. Fauci was desperate to accelerate the production and distribution of tests, but Trump said it wasn’t necessary. On a March 6 visit to the CDC, the president argued that instead of “going out and proactively looking to see where there’s a problem,” it was better to “find out those areas just by sitting back and waiting.” A proactive CDC testing program, lacking presidential support, never got off the ground. Nor did a separate national testing plan—organized by Trump’s son-in-law, Jared Kushner—which was supposed to be presented for Trump’s approval but, for unknown reasons, was never announced. “I shake anybody’s hand now. I’m proud of it.” — Trump, March 5 Trump also refused to invoke the Defense Production Act, which could have accelerated the manufacture of masks, gloves, ventilators, and other emergency equipment. In January, HHS had begun to plan for use of the DPA, and in early February, some members of Congress suggested it might be needed. But Trump declined to use it until the end of March. When he was asked why, he said that governors, not the president, were responsible for emergency supplies and that telling “companies what to do” might upset the “business community.” trumppandemic4 Trump and Anthony Fauci at a coronavirus task force briefing at the White House on April 22. Credit: Jabin Botsford/ The Washington Post via Getty Images The president’s most decisive contribution to the death toll was his resistance to public health measures known as “mitigation”: social distancing, school and workplace closures, and cancellations of large gatherings. Messonnier and others had warned since early February that Americans needed to prepare for such measures. On Feb. 24, Trump’s health advisers decided it was time to act. But they couldn’t get a meeting with Trump, because he was off to India to discuss another trade deal. When he returned, he blew up at Messonnier for talking about closing schools and offices. The meeting to discuss mitigation was canceled. Mitigation required leadership. The president needed to tell Americans that the crisis was urgent and that life had to change. Instead, he told them everything was fine. On March 2, he held another rally, this time in North Carolina. Before the rally, a TV interviewer asked him whether he was taking more precautions because of the virus. “Probably not so much,” Trump replied. “I just shook hands with a whole lot of people back there.” The next day, he said it was safe to travel across the country, since “there’s only one hot spot.” On March 5, at a Fox News town hall, he repeated, “I shake anybody’s hand now. I’m proud of it.” On March 6, visiting the CDC, he was asked about the risks of packing people together at rallies. “It doesn’t bother me at all,” he said. As schools and businesses began to close, Trump pushed back. On March 4, he dismissed a question about further closures, insisting that only “a very small number” of Americans were infected. On March 9, he tweeted that the virus had hardly killed anyone and that even in bad flu seasons, “nothing is shut down, life & the economy go on.” Italy locked down its population, the NBA suspended its season, and states began to postpone elections. But through the middle of March, as advisers urged the president to endorse mitigation, he stood his ground. Finally, as the stock market continued to fall, Trump’s business friends agreed that it was time to yield. On March 16, he announced mitigation guidelines. By then, the number of confirmed infections in the United States had surged past 4,000. But that was a fraction of the real number. The CDC would later calculate that in the three weeks from “late February to early March, the number of U.S. COVID-19 cases increased more than 1,000-fold.” And researchers at Columbia University would find that the final two-week delay in mitigation, from March 1 to March 15, had multiplied the U.S. death toll by a factor of six. By May 3, the price of that delay was more than 50,000 lives. On March 23, a week after he announced the mitigation guidelines, Trump began pushing to rescind them. “We have to open our country,” he demanded. He batted away questions about the opinions of his medical advisers. “If it were up to the doctors, they may say, ‘Let’s keep it shut down,’ ” he shrugged. But “you can’t do that with a country, especially the No. 1 economy.” The next day, the stock market soared, and Trump took credit. Investors “see that we want to get our country open as soon as possible,” he crowed. Trump fixated on the market and the election. In more than a dozen tweets, briefings, and interviews, he explicitly connected his chances of reelection to the speed at which schools and businesses reopened. (Trump focused on schools only after he was told that they were crucial to resuming commerce.) The longer it took, he warned, the better Democrats would do in the election. In April, he applauded states that opened early and hectored states that kept businesses closed. In June, he told workers in Maine, “You’re missing a lot of money.” “Why isn’t your governor opening up your state?” he asked them. Trump pushed states to reopen businesses even where, under criteria laid out by his health officials, it wasn’t safe to do so. He called for “pressure” and endorsed lawsuits against governors who resisted. He issued an executive order to keep meat-processing plants open, despite thousands of infections among plant employees. He ordered the CDC to publish rules allowing churches to reopen, and he vowed to “override any governor” who kept them closed. In April, he made the CDC withdraw an indefinite ban on cruises, which had spread the virus. In July, he pressed the agency to loosen its guidelines for reopening schools. “Why isn’t your governor opening up your state?” — Trump, June 5 He continued to suppress warnings. In April, he claimed that doctors who reported shortages of supplies were faking it. When an acting inspector general released a report that showed supplies were inadequate, Trump dismissed the report and replaced her. When a Navy captain wrote a letter seeking help for his infected crew, Trump endorsed the captain’s demotion. The letter “shows weakness,” he said. “We don’t want to have letter-writing campaigns where the fake news finds a letter or gets a leak.” Having argued in March against testing, Trump now complained that doctors were testing too many people. He said tests, by revealing infections, made him “look bad.” When Fauci and Deborah Birx, the response coordinator for the White House Coronavirus Task Force, said more tests were needed, Trump openly contradicted them. In July, he claimed that 99 percent of coronavirus infections were “totally harmless”—which wasn’t true—and that the testing system, by detecting these infections, was “working too well.” Fauci, Birx, Redfield, and other health officials pointed out that mitigation was working. They argued against premature resumption of in-person social activities, noting that the virus wasn’t under control and might roar back. Trump publicly overruled them, tried to discredit them, and pressured them to disavow their words. To block Fauci from disputing Trump’s assurances that the virus was “going away,” the White House barred him from doing most TV interviews. In June, when Fauci said resuming professional football would be risky, Trump rebuked him. “Informed Dr. Fauci this morning that he has nothing to do with NFL Football,” the president tweeted. trumppandemic5 People gather on Florida’s Clearwater Beach during spring break on March 18. Credit: Mike Ehrmann/Getty Images Trump interfered with every part of the government’s response. He told governors that testing for the virus was their job, not his. When they asked for help in getting supplies, he told them to “get ’em yourself.” He refused, out of pique, to speak to House Speaker Nancy Pelosi or to some governors whose states were overrun by the virus. He told Vice President Mike Pence not to speak to them, either. He refused to consult former presidents, calling them failures and saying he had nothing to learn from them. Trump didn’t just get in the way. He made things worse. He demanded that Wisconsin hold elections in early April, which coincided with dozens of infections among voters and poll workers. (Some researchers later found correlations between infections and voting in that election; others didn’t.) He forced West Point to summon cadets, 15 of whom were infected, back to campus to attend his commencement speech in June. He suggested that the virus could be killed by injecting disinfectants. He persistently urged Americans to take hydroxychloroquine, a malaria drug, despite research that found it was ineffective against the coronavirus and in some cases could be dangerous. Trump dismissed the research as “phony.” The simplest way to control the virus was to wear face coverings. But instead of encouraging this precaution, Trump ridiculed masks. He said they could cause infections, and he applauded people who spurned them. Polls taken in late May, as the virus began to spread across the Sun Belt, indicated that Trump’s scorn was suppressing mask use. A Morning Consult survey found that the top predictor of non-use of masks, among dozens of factors tested, was support for Trump. An NBC News/Wall Street Journal survey found that people who seldom or never wore masks were 12 times more likely to support Trump than to support his opponent, former Vice President Joe Biden. Some scientific models imply that Trump’s suppression of mask use may have contributed to hundreds, if not thousands, of deaths. On June 10, Trump announced that he would resume holding political rallies. He targeted four states: Florida, Texas, Arizona, and Oklahoma. The point of the rallies, he explained, wasn’t just to boost his campaign but to signal that it was time to “open up our country” and “get back to business.” When reporters raised the possibility that he might spread the virus by drawing crowds indoors, he accused them of “trying to Covid Shame us on our big Rallies.” Despite being warned that infections in Oklahoma were surging, Trump proceeded with a rally at a Tulsa arena on June 20. To encourage social distance, the arena’s managers put “Do Not Sit Here” stickers on alternate seats. The Trump campaign removed the stickers. Trump also refused to wear a mask at the rally—few people in the crowd did, either—and in his speech, he bragged about continuing to shake children’s hands. Two weeks later, Tulsa broke its record for daily infections, and the city’s health director said the rally was partly to blame. Former presidential candidate Herman Cain attended the rally, tested positive for the virus days afterward, and died at the end of July. At the rally, Trump complained that health care workers were finding too many infections by testing people for the virus. He said he had told “my people” to “slow the testing down, please.” Aides insisted that the president was joking. But on June 22, in an interview with the Christian Broadcasting Network, he said he was only half-joking. He affirmed, this time seriously, that he had told “my people” that testing was largely frivolous and bad for America’s image. Weeks later, officials involved in negotiations on Capitol Hill disclosed that the administration, against the wishes of Senate Republicans, was trying to block funding for virus tests. trumppandemic6 Trump speaks at a campaign rally in Tulsa, Oklahoma, on June 20. Credit: Win McNamee/ Getty Images Two days after the Tulsa rally, an interviewer asked Trump whether he was putting lives at risk “by continuing to hold these indoor events.” Trump brushed off the question: “I’m not worried about it. No, not at all.” The next day, June 23, the president staged another largely mask-free rally, this time in a church in Arizona, where a statewide outbreak was underway. Days later, Secret Service agents and a speaker at the Arizona rally tested positive for the virus. On June 28, Trump urged people to attend another rally, this time featuring Pence, at a Dallas church where five choir and orchestra members had tested positive. In his interview with Wallace, which aired July 19, Trump conceded nothing. He called Fauci an alarmist and repeated that the virus would “disappear.” He excoriated governors for “not allowing me to have rallies” and accused them of keeping businesses closed to hurt him in the election. He claimed that “masks cause problems” and said people should feel free not to wear them. He threatened to defund schools unless they resumed in-class instruction. As to the rising number of infections, Trump scoffed that “many of those cases shouldn’t even be cases,” since they would “heal automatically.” By testing so many people, he groused, health care workers were “creating trouble for the fake news to come along and say, ‘Oh, we have more cases.’ ” “Many of those cases heal automatically. … We’re creating trouble for the fake news to come along and say, ‘Oh, we have more cases.’ ” — Trump, July 17 Since that interview, Trump has attacked and belittled his medical advisers. He lashed out at Birx for acknowledging the ongoing spread of the virus. He retweeted a false claim that Fauci was suppressing hydroxychloroquine “to perpetuate Covid deaths to hurt Trump.” When Fauci told Congress that infections had increased due to insufficient mitigation, Trump rebuked him and blamed the surge on increased testing. And when Dave Portnoy, a wealthy Trump supporter, complained that his stocks tanked every time Fauci called for mitigation, Trump assured Portnoy that the doctor’s pleas would go nowhere. “He’d like to see (the economy) closed up for a couple of years,” Trump said of Fauci. “But that’s OK, because I’m president. So I say, ‘I appreciate your opinion. Now somebody give me another opinion.’ ” It’s hard to believe a president could be this callous and corrupt. It’s hard to believe one person could get so many things wrong or do so much damage. But that’s what happened. Trump knew we weren’t ready for a pandemic, but he didn’t prepare. He knew China was hiding the extent of the crisis, but he joined in the cover-up. He knew the virus was spreading in the United States, but he said it was vanishing. He knew we wouldn’t find it without more tests, but he said we didn’t need them. He delayed mitigation. He derided masks. He tried to silence anyone who told the truth. And in the face of multiple warnings, he pushed the country back open, reigniting the spread of the disease. Now Trump asks us to reelect him. “We had the greatest economy in the history of the world,” he told Fox News on Wednesday. “Then we got hit with the plague from China.” But now, he promised, “We’re building it again.” In Trump’s story, the virus is a foreign intrusion, an unpleasant interlude, a stroke of bad luck. But when you stand back and look at the full extent of his role in the catastrophe, it’s amazing how lucky we were. For three years, we survived the most ruthless, reckless, dishonest president in American history. Then our luck ran out.
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Watch it now at the HEARSE THEATER lookinforaleader2020-lyrics
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trumpsthugsthreatenamerica TRUMP’S FEDERAL THUGS THREATEN AMERICA


No IDs. Wearing guns. Walking the streets with false patches saying “POLICE”, Trump’s camo wearing mercenaries break all of our laws. We must stop this president turned thug from killing innocent Americans for exercising their constitutional rights to peacefully protest. Trump is turning our cities into political examples claiming inept Democratic governments can’t do the job of maintaining peace, while he disrupts their efforts with heavy handed thuggery reminiscent of the world’s worst dictators. He must be stopped before he ruins America. Breaking our laws, his federal thugs roam the streets of America as he threatens us with more escalations of his violence and hate. Donald J. Trump is a weak man who cannot see what is happening in America. We are in the middle of monumental change. Black Lives Matter. Centuries of abuse of black people are being reversed. New laws protecting us from our police are coming. This will happen. We do need police. But we need them to be organized to protect us and working in their area of expertise. We don’t need them interfering in community issues where they have no training. Police unions who protect these thug police must go or be rebuilt from the ground up. Not all police are bad. Many are good. The system is broken and we are changing it. America is not going back. America is moving forward. If you can’t see that you should resign, Mr. President. You are not representing America. We cannot afford to wait 4 or 5 months. Too much damage is being done to this country as Trump’s Federal Thugs threaten our democracy - street by street - across America. He personally is ordering this campaign of violence. Donald J. Trump is ordering illegal thugs to our streets. Fox New’s most recent interview with President Trump by Chris Wallace makes it obvious he is a sick man who should not be running this country. Take a look at it. IMPEACH TRUMP NOW
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fireside-porchepisode-titleframe


Hi Folks - PORCH EPISODE Today we offer you a new episode of the ‘fireside sessions’. This one is for the times… So, join us out on the porch & If you’ve been watching our fireside sessions you know we regularly have a word from our sponsor - This time there’s an action you can take - Navajo Water Project / Dig Deep Water - In just 24 hours you can bring clean, hot & cold running water to a Navajo family. 30%+ of Navajo families still don’t have a tap or toilet in their homes. Give a family clean, running water & solar power. 100% of your donations go directly to Project Give Water To learn more, please go to https://www.navajowaterproject.org/ Thanks for listening, Peace, Love & Justice for All N&D
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Stand up for What You Believe


 
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THANK YOU SIR!


"We know that we are better than the abuse of executive authority that we witnessed in Lafayette Square. We must reject and hold accountable those in office who would make a mockery of our Constitution. At the same time, we must remember Lincoln's 'better angels,' and listen to them, as we work to unite. Only by adopting a new path — which means, in truth, returning to the original path of our founding ideals — will we again be a country admired and respected at home and abroad." Retired Marine General and Former Defense Secretary Jim Mattis
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POLICE REFORM MUST COME POLICE CRIME IS AN EVERYDAY THING IN AMERICA policereformmustcome


Make police forces represent the balance of color in the city they serve. We need more cops of color to maintain balance. White dominance has no place in the policing of America. When we elect a president who cares about the people, this must be the first thing that happens. ALL COLORS TOGETHER NY
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NYAaddedtoBluOS Neil Young Archives Added to BluOS Devices in Canada and the United States


from Residential Tech Today Lenbrook International, developer of the BluOS hi-res wireless premium distributed audio and music management platform, has announced the integration of the Neil Young Archives (NYA), the high-resolution, studio-quality streaming online archive of famed Canadian-born rock icon, Neil Young, into the BluOS platform. Effective immediately, Canada- and U.S.- based users of BluOS Enabled products from NAD Electronics, Bluesound, and DALI Loudspeakers, will be prompted to update their players for the unique opportunity to freely sample Neil Young Archives’ “Song of the Day” and “Album of the Week” in high-resolution, with a tap of a button in the BluOS Controller app. Existing subscribers of the Neil Young Archives can simply enter their credentials into the “Add Music” area of the BluOS app to access the service, and those who wish to become a subscriber will find a link to the sign-up page on NYA’s website. This integration is possible due to the addition of OraStream’s adaptive streaming protocol, utilizing the MPEG 4 SLS codec in BluOS, introduced late last year as part of BluOS’s goal to maintain its leadership in offering high-resolution music content options for its users. Music files are encoded and delivered in their native resolution, thereby retaining and preserving the nuances and details of the original source file. In 2018, Canadian-born Young launched his Neil Young Archives, an ambitious project that models a novel way for artists to distribute unique content to their fans without the damaging compression so prevalent in today’s mass market streaming music world. His website and app provide access to all of his audio, video, memorabilia, notes, lyrics, original manuscripts, and news. Meanwhile, Canada-based Lenbrook International was in the midst of growing its reach with a new and modern audiophile customer seeking a completely new performance standard and user experience supporting high-resolution 24/192 audio streaming, layered with multi-room music capabilities. Such an innovative solution had never before been made commercially available and the Bluesound brand, with its BluOS operating system, had been setting new standards and winning awards worldwide since its launch in 2012. This “Canadian connection” around high-resolution audio has been developing over a number of years, with Young even mentioning Lenbrook as an example of hardware manufacturers who remain dedicated to hi-res audio in his 2019 book co-written with Phil Baker, “To Feel the Music.” “Perhaps an under-appreciated point for those who want to experience hi-res audio is that it takes two elements working together to achieve the optimal outcome,” explains Gordon Simmonds, president and CEO of the Lenbrook Group of Companies. ”Hi-res audio is only possible when both the content is offered in hi-res and the audio equipment that music lovers use can decode that content in its highest quality. In this integration, we have put these two pieces together for the end consumer to enjoy, simply and elegantly.” Beyond just the technical integration of Young’s service with BluOS, the agreement also demonstrates how a content creator and a home audio equipment provider can collaborate and model an effective and simple solution for music lovers to access and enjoy a unique and fully high-resolution streaming experience. “It is important to me to be able to offer my life’s work to music lovers in its highest resolution. I want them to experience my music in the absolute best quality possible on their devices,” Young said. “Creating Neil Young Archives has enabled me to support and partner with established hi-res audio brands using BluOS to achieve great improvement over mainstream consumer devices and bring the true beauty of music to you.”
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Barnyard Edition barnyardedition come on down!


May 20, 2020 - 7am PST Fireside Sessions - Barnyard Edition was not scheduled for today, but it’s here anyway. … “Yer Welcome!”   See it at the Hearse Theater Screen 1  
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To all our loved ones who gave for us rogerandout-lyrics


 
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'Rust Bucket' CRAZY HORSE SERIES CONTINUES set # 1 ends RustBucketSeriesCinnamonGirl CINNAMON GIRL


It's a moment in history . . . New songs . . . all are solid. They are full on, with dynamics wanting a bit. First live performances of all ‘Ragged Glory’ songs. Solid versions with a lot of soul. Just letting off steam. Little release. Surfer Joe and Mo the Sleaze, Love to Burn, Music Arcade, Farmer John, Over and Over, Fuckin' up, Mansion on the Hill, Love and Only Love. First performances ever of most of those. Played in three sets at the Catalyst, a Santa Cruz club, this is something all Crazy Horse fans should feel and see. Produced and directed for Shakey Pictures and Upstream Multi-Media by L.A. Johnson. Set#1 Weed is great for music. If you want to forget where you are and everything in your life except for the music, weed is a gift of the Gods. But you have to be careful. it was hard to be careful back in the day when weed was illegal. There were no strains, no labels, hardly any way to know what you were gettin’ without just smoking it. Then you found out. (a)”this is shit” (b) “I can’t feel anything” all the way to (z) “I am way too high WTF was that?” With that in mind, setting the stage so to speak,… … .. Country Home came out of nowhere with the big groove. Billy, Ralph, Poncho, I was just playin’ for the fun of it. How long could I last? Why am i so stoned i can hardly move? “i didn’t like to go down to the flats. pretty soon it wears me out. Thankful for my country home.” What a guitar sound! Larry Cragg made my shit sound so good. I am still too high to be out here but we are playin’ good music . . . .Is this goin’ on too long. what verse? nice tone, good groove. I must be in music heaven. This may be too serious. Nice tone on the bottom pickup. “Only some one else’s potatoes, those old spud blues . . .” pretty high, tryin to sing. Who’s talkin’ on the PA? what the fuck?? We sound good. Let’s roll some more. My Country Home fer sure . . . . wow what a sound. Old black. . .thanks Larry for that sound. This is a rare horse right here. what an instrumental! “I’m thankful for my Country Home. leave my self behind” . . . .keep rollin’ Ralph . .those cymbals are great! Hey its over! loud crowd. wow. pretty high still. whats next? Mo the Sleaze. What a sound! There’s PONCHO singin’ in the background under the guitar intro wow nice groove “here’s a story ‘bout . . ..There’s somebody satisfied with winning. he’s almost even. come on down. we’re all goin’ come on down. plenty of women.” Horse is rockin' through the break a short instrumental I was ready for more who’s “Esther and her sister Camille?” What did i say? “get yer tickets . . . he’s weak in the knees. come on down were all goin come on down plenty of women Plenty of booze” Whoa here it is again. the horse is here !!!! wow man. i am so fuckin’ lucky. listen to that. who? “come on down were all goin” boom boom boom boom onward through it descending with what? whoa! this is the shit I must be here!! “thats the story of surfer joe he caught the big one but he let it go he’s somebody . . . .Come on down were all goin pleasure Cruz Plenty of women plenty of booze.” Crowd nuts! Great “how ya doin out there?” Big chord great sound . . . thanks Larry Cragg again. jammin’ w the horse. This is good . . “in the valley of hearts” starts w second veres “where you takin my kid? How did it come to this? you got love to burn take a chance on love . . . let yer guard down take a chance ON LOVE” Billy “ON LOVE!” Billy is rocking. . . here we go jammin’ again. What a groove what sounds. I love this! Poncho- so solid rhythm chords really matter! “Late one night i was walking spirit came to me . . . Move to start take the first step . . . crawl to be tall . . ..love to burn take a chance in love ON LOVE.” What a band holy shit. This is the Horse. Solo comin’ . . .here it is wild on fire . . . .octave divider. on and on . . .thanks god. who ever u are. We are doing it. Love the Horse. back to theme . . . .verse coming? “in the valley of hearts there’s a house full of broken windows” NO SHIT. “where you takin my kid? How How? “You got love to burn Let yer guard down. Take a chance ON LOVE.” This is the shit folks. jammin’ again here we go . . . . hey i saw a bald spot! I am getting old already. How long is this song? forever I hope. stop right there and keep going octave divider…”Late one night, the spirit came to me you gotta move. Take the first step. move to start crawl to be tall. somethin’ I’ll never forget…..love to burn take a chance let yer guard down!” Crowd screaming louder now “ON LOVE!” Fadin’? fadiin' away? fadin’ no . . .still rockin’ on . . . this is the Horse! Oh wow what the fuck is that sound? Still goin on. Holy shit again the horse..>>> back to the theme. crowd louder than us!! Last chord. . .we don’t stop it goes and goes on . . . ..Crash. Crowd !!!!!!! whistling screamin'. How ya doin santa cruz . . have a drink, G chord tuning. . . .Movin’ on heres a groove. pretty straight ahead “Don't rock the boat! ideas that once seemed so right now have gotten hard to say. There’s very few of us left from the days that used to be. . .Seems like a simple thing to follow one’s own dream. Possessions and concessions not what they seem. Never had to make those deals” . . .soloin’ on the changes….doin pretty good what a SOUND!!!!! ole black!!!! the best ever. Best sound ever!! “Talk to me my long last friend. happy? new car? 100,000 miles away from the days that used to be?” Very best version ever. This is so great . . . .magic shit with the horse. The Horse! Old Black soundin’ so good. “People say don’t rock the boat. they tell me don’t rock the boat.” That was a good one.! Best ever I think. Whats this???? “There’s a barhall queen bite the bullet.!! midnite black hair can’t wait ’til I get back. Born and raised at the top of the South. Good ole boys coming from miles around. Carolina Queen a walkin’ love machine. I like to make her scream when I bite the bullet” . . ..Soloin’ on . . .What a groove! “Carolina Queen . . .Bite the bullet”. Ralph singin’ so high and great ”A barhall queen! Carolina queen! Bite “…….>.Whoa . . Solo again rockin’ Horse go horse go Horse! This is the real shit folks , never been better. endin’ coming? “Bite the bullet” Go Ralphie! Crowd now gone nuts listen to the noise . who’s talking? Billy !! Santa Cruz.!!!! we been waiting to see you for a long time! We’ll be back soon. Meantime we’re here!!! Ralph counts it off Cinnamon Girl. “I can be happy the rest of my life a dreamer of pictures chasing e moonlight.” Big horse groove. Yes!!! “Ten silver saxes. drummer relaxes and waits between shows for his cinnamon girl”. Big groove . . . . . . . “Ma send me money now you see yer baby loves to dance yeah yeah yeah!!!” Big groove here we go! love it! Another bridge “I need another chance!!!! Yeah Yeah yeah!!! so good another one note solo .. . . ………Crash We’ll be back in a few minutes don’t go away! The album ‘Ragged Glory’ had just been recorded. The WELD tour was booked. The Horse was chompin’ at the bit. SET 1 Country Home Surfer Joe and Mo the Sleaze Love to Burn Days that Used to Be Bite the Bullet Cinnamon Girl (COMING NEXT FRIDAY!)
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‘TRY’ ny-homegrown-float NEW FROM HOMEGROWN


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somuchwinning gary ward


 
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KENT STATE ANNIVERSARY


50 years ago today . . . . Our love goes out to the families of those students slain so long ago in OHIO. We share your sorrow at this senseless loss. ny
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‘RUST BUCKET’ CRAZY HORSE WEEKLY SERIES CONTINUES! every Friday in Hearse Theater!


‘SURFER JOE AND MO THE SLEAZE’ UNRELEASED from Shakey Pictures . . . . . . ‘WAY DOWN IN THE RUST BUCKET’ Directed by LA Johnson and Bernard Shakey UNRELEASED set 1 song #2 THREE BIG SETS rolling your way, one song every week in the Hearse Theater. Breaking on the beach in front of you. This is one of our best and loosest jammin’ Crazy Horse shows ever recorded. And then at the end, a giant CORTEZ encore! Complete record and film coming to you soon from NYA and Reprise. Preview it here every Friday, one song at a time!’ RUST BUCKET complete film and double album will be released on Reprise and NYA later this year. See TIMELINE 2020 for the latest release dates.
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ROAD OF PLENTY


‘ROAD OF PLENTY’ is a song with a long history, finally morphing into ‘Eldorado’ on the album ‘Freedom’ back in 1990. I tried it out with Buffalo Springfield in 1986 and it was my fault we didn’t get together at that time and have a reunion. tour and album. I don’t even know why. It was my own fault. I should have done it. Apparently I was distracted by other things at the time. Life was moving fast, perhaps a bit too fast for me to see<><>()<><> roadofplenty2 ‘Road of Plenty’ lived on with Crazy Horse on the road in a 1986 tour. We have a monster take of it! With the VOLUME DEALERS working again, Niko Bolas has mixed a real masterpiece! How this song escaped is hard for me to believe. . . . There is a ROAD OF PLENTY album coming in 2021 and it includes that magical night in Minneapolis where the Horse nailed the song. Also included are unreleased rarities from that period, including a 17 minute studio version of ’60-0’ with the Bluenotes and the original studio take of ‘Fuckin Up’ - recorded at the Hit Factory in NYC with Poncho, Charley Drayton (bass) and Steve Jordan (drums), the unbelievable band that played with me on Saturday Night Live when we did ‘Rockin in the Free World’ and ‘No More.’ roadofplenty3 During the rehearsals for that SNL show, we recorded some amazing music at the Hit Factory in NYC, all of which is in ROAD OF PLENTY. Moving around a lot during that time, I was restless and it shows in this music. Niko and I (THE VOLUME DEALERS) have been working on this project now for a while and I think it will be a highlight of 2021. . . . ROAD OF PLENTY, another album to look forward to here at the Archives! Hang in there folks, we will get through this all together if we are meant to. Life will never be the same and that’s not all bad. Look at what we will have . . . Love one another and be true to our beautiful EARTH. The future is ours to save. love! be well, ny
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COME ON USA!!!!!   ANOTHER GOOD REASON FOR TESTING!


NYA thanks Annette Pacheco  
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BLAME WHO?   Criticized for Pandemic Response, Who Tries Shifting
Blame to the W.H.O.?
  The president said he would halt funding for the organization because it
caused “so much death” in the way it “pushed Chinese misinformation,” though
he himself effusively praised China’s handling of the virus.


President Trump during the coronavirus task force briefing on Tuesday at the White House. Photo: Doug Mills /The New York Times
By Michael D. Shear and Donald G. McNeil Jr., The New York Times WASHINGTON — For weeks, President Trump has faced relentless criticism for having overseen a slow and ineffective response to the coronavirus pandemic, failing to quickly embrace public health measures that could have prevented the disease from spreading. Recent polls show that more Americans disapprove of Mr. Trump’s handling of the virus than approve. So on Tuesday, the president tried to shift the blame elsewhere, ordering his administration to halt funding for the World Health Organization and claiming the organization made a series of devastating mistakes as it sought to battle the virus. He said his administration would conduct a review into whether the W.H.O. was responsible for “severely mismanaging and covering up” the spread. “So much death has been caused by their mistakes,” the president told reporters during a White House briefing. In effect, Mr. Trump was accusing the world’s leading health organization of making all of the mistakes that he has made since the virus first emerged in China and then spread rapidly. As of Tuesday, there had been about two million cases of the virus worldwide, and nearly 125,000 deaths. In the United States, there have been over 600,000 cases and 25,000 deaths from the virus. The attack on the W.H.O., which was founded after World War II as part of the United Nations “to promote and protect the health of all peoples,” was the latest example of the president’s attempt to shift the blame throughout the crisis. Over the past several months, Mr. Trump has repeatedly accused the news media, governors, Democratic members of Congress and former President Barack Obama of being responsible for the number of cases overwhelming the nation’s hospitals. Asked directly in mid-March whether he was to blame for the lack of testing capacity in the country, Mr. Trump said, “I don’t take responsibility at all.” The basis for the president’s anger at the W.H.O. was his contention that it was too quick to believe information about the virus coming from the Chinese government at a time when it should have been more critical. He said the W.H.O. “willingly took China’s assurances to face value” and “pushed China’s misinformation.” But it was Mr. Trump himself who went out of his way to publicly and repeatedly praise the Chinese government for its handling of the virus at a time at the beginning of the year that his administration was negotiating a trade deal with China. On Jan. 24, about a month after the virus was discovered there, Mr. Trump tweeted: “China has been working very hard to contain the Coronavirus. The United States greatly appreciates their efforts and transparency.” In a contentious back-and-forth with reporters on Tuesday after his announcement in the Rose Garden, the president refused to answer for that inconsistency, saying that he “would love to have a good relationship with China” even as he asked why “am I the only leader who closed my borders against China?” Pressed on why he is taking action now, Mr. Trump insisted that the W.H.O. is very “China-centric” without explaining what that meant or why that would have caused vast numbers of people to succumb to the coronavirus. In a statement issued Tuesday night, António Guterres, the secretary general of the United Nations, defended the W.H.O., saying it “must be supported, as it is absolutely critical to the world’s efforts to win the war against Covid-19.” Mr. Guterres said that “it is possible that the same facts have had different readings by different entities,” but he insisted that the middle of a pandemic was not the time to resolve those differences. “It is also not the time to reduce the resources for the operations of the World Health Organization or any other humanitarian organization in the fight against the virus,” he said. The biennial budget for the W.H.O. is about $6 billion, which comes from member countries around the world. In 2019, the last year for which figures were available, the United States contributed about $553 million. According to Mr. Trump, the W.H.O. “fought” the United States after he ordered limits on flights from China on Jan. 31. He was apparently referring to a decision by W.H.O. officials to issue a statement saying that “restricting the movement of people and goods during public health emergencies is ineffective in most situations and may divert resources from other interventions.” The W.H.O. did not criticize the United States, which was not the only country imposing travel restrictions. But it has historically opposed border closings or travel bans during disease outbreaks, on the ground that they never stop transmissible diseases and cause panic and widespread economic damage. The coronavirus has tested those assumptions in wealthier countries, and many experts agree that a ban on travel to the United States first from China and then from Europe may have bought precious and limited time to prepare. But critics say the White House wasted that time, and Mr. Trump has seized on an opportunity to deflect blame to the W.H.O. The question of whether the W.H.O. was not aggressive enough in recommending action against the virus has been raised in other countries. Some governments have noted that the organization’s leadership did not challenge China’s assertion in mid-January that there was not human-to-human transmission of the coronavirus. But the W.H.O. did issue urgent advisories throughout January about the potential dangers from the virus and announced that it constituted a “public health emergency of international concern” a day before the Trump administration made a similar declaration. From Jan. 22 on, Tedros Adhanom Ghebreyesus, the W.H.O. director general, held almost daily news briefings to warn the world that the virus was spreading and that countries should do everything they could to stop it. Every day he repeated a mantra: “We have a window of opportunity to stop this virus. But that window is rapidly closing.” Mr. Trump’s contention that the W.H.O. was too cozy with China may be the result of the praise it had for the aggressive way that the Chinese sought to contain the virus, using tactics that were sometimes brutal, including people being dragged from their apartments into hospital isolation when they resisted leaving and welding families into their apartments when they broke quarantine rules. Beijing ultimately sent 40,000 medical personnel from all over China into Wuhan, built two hospitals, trained 9,000 contact-tracers and began tracking down, testing and isolating not only everyone with the virus but everyone with a fever. Brutal as they were, China’s tactics ultimately worked. By March 18, China was able to report zero new cases in the country, and some cities were allowed to reopen in March. Public health experts have called what China did — stopping a new, highly transmissible pandemic disease in its tracks — an unparalleled success. As a result, Mr. Trump’s accusation that inaction by the W.H.O. caused more deaths from the virus stands in contrast to its record of embracing China’s swift crackdown. The president’s broadside against the world’s premier health organization also ran counter to his own assessment of the organization as recently as six weeks ago. In late February — before some of the harshest criticism of Mr. Trump’s inaction — the president heaped praise on the W.H.O., saying the organization had been working closely with the Centers for Disease Control and Prevention in the United States. “The Coronavirus is very much under control in the USA,” he tweeted. “We are in contact with everyone and all relevant countries. CDC & World Health have been working hard and very smart. Stock Market starting to look very good to me!” Founded in 1948, the W.H.O. has its headquarters in Geneva, but it has 7,000 workers in 150 offices worldwide. During public health emergencies, it seeks to identify threats and mitigate risks, support the development of health tools during outbreaks and “support the delivery of essential health services in fragile settings,” according to its website. In the early days of the virus, Beijing ignored requests by the W.H.O. to send observers to China, but in early February, it did let in an international team that included two Americans, one from the C.D.C. and one from the National Institutes of Health. Although the Trump administration has claimed that Chinese scientists have refused to share data, most American scientists do not agree. They note that a Chinese laboratory posted the genetic sequence of the virus in early January, making it possible for laboratories across the world to start working on diagnostic tests. Since then, Chinese scientists have published dozens of data-filled papers. Mr. Trump said Tuesday that the United States would evaluate what to do with the money that currently is sent to the W.H.O., adding, “Maybe W.H.O. will reform and maybe they won’t.”
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SHUT IT DOWN 2020 WORLD PREMIERE VIDEO AT NYA


A new Version of the song ‘Shut it Down’ has been made as a document of Earth’s reaction to 2020’s historic pandemic. NYA neilyoungarchives.com premiered it here first - at 9 AM PST April 9.
  • In a selfless effort, people around the world are behaving as if they each have the virus.
  • To stop human to the human to human spread, people are staying at home.
  • To protect their fellow man from the virus’ toxic spread, people are wearing masks when they have to venture out in public to buy food or medical supplies.
Never before in human history has our planet come together in this way, utilizing modern communications to ensure everyone understands that responsibility to our fellow man and the continuing life of Humanity depends on each persons actions. Only selfless human behavior can stop the spread of the deadly Coronavirus at this point. Ignore the actions of world leaders who are too vain to wear masks. They are not leading. Putting your own vanity away for the good of your fellow man, wear a mask in public to stop the spread. You may have the disease and not know it. There are still no meaningful amounts of testing in many countries. Sometimes there are no symptoms. You must act as if you have the virus. You could have it. Stop the Spread. Break the Chain. love, be well. ny Please note that Crazy Horse was filmed performing ‘Shut it Down’ in 2019 for the album COLORADO, before social distancing requirements went into effect.
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wefellasleepinoneworld


 
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A MESSAGE FROM NEIL VIEWPOINT-a-message-from-NEIL-1408 photo: Michael Miller


Hi and Welcome! We are having more and more visitors every day. Online is a SAFE place where we can all be together during these times. It’s good that we have this opportunity to share the archives with you. There are always a lot of new things happening here, from the Fireside Sessions that my wife Daryl shoots and edits, to premieres of videos and movies you have never seen anywhere before. Check out the Hearse Theater Schedule. Pages 1 and 4 of your NYA Times Contrarian newspaper for info. When you see a Sneak Preview, you can be sure it is not available anywhere else and is unreleased. That’s very exciting to us, sharing these things with you. They are only up for a short time so check them out when they are up. They disappear. For a limited time when we have so many new folks dropping in, we have made the site free. It comes and goes that way, depending on whether we have a new session. Right now it’s free so we invite you to explore! Maybe even subscribe for under twenty bucks a year. Only our subscribers are going to be offered new DVDs of the sessions as time passes, as well as other things, so you can take those anywhere you like and enjoy regardless of bandwidth, or just give them as gifts. Check out the TIMELINE and Cabinet. Any song you are playing from an infocard will reveal itself when you go to those places, giving you more info and perspective on what you are hearing. Each song has an info-card with everything right there fort hat song and its album. Future releases are also on the TIMELINE, so look at 2020. searchkeyhole Search is the keyhole on the upper right. Direct access. I answer your letters personally and we print them in the paper weekly. That’s a lot of fun for me and it keeps me busy! This is your place if you like my music. NYA was built for you. Please tell anyone you know who enjoys my music. We are here for you with the best sound on the internet. if you hook up your computer or device to your sound system through a DAC (or not) the site will sound amazing. With the DAC (digital to analog converter) it’s is the best high resolution anywhere. We are only here as long as we’re here, so it might as well be the best it can be. You deserve that from me for all you have done for my music over the years. We can wait this out together. I will do my best to keep it interesting for you with music, movies, stories and news. Love, Be Well! Neil and the Archives people, our great team!
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STAY AT HOME


That’s the order that should have come from the White House, but it is not coming. Kids returning from a Spring Break that never should have happened will have an unwelcome visitor with them - The Virus. It will spread around America as the kids return home. This could have been avoided with real leadership in the White house. Thousands of lives will be lost because of this inept handling of the virus by the president. People don’t want to admit it, but because of leadership’s continuing uncaring behavior, America may become the country most affected by the virus. Just sit back inside your home and watch. America #1. Thank God that Trump and Pence, with zero symptoms, have been tested. Another great example of leadership. ny
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Fireside Sessions -how our series started


When we first tried to live stream Fireside Sessions a few days ago, we died on the vine. We had no way to get to you because our signal was too shaky. That’s why we are making Fireside Session films, so we can get them to you with no interruptions direct from high in the Rockies. We have already started the second one. Thanks for everything you have done for us over the years! peace & love, n+d
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AN HISTORIC FAILURE FEDERAL PREPAREDNESS IN AIRPORTS


Photo: Austin Boschen via AP
US Administration Botches Arrival Protocol It appears that the administration didn’t think about it. For passengers ordered to return in a TV speech, theses returning citizens’ arrival was a textbook case of unpreparedness and unnecessary health danger on the part of the United States of America.. Arriving passengers were forced to stand in line too close together, with no masks or sanitary wipes, for hours. There just appeared to be no plan. That’s just the way it is. These are facts, not an attack on the president. We do not enjoy writing this about our president. I want him to rise to the occasion. With all the time they had to prepare, there was no plan in place. This could be the most un-together handling of an emergency situation in this nation’s history. ny
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THE BALANCE OF NATURE


A map shows the sharp decline in emissions over China between early January and late February as parts of the country went on lockdown in an attempt to contain the COVID-19 coronavirus. (Image: © NASA Earth Observatory)
Dramatic effect of coronavirus lockdowns seen from space By Rafi Letzter - Staff Writer The air above China cleaned up faster than ever before in living memory. The new coronavirus' impact on China is so stark that it can be seen from space — as a dramatic drop in air pollution, according to data from U.S. and European satellites. Orbital instruments designed to monitor air quality picked up a substantial drop in concentration of nitrogen dioxide (NO2) pollution since January. NO2 is a harmful substance emitted by gas vehicles, power plants and other machines that burn fossil fuels. The decline is likely related to an economic slowdown and travel restrictions in China since the virus became widespread, according to a statement from NASA Earth Observatory. "This is the first time I have seen such a dramatic drop-off over such a wide area for a specific event," Fei Liu, an air quality researcher at NASA’s Goddard Space Flight Center, said in the statement. NYA Thanks Live Science Contribute to Live Science
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A MESSAGE FROM NEIL VIEWPOINT-a-message-from-NEIL-1408 photo: Michael Miller


These are uncertain times. I wish you all the best as you care for our sick, the young and old who we love so much. We find ourselves looking at this uncertain world, with our Crazy Horse Barn Tour booked and ready to announce the first leg, The idea of announcing the tour and putting tickets on sale is questionable and needs to be thought through. Many of our music loving fans have been waiting for almost 10 years for us to break it out and hit the road. We are all super ready to go, and the last thing we want to do is put people at risk, especially our older audience. No one wants to become sick in this pandemic. So here we are together, watching to see how it goes, how long it will last, and how many more of our planet’s people and animals will be affected. We are learning now that it may have started with humans treating animals in inhumane ways In a Chinese city market. If that is the case, we may learn something more. Treat other living things as you would like to be treated. We aren’t as sure as we need to be yet. There is so much we don’t know. Sending best wishes to all of the health care and government workers in all of the world, to all the scientists who will learn and share with us the best ways to ensure survival in our world challenged. Let’s all work together and stay positive that we will find a way. With love to all, in all walks of life, all political persuasions, all colors. We will succeed working together for the good of our world as we are here together, hanging in the Balance of Nature. ny
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Chompin’ at the Bit!


CRAZY HORSE BARN TOUR excites fans and band. Thanks everyone for writing so many letters in about all the different great venues around the world. I love this idea! When I first realized I just didn’t want to play the new venues because it felt like someone else’s job, I thought I was done. Interest lost. One morning I woke up thinkin’ about the old venues, and instantly wanted to play again. Then I could just keep on playin’ like Bob and Willie, even with Bob and Willie! It was like a great weight had been lifted from my soul. Now I look forward to every show and can see my bus and the other buses all lined up near these classic buildings where so many greats have performed, spilling their souls out over the years! We are all excited and the Horse is chompin’ at the bit. Soon we will be out there and stay out there until we are done. It will be like a homecoming everywhere we go. Finally, a way to play that doesn’t feel like a commercial sell out. I hope we see you there! We are going to book this and if we have to cancel for health safety reasons, we will re-book and be there as soon as we can. We want everyone to be safe and healthy. Thank you all so much for writing and sharing your thoughts of venues everywhere and your enthusiasm for the idea. It seems we struck a nerve! neil
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THE BALANCE OF NATURE Terrifying Times Around The Planet.


Least importantly, the Crazy Horse Barn Tour may have to wait while we figure out the impact Coronavirus will have on our crowds of music lovers. At least we can post-pone that event. That’s not the case for the impact on the USA, our ill-prepared country with its Center for Disease control all fired in 2018 by our president because they were appointed by OBAMA, and never replaced. If those good responsible people were still on the job today, then experienced people would have been advising us for weeks. We would know what to do. Just looking at the TRUMP administration’s response is enough to scare the hell out of intelligent people here in the US. Thinking about our children and their safety is on every parent’s mind. As the Climate Crisis goes unabated by our scientifically blind administration, whose response to the stock market collapse is more focused than the a response to the health of Planet Earth and US citizens, we watch and hope that somehow we can get rid of this inept government. If we get to the election, do we have strong candidates who have never wavered? There is only one. He wants to take this all on head to head - face to face. Targeting the problems we face directly. His name is Bernie Sanders. That’s just one man’s opinion, mine. I hope you take a good long look at it. ny
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CRAZY HORSE BARN TOUR


BUFFALO MEMORIAL BEFORE DEMOLITION
We have been looking at booking the Crazy Horse BARN tour. Many of the old places we used to play are gone now, replaced by new coliseums we have to book year in advance and we don’t want to go to anyway. That’s not the way we like to play. It sounds way to much like a real job if you have to book it and wait a year, so we have decided to play the old arenas - not the new sports facilities put up by corporations for their sports teams. Largely soulless, these new buildings cost a fortune to play in. We wanted to play in a couple of months because we feel like it. To us it’s not a regular job. We don’t like the new rules. So we asked for the old arenas where we used to play, and we learned this: DEMOLISHED ARENAS BOSTON GARDEN SPECTRUM - PHILADELPHIA COLISEUM - SEATTLE MCNICHOLS ARENA - DENVER CAPITOL CENTER - WASHINGTON DC OMNI - ATLANTA MIAMI ARENA / SPORTATORIUM REUNION ARENA - DALLAS THE SUMMIT - HOUSTON JOE LEWIS ARENA - DETROIT COBO HALL - DETROIT OLYMPIA - DETROIT MAPLE LEAF GARDENS - TORONTO FORUM - MONTREAL CIVIC CENTER - OTTAWA MET CENTER - ST PAUL / MINNEAPOLIS CHICAGO STADIUM ARENA WINNIPEG ARENA NEW HAVEN COLISEUM MONCTON COLISEUM SALT PALACE — SALT LAKE CITY HEMISFAIR ARENA - SAN ANTONIO MYRIAD - OKLAHOMA CITY KILE AUDITORIUM - ST LOUIS CIVIC ARENA - PITTSBURG RICHFIELD COLISEUM - CLEVELAND CLEVELAND ARENA HARA ARENA - DAYTON TARRANT COUNTY COLISEUM - FT WORTH BUFFALO MEMORIAL AUDITORIUM ARENAS STILL EXISTING PNE COLISEUM - VANCOUVER PORTLAND COLISEUM OAKLAND COLISEUM COW PALACE - SAN FRANCISCO CIVIC CENTER - SAN FRANCISCO FORUM - LOS ANGELES LONG BEACH ARENA MSG - NEW YORK NASSAU COLISEUM - NEW YORK CIVIC CENTER - BALTIMORE PATRIOT CENTER - BALTIMORE ETESS / BOARDWALK - ATLANTIC CITY CUMBERAND COUNTY - PORTLAND ME. CIVIC CENTER - HARTFORD RIVERFRONT COLISEUM - CINCINNATI MECCA ARENA - MILWAUKEE DANE COUNTY COLISEUM - MADISON WI CHICAGO ARENA CENTRUM - WORCESTER METRO CENTER - HALIFAX FRANK ERWIN CENTER - AUSTIN COPPS COLISEUM - HAMILTON CNE COLISEUM - TORONTO FAIR PARK COLISEUM - DALLAS SAM HOUSTON COLISEUM - HOUSTON VETERAMS COLISEUM - PHOENIX STATE FAIR COLISEUM - DETROIT ARMORY (RENOVATED) - MINNEAPOLIS PROVIDENCE CIVIC CENTER ROCHESTER WAR MEMORIAL NASHVILLE MUNICIPAL AUDITORIUM If you are looking for us on our Crazy Horse Barn Tour, we will hopefully be in one of the existing arenas. Hope to see you there. News coming pretty soon! nych
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SOUL EVEN RICHARD NIXON HAD IT A PERFORMANCE FOR 45.


45 IS A BASS PLAYER who used to come to my shows. He was in the audience and it was always great to see him there with the people. He visited at the Casino in Jersey. Music knows no boundaries. No one can take that away from us unless we forget who we are.
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viewpoint-openlettertotrump-page1 CHILDREN OF DESTINY


An Open Letter to Donald J Trump
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LIGHT UP THE BLUES Stephen and Kristen Stills announce # 6


It’s always a pleasure to play this great show with my old friends! This is one way we try to take care of our folks with special needs, many of whom excel at their specialties and are in a class by themselves. This is for the parents, the children, for the whole family! Join us! Celebrate! The music will surely be amazing! ny
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BING CROSBY INNOVATOR We know Bing Crosby is one of the world’s greatest musical artists, but I was not aware of his early work to capture the sound of music. -ny


Crosby influenced the development of the postwar recording industry. After seeing a demonstration of a German broadcast quality reel-to-reel tape recorder brought to America by John T. Mullin, he invested $50,000 in a California electronics company called Ampex to build copies. He then convinced ABC to allow him to tape his shows. He became the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. Through the medium of recording, he constructed his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) used in motion picture production, a practice that became an industry standard. In addition to his work with early audio tape recording, he helped to finance the development of videotape and bought television stations Role in early tape recording During the Golden Age of Radio, performers had to create their shows live, sometimes even redoing the program a second time for the west coast time zone. Crosby had to do two live radio shows on the same day, three hours apart, for the East and West Coasts. Crosby's radio career took a significant turn in 1945, when he clashed with NBC over his insistence that he be allowed to pre-record his radio shows. (The live production of radio shows was also reinforced by the musicians' union and ASCAP, which wanted to ensure continued work for their members.) In On the Air: The Encyclopedia of Old-Time Radio, John Dunning wrote about German engineers having developed a tape recorder with a near-professional broadcast quality standard: (Crosby) saw an enormous advantage in prerecording his radio shows. The scheduling could now be done at the star's convenience. He could do four shows a week, if he chose, and then take a month off. But the networks and sponsors were adamantly opposed. The public wouldn't stand for 'canned' radio, the networks argued. There was something magic for listeners in the fact that what they were hearing was being performed and heard everywhere, at that precise instant. Some of the best moments in comedy came when a line was blown and the star had to rely on wit to rescue a bad situation. Fred Allen, Jack Benny, Phil Harris, and also Crosby were masters at this, and the networks weren't about to give it up easily. Crosby's insistence eventually factored into the further development of magnetic tape sound recording and the radio industry's widespread adoption of it. He used his clout, both professional and financial, for innovations in audio. But NBC and CBS refused to broadcast prerecorded radio programs. Crosby left the network and remained off the air for seven months, creating a legal battle with his sponsor Kraft that was settled out of court. He returned to broadcasting for the last 13 weeks of the 1945–1946 season. The Mutual network, on the other hand, pre-recorded some of its programs as early as 1938 for The Shadow with Orson Welles. ABC was formed from the sale of the NBC Blue Network in 1943 after a federal antitrust suit and was willing to join Mutual in breaking the tradition. ABC offered Crosby $30,000 per week to produce a recorded show every Wednesday that would be sponsored by Philco. He would get an additional $40,000 from 400 independent stations for the rights to broadcast the 30-minute show, which was sent to them every Monday on three 16-inch (40-cm) lacquer discs that played ten minutes per side at 33 With Perry Como and Arthur Godfrey in 1950 Crosby wanted to change to recorded production for several reasons. The legend that has been most often told is that it would give him more time for golf. He did record his first Philco Radio Time program in August 1947 so he could enter the Jasper National Park Invitational Golf Tournament in September when the radio season was to start. But golf was not the most important reason. He wanted better quality recording, the ability to eliminate mistakes and the need to perform a second live show for the West Coast, and to control the timing of his performances. Because Bing Crosby Enterprises produced the show, he could purchase the best audio equipment and arrange the microphones his way; microphone placement had been debated in studios since the beginning of the electrical era. He would no longer have to wear the toupee that CBS and NBC required for his live audience shows—he preferred a hat. He could also record short promotions for his latest investment, the world's first frozen orange juice, sold under the brand name Minute Maid. This investment allowed him to make more money by finding a loophole where the IRS couldn't tax him at a 77% rate. Murdo MacKenzie of Bing Crosby Enterprises had seen a demonstration of the German Magnetophon in June 1947—the same device that Jack Mullin had brought back from Radio Frankfurt with 50 reels of tape, at the end of the war. It was one of the magnetic tape recorders that BASF and AEG had built in Germany starting in 1935. The 6.5mm ferric-oxide-coated tape could record 20 minutes per reel of high-quality sound. Alexander M. Poniatoff ordered Ampex, which he founded in 1944, to manufacture an improved version of the Magnetophone. Crosby hired Mullin to start recording his Philco Radio Time show on his German-made machine in August 1947 using the same 50 reels of I.G. Farben magnetic tape that Mullin had found at a radio station at Bad Nauheim near Frankfurt while working for the U.S. Army Signal Corps. The advantage was editing. As Crosby wrote in his autobiography: By using tape, I could do a thirty-five or forty-minute show, then edit it down to the twenty-six or twenty-seven minutes the program ran. In that way, we could take out jokes, gags, or situations that didn't play well and finish with only the prime meat of the show; the solid stuff that played big. We could also take out the songs that didn't sound good. It gave us a chance to first try a recording of the songs in the afternoon without an audience, then another one in front of a studio audience. We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product. If I made a mistake in singing a song or in the script, I could have some fun with it, then retain any of the fun that sounded amusing. Mullin's 1976 memoir of these early days of experimental recording agrees with Crosby's account: In the evening, Crosby did the whole show before an audience. If he muffed a song then, the audience loved it—thought it was very funny—but we would have to take out the show version and put in one of the rehearsal takes. Sometimes, if Crosby was having fun with a song and not really working at it, we had to make it up out of two or three parts. This ad lib way of working is commonplace in the recording studios today, but it was all new to us. Crosby invested US$50,000 in Ampex with the intent to produce more machines. In 1948, the second season of Philco shows was recorded with the Ampex Model 200A and Scotch 111 tape from 3M. Mullin explained how one new broadcasting technique was invented on the Crosby show with these machines: One time Bob Burns, the hillbilly comic, was on the show, and he threw in a few of his folksy farm stories, which of course were not in Bill Morrow's script. Today they wouldn't seem very off-color, but things were different on radio then. They got enormous laughs, which just went on and on. We couldn't use the jokes, but Bill asked us to save the laughs. A couple of weeks later he had a show that wasn't very funny, and he insisted that we put in the salvaged laughs. Thus the laugh-track was born. Crosby started the tape recorder revolution in America. In his 1950 film Mr. Music, he is seen singing into an Ampex tape recorder that reproduced his voice better than anything else. Also quick to adopt tape recording was his friend Bob Hope. He gave one of the first Ampex Model 300 recorders to his friend, guitarist Les Paul, which led to Paul's invention of multitrack recording. His organization, the Crosby Research Foundation, held tape recording patents and developed equipment and recording techniques such as the laugh track that are still in use today. With Frank Sinatra, Crosby was of the principal backers for the United Western Recorders studio complex in Los Angeles. Videotape development Mullin continued to work for Crosby to develop a videotape recorder (VTR). Television production was mostly live television in its early years, but Crosby wanted the same ability to record that he had achieved in radio. The Fireside Theater (1950) sponsored by Procter & Gamble, was his first television production. Mullin had not yet succeeded with videotape, so Crosby filmed the series of 26-minute shows at the Hal Roach Studios, and the "telefilms" were syndicated to individual television stations. Crosby continued to finance the development of videotape. Bing Crosby Enterprises gave the world's first demonstration of videotape recording in Los Angeles on November 11, 1951. Developed by John T. Mullin and Wayne R. Johnson since 1950, the device aired what were described as "blurred and indistinct" images, using a modified Ampex 200 tape recorder and standard quarter-inch (6.3 mm) audio tape moving at 360 inches (9.1 m) per second. NYA thanks Wikipedia
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RETURN TO GREENDALE Balboa Theater San Francisco Jan 28 2020


We got up early and jumped on the bus for a trip to San Francisco’s special screening of RETURN TO GREENDALE, our just completed live performance film of Greendale from 2003. All the folks from the Bay Area who we could find were there, Larry Cragg (GRANDPA, guitar and amp tech), Mazzeo (EARL GREEN, art and set design), The Mountainettes - Sue Hall, Nancy Hall, Twink Brewer, (PORCH LADIES) Tim and Erin Foster, (CHIEF OF POLICE and ANNE) Eric Markgard, (EARTH BROWN), Betsy Lewis, (GALLERY OPENING ART PATRON), Twink Brewer (GRANDMA), Nancy Hall (THE WIDOW) and about 50 more people (including THE IMITATORS!) who were either in the cast or worked on the production. It was an amazing experience to all be there together again! We had already screened once in LA for cast members Eric Johnson (Jed Green, the Devil), and we will be having more special screenings to celebrate the completion of this project. Then RETURN TO GREENDALE will be released for everyone to see. Some of the folks in the play were no longer with us, but they were still right there in RETURN TO GREENDALE! Pegi Young (EDITH GREEN. PORCH LADY), Ben Keith (GRANDPA), Lou Grappe, (THE ARTIST), Larry Johnson, (CHIEF OF POLICE, camera operator, producer). I think the film of our stage production played extremely well and all the folks there loved it! Of course, we were all in it!! Sarah White, (SUN GREEN) could not be located to invite. BILLY TALBOT (CRAZY HORSE), and his wife Karin (ANNE’S FRIEND) were in attendance. CRAZY HORSE played the RETURN TO GREENDALE beat that we all rode on for an over an hour and a half! That awesome performance by the band will soon (2020) be a REPRISE Record! leavinggreendale2 Sun Green and Greta Thunberg seemed to meet in RETURN TO GREENDALE each one resonating in today’s world, our world. Read Bentley's Bandstand for more.
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I'm Happy To Report I'm In!! ImHappyToReportImIn 🇺🇸vote your conscience🇨🇦


 
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FROM FORTUNE


How Neil Young’s Eccentric Online Home Was Born

Legendary singer-songwriter Neil Young's online project, the Neil Young Archives, started out as a physical release series in 1989 before launching as a free website in 2017 and then switching to a subscription service in 2019. Photo: dhlovelife
By Morgan Enos Neil Young mostly recorded his first masterpiece, 1970’s After the Gold Rush, in his Topanga Canyon basement, and nearly 50 years later, his monument to his life is being honed in a garage office in Pasadena. This quirky project, the Neil Young Archives, cost “well over a million dollars” out of pocket, his late manager, Elliot Roberts, estimated last year. Earthy and tactile yet slightly surreal, it looks like an early computer game à la Myst. Most importantly—as Young is fond of saying—it “sounds like God.” “Some people get right into it and others find it a little challenging the first couple of times,” Young’s technology assistant, Phil Baker, admits to Fortune. “But it’s all Neil. It’s his vision.” (Young was not available to comment for this piece.) The archives began as a physical release series in 1989 and launched as a free website in 2017, before pivoting to a subscription service in 2019. The site contains Young’s entire catalog—from his 1963 single as part of the Squires, “Aurora,” to his 2019 album with Crazy Horse, Colorado—in the highest bit rate your system can handle. Soon, Young promises, his long-shelved 1975 album Homegrown will be revealed. “I should have shared it. It’s actually beautiful,” he said about Homegrown in a post last month. Like everything else on NYA, Homegrown will be streamable in the highest audio resolution your system can handle. This has been a long time coming—decades, even. In their 2019 memoir To Feel the Music, Young and Baker tell the story of how they’ve been trying to save high-resolution audio for years. “High resolution = fine screen,” Young writes in the book. “Low resolution = chicken wire.” The seeds were planted in 1989 The first Neil Young Archives release was a truncated 1970 show with Crazy Horse, 2006’s Live at the Fillmore East. Three years later, a much more expansive boxed set arrived: Archives, Vol. 1 (1963–1972), 10 Blu-rays, a DVD, and a CD that had been 20 years in the making. Even Young found Archives, Vol. 1 cumbersome. “Those who got it went, ‘Holy shit, what is this thing? This is insane,’” he wrote in To Feel the Music. (At press time, a factory-sealed copy is hanging out on eBay for $995.95.) Since then, Young has steadily put out Archives releases physically (the last few 1970s-era live albums: 2018’s Roxy: Tonight’s the Night Live and Songs for Judy, and 2019’s Tuscaloosa.) But he’s always been unhappy with the limited audio quality of CDs, MP3s, and Spotify. Seven years ago, he tried to fix the problem himself. The rise and fall of Pono In 2012, Young told his label, Warner Music Group, that he wanted to create a high-resolution music player and download service, using a DAC (digital-to-analog converter) system to restore the luster of good vinyl. Despite preferring high-resolution music on his own time, Steve Jobs wouldn’t integrate it into Apple devices, citing a lack of demand. Young felt this was harmful to music and began publicly calling the audio “compromised.” “You’ve got to believe that if he’d lived long enough, he’d do what I’m trying to do,” Young said soon after Jobs’ death. (In life, Jobs was furious about Young’s anti-Apple crusade: “Fuck Neil Young, and fuck his records.”) Young wanted his music player to support 24-bit, 192 kHz files, which is leaps and bounds beyond CD quality (16-bit, 44.1 kHz)—and to some naysayers, too high quality, surpassing what the ear is capable of hearing. But as Baker lays out in To Feel the Music, the pair have basic scientific truth on their side—by its nature, an analog master contains more information than a lossy digital file. To get his idea off the ground, Young recruited entrepreneur Mark Goldstein, software engineer Jason Rubenstein, and industrial designer Mike Nuttall. He also called up Baker, a veteran hardware developer who worked for everyone from Atari to Polaroid, designed gadgets like Apple’s PowerBook 1400 and the Stowaway folding keyboard, and wrote From Concept to Consumer, a 2008 book on how to develop products and bring them to market. “It seemed quite interesting to me,” Baker wrote in To Feel the Music. “Of course, anything would seem interesting when it might involve working with Neil Young.” fromfortune2 Young's quest to preserve high resolution audio included music player Pono. Photo: dhlovelife Young has always been a techie at heart, captivated by classic cars and cutting-edge gadgets. In 1990 he began kicking around an idea called “DiscoChron—The Chronology of Music,” a “visual way to look at music in the context of time” that looks and works like a pinball machine. Four years later, Young cocreated Trainmaster Command Control, a mobile electronic system for model railroads, and made a website about his hobby under the name “Clyde Coil.” One section, the Hi-Rail Times, is a silly faux-newspaper sloganed “All the news that’s rail.” Pono was his more high-profile—and high-stakes—concept to date, but it had a rough ride from design to shipment. As Young’s recording and touring schedule took him away from his corporate duties, Pono’s company, PonoMusic, cycled through prospective CEOs, eventually finding its man in Silicon Valley investor John Hamm in 2013. Company partner Bob Stuart of Meridian Audio never delivered promised memory-saving software, according to Baker, leaving the team in the lurch. Pono also needed to build an online storefront from the ground up—fast. (Baker compared this to “creating iTunes in six months.”) Despite a successful Kickstarter campaign and early enthusiasm from users, some of the reviews were less than kind. Ars Technica called it “a tall, refreshing drink of snake oil.” “Buying a Pono means paying for sounds you’ll never hear,” Slate claimed in 2015. In May 2016, as outlined in To Feel the Music, the back end of the Pono store, Omniphone, filed for bankruptcy—and a month later, Apple bought it up and ordered it to shut down all operations. In December 2017, Pono shut down. “I may end up going to my grave and be banging my head against my gravestone trying to get somebody to understand about what’s happening to music!” Young wrote in To Feel the Music. Young relents on streaming All through PonoMusic’s ups and downs, former board member Gigi Brisson had suggested a pivot to streaming. At the time, Young wouldn’t budge, a decision he later regretted. “That was one of my biggest mistakes, not listening to Gigi,” he wrote in To Feel the Music. “She was not limited by her technical knowledge and recognized that high-res streaming would be of huge value…I was blind to that.” During Pono’s tailspin, one of its software engineers, Kevin Fielding, bent Young’s ear about Orastream, a Singaporean high-res audio service that pioneered adaptive streaming, which detects the limitations of the listener’s audio system and sends the highest possible bitrate. Young invested out of pocket to keep Orastream going and worked with its engineers to make alterations, calling the new version XStream. (Later, he renamed it “XStream by NYA,” inspired by Beats by Dr. Dre.) While banging his head against the wall trying to drum up XStream interest from executives, Young had an epiphany. “Why not use it on just my own music to show that it could be done?” he wrote in To Feel the Music. “High resolution could be streamed, and I could prove it on my own turf, with my own music.” The Neil Young Archives website is born In 2016, Young began developing the Neil Young Archives website with project leader and archivist Hannah Johnson and Toshi Onuki, a Tokyo-based art director. “I’m responsible for the look and feel of the site and app,” Onuki tells Fortune. “I pretty much touched every single corner of the site.” Early on, Young asked Onuki to make NYA “(not) look like a website.” Onuki was forced to break basic rules of user interfaces and experiences and saturate the site with graphics. Coated in vivid browns and beiges, the site is the online equivalent of a comfortable leather boot. “I have to say that Neil’s approach is not conventional,” Onuki says. fromfortune3 Young requested that the Neil Young Archives "(not) look like a website." Image: Neil Young Archives Then it all had to work on mobile. “Figuring out how best to represent that information on a small screen, as well as make it intuitive, was very challenging,” Scott Andrew, the founder of New Wave Digital Media, tells Fortune. (He ultimately had to skip the site’s file cabinet visual, info cards, and user playlists for Android and iOS.) Neil Young Archives was originally programmed by A Different Engine (A.D.E.), a Berkeley-based web application design firm that joined on a “friend of a friend” basis via Onuki. “I just came into work, and that was what I got to do,” A.D.E.’s former engineer, Jason Aeschliman, tells Fortune. “Which was amazing.” A Different Engine was asked to incorporate anachronistic physical machines, like switches, needle-dials, and a keyhole, and realistic paper and metal textures throughout the UI. There are few images that Young, who was born in 1945, wouldn’t recognize as a child. “We designed NYA with images of real analog objects I grew up with that I can relate to,” Young wrote in To Feel the Music. “I know it’s a throwback. I am too.” “But,” he stressed, “the real meat is the sound.” Pull any Young album from the file cabinet, flick a realistic-looking switch between its “320 (kbps)” and “master” settings, and hear the difference for yourself. Since the 1970s, Young has directed idiosyncratic movies under the name Bernard Shakey. NYA’s Hearse Theater, which plays concert films and documentaries on a schedule, represents this side of him. At press time, the feature presentation is Hometown, a documentary of a Young 2017 solo concert directed by wife Daryl Hannah under the name “dhlovelife.” A.D.E. programmed the Archives website up to the point of its paywall. “The winds can change quickly on that project,” Mike Ryan, the founder of A.D.E., tells Fortune. “They were expecting fairly low profit from (launching the subscription service), but we got 200,000 sign-ups in the first 48 hours.” “I think the popularity of it has blown everybody away,” Gordon Smith, the company’s executive producer, tells Fortune. (A Different Engine is no longer involved with Neil Young Archives.) Today, NYA is run by roughly half a dozen employees who work remotely or in “a couple of offices,” including the Pasadena location, according to Baker. “We’re focusing on finding the archive material, cataloging it, and putting it onto the website,” Baker says. “It’s just a lot of curation that goes on day-to-day.” ‘A newspaper life’ Perhaps foreshadowed by the Hi-Rail Times, Neil Young Archives sports the NYA Times-Contrarian, a cranky newspaper focusing on music and politics. And, yes, Young usually plugs the copy into the site’s back end himself. “I know someone that helps him occasionally, but for the most part…” Baker tells Fortune, trailing off with a laugh. “There’s no hierarchy behind it. It’s Neil.” In his paper, Young keeps fans abreast of new Archives releases, wrings out his environmental anxieties, and writes touching tributes for loved ones, like his ex-wife, Pegi Young, and manager Roberts, who both died in 2019. Besides, journalism runs in the family: His father, Scott Young, was a prolific Canadian novelist and sportswriter who wrote over 45 books as well as articles for Sports Illustrated, The Saturday Evening Post, The Globe and Mail, and other publications. “I spend a lot of time on (the Times-Contrarian),” Young writes in To Feel the Music. “Perhaps living my father’s dream of a newspaper life.” New tiers These days, Young is thinking of putting out everything in the can at once. Last year an anonymous fan wrote a letter to the Times-Contrarian about their “Uncle Eddie,” concerned that the ailing 76-year-old won’t live to hear all of the music. “He wants to know why you don’t just put all this material out now. Just dump it all out on the NYA website,” they entreated. “He wants you to know that he can’t buy it if he’s dead.” “That really bums me out,” Young wrote in response. “I have been talking with our team about releasing them all here in 2020.” (This wouldn’t just mean Homegrown, but other shelved solo and Crazy Horse albums, like 1976’s Chrome Dreams, 2000’s Toast, and 2012’s Alchemy.) “He wants to accelerate the release of a lot of content,” Baker says. “He’s got lots of people working on it in the studio and the archivists working full time.” At press time, they’re thinking of creating a special “Uncle Eddie” tier, or boiling everything into one tier for a slightly higher price. A ripple effect In the long run, Young wants the Archives to be more than a curiosity shop, a memory box, a time capsule. Eventually, he sees the whole planet as preserving its music like this. “Sometimes I imagine NYA as the first step to a World Music Archives,” he wrote in To Feel the Music. “WMA Universal, WMA Warner Brothers, WMA Sony, WMA Blue Note, WMA Vanguard, WMA Folkways, each with their own little place…wouldn’t that be nice?” fromfortune4 A look inside the Neil Young Archives. Image: Neil Young Archives In the now, the music industry is quietly catching up with Young. “He’s been influencing the streaming world,” Dan Hesse, the former CEO of Sprint who’s credited as a “sage” on the NYA site, tells Fortune. “Tidal came out with a higher resolution—still not high resolution—but higher. Then Qobuz came out with even higher still. And then the big gorilla, Amazon, came out with high-definition streaming music.” (Young appeared in an ad for Amazon Music HD in 2019.) Shouldn’t “the big gorilla” and its ilk be seen as competitors? “Neil doesn’t think so,” Hesse says. “Neil couldn’t be more thrilled to see the ‘competitors’ bring the music to everybody. That’s why he’s doing it.” “He was way ahead of the curve, spreading the gospel, the good news about 24-bit audio,” Dan Mackta, the managing director of Qobuz, tells Fortune. “Neil Young Archives is the realization of his dream. All he can do is put together the ultimate service with what he controls.” “He’s demonstrating with the Archives that you can stream high-res,” Hesse says. In “Driftin’ Back,” a 27-minute jam with Crazy Horse from 2012’s Psychedelic Pill, Young addresses how bad resolution affects his art. “When you hear my song now, you only get 5%,” he sings. “You used to get it all!” he continues. “You used to get it all!” But at the dawn of a new decade, Young fans are finally “getting it all”—and then some. Run your credit card, rifle through some yellowing documents, and crank a good set of headphones—and you’ll grasp the essence of a true giant. NYA THANKS FORTUNE
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Amazon’s BAD NEWS Company threatens to fire critics who are outspoken on its environmental policies.   Brave employee stands up.


Photo: Ted S. Warren/AP
In an unpatriotic move against the spirit of the first amendment of the US Constitution, E-commerce giant AMAZON warned workers who participated in protests that future comments regarding company business practices could lead to termination. Above, AMAZON employee Emily Cunningham speaks after the company's annual shareholders meeting in May in Seattle. amazon-logo By Jay Greene SEATTLE — Amazon has warned at least two employees who publicly criticized the company’s environmental policies that they could be fired for future violations of its communications policy. A lawyer in the e-commerce giant’s employee-relations group sent a letter to two workers quoted in an October Washington Post report, accusing them of violating the company’s external communications policy. An email sent to Maren Costa, a principal user-experience designer at the company, and reviewed by The Post warned that future infractions could “result in formal corrective action, up to and including termination of your employment with Amazon.” The lawyer in the human resources group, Eric Sjoding, advised Costa in the Nov. 22 email to “review the policy again and in the future anytime you may consider speaking about Amazon’s business in a public forum.” Costa and Jamie Kowalski, an Amazon software development engineer, told The Post in a joint statement in October that the company is contributing to climate change as its cloud computing business aids oil- and gas-company exploration. Costa also met with Amazon’s human resources department to discuss the matter in October. “AMAZON is contributing to climate change as its cloud computing business aids oil- and gas-company exploration.” amazon-logo “It was scary to be called into a meeting like that, and then to be given a follow-up email saying that if I continued to speak up, I could be fired,” Costa said via email, referring to Amazon’s warnings to her. “But I spoke up because I’m terrified by the harm the climate crisis is already causing, and I fear for my children’s future.” Costa said she will not be silenced. “It’s our moral responsibility to speak up — regardless of Amazon’s attempt to censor us — especially when climate poses such an unprecedented threat to humanity,” Costa wrote. Kowalski acknowledged receiving a similar letter from Sjoding but declined to comment on it. A third worker, Emily Cunningham, said that she was informed in a separate meeting that she had violated the company’s policies after speaking out on social media and to news organizations about Amazon’s climate impact. Amazon’s external communications policy “is not new and we believe is similar to other large companies,” company spokeswoman Jaci Anderson said in a statement. In response to whether Amazon was trying to stifle workers, Anderson said employees are “encouraged to work within their teams,” including by “suggesting improvements to how we operate through those internal channels.” Tech workers have recently become more outspoken about concerns over their employers’ policies. During a Sept. 20 protest, thousands of Amazon employees walked out and criticized the company’s climate policies and practices. In November 2018, thousands of Google employees walked off the job to protest of the company’s handling of sexual harassment claims. Workers at Google, Amazon and Microsoft have spoken out in criticism of facial-recognition technology from their companies, fearing misuse by law enforcement and other government agencies. As a result, some of those companies are attempting to crack down. Some Google employees have alleged they were recently fired in retaliation for their public criticism of the company’s policies and their attempts to organize. Google said the firings were a result of violations of its policies around accessing and sharing internal documents and calendars and has denied they were retaliatory. Business Justification amazon-logo On Sept. 5, a day after an employee climate group emailed colleagues about the Sept. 20 walkout, Amazon updated its communications policy to create “a more streamlined and user-friendly way to request PR approval to participate in external activities,” according to a notification on the company’s internal website viewed by The Post. The policy requires a “business justification” for any communications and notes that approval could take up to two weeks. The earlier version of the policy, which had not been routinely enforced with activist employees, required workers to request approval via email from senior vice presidents to comment publicly. The update requires permission from lower-level executives and can be sought via an intranet page, a change Amazon’s Anderson said makes its easier for employees to give speeches and grant media interviews. “As with any company policy, employees may receive a notification from our HR team if we learn of an instance where a policy is not being followed,” Anderson said. The day before the walkout, Bezos held a news conference agreeing to measure and report Amazon’s emissions on a regular basis and meet the goals of the Paris climate agreement 10 years early. Critics said at the time that the commitments lack accountability and transparency. Three weeks after, Amazon released a new policy statement outlining its positions on a variety of hot-button issues for which it has faced criticism, including an acknowledgment that it would continue to work with the energy industry. “While our positions are carefully considered and deeply held, there is much room for healthy debate and differing opinions,” the company wrote at the time. Costa and Kowalski’s brave initial comments to The Post addressed that new policy statement. Amazon Employees for Climate Justice amazon-logo All three employees are members of Amazon Employees for Climate Justice, a group that has called on the company to commit to being carbon neutral by 2030, to end cloud computing contracts that help energy companies accelerate oil and gas extraction, and to stop funding politicians and lobbyists who deny climate change. Amazon also has a social media policy that allows workers to post missives as long as they do not disclose confidential business information. Workers also are supposed to note that they are expressing their own opinions, not the company’s. Anderson said that policy is part of its overall communications rules, not separate from them. Cunningham, a user-experience designer, said she was informed in an October meeting with a human resources executive that she had violated the company’s recently updated policy. Cunningham criticized Amazon’s environmental policy at the company’s shareholder meeting in May, and on social media and in news reports she has condemned Amazon’s work with oil and gas companies. “Human Resources Meeting Frightening” amazon-logo In an email, Cunningham wrote that the human resources meeting was frightening, adding that it also made her sad and angry, given the threat of climate change. “It was a clear attempt to silence me and other workers who have been speaking out about the climate crisis,” Cunningham said. Costa wrote that she understands that she cannot discuss confidential business information but that she believes she has an obligation to speak out about the causes of climate change and how to address them. Amazon’s efforts to silence employees’ criticism of its practices are damaging morale, she said. “I’ve had colleagues, many of them very senior and tenured, say how disappointed they are — that this isn’t the company they thought they were working for,” Costa wrote. NYA has praised Amazon’s attempts to bring High-Res music to the marketplace. Our endorsement of AMAZON Music should not be taken as an endorsement of the company’s environmental policies, or support for any AMAZON employee’s freedom of speech being threatened by the company. ny NYA thanks Washington Post. NYA has edited and added to this article.
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A MESSAGE FROM NEIL VIEWPOINT-a-message-from-NEIL-1408 photo: Michael Miller HAPPY NEW YEAR!


First of all, thanks for being here with us at the archives! We are in the midst of so many things here, restoring projects, making them ready for you to feel, view, hear and enjoy. These pieces are a labor of love. Every morning I wake up with a full plate of things to do to keep me off the street and as a result, off the road. It’s good to stop and regroup, gather energy and openness for what could be next. We are in the midst of many projects, most notably now, ‘Way down in the Rust Bucket’ and ‘Greendale Live’. Both with Crazy Horse. Greendale is a monster! Currently in the final editing stages, this performance from Toronto with a cast of 50 plus is like a Broadway show. We took it all around North America in 2003, setting up that massive set over 80 times. Now we are preparing it to share through NYA and theaters. A ‘Greendale Live’ album will be part of the release. Greendale’s live music is in a big groove with Crazy Horse! Thanks everyone! You folks are fantastic to be here with me and all of us at NYA. My heartfelt thanks to the whole team here at NYA, the NYA staff, the archives vault team, my producer partners John Hanlon and Niko Bolas, and all that have come before. I am still missing my old friend Elliot Roberts, my incredible manager of 50 plus years. One year now to the day since my children lost their loving mother Pegi. She lives on in our memories. Peace. My thanks to the great team at Lookout Management, (now looking for a new name!) Frank, Bonnie and Tim, you are the best! To my US agent Marsha, Barry in Europe, much love! Lots of love to you all for 2020, our New Year together. I am thankful for my amazing wife Daryl, who has made my life so much better in so many ways . . .. and for my family - Zeke, Ben and Amber, and to all our friends. Lets make 2020 a good one! Health and Happiness everyone! ny
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NEXT! NEXT-art 50 years on reprise records!


‘Homegrown’ will be my first release on Reprise of 2020! As I told you a while back (over at Artist Perspective on page 4 where Mazzeo lives,) this is a very special record for me personally and I hope you love it. The picture included here for you is of my test pressing. Notice the message from Robin Hurley of Warner Bros to me! This is the first time in our 50 years working together that I have ever received a test pressing with a message like this and it makes me feel really great inside. Happy New Year to all my friends at reprise. ny
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HOMETOWN REHEARSAL


Here we are at Coronation Hall in Omemee, getting ready for the big night! I’m playin ‘When I Watch you Sleepin.’ Hometown is now showing in the Hearse Theater. Check out the set dhlovelife created for my big homecoming moment!! Happy Holidays to each and every one of you! love ny
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HOMETOWN CHRISTMAS!


Omemee really is my hometown! We did a show there Dec 1, 2017, the day of the Omemee Christmas parade. I had not played in almost a year and was nervous, but it was such an exciting night for me, coming home! Staying at the lake nearby, I played Coronation Hall, which held maybe a few hundred people. We showed it for folks outside on screens as it was going down. It was a wonderful feeling to play that hall, where my dad had performed in a minstrel show long ago in the early nineteen fifties. My brother Bob was there with me too! While I was there in Omemee I visited my old house and the school named after my dad, ‘Scott Young Public School.’ Even though the show was not promoted we were overwhelmed by old friends and fans who could not fit inside the hall or even outside, where folks were viewing it on old tvs set up on hay bales. Down the street, people projected it on the outside wall of the old Omemee Legion Hall, watching on Main street. It was also projected live inside one of the local hockey rinks on the outskirts of town. ‘Hometown’ is full of memories for me and I enjoy it very much today, even though I was a bit nervous and out of practice when it happened. Directed by my sweetheart, dhlovelife, It is now our Christmas special at NYA! We do hope you enjoy it over the holidays! Wishing all the best for you, your family and loved ones, PEACE neil
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A NATIVITY SCENE


photo: Jason Armond
A Nativity scene at Claremont United Methodist Church depicts Jesus, Mary and Joseph as refugees in cages. By James Queally A Methodist church in Claremont unveiled a Nativity scene Saturday night depicting Jesus, Mary and Joseph as refugees in cages, likening one of the most well-known images of the Christmas season to photos that have become synonymous with criticism of the Trump administration’s border separation policies. “We see this as, in some ways, the Holy Family standing in for the nameless families,” said the Rev. Karen Clark Ristine, the lead pastor at Claremont United Methodist Church. “We’ve heard of their plight; we’ve seen how these asylum seekers have been greeted and treated. We wanted the Holy Family to stand in for those nameless people because they also were refugees.” While the Nativity scene shows Jesus shortly after birth and is the foundation of the Christmas holiday, the Claremont depiction appears to be invoking Joseph and Mary’s flight to Egypt. Under most interpretations, the infant Jesus and his parents had to escape Jerusalem for fear King Herod would have the baby slaughtered, perceiving the child as a threat to his reign. Ristine, who has served as the church’s lead pastor only since July, said the church often uses its Nativity scene to tackle a societal issue. Southern California’s homelessness crisis has been invoked in past depictions, she said. A more traditional Nativity scene, showing the Holy Family reunited, can be found inside the church, which serves a congregation of about 300 people, Ristine said. “We don’t see it as political; we see it as theological. I’m getting responses from people I don’t know.... I am having people tell me that it moved them to tears,” she said. “So if the Holy Family and the imagery of the Holy Family and the imagery of a Nativity is something you hold dear, and you see them separated, then that’s going to spark compassion in many people.” The Trump administration has faced broad criticism for its immigration policies, but the practice of separating children from their families while they were detained at the southern border drew especially strong bipartisan and international outrage before the president ordered an end to it in the summer of 2018. NYA thanks LA Times
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NYA NEWS 2020


Dear NYA members, This has been a great year for NYA, and I really want to thank all of you for your enthusiastic support. When we launched a year ago, I told you that you’d be on a big ride with me, and I can promise you that it’s going to get even bigger in 2020. We’ll be pre releasing lots more of my music, more videos, more out-takes and some of my archival LP records before they reach the stores. That’s all coming in 2020. I’ll also be expanding the Times-Contrarian, working on a TV show, NYTV for members only, a podcast, as well as adding more new an old videos in the Hearse Theater that you have never seen before. RATE INCREASE does not apply to early adaptors! With all this new work, we’ll be increasing the price of your NYA-Unlimited subscription early next year. There will be a small bump in cost to $2.99/mo or $29.99/yr. This increase in price is to help support all this continued growth and get you as much new content as we can in 2020. INTRODUCTORY PRICE stays the same for all early adaptors. Until then your subscription will continue to renew at the current rate of $1.99/mo. and $19.99/yr. We will give you notice before the price increase, allowing you a chance to cancel. Please note you can cancel anytime and continue to have access to NYA throughout the current term of your subscription—although we really hope you’ll stick around and enjoy all that is yet to come. Lastly, I’d like your get your input on a couple things. We have so much material in the queue that I’ll be asking you to take the short survey that I’ll be posting to the home page soon. I will lisyt the projects we have on deck. Yu tell me which ones you want to see and hear first. We’re also investigating creating an on-demand video service in addition to the curated presentations. A lot of you have asked for this. Let me know using the same survey if you’d be interested in pay-to-play or rentals so you can watch whenever you want, instead of waiting for titles to show up here on the Hearse Theater. AND….. a subscription to NYA makes a wonderful holiday gift. If you know someone who loves my music, you can give them a great gift! Just click here. Happy Holidays to everyone and thanks for being with me and all my friends here at NYA! love, Neil
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FACEBOOK IS TOAST AT NYA


Facebook is facing criticism for sponsoring the annual gala dinner of the Federalist Society, the powerful right wing organization behind the nomination of the conservative supreme court justice Brett Kavanaugh. This turn of events, in addition to the false information regularly supplied to the public on Facebook, with its knowledge, has caused us to re-evaluate and change our use policy. I don’t feel that a social site should be making obvious commitments to one side of politics or the other. It further confuses readers regarding truthfulness in coverage and message. NYA, no longer interested in further links with FACEBOOK, will be discontinuing use. We apologize for any inconvenience this may cause to you. Thanks NY
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i-have-been-very-successful I HAVE BEEN VERY SUCCESSFUL IN MY LIFE


I want to be a dual citizen and vote. When I recently applied for American citizenship, I passed the test. It was a conversation where I was asked many questions. I answered them truthfully and passed. Recently however, I have been told that I must do another test, due to my use of marijuana and how some people who smoke it have exhibited a problem. The problem is defined in an April 19, 2019 addition under Attorney General Sessions. USCIS issued a Policy Alert which includes: ‘An applicant who is involved in certain marijuana related activities may lack GMC (Good Moral Character) if found to have violated federal law, even if such activity is not unlawful under applicable state or foreign laws.’ I sincerely hope I have exhibited good moral character and will be able to vote my conscience on Donald J. Trump and his fellow American candidates, (as yet un-named). I will keep you posted, but I don’t think I will be able to remain parked here during the proceedings. ny
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A MESSAGE FROM NEIL


photo: Michael Miller
I just finished answering the letters for this week and I wanted to thank you for sending them in. I really enjoy staying in touch with you this way. Thanks for all your ideas. I also want to thank you for your great suggestions and comments re the Hearse theater, many of which we will be adapting, including running movies on weekends so there is enough time in the day to watch them. We try to run two movies a week. They are listed in bold print in the Hearse Theater Schedule. A letter titled ‘Uncle Eddie’ really got me thinking. I have been releasing records for about 55 years now and they are habit forming! Colorado is the latest one and I feel really good about it and playing with Crazy Horse again. What I am getting at is this; currently records are released every 4 months or so and some of our readers like Uncle Eddie are old enough to wonder if they will still be around for all of them. That really bums me out, so I have been talking with the team at NYA about releasing them all here at NYA only in 2020. These albums will not be released as CDs or vinyl. Some will be, eventually over time and that will happen as always, but many of them will have already been available here at NYA long before they become hard goods released to the public. Of course we will have to make sure they do not escape into the internet if we do that and make them available way ahead at NYA. If we can figure this out we will start to release many of them in 2020. That’s what we are thinking. We keep looking at Facebook and wondering if we should be using that platform at all, given the latest news. It’s a problem we face together. FB gives you more than you want and it’s not all good. A lot of it is very bad misinformation about political campaigns and ads that are outright falsehoods. These are fine with Facebook, but not with NYA. If we were to leave Facebook with our social outreach we would lose communications with millions. If we continue to be on Facebook, we are conflicted about who we are. With that in mind, don’t be surprised if we drop all references and contacts with the platform. We recently ran an article describing how to delete the FB platform. It is not easy to disengage but it is possible. . . . . if you believe them. Thanks for reading this and the Times-Contrarian. Many of us come from families where newspapers were someone’s livelihood. My dad wrote for a newspaper. So did J. Hanlon’s dad. Bill Bentley is a newspaper man. So is Phil Baker. We are all happy to continue the tradition, without the chats, blogs and name calling. We already have enough immature name calling from the Name-caller in Chief!! No need for more. Thanks for being there. We appreciate you. ny
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MOUNTAINTOP PROCESS


Captured for you in living color, this document is sure to run 92 minutes. You may be surprised to learn some of the deep secrets of the process as you laugh your ass off in a theater near you. One night only and there is a reason for that. It will be back. Mark my words. BShakey TICKETS
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As Youth Speaks


We must listen and listen well. Youth is the future. There is no easy solution to the Climate Crisis. Our leaders are desperately out of touch. Listen as Greta Thunberg speaks for EARTH. See more Earth News on P6
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CAN WORLD LEADERS IGNORE YOUTH CLIMATE STRIKES?


art: Amanda Kavanagh
How long can leaders like Putin, Trump and Bonesaw continue to ignore the words of the millions of young people they are endangering with their inaction here on Earth? Visit EARTH NEWS for more.
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Over 2000 scientists join climate strike


What started off with a generation of school students raising their voices for their futures, has turned into a massive strike joined by all generations. By Amanda Mills The Global Climate Strike kicks off today and will continue until September 27th. Over 2000 scientists from 40 countries will be joining the world’s youth climate activists as well as adults who are all demanding an end to the use of fossil fuels. What started off with a generation of school students raising their voices for their futures, has turned into a massive strike that is expected to spread over 137 countries in over 5000 locations. “Once again our voices are being heard on the streets, but it is not just up to us. We feel a lot of adults haven’t quite understood that we young people won’t hold off the climate crisis ourselves. Sorry if this is inconvenient for you. But this is not a single-generation job. It’s humanity’s job. We young people can contribute to a larger fight and that can make a huge difference,” a group of young activists say to The Guardian. According to Common Dreams, these scientists are urging their colleagues around the world to cancel their classes, or move them outside and turn them into teach-ins for the whole community, and to leave their research labs to join youth leaders for marches and rallies. “As a scientist I am deeply concerned about the rate of changes to extreme events we are experiencing, with more powerful and intense storm events, flooding, droughts, heatwaves, fires, sea level rise and the rapid melting of Arctic and mountain ice. Science tells us that 2 degrees or warming brings us to some dangerous tipping points or thresholds that will seriously affect human society. The scale of change is immense but not insurmountable. We need to act now to make easy and more difficult changes to our lifestyles to reduce emissions, with the lead from our Governments,” say Professor Hayley Fowler, Professor of Climate Change Impacts, Newcastle University, UK. More at Earth News p 6.
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MUSIC HISTORY!
musicnotesicon

ELEVATE YOUR MUSIC
Amazon Music HD


The reason this is so important to me is AMAZON has the power to make this happen . . . to make it so that everyone feels better sounding music everywhere. Amazon is the first of the big ones. They are the leader now. The best sounding music has been a goal of musicians since the digital age began and so much emotional power was stripped from audio. Amazon is bringing it back. Now it will be possible for you to feel all my records the way I made them, in their highest resolution. I just saw the list of albums. I always knew this day would come! NYA will be showing you ways to use your streaming device with other devices to enable absolutely the top quality available either from here at NYA or Amazon. ny Amazon Music HD lets customers access and stream more than 50 million songs in High Definition (HD) audio and millions of songs in Ultra HD, the highest quality streaming audio available, giving listeners a new way to elevate their sound Subscriptions start at $12.99/month for new subscribers; Current subscribers to Amazon Music pay $5/month plus their regular plan fee For a limited time, Amazon Music subscribers in the US, UK, Germany and Japan can upgrade to Amazon Music HD for 90 days at no additional cost, and new subscribers can receive a 90-day free trial SEATTLE -- (BUSINESS WIRE) -- (NASDAQ: AMZN) Amazon Music today announced the launch of Amazon Music HD, a new tier of premium quality music with more than 50 million songs in High Definition, and millions of songs in Ultra High Definition, the highest quality streaming audio available. At just $12.99/month for Prime members and $14.99/month for Amazon customers, or an additional $5/month for current subscribers (Individual or Family Plan), Amazon Music HD makes high quality, lossless audio accessible to all music fans. Amazon Music HD is now available to stream in the US, UK, Germany, and Japan. New subscribers to Amazon Music can receive a 90-day free trial, and current subscribers can try Amazon Music HD at no additional cost for 90 days at amazon.com/music/unlimited/hd. “We spoke with many artists while developing Amazon Music HD, who were excited about the potential for fans to be able to stream their favorite music, and hear it as it was originally recorded,” said Steve Boom, VP of Amazon Music. “From rock to hip-hop to classical and pop, we believe listening to music at this level of sound will make customers fall in love again with their favorite music and artists. As we usher in a new listening experience for our customers and the industry, we’re combining the convenience of streaming with all of the emotion, power, clarity and nuance of the original recordings.” Amazon Music HD will always offer customers the best quality recording available for streaming, providing an unparalleled listening experience. Legendary albums including Fleetwood Mac’s Rumors and Miles Davis’ Kind of Blue become revelatory new experiences, almost as if the listener is sitting in on these storied studio sessions. Songs like Kendrick Lamar’s “Alright” and St. Vincent’s “Digital Witness”, are also now available in Ultra HD, revealing nuances that were once flattened in files compressed for digital streaming. “Earth will be changed forever when Amazon introduces high quality streaming to the masses,” said rock icon Neil Young. “This will be the biggest thing to happen in music since the introduction of digital audio 40 years ago.” Amazon Music HD offers customers more than 50 million lossless HD songs, with a bit depth of 16 bits and a sample rate of 44.1kHz (CD quality). In addition, customers can stream millions more songs in Ultra HD (better than CD quality), with a bit depth of 24 bits and a sample rate up to 192 kHz. Amazon Music HD will play the highest quality audio the customer’s device and network conditions will support, and is compatible with a wide variety of devices, including desktop, mobile (iOS & Android), select Echo devices, Fire TV, and Fire Tablets. Amazon Music HD is also compatible with many third-party devices, including most products from Denon and Marantz with HEOS Built-in, Polk Audio, Definitive Technology, Sonos, McIntosh, Sennheiser, and many more. To learn more about Amazon Music HD, visit amazon.com/music/unlimited/hd.
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THE PAINTED TURTLE


photo: dhlovelife
Way at the end of the road lies the beginning for many kids with disabilities, a camp called ‘The Painted Turtle’. Like ‘The Bridge School,’ which could be considered a sister organization in spirit, Painted Turtle was born out a special love and a real need. At these schools and camps, both the children and their parents have found love, understanding and support. Of course, after playing the Bridge School Concerts for so many years, it was a great feeling to be playing my music at ‘The Painted Turtle’ where the life of our families is celebrated and nurtured by founders Page and Lou Adler. Taking the stage for my solo acoustic set, I played the same three songs that always opened the Bridge School Concerts, ‘Sugar Mountain’, ‘I am a Child’ and ‘Comes a Time.’ Then at the end, I was along-side Nora Jones and friends and we sang ‘Harvest Moon’ just before this year’s Harvest Moon rose in the night sky. That was followed by Norah and I doing “The Losing End’. It was a beautiful trip! In a family there is really nothing like having a child, a new life that is now part of your own life. When your child is born, he or she is a gift. Some children come to life with special needs and the Painted Turtle Camp, like the Bridge School, was built for the families of these children. These are places where love and support is everywhere for the parents, who have journeyed through life to learn so much from having one of these incredible and always teaching children. This ‘life gift’ is a great experience, never to be forgotten. At these camps and schools, our families are celebrated with love and understanding, along with a sense of exploration of the unknown, coming from inside our hearts. The Painted Turtle concert is unique. The crowd is not huge, with room to move around. It fits in the beautiful facility that is the ‘Painted Turtle.’ It’s a laid back affair that raises significant funds for the camp and school. Thanks to everyone who supported both organizations through this concert. I hope the Bridge School and the Painted Turtle Camp last forever. ny
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RAINBOW OF COLORS
COLORADO


Rainbow of Colors is a song about the USA and the whole world. The idea of this song is that we all belong together. Separating us into races and colors is an old idea whose time has passed. With the Earth under the direct influence of Climate Change, we are in crisis together needing to realize that we are all one. Our leaders continually fail to make this point. Pre-occupied with their own agendas, they don’t see the forest for the trees. We need to all be one because we are all threatened. Climate Change is the unifying force we have needed for a long time. Now that it is here we just need to recognize it and stop turning on our brothers and sisters and help them instead. We are all in this together. Hear and feel Rainbow of Colors at NYA right now before general release. Thanks, ny
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COLORADO COLORADO-COVER-A 107 Colorado How an album cover was created


dhlovelife, my favorite person in the world (aside from my children) is the creator of the COLORADO cover. She used one shadow on a horse photograph she had taken and one photograph she had collected and edited, selecting a section and turning it upside down. Added to those was a painting my daughter, painter Amber Young, did a few short years ago. Amber’s painting, shown on its side in the cover, is about 6 feet tall by 3 and a half feet wide, an encaustic piece in color, she created, working with wax and colors. It represents an audio envelope to me. I just love it and always have. Notice how the top left of the cover has a picture of a horse and a reverse image below it? The way that image represents my right shoulder I am part horse! I just love this cover. Wait ’til you see the back and inside covers, as well as the 7 inch cover for ‘Rainbow of Colors’ bw ‘Truth Kills’ included with the vinyl package. ‘Rainbow of Colors’ is presented on the 7 inch in its debut live solo performance with the amazing audience’s reaction to the song, having never heard it before. A definitive and wonderful Crazy Horse version of ‘Rainbow of Colors’ is included in the album. I love dhlovelfe and her beautiful artistic sentiment, so well represented in her artwork for COLORADO and its accompanying 7 inch vinyl cover. So many of you have commented online about this cover, I just wanted to tell you all about it. lovelife. Yes. ny
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A MESSAGE FROM NEIL


What this Newspaper Does for Me

photo: Michael Miller
Well first, the Times -Contrarian lets me write when I feel like it. I love to write and that is a joy. I get great stories sent to me all the time from our writers and contributors around the world and I have aways been around the newspaper business. I set the type, make it look like a paper. When something happens, I can share it with you the readers, and you can say what you want back to me in Letters to the Editor. I even get to answer all those letters. That’s a writing gift. That works for me much better than a blog or chat area. I am not comfortable there with the bots and supposed friends, enemies. I Iike to tell you about the music we are making or things we have found that we are restoring in the archive to present to you. These are special projects to me and I just want to see all this taken care of with love. I love taking care of the music. When I hear how you are enjoying the archive and you tell me your ideas, it matters. A lot of times letters recommend something and we go off looking for it and use it. 50 plus years of music is a lot to take care of, so I am very happy. By the way, I don’t look like this picture anymore, but it’s still me. The documentary we are making, telling the story of recording our new album, has been enough to remind me I am not a teen idol. I’m an old guy rocking with my friends and we love it. The music sounds great. Life goes on. I am happy you are here with me. Enjoy the Archive. It’s for you, and me. ny
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A MESSAGE FROM NEIL


photo: Michael Miller
new album.. new movie.. new video.. We are excited here at NYA! The first track from COLORADO, our next Crazy Horse album, is coming out this month. Billy, Ralphie, Nils and I are all very happy to bring this song ‘Rainbow of Colors’ to you in all its ragged glory, as my original producer and life-long friend, the late David Briggs once said. 10 new songs ranging from around 3 minutes to over 13 minutes, will be coming your way. We hope you love this new album as much as we do. I have been continuing our work on ‘Mountaintop Sessions’, the documentary film about the making of COLORADO. It is a wild one folks, no holds barred. You will see the whole process just as it went down! Worts and all! I don’t think a film about this subject with the openness and intensity we have captured has ever been seen. You can be the judge of that, because Shakey Pictures’ ‘Mountaintop Sessions’ masterfully shot by cinematographer C.K. Vollick, will be released in over 100 theaters world-wide the week our album COLORADO debuts, in October. Made for you in double Vinyl, (three sides plus a 7” exclusive two-sided single not on the album) will be released, along with CD and streaming versions of COLORADO. This week on Wednesday, ‘Tonight’s the Night’ will be the album of the week. Watch for a never before seen video, featuring the camera of David Briggs! It will be released in the NYA Times-Contrarian for your viewing, along with an ‘Album of the Week’ story I have written for you. With the 12-minute ‘Tonight’s the Night’ video and that story, you should have a more clear look at ‘Tonight’s the Night’ than you have ever had in the history of this recording! I know it was a long time ago, almost 50 years, but Im still here and it is still so fresh in my mind. That’s what this Archive is about, bringing it home to you. I love the music, the way we played it and what it was about, as well as all the great people who were part of making it. Maybe you are one of them. I hope you love it like I do, along with the good people at Reprise! ny
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VOTE ANYWAY!


Hackers were told to break into U.S. voting machines. They didn’t have much trouble. voteanywayhacker (Steve Marcus/Reuters) By Taylor Telford Readers. . . This a very depressing story. A win has to be so obvious that if it is not validated in the count, a revolution could happen in the USA. Make the win obvious. ny LAS VEGAS — As Sen. Ron Wyden (D-Ore.) toured the Voting Village on Friday at Def Con, the world’s hacker conference extraordinaire, a roomful of hackers applied their skills to voting equipment in an enthusiastic effort to comply with the instructions they had been given: “Please break things.” Armed with lock-pick kits to crack into locked hardware, Ethernet cables and inquiring minds, they had come for a rare chance to interrogate the machines that conduct U.S. democracy. By laying siege to electronic poll books and ballot printers, the friendly hackers aimed to expose weaknesses that could be exploited by less friendly hands looking to interfere in elections. Wyden nodded along as Harri Hursti, the founder of Nordic Innovation Labs and one of the event’s organizers, explained that the almost all of the machines in the room were still used in elections across the United States, despite having well-known vulnerabilities that have been more or less ignored by the companies that sell them. Many had Internet connections, Hursti said, a weakness savvy attackers could abuse in several ways. Wyden shook his head in disbelief. “We need paper ballots, guys," Wyden said. After Wyden walked away, a few hackers exchanged confused expressions before figuring out who he was. “I wasn’t expecting to see any senators here,” one said with a laugh. In the three years since its inception, Def Con’s Voting Village — and the conference at large — has become a destination not only for hackers but also for lawmakers and members of the intelligence community trying to understand the flaws in the election system that allowed Russian hackers to intervene in the 2016 election and that could be exploited again in 2020. This year’s programming involved hacking voting equipment as well as panels with election officials and security experts, a demonstration of a $10 million experimental voting system from the Pentagon’s Defense Advanced Research Projects Agency, and a “part speed-dating, part group therapy" session where state and local election officials gathered with hackers to hash out challenges of securing elections. Congregants spoke often of the need for thorough auditing of election results, increased funding and improved transparency from vendors. The call for paper ballots was a common refrain. At the time of the 2018 midterm elections, Delaware, Georgia, Louisiana, New Jersey and South Carolina had no auditable paper trails. “Election officials across the country as we speak are buying election systems that will be out of date the moment they open the box,” Wyden said in the Voting Village’s keynote speech. “It’s the election security equivalent of putting our military out there to go up against superpowers with a peashooter.” House Democrats have introduced two bills that would require paper records to back up voting machines, mandate post-election audits and set security standards for election technology vendors. But Senate Majority Leader Mitch McConnell (R-Ky.) has repeatedly blocked votes on the bills, saying election security is the province of the states. Last month, the Senate Intelligence Committee released a report detailing how Russian hackers probably targeted all 50 states between 2014 and 2017. Although the report did not find evidence that Russian actors tampered with vote tallies on Election Day, the committee said that hackers “exploited the seams” between federal and state authorities and that states weren’t sufficiently prepared to handle such an attack. “In 2016, cybersecurity for electoral infrastructure at the state and local level was sorely lacking,” the report reads. “Voter registration databases were not as secure as they could have been. Aging voting equipment, particularly voting machines that had no paper record of votes, were vulnerable to exploitation by a committed adversary. Despite the focus on this issue since 2016, some of these vulnerabilities remain.” Local election officials at Def Con echoed these fears. Joel Miller, an election auditor in Linn County, Iowa, and repeat Def Con attendee, said he’ has had to file Freedom of Information Act requests and a Help America Vote Act complaint to try to get answers about security concerns in the state’s voter registration system from Iowa’s secretary of state. Russian hackers attempted to infiltrate the system in 2016, and while an overhaul of the 14-year-old system is impending, officials have said it will not be replaced before 2020. “We don’t know what’s going on with the system,” Miller said. “I’m a former IT director, and I know more about what I don’t know, but that’s almost worse than if I didn’t have a tech background. I’m aware there’s more threats out there than we can handle.” A spokesman for the Iowa secretary of state defended the security of the state’s systems and noted that Secretary of State Paul D. Pate’s chief of staff also attended Def Con this year. “Iowa’s system is secure and we work every day to ensure it remains secure,” the spokesman, Kevin Hall, said in an emailed statement. “Cybersecurity threats are constantly evolving and we are constantly evaluating what’s in place and what gains we can make. This is a race without a finish line.” At the Voting Village, nestled in a ballroom in the sprawling Planet Hollywood convention center, hackers put the machines’ weaknesses on display with playful flourishes, overtaking one electronic poll book to play the first-person shooter game Doom on it, or leaving Nyan Cat, a Japanese meme, sailing across the screen of another made by VR Systems. Ahead of the 2016 election, Russian hackers installed malware on VR Systems’ company network, The Washington Post reported. Doom on a electronic pollbook? Yes please!@techvendetta @VotingVillageDC pic.twitter.com/GWKk4YJWZa — l33tLumberjack (@l33tLumberjack) August 11, 2019 I'm back at @VotingVillageDC this morning. Here's an e-poll book made by VR Systems, the company that Russian hacked in 2016. pic.twitter.com/Wc1564qTE3 — Eric Geller (@ericgeller) August 10, 2019 The Voting Village has faced extreme pushback from voting equipment companies and government officials in the past. They’ve argued that the free-for-all environment at Def Con doesn’t replicate the realities of security on Election Day. The National Association of Secretaries of State condemned the exercise as “unrealistic” last year, and Election Systems & Software, one of the major voting machine vendors, sent a letter to its customers making the same argument. "Physical security measures make it extremely unlikely that an unauthorized person, or a person with malicious intent, could ever access a voting machine,” ES&S wrote last year. ES&S and VR Systems did not respond to requests for comment about this year’s village. Hursti said vendors have used legal threats to “create a chilling effect” on research of their equipment, and that they were “actively trying to shoot the messengers” rather than reckon with the weaknesses in their products. That lack of cooperation has left organizers to search for machinery to use at the Voting Village: Some equipment was rescued from a warehouse where the roof collapsed, while other was snagged in government surplus auctions or on eBay, Hursti said. “One rebuttal is to say we give a lot of access to the machines, but in reality, that’s how research works. Whether or not you can show me how to attack this machine in x or y setting is beside the point,” Hursti said. “This is about discovering vulnerability and stopping it before weaponization.” The first primary votes of the 2020 election will be cast in the Iowa caucuses in just a few months, but it’s impossible to patch the gaping security holes in U.S. election security by then, or even by Election Day, Hursti said. “Everyone claiming we can fix this by 2020 is giving a false sense of security,” Hursti said. “The aim should be, can we do something by 2022 or 2024?” Hours after the Voting Village opened, it was packed with hackers sporting T-shirts with slogans such as, “If I’m not on the government watchlist, someone isn’t doing their job” and “Come to the Dork side" — all eager to test their skills as an act of civic service. By the end of the weekend, they would uncover a litany of new vulnerabilities in the voting equipment, ranging from gallingly obvious passwords to hardware issues and exposure to remote attacks. That’s a wrap! Thank you everyone who attended the #VotingVillage2019. Here’s some things our attendees discovered this year. Please look forward to our full report in the fall and special thanks to our hackers and scribes for all their hard work. pic.twitter.com/pH4W8JiJrq — DEFCON VotingVillage (@VotingVillageDC) August 11, 2019 On Friday afternoon, one conference attendee meandered through the labyrinth of tables covered in dusty voting equipment and Pabst Blue Ribbon cans, explaining the enterprise to his less-well-versed companion. “So, this is how the Russians did it,” he said, as a hacker near him crowed about how easy it was to pick the lock on a machine. “The fate of our whole country rests on these machines.” He shuddered.
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EMPATHY


Here, in one simple picture is what is wrong with President Trump. NY I am a lonely visitor. I came too late to cause a stir, though I campaigned all my life towards that goal. I hardly slept the night you wept. Our secret’s safe and still well-kept, where even Richard Nixon has got soul. Even Richard Nixon has got soul. The podium rocks in the crowded waves. The speaker talks of the beautiful saves that went down long before he played this role for the hotel queens and the magazines, test tube genes and slot machines, where even Richard Nixon has got soul. Even Richard Nixon has got it. Soul. Hospitals have made him cry, but there's always a freeway in his eye, though his beach just got too crowded for a stroll. Roads stretch out like healthy veins and wild gift horses strain the reins, where even Richard Nixon has got soul. Even Richard Nixon has got soul . I am a lonely visitor. I came too late to cause a stir though I campaigned all my life towards that goal. Campaigner NYA
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THROW YOUR HATRED DOWN


Near the end of this performance under the sun in Kilkenny, we stopped, but I couldn’t let go of the message. It kept coming back to me. I could feel the people understanding this. We were there together. We felt how a lot of the world is, right now. We know enough. I hope we can grow through this. Find the Great Spirit. ny
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TRUMP HATE has BIG COST


226 percent increase in hate crimes in counties that hosted a Trump Rally

Photo: Johnny Louis
elpasoflowers People leave flowers at a makeshift memorial for shooting victims at the Cielo Vista Mall Walmart, in El Paso, Texas, on August 6, 2019. The August 3 shooting left 22 people dead. photo: mark ralston By Ayal Feinberg, Regina Branton and Valerie Martinez-Ebers During an interview with CBS’s “Face the Nation”, Sen. Tim Kaine (D-Va.) lambasted President Trump for emboldening white nationalism after a young man killed at least 50 people at two New Zealand mosques. Kaine was referring to Trump’s answer after a reporter asked whether he sees "today that white nationalism is a rising threat around the world?” Trump responded, “I don’t really.” This is not the first time Trump has been accused of catering to white nationalists after a terrorist attack. At an August 2017 Unite the Right rally in Charlottesville, a young white man rammed his car into a crowd of counterprotesters, killing Heather Heyer. Afterward, Trump insisted that “there’s blame on both sides” for the violence. Then in October 2018, a gunman killed 11 congregants at the Tree of Life synagogue in Pittsburgh. When Trump announced plans to visit the synagogue, many people in Squirrel Hill, the city’s predominantly Jewish neighborhood, took to the streets demanding first that Trump renounce white nationalism before paying his respects to the victims. Trump has strongly rejected any charges that he’s to blame, tweeting Monday: Our research finds that Kaine could be correct, however: Trump’s rhetoric may encourage hate crimes, as we explain below. Trump’s political rhetoric has a measurable link to reported hate crime We examined this question, given that so many politicians and pundits accuse Trump of emboldening white nationalists. White nationalist leaders seem to agree, as leaders including Richard Spencer and David Duke have publicly supported Trump’s candidacy and presidency, even if they still criticize him for not going far enough. The New Zealand shooter even referred to Trump as a “renewed symbol of white identity.” So, do attitudes like these have real world consequences? Recent research on far-right groups suggests that they do, especially when these attitudes are embraced and encourage by peers. Specifically, the quantity of neo-Nazi and racist skinhead groups active in a state leads to increased reports of hate crimes within that state. Even before El Paso, most Americans thought that Trump encourages white supremacists How research was done: Using the Anti-Defamation League’s Hate, Extremism, Anti-Semitism, Terrorism map data (HEAT map), we examined whether there was a correlation between the counties that hosted one of Trump’s 275 presidential campaign rallies in 2016 and increased incidents of hate crimes in subsequent months. To test this, we aggregated hate-crime incident data and Trump rally data to the county level and then used statistical tools to estimate a rally’s impact. We included controls for factors such as the county’s crime rates, its number of active hate groups, its minority populations, its percentage with college educations, its location in the country and the month when the rallies occurred. We found that counties that had hosted a 2016 Trump campaign rally saw a 226 percent increase in reported hate crimes over comparable counties that did not host such a rally. Of course, our analysis cannot be certain it was Trump’s campaign rally rhetoric that caused people to commit more hate crimes in the host county. However, suggestions that this effect can be explained through a plethora of faux hate crimes are at best unrealistic. In fact, this charge is frequently used as a political tool to dismiss concerns about hate crimes. Research shows it is far more likely that hate crime statistics are considerably lower because of underreporting. Additionally, it is hard to discount a “Trump effect” when a considerable number of these reported hate crimes reference Trump. According to the ADL’s 2016 data, these incidents included vandalism, intimidation and assault. What’s more, according to the FBI’s Universal Crime report in 2017, reported hate crimes increased 17 percent over 2016. Recent research also shows that reading or hearing Trump’s statements of bias against particular groups makes people more likely to write offensive things about the groups he targets. edited by NYA
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A MESSAGE FROM NEIL


photo: Michael Miller
Today we continue making the film COLORADO, telling the back story of the latest recording from Crazy Horse, a band that really is on its own turf. How the band works together to make music, how the emotions of trying to get a sound go with the emotions of the songs, what the songs are about. It’s old guys; young souls still alive in old souls and the music they make together. From the engineers, to the musical instrument techs, these guys are in it non stop for as long as it takes to get the songs captured. Like wild horses, the songs, each one an individual, a unique force at play with the emotional landscape, are in control of the dynamic of capture.
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Kilkenny!


Kilkenny to be Re- broadcast two days world wide.

WEDNESDAY JULY 24th 12pm pt SUNDAY JULY 28th
12pm pt

photo: Joey Martinez
We are pleased to announce that we will be re-running the Kilkenny show, the last performance of our NY and Promise of the Real tour! The original broadcast had technical problems for some users. NYA will now present this entire concert for two days. We wanted you to have a chance to see this final performance! NYA apologizes for the delay in getting our re-broadcast to you. It will be worth the wait! The show runs about 2 hours and will be available to subscribers On Demand for 24 hours starting at Noon PDT both days. Lots of love, NY & Promise of the Real
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A THANKS TO ALL


To Europe, London and Kilkenny.

photo: steve drymalski
Elliot was with us. We felt him at every show. I kept seeing him from the corner of my eye. The music on this tour was healing beyond words. We went deep and flew so high. We grew a lot. The crowds were profoundly with us. So many happy singing blissed out faces. Every song was a dream of a film of a memory exploding. Each show a completely unique moment. I feel so grateful to have this experience forever now with my brothers. We had fun!!! Elliot is proudly laughing. Thank you for this family and this music! Thank you uncle Neil! We love you Micah We are so thankful for our journey through your unique and beautiful country-sides. To Kilkenny; what a beautiful day and evening it was! A great set by Bob, and our celebratory shared goodbye to our old friend. . . . ‘Will the Circle be Unbroken’ for Elliot. By and by. . . . Neil Respect! Tato ‘It would seem that only by realizing the impermanence of everything can we truly appreciate life and live in gratitude. In the search for meaning in the face of constant loss in all forms, Love and family give us guidance and strength to let go and move on. We have built a traveling Garden.. sewing seeds of joy with Love and Music . Incorruptible, the intention of this traveling Garden is for life to flourish in its wake, planting seeds in the hearts of those well nourished souls who turn to music for salvation. May the wisdom we gain as we travel serve to incite others to begin their own journeys towards Joy. I love my musical family . I'm grateful for this journey. I miss my old friends who move on. I'm grateful for their love that never leaves. Onward , to learn more!” ❤️Lukas “The start of this tour was with a heavy heart. The unknown was upon all of us. But it didn’t take long for the spirit to take over and guide us into the light. That light provides us with a source of hope and happiness. It fills me with great joy to know that we can be there for one another while bringing this bright light to the world! We are all full of gratitude for this beautiful journey!!! Thank you Uncle Neil!!! Love and light!” Corey “For NYA: The tour started with passion and full heart even though our hearts were broken from the loss of our friend, mentor and brother Elliot Roberts. From the first note we played in the rehearsal room in Denmark to the last note on stage in Ireland, We were 100% this whole tour. Every show was special in its own way. I felt Elliot with us for the entire ride as he always was while here on earth. I felt his spirit on every song. I’m thankful to have learned from Elliot and to still be learning and growing with Neil and the Real. “Love and only love will break it down.” We broke it down and tried to mend our broken hearts through the power of music and love. Thank you to all the European and UK audiences. The support was real and we felt it! I truly hope we come back soon. Peace and always LOVE!” Anthony
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LIVE STREAM KILKENNY REBROADCAST


While the NY + POTR stream worked for many, there were still issues with some browsers and ios devices. DANG NABBIT#@?!! We promise to get to the bottom of it and sort it out! In the meantime we’ve decided to re- broadcast the Kilkenny show for you all on The Archives for 24 hours sometime this week. Stay tuned! Thanks for listening - NYA ( p.s. - it won’t include this song… this is just a little snippet from a cell phone, peace )
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A MESSAGE FROM NEIL


BREATHTAKING

photo: Michael Miller
On this current tour, I am blown away by the beauty of Germany. So clean! Beautiful farmlands with no chemical containers at every field. Just natural beauty. The people at our shows are so happy and supportive, it gives me faith. I rarely see a strip mall (never), or a McDonald’s (seldom), street garbage (nope). Old farms still stand. No industrial messes here. Just beautiful crops. Solar and Wind power are everywhere, blending in with the environment. It is just breathtaking. Germany leads the world. Have faith. It can be done. Read this! love Neil germanflag
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20,000 nya-inside-1408 NYA thanks 20,000 subscribers!


This is such good news and we want to thank you for being there! We will be bringing you more music, more Contrarian stories and more videos and photos as the years roll by. Thanks for being with us! Elliot’s goal is 40,000. We hope to get there but we are in no hurry. We know the folks who want us will find us. That is what has been happening so far. We don’t care about being big. We care about being good. We count on you to spread the word to the right people. We continue resisting calls for us to raise our prices. We are feeling good about the robustness of NYA. Development is continuing! We move at a slower pace than last year because we are much closer to our vision of what we want NYA to be, although we will always be improving. Longevity is our goal. Thanks to all subscribers. We appreciate you for being with us on this journey toward a digital music world that gives you all the sound of the music, all the real information about the creators, and all the artwork that is so important to each project. NYA
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Elliot Roberts


The greatest manager of all time.

Elliot speaking at our wedding party last year
My friend for over 50 years, Elliot Roberts, has passed away. We are all heartbroken, but want to share what a great human being Elliot has been. Never one to think about himself, he put everyone else first. That’s what he did for me for over fifty years of friendship love and laughter, managing my life, protecting our art in the business of music. That’s what he did. He was devoted to each of his kids from the very beginning. He would fly half way around the world just to see his family for one day. That’s just the way he loved them. He was so happy with his soul-mate Dana. elliot--3 Elliot and Dana No matter where I was in the world, no matter his other obligations, he was always by the side of the stage as much as he could be. Elliot was the funniest human being on earth with his uncanny wit and a heart filled with love. You never knew what he was going to say, but almost always a laugh was coming. Elliot never thought of himself, always someone else. He was my best friend in the world for so many years, and he was so happy for me and the life I had found, with Daryl, my wonderful wife and soul sharer. All the words in the world could not express my sense of love and thanks to Elliot Rabinowitz and his beautiful family, who adored him. He was there for all of us. When it came to our business, Elliot guided me through every move. We talked every day. Often I would call him multiple times in a day, arguing, discussing, planning and sharing. He was there for me and protected my music with a fierceness. He loved music and managed over the years many greats, Joni Mitchell, Bob Dylan, David Blue, Tracey Chapman, Tegan and Sara, Crosby Stills and Nash, Tom Petty, The Eagles, among others. Elliot loved making deals for all of us, saving our publishing rights, ensuring we were treated well, helping book our concerts, as well as booking the Bridge Concert with Marsha Vlassic from the very beginning for over 30 years. He made it happen. This world is forever changed for me, for all who knew him and loved him. His memory shines with love. elliot---1 Elliot Roberts was the greatest manager of all time. See you at the gig, Elliot. ny
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A MESSAGE FROM NEIL


a new page .....

photo: Michael Miller
NYA Times Contrarian has just added a new page for you . . . ‘NYA Earth News’ P 6. We have so many articles on the subject of EARTH that we were running out of room. Re-organizing is under way to create even more information on the world at large. I love making this paper for you. It keeps me off the streets! I continue creating a record of my Album of the Week here at the archives about all of the music I have ever made and I hope you enjoy reading it. At this time of my life, it is relaxing and fulfilling to do this kind of work. The Archive gives me an outlet for my thoughts and feelings. I answer your letters weekly (more or less) and it gives me a sense of being connected to you. Thanks for your support of my music over the many years! This archive is for you. . . . from me.
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Neil Young is Documenting From Every Angle


Morgan Enos (Other Houses) talks Neil Young’s Tuscaloosa and the importance of capturing every side of your artistic self.

photo: Joel Bernstein
There’s a sense of fear prevalent among musicians in 2019. Fear of flopping. Fear of tweeting the wrong thing. Fear of showing a less-than-ideal public face. These are the focus tracks. Here are your talking points. Was this press photo approved by management? All this machinating can make art dull — at worst, suffocating — which is why I’m glad to have Neil Young. For a decade, Young has been rolling out his Archives project, combining the brilliant, the absurd, and the ill-advised of his 50-year career into an avalanche of material. In his 2002 biography Shakey, Young explained why. “That’s what a fuckin’ archive is about, not ‘Here’s Neil Young in… all his great, phenomenal fucking wonderfulness.’ I want people to know how fuckin’ terrible I was. How scared I was and how great I was.” *Tuscaloosa, his latest addition to the Archives, is all about that cliff’s-edge feeling. It captures a never-before-heard performance at the University of Alabama in 1973, where he tackled recent hits under a stormcloud of grief. Reason being: his guitarist, Danny Whitten, had overdosed three months earlier — and Young was blaming himself. Whitten was supposed to be up there for the *Tuscaloosa show, but he was battling a nasty heroin addiction, and was nonfunctional during rehearsals as a result. Unwilling to risk a crucial tour, Young sent Whitten home to Los Angeles — and got a call from the coroner later that night. He spent the ensuing dates nervous, insecure and consumed by grief. He sounds like it, too. Some performances on *Tuscaloosa* are molten and majestic; others feel rushed. He often slurs his intros. On the easy, introspective “Old Man,” he yelps far beyond his register. “For me, it’s edgy,” Young told Rolling Stone in 2019, describing the vibe. “It’s like those mellow songs with an edge.” Young doesn’t directly invoke Whitten’s loss onstage, but he sounds like a young man in pain. Any other artist would have stuck this music in a drawer, or thrown it to the bootleggers and forgotten about it. Not Young. A year before the *Tuscaloosa* show, he released *Harvest, an often sunny, commercial album of folk-rock gems. But through *Tuscaloosa and his Archives at large, he clearly wanted to show himself as a full-fledged artist — not one who just showed his “best” side. Maybe we could use a jolt of that today. As a music journalist, I have noticed a desperate attempt at polish even with smaller acts, as if any crack in the facade will do them in. You need to make *Harvest, not its sloppy live counterpart where you mourn dead friends. Make a nice follow-up, not a drunken one in the back of an audio rental store. But Young has made his whole career on this. He’s both artist and documentarian. On *Tuscaloosa, Young saves the most emotionally naked moment for the end: “Don’t Be Denied.” I’d heard the song many times, mostly from his drunken, confrontational 1974 live album *Time Fades Away, in which he ran roughshod over it. There, I hear grief turning into rage, denial into anger. But on this fragile, straining version two months before, Neil’s even closer to the event. The mellow, self-assured artist who made *Harvest is suddenly on the precipice. Don’t Be Denied” is a tribute to resilience, a mini-memoir of Young’s early days in which he and his folkie pals wedged a foot in the door. But sung with an almost unbearable ache, it feels directly addressed to Whitten. “He was better than me,” Young wrote in his 2012 memoir *Waging Heavy Peace. “I didn’t see it. I was strong, and maybe I helped destroy something sacred by not seeing it.” Unlike on the *Time Fades Away version, the song never catches fire. That’s the point. He’s easing his way into the great unknown, in real time. Any casual Neil Young fan would point you to his three most famous albums as a measure of the man. But I wager these documented in-betweens are just as important. Through the lens of the Archives, these songs aren’t just lyrics and melody; they’re like wine varietals, taking on the attributes of the weather that they’re grown in. Somewhere in America, a coffeehouse singer is fingerpicking “Old Man.” But I assure you it doesn’t sound like the version here, sung by a wealthy 27-year-old with a couple of screws loose, facing down loss too young, his entire life ahead of him. It gives the song a new patina. I’m grateful Young is preserving these moments. How scared he was. How great he was. NYA thanks Talkhouse.com
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NYA FIRST LISTEN TUSCALOOSA


Hi folks, NYA is introducing ‘FIRST LISTEN’. We hope you enjoy feeling and hearing new records BEFORE they are released. We will be doing this from now on, playing new releases free for two days before they come out. Tonight, we introduce TUSCALOOSA, at 9PM PST, with many hits from Harvest, notably ‘Alabama’, played in Alabama possibly for the first time. Alabama is full of music lovers so I loved being there playing for them. The most recent time I was there was just after Katrina, and we played our hearts out for those folks. In a few months we will be introducing ‘FIRST LISTEN’ of Crazy Horse’s new album. Hope you enjoy them both! love NY
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NYA LIVE with ANDROID!


Thanks to all the people who worked so hard to make this happen. We are now live with our Android APP. We hope all users enjoy the experience of NYA as much as we enjoy finally getting on both platforms. Tonight we will be doing a roving camera stream on social media. This will be an apple device sending from the gig. We just want to share our concert in Eugene Oregon with you all. Currently we are working with developers to get our multi-camera stream feature at NYA perfected for your experience. These live streams multi camera presentations will soon be returning to NYA. Thanks! NYA
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CRAZY HORSE PLAYBACK! nych-snow-april2019-1408 photo: dhlovelife
High in the Rockies


We just had the album playback! 11 new songs, ranging from 3 minutes to 14 minutes of music each, were played at full volume on our stereo system (powered by AYRE). We believe we have a great Crazy Horse album, one to stand alongside ‘Everybody Know’s this is Nowhere’, ‘Rust Never Sleeps’, Sleeps With Angels’, ‘Psychedelic Pill’ and all the others. Untitled at this moment, our Crazy Horse album with Nils, Ralphie and Billy stands as one of the most diverse albums I have ever made and I can’t wait for you to hear it. That means there will be schedule changes and release date adjustments as this new album finds its release date in the early Fall of 2019, displacing older re-release projects! Whatever label this brand new Crazy Horse album is on, it will be a proud moment for all involved, something we were not sure we would get to do. We did it though and it rocks! I am so thankful. Recorded at 9200 feet elevation in the Rocky Mountains, with our old tube board, mics and equipment, J Hanlon and crew captured the master at 24/192 High Resolution for a wonderful listening experience and it did not disappoint as we cranked it up on a PONO player and let it go! A great dinner was served which we all enjoyed together, celebrating! Then we headed back to our homes around the country, happy to have done it, each one of us with our own copy. Soon you will be hearing it too! We plan to tour in support of this album and hope to see you all there. We all hope there will be more. ny
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FACEBOOK AGAIN


UPLOADED 1.5 MILLION PEOPLE’S EMAIL CONTACTS WITHOUT THEIR CONSENT

By Rob Price Facebook harvested the email contacts of 1.5 million users without their knowledge or consent when they opened their accounts. Since May 2016, the social-networking company has collected the contact lists of 1.5 million users new to the social network, Business Insider can reveal. The Silicon Valley company said the contact data was “unintentionally uploaded to Facebook,” and it is now deleting them. Again I will say what few in the media seem willing to: Facebook is a criminal enterprise. NYA thanks Business Insider
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A MESSAGE FROM NEIL


To all my friends in France: My heart is broken by your tragic fire. I love Paris and I have confidence in your ability to restore this architectural masterpiece. I know the heart of France is strong. We are with you. Vive la France!!!! LOVE, NY
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A MESSAGE FROM NEIL


photo: Michael Miller
Lately I’ve been waking up thinking about my Dad. I have one of his books by my bedside table. He was the one who gave me my fIrst ukulele and showed me a few chords as he sang “Bury Me out on the Prairie’. He was the one who drove me to my morning paper route, delivering his paper, The Globe and Mail, where he wrote a general column for years. He was the one making me butter sugar and lemon roll up pancakes when I got home from the route on my bike. He was the one pounding his typewriter in the attic, where I was not to go and disturb him, except I did. After I climbed the long stairs into the attic, turning from his Underwood he would look at me and ask, “Whats going on Windy?” I was four or five. When my family broke up, I was twelve. My mom and I moved to Winnipeg Manitoba in the mid-west of Canada. My brother Bob stayed with my Dad in Toronto. Soon my Dad remarried. Those were tough times, but I love both my mom and dad. They both are with me, as yours are probably with you. I think Daddy would be happy to see what I am doing now with this newspaper. It is what I learned from him and my mom. My mom would edit his books, fixing spelling and grammatical errors for him. They were a good partnership. But things change, as I have learned in my own life, and here I am with a happy home, a wonderful wife and three great kids out in the world. I am so lucky. Thanks for being with me. NY
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CRAZY HORSE IN STUDIO!


photo: Dan Harper
At least 11 new songs, all written recently, are going to be recorded starting this week. Crazy Horse’s last studio album - ‘Psychedelic Pill’, was released in 2012 and this newest ‘Crazy Horse’ album should be released in 2019. Nils Lofgren is an original member of the Horse dating back to ‘After the Goldrush’ and ‘Tonight’s the Night’. Nils, seen in shadow on the image above, will be with Ralph Molina, Billy Talbot and I, making our new CRAZY HORSE music high in the Rockies. ‘Crazy Horse’ history goes back to our original founding singer guitarist - the great Danny Whitten. When Danny died of a drug overdose in 1973, Nils joined us for Tonight’s the Night, playing electric guitar and piano in a wake for Danny and roadie Bruce Berry., who died a similar tragic death. Previously, Nils had replaced Danny during most of the recording of 1970’s ‘After the Goldrush’, singing, playing both piano and acoustic guitar. Poncho Sampedro joined the band in 1975 and stayed with Crazy Horse until 2018, making tons of great music with us. The Band is excited to make this new album and continue our story. We sincerely hope you enjoy our new music when it is released this year because we know we will enjoy making it. We are very excited to get started in just a few days! ny
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RECORD STORE DAY!


Use the NYA finder and visit today for awesome deals and people!

Celebrate Record Store Day with NYA by visiting your local store! If you want to find it easily just use NYA. On every info card there is a vinyl record icon. Click that and enter your zip code. You will find a list of record stores near you where you can get our new vinyl releases. Our Record Store Day celebration is ‘Four Way Street’ a great live album from the heyday of CSNY. Support your locals! love, NYA Record Store Day U.S. Record Store Day U.K. Album page
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A MESSAGE FROM NEIL


photo: Michael Miller
Hi everybody. Thanks for being part of NYA! I love writing in and editing this newspaper. My dad was a newspaper man and I have one of his old columns on my desk just to remind me. It is people like you, and those who write in to ‘Letters to the Editor’, who make this so much fun. I like to respond to your questions. I generally do this once a week and send it to the desk at NYA. It’s gratifying to hear how you all love the sound of this site. It has been a labor of love and it is built to last! However you came by it, I am thankful. We do try to have the music for you here as soon as it is prepared for you to hear. Each track has to be reviewed to make sure it is the highest quality we originally created. In some cases, we have songs in the vault that have not been added yet. There are many of these. We are going to be adding a lot of single tracks in the coming days, weeks, and months. Greatest Misses Vol. 1 There are more than enough of them to create an album called “Greatest Misses.” I think I am going to put that together. These are studio tracks, finished records that did not become part of an album, yet are really cool records. Then there are the unreleased albums. Somewhere between ten and fifteen of those are ‘in the can’ or under construction. They all need to be reviewed. John Hanlon, John Hausmann, Tim Mulligan and myself are doing that all the time. I am so gratified by your response to this archives site, the first of its kind anywhere. I would love other artists to use Xstream on their sites so their fans can hear the same quality my fans hear, but that’s up to them. Our streaming technology is available, so let your favorite artists know that it is, if you would like to hear that sound on their sites. Metallica is one band I would love to hear in Xstream as well as Foo Fighters, Nirvana and Norah Jones among many others, like Bob Dylan, J.J. Cale, Promise of the Real, Particle Kid, Prince, Michael Jackson, Phillies records and more. If you would like their sites to sound like NYA, just let them know. I am easy for them to find. Most of all, you are the ones who can make great music audio happen by supporting it the way you do here. I appreciate you so much! Onward into our future! Thanks, Neil Young
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Mayor Pete
2020's stealth millennial climate candidate


photo: Joshua Lott
by Kate Yoger Pete Buttigieg, the mayor of South Bend, Indiana, likes to imagine what America will look like in 2054, the year he’ll be 72, the same age as the current president. Will aging millennials still be paying off student debt as they apply for shrinking Social Security payments? Will Miami be a modern-day Atlantis beneath the swelling seas? The whole thought experiment makes more sense once you know that the 37-year-old Buttigieg is running for president. Because odds are you didn’t. Buttigieg is one of many underdogs vying for the 2020 Democratic nomination, and the youngest one to boot. His campaign is underpinned by the concern that young people today will likely be stuck with the problems created by older generations, especially climate change. Who better to fix them than a millennial like Buttigieg — a Navy vet and Rhodes Scholar — who understands what’s at stake? “You can’t just hope it’s gonna take care of itself if you’re concerned about how life is going to unfold for us all,” he said at a recent event in Seattle. In other words, when you adopt the concerns of the younger generation as your own, then you reach different conclusions. The state of the union in 2054 becomes your problem, so you start thinking long-term instead of short-term. “I fear that that perspective is not being taken on by people in power today,” he said. After the 2016 election, then-President Barack Obama told the New Yorker the names of four gifted Democratic politicians he saw as future party leaders. Three were senators in their 50s, and one was Buttigieg. But he’s still far from a household name. A recent poll of the 2020 Democratic primary field had him pulling in 1 percent of the vote. Should he defy the odds and win, Buttigieg would be the first openly gay president, though he wouldn’t be the first one with a funny name (it’s hard to top Millard Fillmore). The surname “Buttigieg,” pronounced boot-uh-judge, is Maltese and translates to something like “lord of the poultry.” So Buttigieg is known as “Mayor Pete” among South Bend locals. To learn about the two-term mayor’s vision for taking on the unfolding climate crisis, as well as what he learned from tackling environmental issues at the local level in a red state, Grist asked him about it over the phone. Midwestern sensibilities Two big floods hit South Bend in the past couple of years — floods that “should happen once in a lifetime, if that,” Buttigieg told me. So when he thinks about climate change, he remembers a family on the porch of their flooded house in South Bend, the night before the first day of school. “The family’s trying to figure out how to cope with being displaced because the flood has made their house unlivable,” he said. As Indiana warms, research shows, more devastating rains are in store. That’s a problem for South Bend, a city whose old stormwater system wasn’t designed to handle these deluges, and where heavy rains keep sending sewage into the St. Joseph River. Buttigieg had inherited an expensive stormwater infrastructure plan that the city couldn’t afford. So he prioritized “finding a cost-saving and environmentally-friendly solution to the stormwater problem,” said Therese Dorau, director of South Bend’s sustainability office. In 2017, he proposed a greener plan to manage floods with permeable concrete, rain gardens, and tree plantings — and in the process, saved hundreds of millions of dollars, Dorau said. Buttigieg recently wrote a New York Times-bestselling memoir about his mission to revitalize his hometown, called Shortest Way Home: One Mayor’s Challenge and a Model for America’s Future. In 2011, the year Buttigieg ran for mayor, Newsweek listed South Bend as one of “America’s dying cities” because its economy had never fully recovered after a major car manufacturer left town in the 1960s. “I grew up at a time when people felt like success meant getting out,” Buttigieg told Politico. Since he took office in 2012, South Bend’s unemployment rate is half of what it was, and its population is starting to grow again. Buttigieg initially got to work on fixing the town’s abandoned building problem, demolishing and repairing 1,000 houses in 1,000 days. He’s taken advantage of the fiber optic cables running beneath town to transform it into a tech center dubbed the “Silicon Prairie.” “He loves to call us a beta city,” Dorau said. He’s installed a couple of free electric vehicle chargers downtown and has spent millions on greener buildings, parks, trails. He also spearheaded an effort to revive the city’s downtown with a $25 million project to make streets more appealing for businesses and safer for pedestrians and bikers, even as citizens complained about the big cost, the roundabouts, and the slower traffic. Buttigieg, for his part, intended to slow down cars — he’s fond of pointing to research showing that slower speeds are safer. To be sure, he’s not without critics. As some observers have pointed out, Buttigieg scolded Democrats after the 2016 election for fixating on winning the White House while overlooking local and state seats. But now, rather than running for governor of Indiana as some had predicted, he’s aiming for an improbable presidential campaign. He wants to eliminate the Electoral College, arguing that it’s undemocratic, and he probably wouldn’t mind kicking Vice President Mike Pence out of office (Buttigieg seems to have a vendetta against Indiana’s former governor). Move over, polar bears Buttigieg speaks seven languages conversationally, including Spanish, French, Italian, Maltese, and Norwegian (he told MSNBC he’s a little rusty on Arabic and Dari, which he picked up during his military service in Afghanistan.) Given this linguistic dexterity, it’s no surprise that Buttigieg has some tips for changing the way we talk about climate change. “Often people picture the sort of thing you see on the B-roll on cable news – images of ice shelves in the Antarctic and polar bears,” Buttigieg said. “I think what we need is images of families in the U.S.” Buttigieg knows that there’s “already a very passionate community of interest” around environmental issues, but said it’s important to broaden the conversation beyond, you know, environmentalists. “What you have to do is make it less and less of a specialty concern, and more and more something that’s part of everyone’s life.” “We need to talk about this not just as an issue of technology or science, but as an issue of justice,” he said. “We gotta recognize that one of the obligations we have as human beings — and one of the most ennobling things about government when it’s working well — is the importance of not just taking care of the vulnerable, but making them less vulnerable.” The changing climate is making the international environment less stable and less secure in countless ways, Buttigieg said, pointing to wildfires in California and droughts in the Middle East. “I think that anyone who uses the word ‘security’ in a 21st-century context had better be able to explain what they would be doing about climate change,” he said. In previous presidential elections, Buttigieg might have had that issue all to himself. This year, the competition is thick. There’s Governor Jay Inslee of Washington state, who’s running an explicitly climate-oriented campaign. And there are big-name 2020 contenders backing the Green New Deal resolution in Congress, like senators Elizabeth Warren of Massachusetts and Bernie Sanders of Vermont. ‘Great urgency and national unity’ Buttigieg pointed to some unsexy but extremely practical fixes, like building retrofits, where everyone ends up being a winner: “Right now, we’ve got Americorps volunteers in South Bend retrofitting homes of low-income residents in ways that improve our carbon footprint but also improve the economic well-being of those around us.” As a presidential candidate, Buttigieg has called for billions’ worth of investment in research and development to lower the cost of solar and other renewable technologies. He also wants every American home to be a “net zero” energy consumer, with each roof lined with solar panels. “Uncle Sam is gonna mail you a kit,” he told Yahoo News (that’s assuming he manages to get elected). “The broader thing is to make it clear that there are opportunities, especially for working people and industry, that lie in the possibilities of dealing with this issue in the same way that the arrival of World War II was part of what made it possible for America to lift itself out of the Great Depression,” he told me. “It shouldn’t require a war for our country to mount that level of effort,” he said. “Unlike something like the Great Depression or World War II, this time we see it coming. Shame on us if we don’t find a convincing solution and act with great urgency and national unity.” It’s an ambitious message. But the homegrown Indiana politician thinks that he can reach the Midwestern voters that coastal Democrats can’t. To illustrate his potential appeal with Trump voters, he likes to point to the 2016 election: Voters in his county were pretty evenly split on the presidential candidates but re-elected him with 80 percent of the vote. President Trump’s “Make America Great Again” slogan gets it wrong, Buttigieg said in Seattle. The secret to revitalizing flyover country isn’t reviving the coal industry. “The first thing you have to do in order to get there is to acknowledge that the future you’re trying to build is not as simple as rewinding to something you used to have.” NYA thanks GRIST
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Our House Is On Fire


Greta Thunberg, 16, urges leaders to act on climate

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Young People Leading the Way


Companies Need to Pay Attention to CLIMATE CHANGE

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DEADMAN


SCORING SESSION

at the hearse

A short film by Jim Jarmusch A chance to hover at the session that produced the live ‘Dead Man’ score and see the way it was done. Kind of like a silent movie score. Live in the theater, back in the day people played organ or piano along with movie live. Here, playing back the movie on about 30 small and large screens in Mason Sound stage in San Francisco south of Market, the music was played and recorded live as the movie played. One of the Greatest Films ever In the Halucinatory Western vein, if not the absolute best, Deadman features “Old Black” through a fender deluxe tweedy, a Baldwin Exterminator, a Magnatone stereovibrato, an echoplex, a fender reverb, an MXR analog delay, all driving a musitron octave divider. Some names have been changed to protect the innocent. Check it out at the Hearse Theater. NY
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CATCH THESE SHOWS!


while the climate holds

This July, ’Neil Young + Promise of the Real’ will return to Europe, visiting Dresden, Berlin, Mannheim and Munich in Germany, followed by Antwerp, Belgium and Amsterdam, Holland. These shows will be their first return to Europe since 2016 and the band is jacked to be coming back again to jam in Europe! Check NYA homepage tickets Monday, Feb 25th for actual showdates and presales through NYA only. After a period of time the tickets will go public. Some shows will have reserved seating and some won’t because they are festivals. We hope to see you there, jammin’ with the Real. NYA UPDATED: NYA pre-sale begins Tuesday 2/26 at 5pm CET 7/2 - Dresden, Germany 7/3 - Berlin, Germany 7/5 - Mannheim, Germany 7/6 - Munich, Germany 7/9 - Antwerp, Belgium 7/10 - Amsterdam, Holland
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HEADING HOME BUS-HEADING-HOME-1408 photo: dhlovelife
ESCAPING THE VORTEX


This last few weeks has been a thoroughly rewarding Theater Tour. I am thankful we got to play so many memorable classic theaters. from Milwaukee and Madison to Minneapolis and north to Winnipeg. RIVERSIDE, STATE, PANTAGES, ORPHEUM, OVERTURE HALL, BURTON CUMMINGS, CENTENNIAL CONCERT HALL, NORTHROP AUDITORIUM; they were all great and the music was living. Rolling through the Midwest during a Polar Vortex is a once in a lifetime experience I shared with many of the people I love. My crew, my family, my lovely wife. . . .we are all so happy to have been out on the road with these great crowds of music lovers. . . . . Many Archives crawlers and explorers are in the mix. Thanks so much for taking part! Heading home, we ran just in front of the cold as it slowly and wildly succumbed to the warmth heading South. Turning West into the sun now, we are thankful for our musical journey, and for our last show’s gift experience with the rumble-dream Crazy Horse of the future. NYA
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NYA APP IS HERE!


High Res everywhere!

newsflash Our IOS app is available free! neilyoungarchives Try it out and let us know how you like it! The Android version is on its way. It encountered cobwebs in the tunnel. They have been partially cleared by volunteer Elves. We will be giving you many hints on how to get full High Res from the archives app. NYA is streaming High Res where you are. Watch for articles at NYA. Merry Merry! NYA     appscreen-vert-970
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'SONGS FOR JUDY' songsforjudy-back1408


Behind the Scenes

Cameron Crowe and Joel Bernstein tell how they did it. In late 1976 and early 1977 Joel and Cameron got together and built ‘Songs for Judy’ from a pile of cassettes and memories. This is how it happened... Cameron: Joel Bernstein and I first met on a crisp morning in March, 1974. It was already an auspicious day. Neil Young had agreed to join The Eagles for a benefit at the Cuesta College Auditorium in San Luis Obispo. We were all together for the bus ride up the coast. Neil was notoriously press-shy at the time. I snuck onto the bus as a guest of the Eagles. There is a picture from the day, taken by Joel. Behind me, Neil is playing an early version of “For The Turnstiles.” (Later, passing some oil derricks, he would begin writing part of “Vampire Blues” on the same bus ride.) I’m just hunkering down trying to look like I belong. We became fast friends that very day -- Joel the photographer (and guitar maestro-technician), and me the journalist. Our shared aesthetic was rigorous. As fans, we loved the raw and the real. For example -- the demo was usually our favorite version of any given song. Joel the artist worked almost exclusively with available light. We viewed ourselves as documentarians, there to catch the spirit in the air. We even had a nickname for ourselves – Eyes and Ears (from the old movie newsreel "The Eyes And Ears Of The World") . We still do. Joel and I went on many assignments together, and one of our early adventures was for Rolling Stone. I was invited on Neil Young and Crazy Horse’s 1976 North American tour. Joel was already on tour as Neil's guitar tech, and was also documenting the shows by recording them. Full disclosure: I was in heaven. songsforjudy-bus1408 Joel: I'd been the photographer on Neil's Time Fades Away tour in 1973; Neil was tuning his own acoustic and electric guitars himself before each show with the help of a Conn Strobotuner, a curious device featuring a display with a backlit, spinning disc of concentric circles. Based upon the stroboscopic effect (as when a plane's propeller or wagon wheel appears to stand still or be turning backwards), it could show very fine, real-time information, when read correctly, of the pitch of a plucked guitar string and enable acoustic or electric guitars to be precisely tuned. One night, he remembered that back at the Electric Factory in Philadelphia, I'd tuned his Martin D-45 quickly and well when he had to go onstage. So, a bit like Huck Finn showing Tom Sawyer how to whitewash a fence, he explained to me how to use the "strobe," and I then tuned those guitars for him before each show. I then became a guitar tech first for David Crosby & Graham Nash and then for Bob Dylan's second Rolling Thunder Revue earlier that year. Before going on Neil's tour, I'd gotten a Uher portable cassette deck so that I could listen to my favorite recordings on cassettes made from LPs and tape recordings while I was traveling. I asked my friend and, my friend Bob Sterne if I could get a feed of the PA mix made by Neil's house engineer Tim Mulligan to my guitar work station by the side of the stage, so that I could record while I was working. These would be of only incidental interest to Neil, because these were mono cassettes of the PA mix, unsuitable for release b) Tim was also recording the shows on cassette from the front of house, which technically should have been superior to mine, and c) because earlier shows on the same tour, in Tokyo and London, had been professionally recorded and were already being fashioned into a live album. Nonetheless, having been on tours with Neil for years, I knew that there would be magic. The stage was moodily-lit by Chip “The Brown Acid... is not specifically too good” Monck. Neil stood at the center, between two antique-wooden Indians, each holding a legendary guitar. One, a Gibson Flying V, and the other the even-rarer Gibson Explorer. These were not incredible reproductions. These were the real guitars. Cameron: The shows were reckless and beautiful. Every night. The evenings began with an hour-long acoustic solo-set from Neil. The acoustic portion of the evening morphed nightly, often fueled by a smoke or two just behind the curtain. After a break, Neil and Crazy Horse would return for a barn-burner of an electric-set designed to level the place. They succeeded nightly. Just two years after the big-arena explosion of CSNY’s 74 summer tour, Neil was back with something even more potent and personal.
Joel: The tour began at the Dorothy Chandler Pavilion in downtown Los Angeles on November 1, 1976, the day before Election Day. Neil started with a solo acoustic version of a powerful, unreleased song called "Campaigner." I immediately realized that making these tapes was in fact a great idea. I was soon raiding malls for whatever blank C-90 cassettes I could find along the way. The U.S. leg of this tour was brief (18 shows in 12 cities, in 24 days) but the performances were at their best intense and thrilling. As the tour continued, the cache of cassette-tape grew, all of them filled with gems. Midday through the tour, on Neil's 31st birthday, he invited Cameron and I onto his tour bus, Pocahontas, parked in the snow in front of the Edgewater Inn, in Madison. Cameron: Eight months earlier, Joel had been on nearby Lake Mendota, photographing Joni Mitchell skating for her Hejira album. Otis Redding’s plane had crashed, I think, in the same vicinity years earlier. The whole area felt rich in musical lore... Joel: Neil and I might have smoked a joint. Then Neil said, "Oh, I've got to make a phone call." This no doubt meant that Neil would have to return to the hotel, but he stayed put. "Just wait a second," he said, and opened up a leather attaché case on the table. Inside was a telephone that looked like a prop from the 60's TV show Get Smart. "It's a satellite phone," said Neil. What is that? It's 1976! We're on his bus! He makes a call to Mo Ostin, president of Neil's record label, and to our amazement, cancels the release of his 3-LP compilation Decade; months in the making, already pressed, and scheduled to come out imminently. Cameron: (The Rolling Stone piece had been assigned to come-out in tandem with the album. Now we were all suddenly in free-fall.) Joel: The last two shows of the tour were to benefit the restoration of Atlanta's historic Fox Theater, where we were playing. After the first show, an unusually long interval occurred before the second, midnight show. To celebrate the end of their months-long international tour, the band had found an excellent combination, that included at least Tequila and marijuana, with which to commune. One of the results, when the midnight show began after one, was the unparalleled rap in which Neil conjures up the spirit of Judy Garland, a vision which would have vanished but for this recording. By the time the last show was over, and we loaded up the trucks for the last time, Tim Mulligan, Neil's mixer, and I realized there was no point in trying to get any sleep; we had to catch the earliest flight to San Francisco. It was Thanksgiving, but we both had another show later that night with Neil... they said it was going to be called The Last Waltz.
Cameron: Joel and I made a pact. After the tour, we’d get together at Joel’s San Francisco apartment, and make our own “essential” audio-compilation of the tour. The goal was to create our definitive collection of the acoustic and electric performances. Each would feature one performance of every song that had been performed, and it should fit onto a ninety-minute cassette. We began, of course, with acoustic sets. Joel listened to all the performances and whittled them down to three or four best-versions. In some cases, if Neil only performed the song once, that one version would be included. The acoustic shows were sparkling, sometimes stoney, often surprising, and always heart-felt. You might get a “Losing End,” or even a “Love is a Rose.” Neil would regularly engage in conversations with the audience, including one epic monologue from a late show in Atlanta that became a darkly comic-centerpiece of our collection. Young had always been a sharply witty stage conversationalist, but this one intro to “Too Far Gone” took a psychedelic journey to Oz and back. For days we listened and compiled. It was deliriously painstaking work. Wake up, eat breakfast, dive back into the recordings. Decide which of the 12 versions of “Old Laughing Lady” was most essential. Repeat. Joel: Cameron, reading your account reminds me of just how much fun it was to do the listening and our notes, and discuss each performance until we agreed "that's the one." After you and I made our selections, I went next door to Graham Nash's home studio, Rudy Records, and transferred each song we'd chosen to reel-to-reel, then cut it together into two reels, one for each side of a cassette. I made three cassette copies of the tape compilation; two went to the two crew members who got me the audio feed of Tim's PA mix each night. (Audio nerds: to accomplish this required these adaptors: XLR > 1/4" > RCA > DIN.) At the time, it seemed the right way to repay them for taking the time to do that. I cautioned them each not to copy the tape, and to keep it in a safe place. A few years later, one of them called to tell me he couldn't find his copy of the compiled cassette. A little later, a copy of a copy of a copy of that cassette became the master tape for a bootleg LP; just what I'd been trying to avoid. Years later, I was interviewed for Neil's fan club magazine, Broken Arrow, and was asked what I knew about this (to fans) mysterious compilation, and told the story to the journalist, who wrote a piece about it, after which the bootleg was referred to as "The Joel Bernstein" tape.
Cameron: We never made it to the electric sets. Such was Joel’s attention to detail, and our shared commitment to exploring every crevice of the 1976 acoustic rabbit hole, by the time we finished part one, we were spent. We took a little break. Decades passed, but we always returned to the joys of this compilation. The tour had been so satisfying, and so different from all that rock would become in the ensuing years, something indelible was captured in our humble collection. Listening to it today is a little like discovering postcards from home. It was a precious time in Neil Young’s journey, a breath of oxygen in between some of his biggest adventures. Everybody involved was cresting towards another career peak, Rust Never Sleeps was just around the corner, and you can close your eyes and imagine the thrill in the room. It’s Bicentennial year in America, Neil Young and Crazy Horse are in your town, and out walks Neil with his acoustic. Press play. Joel: Meet you back at my place this fall. Let’s start the electric-set compilation... Cameron: Sounds good. I remember a blistering 9-minute “Cortez the Killer” from the Dane County Coliseum, in Madison that was absolutely essential... Joel: Here we go again... by Cameron Crowe and Joel Bernstein © Eyes and Ears Productions 2018
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BLM A Black American - Sentenced to Life for selling less than $30 worth of marijuana. BLMsentencedtolife1 After nearly a decade in prison for a marijuana sale, Derek Harris has been freed


By Christina Maxouris, CNN Derek Harris, a Louisiana man who was sentenced after selling marijuana, was freed this week after nearly a decade in prison. Derek Harris, a Louisiana man who was sentenced to life in prison for selling less than $30 worth of marijuana, has been freed after nearly a decade behind bars. Harris' life sentence was recently reduced to time served -- nine years -- and he was released from the Louisiana State Penitentiary, according to a Tuesday news release from the Promise of Justice Initiative, a New Orleans-based nonprofit. His release comes at a time when prisoners across the country face heightened risks of coronavirus, with many institutions reporting hundreds of cases among prisoners and staff members. "This delayed justice was a terrifying ordeal for Derek and his family," Mercedes Montagnes, the nonprofit's executive director said. "As COVID-19 rates continue to rise in DOC facilities, every day spent in Angola was a tremendous risk for Derek's health and safety.” BLMsentencedtolife2 A man who was sentenced to life in prison for selling $30 of marijuana will be freed Harris' release is just the first step in helping him move forward, his attorney, Cormac Boyle said. "Supporting Derek did not end with overturning his egregious life sentence and it did not end the day he walked out of Angola," Boyle said in a statement. According to the release, Harris used to work in the prison's hospital for years but is now a free man with no job and in need of "basic help for medications and other necessities to get him started in his new life.” "Righting the harms done to a person through incarceration includes supporting their health, housing, and adjustment to their long-deserved freedom we need all the help we can get," Boyle said. About .69 grams Harris, a military veteran, was arrested in 2008 in Abbeville, Louisiana, for selling an officer .69 grams of marijuana. He was initially convicted and sentenced to 15 years in prison, according to the state's Supreme Court. In 2012, he was re-sentenced to life in prison under the Habitual Offender Law, which allows judges to hand enhanced sentences to those who have previous convictions on their record. Criminal justice reform advocates have pointed to the law as a major driver behind mass incarceration and claimed it often brought about unfair and harsh sentences for nonviolent crimes. "Louisiana's habitual offender law is abused, misused and ineffective," Jamila Johnson, a senior supervising attorney for the Southern Poverty Law Center Action Fund, said in a 2019 statement on the law. "People suffering from addiction, mental illness, and poverty can find themselves in prison for decades for something as minor as stealing $14." CNN's Kay Jones contributed to this report.
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georgefloydmemorialfund
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NYA OFFICIAL BOOTLEGS


Bootlegs are big piece of music history - especially rock ’n roll. Artists have no control over the quality or content of a bootleg. They just perform, get recorded by someone and that’s it. The NYA Official Bootleg Series captures this alive rock ’n roll feeling with shows that were bootlegged over the last 50 years. Unlike a normal release, the bootleg series will be added to without much fuss, just building out and completing copies of the best bootlegs we can find. We will open with 5 great bootlegs. Only the quality is different. We have a lot of our masters, dating back to 1970 and possibly earlier, of bootlegs that have been released of my music in many forms. In some cases, we dont have our master quality, so we release the original masters from the old recordings made for the bootleg. We have collected a few of those. So we give you the best you can ever get in our Official Bootleg Series, mostly our own masters, from Carnegie Hall 1970 v1 and v2 to much more recent releases. We’re proud to stand with the outlaw companies who pioneered these releases in their desire to get this music out there. Now it’s time to really hear it in NYA quality. We simply copy the original bootleg art, continuing the tradition upgraded with our master quality sound. Our series will arrive unannounced sometime in 2020. It’s in production right now.
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COMPLAINT


Action against Trump Campaign begins. See LAW (page 5) ny
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A Message From Neil


photo: Michael Miller
“I don’t care what the military says.” -- Donald J. Trump, US President. I am changing my mind about suing President Trump. Reconsidering. I’m looking at it again. There is a long history to consider and I originally considered it, deciding not to pursue. But then President Trump ordered thugs in uniform onto our streets. His idea. He ordered this himself. This is all DJT. He told them to wear camouflage, use unmarked vehicles to take people away, innocent people peacefully protesting - their constitutional right as US citizens. Trump’s trooper thugs attacked a NAVY Vet (see video), who was presenting no threat to them, despite their lame excuses. This man is a military veteran (see what he says in video.)
Trump has no respect for our military. They are not to be used on the streets of America against law abiding citizens for a Political charade orchestrated by a challenged President. It’s a complete disgrace, the way he plays citizens against one another for his own political gain, saying that only cities run by democrats are in trouble and need help. Those elected leaders asked him not to intervene. The elected representatives in all these cities and states are against Trump’s military thugs shooting people on the streets. Our military is against it. That is not their sacred mission. Trump says : “I don’t care what the military says.” These are thugs with no IDs shooting Americans on the streets. They are not our police. Our police should arrest these untrained thugs for breaking our laws. They have zero de—escalation training, a must have for the job they are mishandling, so they’re totally unqualified to be there. The US military is against these thug troops being here on the streets of America, attacking citizens. That is not what our US military does. They know they are not to be on the streets doing a rogue president’s bidding for his own political gain, harming innocent citizens who are legally protesting. When the states asked for help with Covid 19, the president did not give it. He said he’s not responsible. When they said don’t bring military to our streets - we don’t need that, he did it anyway for his own political reasons- not for America. This rogue president is creating a much worse problem with his street thug army of uniformed hatred. So I am reconsidering. Imagine what it feels like to hear ‘Rockin’ in the Free World’ after this President speaks, like it is his theme song. I did not write it for that. Neil Young
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joebidenposter-1408


 
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THANKS!


Thanks for the abundance of love for Homegrown. I appreciate it! This is music for all of us who were there and the many who come after. It's ours! Thanks everyone for making me feel so good, Love, Be well. Neil
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How K-Pop Stans Became an Activist Force to Be Reckoned With


That K-pop stans are adept at being heard online is no surprise—digital literacy is essential for K-pop artists and their fans across the globe. Photo: Drew Angerer/ Getty Images
Fans originally flocked to the community because it was apolitical, fantastical, and removed from American hegemony. Then came Donald Trump. On June 20, US president Donald Trump delivered a campaign rally in front of just 6,200 people. The stadium, in Tulsa, Oklahoma, carries 19,000, and so was notably empty, with row upon row of blue unoccupied seats; a second stadium booked up nearby for overflow went unused. Trump’s campaign had bragged that more than a million people had registered to attend. A large internet group has laid claim to ruining Trump’s big day—K-pop stans. A K-pop stan is simply an enthusiastic and active fan of Korean pop music (stan means ardent fan)—often you’ll see them on Twitter with their picture changed to one of their heroes. The Tulsa debacle is not their first involvement in American politics. In May, K-pop-stanning Twitter accounts hijacked the white supremacist #WhiteLivesMatter hashtag, flooding it with K-pop videos. In June, they crashed the Dallas Police Department app with thousands of fancams, short clips of Korean idols or groups performing live. Earlier this month, when the Trump campaign asked users to wish the president happy birthday on Twitter, they flooded the replies with rude messages. The most recent prank was a collaboration with Gen Z TikTokers. A woman named Mary Jo Laupp encouraged her followers to sign up for Trump’s rally, then not attend. Later, another user requested that K-pop stans get involved. Ria, who is 16, based in the US, and whose favorite K-pop group is the boyband BTS, heard about the plan to prank Trump from other K-pop fans on Twitter, though she was aware that the idea was circling on TikTok, too. “In these types of projects there’s never a leader, everyone just spreads the message. And since there are millions of us it’s very easy to get something trending,” she says. “We also tried to keep it low-key—as you can see, nobody saw us coming until the actual event took place and all of the tweets and TikToks were found by the media.” Registering was easy: Trump’s campaign was giving away two free tickets per registered phone. “I used my phone number and my parents’ phone number, I actually told them everything that was going on and they loved it,” she says. John Lie, a professor of sociology at UC Berkeley, says that K-pop emerged as “export-oriented” popular music in the mid-1990s. It explicitly relied on the internet and social media and the cultivation of fandom. Most people outside of South Korea had their first encounter with K-pop when Psy’s "Gangnam Style" music video was released on YouTube in 2012. “In North America and Europe, it was in the late 2000s when K-pop fan bases emerged,” says Haekyung Um, a senior lecturer in music at University of Liverpool. “And these fans were members of online discussion groups, forums and chat rooms of Asian popular music who communicated with each other sharing and exchanging their musical interests and knowledge of K-pop.” k-pop-stans-activist2 K-pop fan groups are large, active, and growing—#KpopTwitter was included in 6.1 billion Tweets in 2019, 15 percent higher than 2018, with Thailand, South Korea, Indonesia, and the United States making up the top four countries. BTS member Jungkook’s video of him dancing to Billie Eilish’s "Bad Guy" became the most retweeted post on the platform in 2019. These fans are international, explains Richard Williams, a lecturer in ethnomusicology at SOAS University of London, and have been engaging with each other online for years. Their shared obsession with K-pop idols makes it easy for them to mobilize. “There’s a long history of this community creating a safe online space for themselves, one where they can set up their own rules,” says Williams. “It’s a shared community, a shared space online—some scholars call it an affinity space, this idea of a space where you have a very, very intimate affinity with people around the world.” That K-pop stans are adept at being heard online is no surprise—digital literacy is essential for K-pop artists and their fans across the globe. “Above all, K-pop has achieved its global prominence thanks to digital technology,” says Um. “K-pop’s success also owes a lot to Western-based social media.” Their activism hasn’t been limited to America, either. In 2016, Taiwan-born singer Tzuyu released a video through her record label in which she apologized to her Chinese fanbase for waving a Taiwanese flag on Korean television. (China regards Taiwan as a Chinese province rather than an independent state.) The website of the label, believed to have forced Tzuyu to apologize against her will, was taken down in a DDoS attack, in which Williams believes K-pop stans played a role. This pivot to wokeness, however, is in some senses unexpected. One of the original attractions of K-pop, Williams says, is that it was apolitical, fantastical, and removed from people’s home politics and American hegemony. Some of the community’s racial politics have also been unsavory. “There is a long history of American black music influencing K-pop. But it’s not so clear-cut. I mean, a lot of black K-pop fans get racially harassed,” he says. Yet the K-pop community also has a sizable LGBT and minority following. “The K-pop community is very woke, which means it’s very open and educated on social and political problems, and the K-pop community is very diverse, we have people of all nationalities, people of all ages, there are millions of people from the LGBTQ+ community, we have POCs, Asian people, Hispanic people, Indian people," says Ria. With this demographic, Trump would seem like a natural enemy. “We have all the people Trump doesn’t like. It’s not that we prefer Joe Biden, it’s that we want Trump out.” In some sense, K-pop’s appropriation of black music may also have motivated the move. Though K-pop artists are mostly resolutely nonpolitical, says Lie, BTS donated $1 million to Black Lives Matter, which the BTS ARMY (BTS fan group) was able to match within 24 hours. “So there’s a sense of ‘giving back,’ but the more important ideological source is anti-racism,” he says. K-pop stans also want to spread a good image for the groups in the genre. “They have always been well organized and highly motivated to promote their artists, for example by voting for their fans to win awards, sending their song requests for K-pop artists to the local radios, making their demands for K-pop CDs and merchandise to the local music retailers,” says Um. “One of the significant K-pop fan activities is fund-raising campaigns for various occasions, for example Chinese fans of BTS raised 2.25 million yuan for the BTS member V’s birthday, with the progress of online collection presented on their fan site.” But it would be wrong to see the group as monolithic—it is a disparate, international group, with different motivations. “K-pop fans engaged in Black Lives Matter-related activities and groups are predominantly based in the US and Trump’s anti-immigration attitudes surely grate, as well as his insensitivity toward Black Lives Matter related issues,” says Lie. This active faction likely makes up a small part of a worldwide group who listen to K-pop to escape politics, not engage with it. “Both K-pop and K-pop fans are cosmopolitan in the sense that they embrace multicultural, global, and transnational flows and influences,” says Um. “But at the same time, K-pop fans are not a homogeneous group by any means. While sharing their interests and passion for their music and artists, K-pop communities across the globe are also very locally situated and specific.” As for Ria, she plans to engage in more online activism and thinks K-pop stans will continue, too. “People just see us as teenagers with a lot of time on their hands but what we can do with all that time is things like we did at Trump’s rally,” she says. “We are people and we are affected by his decisions – we aren’t just K-pop stans, we’re humans before we’re fans, and if we have the platform and the numbers to try to make a change then we’ll do it.” This story originally appeared on WIRED UK.
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thoughtsofhow gary ward


 
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roycewhite-towersabove Salwan Georges / The Washington Post Royce White towers above the Minneapolis protests, and thousands are looking up to him


By Robert Klemko, The Washington Post MINNEAPOLIS — Royce White strode with calm determination in a black suit and white dress shirt, his lean frame, bald head and black beard impossible to miss at 6-foot-8. The chanting group of 200 behind him quickly swelled to thousands. This isn't exactly the crowd that the former National Basketball Association first-round pick thought he would be commanding at 29 years old, what might have been the prime of his career. It also might not be where one would expect a man with crippling anxiety to be standing as the world around him is engaged in a seismic shift, a violent tumult that has spread from his city to almost every other American metropolis. But he speaks with resolve, with a knowledge that he had to act after seeing that video. That video that has changed so much in just a few days. That video that has spurred so many to the streets. That video of a handcuffed George Floyd, pinned to the pavement, begging for air, begging for his mother. That video that pushed White out of obscurity and to the front lines, leading groups of thousands in protest. “I think we can all conceptualize better a situation where a cop draws his gun and he gets scared and he just starts shooting,” White said. “This was different. Face down in the concrete, handcuffed, a man in his 40s, calling for his mother. These things put it over the edge.” After seeing the video, White texted a group of 30 Minnesota athletes, some of them college players, some of them current and former professionals. His message: It was time to get publicly involved with the struggle. Enough was enough. So they marched from U.S. Bank Stadium, home of the Minnesota Vikings, down to Interstate 35, where it passes over the Mississippi River. Dozens turned to hundreds turned to thousands, with White in the lead. Protesters, clad in black, cheered White in the middle of the highway Friday when he declared they had completed the sort of peaceful demonstration the television media “doesn’t want America to see.” But he also is not condemning the violence that has come with nightfall in Minneapolis and numerous U.S. cities this week. Rather, he wishes action had come sooner, perhaps even as Floyd went unconscious under the weight of Minneapolis police officer Derek Chauvin’s knee. “We had a peaceful protest, but I’m not saying that’s the only way to go,” White said. “That’s a proud South Minneapolis community, and they need to protect it. They don’t need 10 people to record an officer kill a guy. You need one person to record, and the other nine people to go and remove the man, physically. That’s why I’m out here.” And again Sunday night, White led another march, this one again drawing thousands of black-clad protesters in an effort to take a knee en masse, to shut down the highway in silence, to emulate Colin Kaepernick’s now-famous football stadium protest. Many of the protesters Sunday had never heard of White nor the connection between the marches and Minnesota athletes. They learned about it on Facebook and Instagram and liked that the pitch was for nonviolence. In the search for unity and voice and justice, they were more than willing to follow White’s lead Sunday. “I want my people to be free, and to do that, I think we have to be peaceful as we go about it,” said Jalen Silas-Burch, 15, of St. Paul, Minn. “So I liked that they stressed that this was a peaceful march.” Nick Boswell, 41, of South Minneapolis, said he, too, didn’t know who was organizing the protest. But he was drawn to its mission. “It’s great to see people with influence work for a good cause,” said Boswell, who is white. “I’m here because people of color in this nation have suffered at the hands of the system for 400 years. It’s great to see all these people come together. What’s right is right, and I want to be a part of it.” White is one of the freshest emerging leaders in this new civil rights moment, which began as incidents of police brutality began to be captured on smartphones and shared widely online. The movement largely has been characterized by loosely governed populist organizations such as Black Lives Matter, which are as notable for their nationwide presence as their lack of a singular figurehead. For this moment, there is no Martin Luther King Jr. or Malcolm X, and much of that has been by design. But in cities across the country, May’s strife has created an opportunity for a new generation of activist leaders, including, in Minneapolis, White, who has lot to say about America’s relationship with African Americans and the violence it bore in the past week. White is visibly stepping up, trying to give people someone to follow. White is perhaps an unlikely emerging spokesman for the social justice movement here, as his very public struggles with anxiety limited his NBA career to just nine total minutes in three games. He was widely considered a draft bust, as he was a heralded college player from Iowa State who flamed out almost immediately, his extreme fear of flying and disputes with his team over mental health services sidelining him almost immediately and pushing him from public view. The 16th overall pick of the NBA’s draft in 2012, he bounded around the NBA’s developmental league and played in three games for the Sacramento Kings in the 2013-2014 season, but he didn’t score a single point. He later went on to win the Canadian league’s MVP award in 2017 and was a front-runner in 2018, but he was suspended and didn’t return after he was filmed by fans yelling “You’re a cornball!” repeatedly in deputy commissioner Audley Stephenson’s face. But being outspoken in his grievances has been a hallmark of White’s professional career. The other is his fear of flying. White was open about an anxiety disorder and needing Benadryl and Xanax to fly. He largely navigated his professional career by taking buses to move between cities. Like Floyd, who was a promising college basketball player whose career never took off, White was in Minnesota for a rebirth. It is where, as a child, he learned to stick up for those who were being oppressed. Marcus Williams, a former National Football League cornerback and White’s childhood friend, said he first noticed White was different from his peers in the fourth grade. One day that year, the youth basketball team Williams and White played for was being punished for some infraction, Williams said, with conditioning drills. “One of our teammates fell and passed out and Royce was tripping, and we couldn’t understand why,” Williams says. “The rest of us were upset and scared for the kid, but Royce was on a different level.” Williams recalls White pacing back and forth across the gym floor in a frenzy, yelling at the top of his lungs: “This ain’t right!” “Something ticked him off about that and triggered him that day,” Williams says. “Ever since then, he’s been this guy who’s never been afraid to say how he feels.” White said he, like so many other African Americans, has experienced the racism and fear that comes from interacting with aggressive police officers. In 2016, he had an encounter with police that he feared would leave him like Floyd, and before him Philando Castille, Jamar Clark and Terrance Franklin, all Twin Cities black men whose deaths at the hands of police have sparked outcry in years past. As White sat outside a Roseville, Minn., Chinese restaurant eating takeout, several police cars boxed his vehicle in and rushed toward him with guns drawn and aimed at his head, White said. They screamed at him to freeze before instructing him get out of the car and to take out his wallet. He refused, thinking a move to his pocket would get him shot. They eventually told White they had mistaken him for someone else. “And what do you get when you walk away?” White said. “ ‘We’re sorry about that. We apologize.’ What if I had gotten up and ran? Any trust I had in the police really went away in that instant.” After Canada, he joined the Big3, helped developed the new 3-on-3 basketball league’s mental health policy — “Be Well” — and became an advocate for mental health in schools. He sees the issue of police violence and the protests as a mental health issue, an expression of anger in the face of disenfranchisement. “If you don’t have justice over an accumulated amount of time, the options for release of that pressure valve in people start to go away,” White said. “If you . . . don’t give us justice over 10, 20, 30, 40, 50, 100, 200, 400 years, at some point, the options dwindle. That’s common sense. That’s not up for debate. “The people criticizing the burning don’t want the refined version of that political emotion, which is black people with open-carry guns,” he said. “They certainly wouldn’t like that.” There’s a reason White chose the home of the Minnesota Vikings as the starting point for the march down I-35. “How many billions of tax dollars go into stadiums? How many billions could have gone into police reform?” White said. “George Floyd is not worth the . . . shiny little angles that some architect and contractor were paid to plan out.” During the gathering on I-35, a tanker truck drove toward the crowd, causing it to disperse. “Very disturbing actions by a truck driver on I-35W, inciting a crowd of peaceful demonstrators,” the Minnesota Department of Public Safety tweeted. “The truck driver was injured and taken to a hospital with non-life threatening injuries. He is under arrest. It doesn’t appear any protesters were hit by the truck.” Marchers on Friday said White’s voice is a salve for those weary of chants yelled across intersections through bullhorns. He talks about the United States as a corporation, the largest in the world. He talks about sovereignty, and the insincerity of President Trump’s agenda. If Trump’s populist agenda were rooted in anything other than racism and caste warfare, White said, he would be celebrating local communities rising up to fight unjust state action. “There’s an existential crisis. It’s clear as day, and it first and foremost starts with the fact that our communities don’t have any sovereignty, that the state is overextended,” White said. “Trump ran on populism and sovereignty as a philosophical principle that the communities govern themselves. So let the communities govern themselves. But for him, that only applies when it comes to white people. When it comes to blacks and Latinos: ‘We have to govern them because they’re out of control, they’re thugs.’ ” White’s words are what the crowds here have been craving, and they are flocking to his every appearance. His friends say it was just a matter of time before White found a path into this realm of leadership. "I think now with it hitting so close to home, he said enough is enough," Williams said. "The words he spoke are just what we needed and what this city has been looking for."
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Protesters Dispersed With Tear Gas So bunkerboy Could Pose at Church


bunkerboy holding bible upside down
by Katie Rogers NYT with additional reporting by Scoop Asphalt NYA WASHINGTON —“He did not pray,” said Mariann E. Budde, the Episcopal bishop of Washington. “He did not mention George Floyd, he did not mention the agony of people who have been subjected to this kind of horrific expression of racism and white supremacy for hundreds of years.” The police fired tear gas canisters and flash grenades on Monday to clear out protesters so bunkerboy could visit St. John’s Church, which was damaged by a fire the night before. People who gathered outside the bunkerboy’s temporary housing to protest police brutality spent Monday waving signs and screaming for justice. They watched as police officers and National Guard units flooded Lafayette Square, delivering on a threat made by bunkerboy. And just before the city’s 7 p.m. curfew went into effect, they were hit with flash-bang explosions and doused with tear gas. It was because bunkerboy, who spent part of the weekend in a secure bunker as protests roiled, wanted to have his picture taken holding a Bible at a battered church just beyond the gates and if they waited until the curfew was in effect, the light would not have been right for the photo op. That church, St. John’s — the so-called Church of the Presidents because every one since James Madison has attended — had been briefly set ablaze as the protests devolved on Sunday evening. After Mr. Trump’s aides spent much of Monday expressing outrage over the burning of a place of worship, Hope Hicks, a presidential adviser, eventually hatched a plan with others at the White House to have the president walk over to the building, according to an official familiar with the events. But they had to do it before the curfew went into effect. The photo op had to be in the light of day for the right ‘look’. As bunkerboy delivered a speech in the Rose Garden vowing to send the military to states where governors could not bring rioting under control but calling himself “an ally of all peaceful protesters,” the sound of explosions and the yells of demonstrators could be heard. After receiving repeated warnings to disperse before the city’s curfew, the crowd was tear-gassed. bunkerboy began his walk to the church at 7:01 p.m. for a photo session that lasted about 17 minutes. On his way over, after protesters had been driven from the park, he was trailed by a group of aides, including Attorney General William P. Barr. Mr. Barr had strolled to the edge of the police line to observe the crowd in the minutes before the tear-gassing began.
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KILLER MIKE SPEAKS from ATLANTA PLOT, PLAN, STRATEGIZE, ORGANIZE, MOBILIZE


 
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NotBornToFly gary ward


 
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NYTscreenshot100thousand


 
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New Zealand Is Celebrating Good News About The Coronavirus


New Zealand has had no new cases of COVID-19 for five consecutive days. By David Mack, BuzzFeed News Reporter newzealandiscelebrating1 Dom Thomas - Pool / Getty Images New Zealand no longer has a single person being treated in a hospital for the coronavirus, health officials there announced Wednesday, as the country celebrates five consecutive days of no new cases of the virus. Ashley Bloomfield, the head of the country's health ministry, told reporters that the last patient with a confirmed case of COVID-19 had been discharged from Auckland's Middlemore Hospital. "I think this is the first time, at least probably in a couple of months, that we haven't had somebody in hospital," he said, "so that's another good position to be in.” There are just 21 remaining active cases of COVID-19 among New Zealand's 4.8 million people, Bloomfield said. The country has had a total of 1,504 confirmed or probable cases of the virus and only 21 deaths. "We are really well-placed, and we are making good progress," Prime Minister Jacinda Ardern said in a Facebook Livestream on Wednesday. newzealandiscelebrating2 Kai Schwoerer / Getty Images Patrons enjoy their drinks at a bar in Christchurch, New Zealand, as bars reopened, May 21. A relatively remote nation of islands in the Pacific Ocean, New Zealand moved swiftly in mid-March by imposing a nationwide lockdown of more than one month and shutting its borders to noncitizens and nonresidents. It also worked to improve its testing and contact tracing capabilities. Michael Baker, professor of public health at New Zealand's University of Otago, told Democracy Now this week that the country has been working to eradicate the virus completely, not just reduce the number of infections. "You actually throw everything at the pandemic early on," he said. "So at the point that we had 100 cases, no fatalities, around the 23rd of March, a decision was made to go for this elimination approach, and that meant putting the whole country into this very intense lockdown for the best part of six weeks.” "It's a pretty harsh approach, but at the end of that, there was very little virus being transmitted," he said. New Zealand has gradually eased the restrictions and is currently at Alert Level 2, which allows businesses to reopen to customers but still restricts most gatherings to fewer than 10 people. Prime Minister Ardern told New Zealanders on Wednesday that the country is working hard to reopen travel with Australia, which has also seen a declining number of cases. "Australia has had a few more cases over a period of weeks but still very, very low numbers, so absolutely on the right track," she said. "New Zealand, none for some days now.” "So we just want to make sure we're both in the right spot where we can have travel between us without requiring quarantine because that's the key," said Ardern. "I doubt anyone would want to travel for short periods of time if they're spending two weeks of their holiday in a hotel.” Such a move could provide an economic boost for both countries. In 2018, New Zealand was the most popular outbound travel destination for Australians and the second most popular for inbound travel (second only to China). Just over 100 people have died in Australia of the virus, among a population of roughly 25 million people. On Tuesday, the country recorded its youngest victim of COVID-19, with a 30-year-old mine worker dying in the state of Queensland.
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TheEnd gary ward


 
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A Message from Neil


photo: Michael Miller
Thanks for watching the ‘Fireside Sessions’ and being with us all together as we make our way down this road. I hear you all as D reads me what you are saying about our Sessions. It really means a lot to get your feedback, especially in her voice. The sessions will continue. They’re good for us all. I hope we don’t run out of songs but probably that would take a long time. These songs are for all of us, left, right, in between. ALL. We are stronger together. Please listen to the doctors and scientists as they try to bring the truth to us all. Listen to all of them. Thats’s what we try to do. It’s worth it. Stay safe and be well. love n.
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QUESTION FROM NYA SUBSCRIBER:


Neil, I have a good friend who’s a NYA subscriber and has been asking me for a year to ask you this: “About Time Fades Away and why he buried it for so long. And if he's changed his mind about disliking it given that so many of his fans--me!!!!--adore it. Joe" Joe, It had a sound issue that drove me nuts and the tour was a stressful one. I eventually got into it when i got far enough away from it. love be well neil Neil I knew about the sound issue and the unhappy nature of the tour. It's all part of the lore around that album. It's part of the reason I bought up old vinyl of it and bootlegs. We knew he didn't like the album for reasons far beyond the musical content. But the reason why I love that album--and so many of us do--is the bravery of it. He just had the huge commercial hit with Harvest. Any OTHER artist would have made a follow-up album that sounded a lot like Harvest. You know, record company pressure and all. Yet he followed with Time Fades Away. It was so dissonant and different that it took a while to HEAR it. But, man, it was brave. And remember, my introduction to business travel was a cold night stuck in a frigid gasoline station in Buffalo with a busted car and a cassette player and ONLY Harvest to listen to. So I loved Harvest, knew every lick and every word and every beat. But Time Fades Away FORCED you to think beyond that box. It's why it is great. I honestly think that's why so many Neil Young fans from my generation adored him--and I use adore advisedly. Everything he released forced you to think. You bought a Neil Young album on faith. Everybody Knows This is Nowhere was different from After the Gold Rush and that was different from Harvest and Time Fades Away was different from them all. They were ALL amazing, but they were never comfortable or easy. You couldn't assume anything. Time Fades Away isn't just great music. It's a statement: No boxes. No artificial rules. No records just to sell music. Grow or die. That's what Time Fades Away stands for. It's okay to fail if you try something, but you gotta TRY. That's what Neil Young proved with Time Fades Away. It changed a lot of our lives, even if we didn't understand why back then. Sorry, didn't mean to get on a soapbox. But that album means so much to me, not just as a Neil Young fan and a music fan, but as a creative person. At a key moment of my life--20 years old, learning the rules of journalism and being told you have talent--there was a guy who said don't be bound by what they tell you. Don't repeat. Grow. Or, as some guy sang once, Don't Be Denied. Even now, 40+ years later, I go to the computer every day and think, don't be denied. What good can you do with your talent to push nouns against verbs today? What good can do without doing something you've done before? Time Fades Away is about that for the listener. I get that the creator found it wanting. I get that it was not a good time for him. But for us listeners--those of us who were listening--it was a massive influence ... joe
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NYA NOTIFICATIONS


nya-inside-400 My music loving friends, Because we have so much new and archival music going up on NYA and we don’t want you to miss any of it, we have started sending you notifications. We do know you have a life and cannot be checking in on us all the time just to see what’s new here. . . . but we also know you care because you subscribed. For that reason, from now on we’ll be notifying you when new Fireside Sessions or movie and video premieres are happening in our beloved Hearse Theater, as well as whenever we are showing rarities. Also, as we introduce new records we will be letting you know in advance with notifications. If we’re buggin’ you with all this, you can just discontinue notifications and we won’t take offense! To ensure you have privacy and you’re happy, we want you to know what’s up here at NYA just in case it’s one of your favorite things… I will be writing these notes myself, so when you get one, it’ll be from me. love, and be well! neil
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Buck gary ward


 
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STRESS LIVES ON TV


By Dr. Brian Morris The Covid crisis has become a 24/7 news issue whether it's TV, websites, social media, podcasts, radio, newspaper etc. It's certainly important that we all stay updated on the news, but this bombardment of information can be overwhelming and overly stressful. And we know that stress suppresses the immune system and a healthy immune system is vitally important right now. And again remember that it's important to continue to take time for self-care and to support your loved ones. Maintaining connections with others is so important especially at times like this. Please remember to continue to take time for sufficient healthful sleep (which we know supports the immune system) and remember to take time for personal contemplation whether that's a formalized practice (such as meditation or yoga) or simply thinking about the blessings in your life and wishing for the best for yourself and others. We are part of a local and world community and we can't forget that. We are strong and we will get through this challenging time and emerge stronger than ever so long as we stick together and take care of each other. All the best, stay well, and I will write again when I have something important to share.
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imnothere19


 
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QUOTE OF THE DAY


C.D.C. Urges Use of Cloth Masks in Public. All Americans should wear masks, the C.D.C. said, but President Trump said he wouldn’t. “You can do it. You don’t have to do it,” he added.
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BREATHEdhlovelife
dhlovelife
'breathe'


 
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NOT FLATTENING


By David Leonhardt, New York Times This chart shows why. notflatteninggraph China and South Korea have flattened their curves. Italy, Spain, Germany and the Netherlands have begun to flatten their curves. The United States still has not. More than half of all confirmed coronavirus cases in the United States have been diagnosed in the past five days. Depending on what data source you use, yesterday was either the worst day for new cases or one of the worst. And more than 3,000 Americans with the virus have died, meaning the death toll has now exceeded that of the 9/11 terrorist attacks. As you can see in the chart above, the other three countries with the world’s largest number of confirmed cases — Italy, China and Spain — were all making significant progress at a similar point in their outbreaks. But the response in the United States has been slow and uneven. President Trump spent almost two months denying that the virus was a serious problem and spreading incorrect information about it. Since then, he has oscillated between taking sensible measures and continuing to make false statements. (Yesterday, he said that hospital masks might be “going out the back door” — suggesting that doctors or somebody else were stealing the masks rather than using them.) Many state leaders — both Democrats, like Gov. Jay Inslee in Washington State, and Republicans, like Gov. Larry Hogan, in Maryland — have done a much better job. Altogether, the federal, state and local policies on social distancing may be starting to have an effect. The number of fevers recorded nationwide is falling, as Donald G. McNeil Jr. of The Times notes, which is an encouraging sign. But the United States is badly behind. Both South Korea and the United States had their first confirmed case around the same day, in late January, as Neera Tanden of the Center for American Progress points out. South Korea has suffered only about 150 deaths, one-twentieth as many as the United States.
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MILLION MASK CHALLENGE


dhlovelife OK, I made number 1!!! (with a lining/pocket for a filter!) now 🤞🏽onto mass production for #PPE donation - #millionmaskchallenge if you'd like to help out, there are lots of good patterns online take care ❤️ grimreaper gary ward
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WILLIE NELSON AMAZING NEW ALBUM!


First Rose of Spring Just in time! This is another wonderful classic, from the music to the title to the art, coming your way soon. As the Nelson Family, now in Texas makes music together under the coronanvirus threat, we can expect another one soon from Lukas and Promise of The Real. Congratulations Willie! love NYA
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DO YOUR PART


Don’t kill your parents, or ours. Protect your grandparents by not spreading. Young people can easily spread. Stay home. Use devices. This is a perfect time to write that book, that song, Finish those handwritten letters or emails to those you love, all around our beautiful planet, as we live on. Wonder at how clean the rivers are getting. how fresh the air smells, how blue is the sky. We have somehow stopped doing so many evil bad things to the planet as we try to not spread. Look at how the planet loves us. Is this the Balance of Nature? What a great opportunity for spring deep cleaning, garage clean up. Car washing by hand is a perfect way to wash your hands, or window cleaning. Soap is King and Queen. Love one another. Plant in the house. Move it out later. Put it in the window to catch the sun . . . . and grOWWWW! Make amends. Peace. nya
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LIBERTY MUTUAL Forget the Commercials, THINK


Boston-based insurance giant Liberty Mutual is a huge backer of the destructive tar sands sector. It is a major insurer of the Trans Mountain pipeline, the Keystone XL pipeline, and has at least 8.9 billion invested in fossil fuels. Last year, Liberty Mutual adopted a policy limiting its business with coal, citing its commitment to environmental sustainability. This move shows that the company is feeling pressure to act on climate, but *news flash* tar sands oil from Alberta is one of the dirtiest, most carbon-intensive fuels on the planet. It’s way past time for Liberty Mutual to dump this risky, climate-wrecking industry. ny
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PLANK MAN


What you can do at home while you are thinking about your friends and relatives . . .!

George Hood, a former US Marine, broke his own world record this month. Here’s how you can improve your technique By Sam Diss plankman-georgehood George Hood breaking his own world record. Photograph: Josef Holic This month, George Hood – a 62-year-old former US Marine – broke the world planking record with a time of 8hr 15min 15sec, adding an extra 14 minutes on to the previous record. Hood had originally claimed the record in 2011 with a paltry 1hr 20min, before losing it in 2016 to Mao Weidong, a police officer from China, who broke the record with a time of 8hr 1min. Eight hours is a long time spent doing anything, especially with your face hovering 20cm away from the floor of a gym, but the benefits of a good plank go a very long way. “The plank is excellent because it’s all about stability,” says Chris Magee, the head of yoga at Psycle London, and a former personal trainer, rugby player and martial artist. “That’s key to an active, healthy lifestyle. You want to feel – when you’re walking around, running around or even sitting down – that your spine is strong and protected.” With a good core, you’d imagine, comes a cut six-pack; the sort of Brad-Pitt-in-Fight-Club abs we’ve all dreamed of. But that’s just surface level, with the real money coming from working those deeper muscles, the ones you can’t see. To reclaim his world record, Hood spent the last 18 months training seven hours a day. “I do 700 pushups a day, 2,000 situps a day in sets of 100 and 500 leg squats a day,” he told CNN. “For upper body and the arms, I do approximately 300 arm curls a day,” adding that he uses loud rock music – Rammstein are a favourite – to help push through the pain, while the torn skin on his elbows is manageable once the rest of his arm has gone numb. If you’re an experienced planker, it’s your prerogative if you want to go in quite as hard as Hood, but Magee estimates that even beginners can improve easily if the technique is right. “With a plank,” says Magee, “you’re engaging your pelvis and shoulders, your back and the big muscles in your legs, firing them up to ensure that they’re perfectly still. It’s an accumulative exercise, working every part of your body. Even if you’re only holding one for 30 seconds a few times a day, every day, you’re going to start improving pretty quickly.” Adding 10 seconds to your holds each day is a good way to ensure steady progression. It sounds easy but, for a simple exercise – get on the floor and don’t move – plenty can go wrong, and part of the reason we mess up is because of that simplicity. “Some people seem to gloss over it,” says Magee. “If you really run through the checklist of all the things you have to get right within a plank movement, you should be squeezing and shaking really hard.” You don’t have to lock it in for eight hours a day, but if you’re finishing a plank with ease, then something’s wrong. The plank should haunt you. It’s something you should feel – sorry – at your very core. Support The Guardian
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Surge of Virus Misinformation


Facebook and Twitter

Secret labs. Magic cures. Government plots. Despite efforts by social media companies to stop it, false information about the coronavirus is proliferating around the world. SAN FRANCISCO — First, there were conspiratorial whispers on social media that the coronavirus had been cooked up in a secret government lab in China. Then there were bogus medicines: gels, liquids and powders that immunized against the virus. And then there were the false claims about governments and celebrities and racial unrest. Taiwan was covering up virus deaths, and the illness was spiraling out of control. Bill Gates, the Microsoft co-founder who now runs a philanthropic organization, was behind the spread of the virus. Italians were marching in the streets, accusing Chinese people of bringing the illness to their country. None of it was true. As the coronavirus has spread across the world, so too has misinformation about it, despite an aggressive effort by social media companies to prevent its dissemination. Facebook, Google and Twitter said they were removing misinformation about the coronavirus as fast as they could find it, and were working with the World Health Organization and other government organizations to ensure that people got accurate information. But a search by The New York Times found dozens of videos, photographs and written posts on each of the social media platforms that appeared to have slipped through the cracks. The posts were not limited to English. Many were originally in languages ranging from Hindi and Urdu to Hebrew and Farsi, reflecting the trajectory of the virus as it has traveled around the world. Security researchers have even found that hackers were setting up threadbare websites that claimed to have information about the coronavirus. The sites were actually digital traps, aimed at stealing personal data or breaking into the devices of people who landed on them. The spread of false and malicious content about the coronavirus has been a stark reminder of the uphill battle fought by researchers and internet companies. Even when the companies are determined to protect the truth, they are often outgunned and outwitted by the internet’s liars and thieves. There is so much inaccurate information about the virus, the W.H.O. has said it was confronting a “infodemic.” “I see misinformation about the coronavirus everywhere. Some people are panicking, and looking to magical cures, and other people are spreading conspiracies,” said Austin Chiang, a gastroenterologist at Jefferson University Hospital in Philadelphia. In Taiwan, virus-related misinformation on social media has fed concerns that China might be using the crisis to undermine the government of the self-ruling island. In recent weeks, there have been posts on Facebook and other sites claiming that Taiwan has concealed large numbers of coronavirus infections. There have been fake but official-looking documents promising giveaways of face masks and vaccines. A screen capture from a television news broadcast was doctored to say that President Tsai Ing-wen had contracted the disease and was in quarantine. In a statement to The Times, Taiwan’s foreign minister, Joseph Wu, blamed China’s “internet armies” for the deluge of falsehoods, though his office declined to elaborate on how he came to that conclusion. China’s Taiwan Affairs Office didn’t respond to a faxed request for comment. The Communist Party claims Taiwan as part of China’s territory, and Taiwanese officials have long accused Beijing of manipulating both traditional news media and social platforms to turn Taiwanese citizens against President Tsai, who opposes closer ties with China. Summer Chen, the editor in chief of Taiwan FactCheck Center, a watchdog group that debunks online rumors and hoaxes, said her team had been busier since the outbreak began than it was ahead of Taiwan’s presidential election in January, when the island was on high alert for potential Chinese meddling. “Throughout this whole epidemic, people have really liked conspiracy theories,” Ms. Chen said. “Why is it that during epidemics people don’t choose to believe accurate scientific information?” Facebook, YouTube and Twitter all said they were making efforts to point people back to reliable sources of medical information, and had direct lines of communication to the W.H.O. and the Centers for Disease Control and Prevention. Facebook said it bans content that could cause people harm, such as claims that discourage treatment or taking appropriate precautions against the coronavirus. Posts and videos that shared conspiracy theories were clearly marked as false, once they had been reviewed by fact checkers. When Facebook users attempt to share them, a message pops up alerting the user that the post includes information that has been deemed false by fact checkers. Those measures, however, have not stopped people in private Facebook groups from linking to and sharing misinformation surrounding the virus. In private Facebook groups, including one that totals over 100,000 members, conspiracy theories spread that the coronavirus was an invention of the pharmaceutical industry, intended to sell the public on more expensive drugs and more vaccines. While many posts simply encouraged people to take vitamins and eat a balanced diet to boost their immune system, others offered promises of immunity or cures if certain combinations of powders and drinks were consumed. Some were even more dangerous. The Food and Drug Administration referred to one “miracle mineral solution” posted many times on Facebook and Twitter as “the same as drinking bleach.” Dr. Chiang, the gastroenterologist, recently helped start the Association for Healthcare Social Media, a group dedicated to encouraging more health care professionals to post on social media so that they can dispel some of the misinformation. “People are looking for good sources of information because a lot of what they see, when they log into their social media platforms, is just scaring them,” he said. While Twitter acknowledged the presence of some of this content on its network, Del Harvey, Twitter’s vice president of trust and safety, said the company has not seen “large-scale, coordinated” efforts to misinform people about the coronavirus. After The New York Times contacted Twitter with examples of tweets containing health misinformation about coronavirus, some owners of the accounts were suspended “for spam.” Facebook said that in addition to working closely with health organizations, it was offering W.H.O. free ad space to try and point people toward accurate information on the coronavirus. The company said that it was removing posts that discouraged people from seeking treatment or suggested remedies that could cause physical harm and that it was placing warning labels on posts that were rated false by their fact checkers. YouTube, which is owned by Google, also said it was working closely with W.H.O. to help combat misinformation. YouTube’s spokesman, Farshad Shadloo, said the company had policies that prohibited videos that “promoted medically unsubstantiated methods to prevent the coronavirus in place of seeking medical treatment.” Dozens of YouTube videos, however, included titles that suggested the video offered a cure for the virus. In others, the comment sections below the videos included links to pages offering a range of alternative, unsubstantiated treatments. In some cases, those links have led people to websites that lure people in with the promise of a cure, but actually steal credit card information and other personal details. The cybersecurity firm Check Point said more than 4,000 coronavirus-related websites that include words like “corona” or “covid” have been registered since the beginning of the year. Of those, 3 percent were considered malicious and another 5 percent were suspicious. Research by Sophos, a cybersecurity company, has shown an uptick in these so-called spear-phishing messages targeting people in Italy, where coronavirus infections have surged in recent weeks. Those messages included a link to a Microsoft Word document that claimed to list cures for the virus. When downloaded, it installed malicious malware on people’s computers. Last month, W.H.O. also put out a warning about fake emails from apparent W.H.O. representatives. The emails carried malicious code aimed at breaking into someone’s computing device. John Gregory, the deputy health editor for NewsGuard, a start-up that tries to stop false stories from spreading on the internet, said the medical element to coronavirus misinformation made it different from other conspiracies the public has dealt with. Because the information about the virus is “playing out in real time, it’s always going to be easier for someone to make a false claim,” Mr. Gregory said. “Then, there’s a separation of a few days before anyone with a scientific background, or journalists, are able to debunk the claim.” NYA thanks the New York Times
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Climate Change has turned Peru's glacial lake into a deadly flood timebomb


Lake Palcacocha: a breakaway chunk of glacier falling in the lake could send a wave of up to 30 metres down the mountain, say experts. Photograph: Dan Collyns/The Guardian
Lake Palcacocha is swollen with water from melting ice caps in the Cordillera Blanca mountains. Below, 50,000 people live directly in the flood path. Dan Collyns, The Guardian, in Huaraz, Peru Nestled beneath the imposing white peaks of two glaciers in Peru’s Cordillera Blanca, the aquamarine Lake Palcacocha is as calm as a millpond. But despite its placid appearance it has become a deadly threat to tens of thousands people living beneath it as a result of global warming. A handful of residents of Huaraz, the city below the lake, can recall its destructive power. In 1941 a chunk of ice broke away from the glacier in an earthquake, tumbling into the lake. The impact caused a flood wave which sent an avalanche of mud and boulders cascading down the mountain, killing about 1,800 people when it reached the city. Today the lake is even more potentially dangerous, swollen with glacial meltwater like an almost-overflowing bathtub. A temperature rise of 0.5-0.8C between the 1970s and the 2000s has seen a third of Peru’s ice caps vanish in the last four decades. The city’s population has grown too. With more than 150,000 inhabitants, today Huaraz is about 15 times larger than it was during the last deadly landslide. Flood wave modelling by the University of Texas shows how a breakaway chunk of glacier could displace up to 15bn litres of meltwater from the 70-metre deep, mile long (1.7km) lake, propelling a wave of up to 30 metres over a ridge of rocks and down the mountain. “There are around 50,000 people living in the danger zone,” says Noah Walker-Crawford, a social anthropologist from Manchester University. “According to the authorities’ estimates, even if you were able to warn the people, there could still be about 20,000 fatalities,” he adds. Huaraz is home to more than 150,000 people, about 50,000 of which live in the danger zone. Photograph: Dan Collyns/The Guardian The people would have 30 minutes to evacuate, says Cesar Florez, a risk management specialist for the region’s government and the man ultimately responsible for the people’s safety. “It’s more than enough time,” Florez says. “It’s the same time allotted to evacuate coastal areas in the case of tsunami,” he tells the Guardian, adding the escape time could be lengthened by a series of energy dissipators and dykes. So far, however, none of that flood mitigation infrastructure is in place. For now, 10 black tubes pump out water to reduce the lake’s level. Perched on a bluff facing the lake, Calef de la Cruz radios in a status report to the regional government every two hours. Living in a hut for up to a fortnight at a time, it is a lonely and sleepless vigil. But until an early warning system is installed, which authorities say will happen later this year, the watchfulness of De la Cruz and his colleagues is all that stands between the lake and the residents below. But for the poor, largely indigenous farmers in the verdant mountains around the ice caps, the problem is not too much water but too little. The Andean country is home to 70% of the world’s tropical glaciers and as they gradually ebb away, a water crisis looms. Climate change has made the weather unpredictable and the unseasonal melting of the glaciers has thrown the farmers’ existence into jeopardy. Alejandro Rosales is a 62-year-old farmer from Yarush, a tiny hamlet above Huaraz. For him, like many residents of the mountains, the snow-capped peaks are apus – beings of mythic or semi-divine importance. He never thought he would see the white peaks he gazed at as a child turn black, he says. “Sometimes there are years when you get a good harvest; there are also years when the harvest fails. That means the children go to school without their daily bread. It’s really hard,” he adds, showing the Guardian blackened potatoes which crumble in his hands. climatchangeperuglaciallake2 Alejandro Rosales, 62 and his wife Guillerma Jamenca, 60, hold out pest-ridden potatoes. Photograph: Dan Collyns/The Guardian The potatoes, which were stored months earlier to sow later this year, are riddled with moth caterpillars. The warming has meant new pests are creeping to higher altitudes where the colder weather once held them at bay. Saúl Luciano Lliuya, a farmer and mountain guide whose home in Nueva Florida is in Lake Palcacocha’s flood path, has filed a lawsuit against the German electro-domestic firm RWE for its role in causing global warming, as one of the world’s top emitters of carbon dioxide. “The glacier is a source of water for those in the countryside and for us all in the city, so you can imagine what the future will be like if we don’t have it,” he says. “From the risk problem to the water scarcity problem; all of this is what inspired me to file a lawsuit,” he adds. Lliuya’s 2015 demand for damages from RWE has been admitted on appeal by a higher regional court in the German city of Hamm. Lliuya is seeking compensation of about $20,000 (£15,000) from the energy giant to help install the lake’s safety measures, as well as the reimbursement of €6,384 he has spent on flood protection. It is a tiny amount for the company, he admits but adds: “What we are saying is this is happening and it’s putting us at risk. The damage caused is irreversible; for that no amount of money is enough.”
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NYA: The Archive as Art


There is a moment in the film of the 2017 Omemee concert that suddenly made me see the entire Neil Young Archives project in an entirely different light. It happens early on, three songs in, when Neil sits down to the piano to play “Journey Through the Past,” with its refrain: “Will I still be in your eyes and on your mind.” The camera closes in on the piano; and when it pulls back, it’s January 19, 1971, and a twenty-five-year old Neil Young, hunched behind a curtain of hair, is playing the same song, solo in Massey Hall, Toronto. There is something uncanny about the moment, a sense of the past not so much haunting the present, as inhabiting it. It’s like seeing a very tangible ghost.
I think that we can understand the uncanniness of this moment in terms of some of the great works of literature and theatre of the past century. For instance, there is a famous moment early in Marcel Proust’s Remembrance of Things Past (1913-1927), when the taste of a particular biscuit – a madeleine – triggers a series of involuntary memories that weave through the rest of novel's seven volumes. The taste of the biscuit is real in the present; but it also belongs to the past, and for that moment, past and present exist together, creating a kind of explosion of memory. As T.S. Eliot writes in the poem “Burnt Norton” (1935): “Time present and time past/ Are both perhaps present in time future,/ And time future contained in time past.” This may sound like a complex philosophical idea, but we experience it every time we listen to a recording. Unlike live sound, which exists fully in the present (it’s not just presence, it’s present), recorded sound always belongs partly to the past in which was recorded. However, when we play the recording, the sound recorded all those years ago becomes part of the present in which we hear it; in a very real sense, at such moments, the past haunts the present. This is true of all recordings, but usually we just ignore the ghosts, and simply listen to the music. However, every so often, we’re reminded of the uncanniness of listening to a recorded voice. For instance, Samuel Beckett wrote his play Krapp’s Last Tape in 1958, the year after Les Paul bought his first Ampex 8-track recorder, and effectively pioneered multi-track recording. In Krapp’s Last Tape, the elderly Krapp, on “a late evening in the future”, sits listening to a series of reel-to-reel recordings of his voice that he has made on his birthday every year since he was a young man. “Just been listening to that stupid bastard I took myself for thirty years ago”. For the audience, both the elderly Krapp, live before us on the stage, and the young Krapp we hear on the tape, are both equally present, even though one barely recognises the other any longer. The result is one of the great plays about what it means to experience time passing and time that has passed. We need to begin to start thinking about the Neil Young Archive in these terms. The NYA is not simply like a very large Spotify playlist with better sound; and listening to a song on the Archive is not the same as listening to that same song in any other format. The whole architecture of the site, from the filing cabinet interface with its year index, to the vintage controls and archival documents, reminds us of that uncanny feature of recorded music that we usually hide from ourselves: that when we listen to a recording, we are conjuring a ghost. This is not new territory for Neil: “Journey Through the Past”, “Helpless”, “Comes a Time”, and “Time Fades Away” are all songs about memory and time passing – and that is only to pick the most obvious examples. However, the NYA is bigger than any one song; it is also more than the sum of all of the many songs it contains. In the NYA, we have the unprecedented combination of an artist who has long been fascinated with memory, but who, unlike most of the rest of us, has been making recordings of his past (with a scrupulous attention to sound quality) for more than half a century; and who now has the technology, in the digital archive, to give structure and form these layers of recorded memories. This is arguably what much of the most compelling art has always done – it has given structure and form to time and memory. But now we have a new kind of art form, the digital archive, in which we can begin to experience and explore the old questions in new ways. The NYA is the pioneering example of this new art form. Prof. Chris Morash, MRIA, FTCD Seamus Heaney Professor of Irish Writing Trinity College Dublin 3 January, 2020
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musicnote New Benefit for NYA subscribers coming soon! A Complete Hi Res Home Listening System!


NYA has been working with Lenbrook International, the parent company of NAD hi fi electronics, Bluesound, PSB Speakers and the BluOS high res multi-room platform to bring you a new benefit. North American members using their hardware and other brands that are BluOS enabled will be able to listen to NYA music streamed directly in full high res. Non-subscribers will also be able to listen to the song of the day and album of the week. lenbrook-landing-logo2 Lenbrook is announcing at CES on January 6 that in Q1 of 2020, North American users of BluOS Enabled products from NAD Electronics, Bluesound, and DALI Loudspeakers, will be prompted to update their players for the unique opportunity to sample Neil Young Archives’ song of the day and album of the week in full resolution, with a tap of a button in the BluOS Controller app. nya-inside-400 Users interested in subscribing to the full NYA service will be able to subscribe through the BluOS app. Existing subscribers of the Neil Young Archives can simply enter their credentials into BluOS to access the service. “I am happy to be able to offer this as a new benefit to NYA’s existing subscribers,” said Young. “For the first time they’ll be able to stream all my archives’ audio content directly to equipment capable of playing it all back without any added compression. I¹m also excited that North American users of BluOS hardware can sample my archives free by listening to the song of the day and album of the week. "Lenbrook and NYA share a passion for delivering and making high res audio streaming easily accessible to music lovers in their homes, leading us to this new cooperation.” Lenbrook is looking at expanding this service to users in the rest of the world and NYA is also in discussions with other companies to bring NYA content to other audio systems. nya
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TECH & MUSIC


Something is in the Air. Music! NYA users will benefit uniquely from an announcement we will be sharing about audio quality in the home. There will finally be a way to get more from your NYA music, in a complete home system designed to deliver it. January 6th, 2020. nya
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FAKE STAYS!   Social media platforms leave 95% of reported fake accounts up, study finds   Fake accounts are easy to buy and make, and platforms are bad at yanking them.


SAUL LOEB | AFP | Getty Images
By Kate Cox It's no secret that every major social media platform is chock-full of bad actors, fake accounts, and bots. The big companies continually pledge to do a better job weeding out organized networks of fake accounts, but a new report confirms what many of us have long suspected: they're pretty terrible at doing so. The report comes this week from researchers with the NATO Strategic Communication Centre of Excellence (StratCom). Through the four-month period between May and August of this year, the research team conducted an experiment to see just how easy it is to buy your way into a network of fake accounts and how hard it is to get social media platforms to do anything about it. The research team spent €300 (about $332) to purchase engagement on Facebook, Instagram, Twitter, and YouTube, the report (PDF) explains. That sum bought 3,520 comments, 25,750 likes, 20,000 views, and 5,100 followers. They then used those interactions to work backward to about 19,000 inauthentic accounts that were used for social media manipulation purposes. About a month after buying all that engagement, the research team looked at the status of all those fake accounts and found that about 80 percent were still active. So they reported a sample selection of those accounts to the platforms as fraudulent. Then came the most damning statistic: three weeks after being reported as fake, 95 percent of the fake accounts were still active. "Based on this experiment and several other studies we have conducted over the last two years, we assess that Facebook, Instagram, Twitter, and YouTube are still failing to adequately counter inauthentic behavior on their platforms," the researchers concluded. "Self-regulation is not working.” Too big to govern The social media platforms are fighting a distinctly uphill battle. The scale of Facebook's challenge, in particular, is enormous. The company boasts 2.2 billion daily users of its combined platforms. Broken down by platform, the original big blue Facebook app has about 2.45 billion monthly active users, and Instagram has more than one billion. Facebook frequently posts status updates about "removing coordinated inauthentic behavior" from its services. Each of those updates, however, tends to snag between a few dozen and a few hundred accounts, pages, and groups, usually sponsored by foreign actors. That's barely a drop in the bucket just compared to the 19,000 fake accounts that one research study uncovered from one $300 outlay, let alone the vast ocean of other fake accounts out there in the world. The issue, however, is both serious and pressing. A majority of the accounts found in this study were engaged in commercial behavior rather than political troublemaking. But attempted foreign interference in both a crucial national election on the horizon in the UK this month and the high-stakes US federal election next year is all but guaranteed. The Senate Intelligence Committee's report on social media interference in the 2016 US election is expansive and thorough. The committee determined Russia's Internet Research Agency (IRA) used social media to "conduct an information warfare campaign designed to spread disinformation and societal division in the United States," including targeted ads, fake news articles, and other tactics. The IRA used and uses several different platforms, the committee found, but its primary vectors are Facebook and Instagram. Facebook has promised to crack down hard on coordinated inauthentic behavior heading into the 2020 US election, but its challenges with content moderation are by now legendary. Working conditions for the company's legions of contract content moderators are terrible, as repeatedly reported—and it's hard to imagine the number of humans you'd need to review literally trillions of pieces of content posted every day. Using software tools to recognize and block inauthentic actors is obviously the only way to capture it at any meaningful scale, but the development of those tools is clearly also still a work in progress. NYA Thanks ARS TECHNICA
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COLORADO VINYL IN CANADA


This from Warner Reprise: WM Canada received their Colorado vinyl U.S. stock on 10/29 and it started shipping out that day to all accounts that ordered. So, they did miss street date for the vinyl version by 4 days, but aside from that slight delay, there are no current issues within Canada. They have back up stock in the warehouse should any of those accounts be re-ordering. To all Canadians trying to get COLORADO vinyl, we apologize for any inconvenience. ny
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UNCLE EDDIE’S NYA


NEW TIER?

A letter titled ‘Uncle Eddie’ really got me thinking. I have been releasing records for over 50 years and it’s habit forming! Colorado is now the latest one and I feel really great playing with Crazy Horse again. What I am getting at is this; currently records are released every 4 months or so and some of our subscribers like Uncle Eddie are old enough to wonder if they will still be around for all of them. That really bums me out, so I have been talking with our team about releasing them all here at NYA exclusively in 2020. Initially, these albums would not be released as CDs or vinyl. Eventually they may, but they would be here at NYA exclusively in the meantime and there are quite a few of them. This would create a new tier at NYA, possibly including On-Demand videos, movies and records, plus NYA’s exclusive content for UNCLE EDDIE’s tier (as yet un-named.) Your subscription price will be higher for this tier. Everything else would probably remain the same. More changes will be added as we discuss this. Eventually, over time these NYA exclusive records and films will be released to the public as hard goods and digital files with finished covers and art. That will happen as always, but many will have already been available here at NYA long before they become hard goods released to the public by Shakey Pictures or NYA Records. Of course we will have to try to make sure they do not escape into the internet while they are exclusive to NYA. If we can figure this out we will release many of them in 2020. That’s what we are thinking. We will keep you posted when we reach a decision. It’s a race against time. Thanks for being here. We appreciate you. NYA is evolving. ny
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CONAN NEEDS A FRIEND!


Conan and Neil have a blast on this podcast due Nov 4th. In maybe one of the best interviews ever, celebrate friendship with them and enjoy the time they had on Conan’s podcast. The two old friends were happy to see each other and it shows! NYA
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CRAZY HORSE THANKS YOU FOR ATTENDING MOUNTAINTOP!


We hope you had a great time. We did! Hope you love the record as much as we all do. If the ‘live wild - stay free’ horse shirts were not available at your theater, you can get them at the ‘Greedy Hand’ store. We appreciate you! love, NYCH
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MOUNTAINTOP CRAZY HORSE


If you are Crazy Horse fan and wonder how all those records were made, check this out. Don’t miss this movie. It’s all about making COLORADO, the new NY with Crazy Horse album coming out this week! Showing one day only Tuesday 10/22/19 (at over 100 participating theaters). Go to MountainTopTheMovie.com to find the list of theaters near you!
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Hi-Res Music Meets the Masses


With the introduction of full lossless and 24-bit audio streaming by a major music service earlier this month, it’s crystal clear that Hi-Res is finally ready for prime time. Regular people will be hearing this mainstream message about audio quality; it is sure to resonate loudly, as Neil has noted. You’re reading the Times-Contrarian so you are already pretty knowledgeable about formats, bit depth and sample rates, and where you can get what. But since Qobuz is a Hi-Res service that’s only operated in Europe in the past, Neil and his team have been kind enough to give us a couple of paragraphs to explain what we’re all about. The Kobyz is an ancient Kazakh string instrument. It has two strings made of horsehair and a resonating cavity usually covered with goat leather. Traditionally, the kobyz was a sacred shamanic instrument. According to legend, its music could banish evil spirits, illness and even death. We adapted the name of this magical musical instrument and called our company Qobuz (pronounced “KO-buzz”) because we believe in the positive healing power of music, which is enormously enhanced by lossless or Hi-Res transmission in the digital sphere. Qobuz offers as much 24-bit music as we can get our hands on. It comes from major labels, independents, distributors and aggregators, and even direct from specialist suppliers like Blue Coast Records, the audiophile label run by Cookie Marenco, formerly of Windham Hill. Right now there are over 2 million tracks available to stream in Hi-Res quality. Then there’s everything else, tens of millions of tracks, and we have them all in lossless, 16-bit/44 kHz CD quality. All this music streams in the FLAC format, the same lossless codec that was used with Pono. We also have a download store where everything we stream (and more) is available for purchase, in the best possible quality up to 24-bit/192 kHz. You can download your music in FLAC, WAV, ALAC….whatever format you want. The download store is important because not only does it give you the ultimate flexibility with your music, but it generates enough revenue per transaction to benefit artists and creators more immediately than streaming alone. Sound quality is only part of the experience when you are enjoying music, so Qobuz provides tons of information and context about what you are listening to. Performer and producer credits, digital booklets, original editorial content about artists, labels, scenes and genres…you know, the stuff we’re all really into. I read Neil and Phil’s book, To Feel The Music and found myself nodding so much my neck was sore. When you start with the knowledge that lossy music isn’t really necessary anymore, and that there’s something better within reach, the tech and commercial developments of the last year are incredibly exciting. Music fans have a number of easily accessible ways to get lossless and Hi-Res music not only onto their home systems but also via whatever portable music solution they prefer. Audio quality that, ten years ago may have required equipment costing thousands to reproduce, is now available out of a mobile phone with a modest USB DAC and some good IEMs! It would be great if we could offer all the Neil Young Archives subscribers six free months of Qobuz, but the artists need to be paid so we can only offer one. If you take a look at this link we will also give you a free Hi-Res album download from the aforementioned Blue Coast Records that is yours to keep regardless of whether you give Qobuz a try. We’re all a family of music lovers. Our collective enthusiasm for quality and a better listening experience is finally being felt out there. Thanks to people like the readers of the Times-Contrarian, who want to dig a little deeper for the good stuff, cool little companies like Qobuz can find their audience. Maybe you’re it? Dan Mackta Managing Director, Qobuz USA
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How the Climate Kids Are Short-Circuiting Right-Wing Media


Young people are participating in the culture wars while also managing to float above the fray.

By Charlie Warzel - Opinion writer at large. Greta Thunberg was the keynote speaker at the climate protest in New York on Friday. The kids aren’t just all right — they’re scrambling the brains of their political enemies. Last Friday, millions of people, many of them children and teenagers, took to the streets during the Global Climate Strike, a protest inspired by Fridays for Future, the international youth effort started by the 16-year-old Swedish activist Greta Thunberg. The protesters’ call for broad action to combat global warming was powerful, as was the message sent by their numbers: Dynamic, frustrated young people are instilling in the climate movement a new urgency. Online, the climate kids’ impact can be measured in a different way — by how they’re short-circuiting the right-wing media ecosystem that’s partly responsible for the spread of climate skepticism. Since Friday’s strike, pro-Trump media and conservative cable news pundits have devoted significant resources to turning the children of the climate movement into Public Enemy No. 1. Over the weekend, Alan Jones, an Australian broadcaster for Sky News, delivered a monologue calling the climate-striking youth “selfish, badly educated, virtue-signaling little turds.” Mr. Jones finished by reading a letter arguing that children concerned about climate change should “wake up, grow up and shut up until you’re sure of the facts before protesting.” The rant echoed other criticisms of the protest from the right. “I wish I could inject that letter into my veins,” a blogger for the conservative site RedState wrote. Ms. Thunberg has been the primary target of this vitriol. On Saturday, the pro-Trump media figure Dinesh D’Souza likened Ms. Thunberg to models in Nazi propaganda. Videos of her speeches have been edited to replace her voice with Adolf Hitler’s. On Fox News on Monday evening, the Daily Wire pundit Michael Knowles called Ms. Thunberg — who is open about being on the autism spectrum — “a mentally ill Swedish child who is being exploited by her parents.” (Fox News issued an apology and called the comment “disgraceful.”) Agree to disagree, or disagree better? We'll help you understand the sharpest arguments on the most pressing issues of the week, from new and familiar voices. A few hours later, the Fox News host Laura Ingraham likened her to children from the horror film “Children of the Corn.” A Breitbart contributor wrote that she deserved “a spanking or a psychological intervention.” And she’s attracted the ire of President Trump on Twitter — a jab with which Ms. Thunberg had some fun. To be clear: battling Fox News and subtweeting the president are hardly the youth climate movement’s main goal. Still, it’s a notable case study in the limits of the right’s ability to wage an information war across the media. Much like the Parkland students, who proved to be a formidable opposition to the pro-Trump media apparatus that accused them of being crisis actors, Ms. Thunberg and the climate kids seem immune to the usual tactics of right-wing media. As newcomers, they’re mostly impervious to the right’s tool of personal attacks. They don’t have the baggage of voting records or deep financial ties to political organizations. This doesn’t mean their enemies aren’t trying — this week, a pro-Trump blog feebly attempted to tie Ms. Thunberg to the billionaire George Soros, who has been the subject of anti-Semitic conspiracy theories. Online, far-right trolls are mounting an effort to harass the young women of the climate movement. Some of the onslaught is believed to be inauthentic — 5,000 tweets by suspected bots have mentioned Ms. Thunberg, according to BuzzFeed News. Similarly, toxic pro-Trump communities have zeroed in on teenage climate protesters. As of this writing, three of the top 25 posts from Reddit’s The_Donald forum in the last week were direct attacks on Ms. Thunberg. And yet, the usual smears don’t seem to stick. Growing up online doesn’t hurt either. In 2018, I wrote that a strength of the Parkland students was being “effectively born onto the internet and innately capable of waging an information war.” The activists of the climate youth movement are no different — they’re battle-hardened by the internet and they’ve found a way to turn online organizing into mobilization on the streets. Perhaps most important is their instinctive understanding of attention and how to wield it as both a weapon and a tool. They understand how to attract attention: Their protests feature meme-able signs to capture interest across social media. Their events — from global strikes to sit-ins in the House speaker’s hallway — are tailored to garner media coverage. They also know how to spot enemies looking to divert attention and to ignore or dismiss them. Simply put, they don’t seem to care what adults, skeptics, deniers and crusty politicians think of them. And they waste very little of their time, energy and focus work-shopping their message or bulletproofing it against criticism. They simply pay their enemies no attention. They’re participating in the culture wars while also managing to float above the fray. None in the movement embody this like Ms. Thunberg, who suffers no fools in her unsparing and blunt statements to diplomats and members of Congress alike. Some of this may be the result of age, what Robinson Meyer at The Atlantic describes as the “unique moral position of being a teenager,” in which “she can see the world through an ‘adult’ moral lens” but “unlike an actual adult, she bears almost no conscious blame for this dismal state.” She does not allow her message — that the youth of the world have been betrayed by past generations’ inaction on climate change — to be co-opted by fawning lawmakers, and she dismisses their praise for her as a tragic role reversal that forces her to be the adult in a room of well-dressed children. And she seems keenly aware that her rivals’ critiques are merely efforts to divert her attention. “It seems they will cross every possible line to avert the focus, since they are so desperate not to talk about the climate and ecological crisis,” she wrote of her “haters” on Twitter on Wednesday. The usual tactics of the right-wing media break down in the face of this type of resolve. While outrage campaigns intended to work the refs and appeal to fears of appearing partisan may work with lawmakers or companies in Silicon Valley, the youth climate movement appears wholly unmoved. While the levers for climate progress proposed by solutions like a Green New Deal are undoubtedly political, the broader movement’s desire — an inhabitable earth for all — is far from partisan. The stakes, as the movement sees it, are too high to focus attention on the trolls. And the pressure, from conservative pundits and Breitbart contributors, doesn’t just get dismissed, it goes unnoticed. Faced with a political enemy that pays it no attention, the right is palpably frustrated. They argue that children have become, as a headline on an essay by Commentary’s Noah Rothman put it, “Child Soldiers in the Culture wars,” are insulated against criticism because of their age and innocence. “How do you respond to statements like that?” the Fox News host Tucker Carlson said recently of Ms. Thunberg’s forthright speeches. “The truth is you can’t respond. And of course, that’s the point.” But as the past week shows, the right is perfectly willing to attack the children. Instead, the problem is that, as Mr. Carlson seems to realize, there’s just not a very resonant counter message for a youth movement to protect the planet. Polling also suggests that there’s an increasingly shrinking pool of conservative listeners for it, with a majority of Republicans under age 45 now identifying as concerned about climate change. And so it feels increasingly likely that, when it comes to climate, the right-wing media, which is skewed toward an aging Republican audience, may simply be obsolete. In other words, it’s not that the right can’t attack the climate kids because of their age. Rather, it’s that because of their age, the right’s attacks feel especially feeble. NYA thanks New York Times
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MOUNTAINTOP SESSIONS


Recording Colorado

by Bill Bentley When it is necessary to go for broke and make music which is meant to stand the test of time, it's often necessary to take off for new vistas. Creating a sound that rings true, one that is somewhere outside the norm of what is called rock & roll today, is not an easy task. So much of modern society is nailed down to deliver what is expected, that it can make originality become a burdensome pursuit. Still, there are those who have no choice except to head outside the lines. That has been Neil Young and Crazy Horse's 50 year odyssey. It is not one that Young and band members Ralph Molina, Billy Talbot and Nils Lofgren take lightly. Crazy Horse is a band that lives in their own world. They can't be called up on a whim or even expected to deliver perfection every time they perform. That would be instant death to who the band are. Instead, they are a quartet who live to make music which cannot be predicted. Sometimes they soar and sometimes the notes go sour. That is the beauty of what Crazy Horse has always been. They are driven by the fire of the unknown, and all who sail with them expect surprises, whether they are crashes or higher consciousness. In 2019 it was once again time to gather the band of brothers together. Remember: a band is sacred ground. The true ones were born in a sea of agile agitation and inspired consciousness. It is a sonic alchemy which cannot be called up on demand. It must come to life because it is necessary, like breathing itself, to continue a calling. To record their new album, Crazy Horse went to Colorado. It was time to find a new place to call home and let the spirits run free. It was also time to film all that happened once Young, Molina, Talbot and Lofgren began to play. Neil Young is a born filmmaker. The same sounds he hears in his head he sees with his eyes. He wants to share each with those who want to join his journey. It has always been that way for the Canadian-born artist. In a way, his is one undivided vision that opens a door to new feelings and shared emotions. To try to separate them would be folly. There is no reason to. Experience cannot be chopped into small packages and given out like wrapped candies. Living can be messy business, but to embrace it in its totality is the true gift of life. When Young decided to film the entire album-making process during the sessions for the album titled COLORADO, from top to bottom and back again, he knew he was opening himself to some stark revelations and uncharted territory. Looking at the man's long career, if there is one overriding arc it is an ability to make artistic honesty the goal. It is a pursuit that never stops, nor even comes close to ending. It is a calling. Once the recording of songs like "Olden Days," "Help Me Lose My Mind," "Rainbow of Colors" and others came to life, it was instantaneously obvious that Neil Young and Crazy Horse had entered a new zone. They were among the majestic mountains of Colorado that were covered with snow. It was like an idyllic setting to play music, inside a studio that felt like a hundred-year home to the spirits of sound. And then things got really interesting, because seeking to capture the near-uncaptureable can create emotional chaos and continued chasing of the sound. And that is exactly what is captured in all its human glory on MOUNTAINTOP SESSIONS. This is real life being lived out right in front of C.K. Vollick's cameras. Recording is never a perfect process. Human foibles quickly come to life, right next to long passages of passionate expression. To miss one would be to negate the other, so the cameras never stopped rolling. The highs and lows of four men making music started turning into an unforgettable journey through time, marked by different songs being born as the music never stopped. And as usual, Neil Young needed to obscure linear reality with near-mystical live performances from recent concerts. Woven into all the studio footage is a second-tier trip on what happens to music when it is taken to the stage and shared with an audience. It's like a 360-degree exposure to what Young's music really is: a life force that sustains not only him but also his audience. It is a glimpse inside the tent where creation actually occurs, and then goes to the next step where the music lives in the hearts and heads of those who hear it and see it. At its essence, MOUNTAINTOP SESSIONS' goal is to show who Neil Young and his music really is, at its inception and taken to the next stage to its reception. He has always had a private pact with those who live inside his songs: there can be no filter between him and them. Both are in for a penny and in for a pound, destined to become one when the music is playing. In this movie, the truth is told as the musician of our time takes a climb to the mountaintop. Again.
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WHO ARE THEY?


Children vs Climate Crisis

Sixteen children from across the world are petitioning the United Nations Committee on the Rights of the Child to hold five of the world’s leading economic powers accountable for inaction on the climate crisis. See Earth News P6 for their stories
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OVER 50 ALBUMS IN AMAZON ULTRA HD


Every Album I have ever made will be on AMAZON HD. Enjoy the convenience of streaming Ultra HD versions on AMAZON, the new standard for great listening. Amazon has taken the leadership roll in quality, offering all of your favorite albums by every artist, presented in the highest quality their record companies have provided. Drop Apple and Spotify until they offer quality levels that compare. Listen to me at Amazon now. Switch to AMAZON MUSIC today. ny
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Trump’s communications with foreign leader
Whistleblower spurs standoff


Spy chief vs Congress

trumpwhistleblower The whistleblower complaint that has triggered a tense showdown between the U.S. intelligence community and Congress involves President Trump’s communications with a foreign leader, according to two former U.S. officials familiar with the matter. Trump is pictured Wednesday during a visit to the border with Mexico in Otay Mesa, Calif. (Nicholas Kamm/AFP/Getty Images) By Greg Miller, Ellen Nakashima and Shane Harris The whistleblower complaint that has triggered a tense showdown between the U.S. intelligence community and Congress involves President Trump’s communications with a foreign leader, according to two former U.S. officials familiar with the matter. Trump’s interaction with the foreign leader included a “promise” that was regarded as so troubling that it prompted an official in the U.S. intelligence community to file a formal whistleblower complaint with the inspector general for the intelligence community, said the former officials, speaking on the condition of anonymity because they were not authorized to discuss the matter publicly. It was not immediately clear which foreign leader Trump was speaking with or what he pledged to deliver, but his direct involvement in the matter has not been previously disclosed. It raises new questions about the president’s handling of sensitive information and may further strain his relationship with U.S. spy agencies. One former official said the communication was a phone call. The White House declined to comment late Wednesday night. The Office of the Director of National Intelligence and a lawyer representing the whistleblower declined to comment. Intelligence Community Inspector General Michael Atkinson determined that the complaint was credible and troubling enough to be considered a matter of “urgent concern,” a legal threshold that requires notification of congressional oversight committees. But acting director of national intelligence Joseph Maguire has refused to share details about Trump’s alleged transgression with lawmakers, touching off a legal and political dispute that has spilled into public view and prompted speculation that the spy chief is improperly protecting the president. The dispute is expected to escalate Thursday when Atkinson is scheduled to appear before the House Intelligence Committee in a classified session closed to the public. The hearing is the latest move by committee Chairman Adam B. Schiff (D-Calif.) to compel U.S. intelligence officials to disclose the full details of the whistleblower complaint to Congress. Maguire has agreed to testify before the panel next week, according to a statement by Schiff. He declined to comment for this article. The inspector general “determined that this complaint is both credible and urgent,” Schiff said in the statement released Wednesday evening. “The committee places the highest importance on the protection of whistleblowers and their complaints to Congress.” The complaint was filed with Atkinson’s office on Aug. 12, a date on which Trump was at his golf resort in New Jersey. White House records indicate that Trump had had conversations or interactions with at least five foreign leaders in the preceding five weeks. Among them was a call with Russian President Vladimir Putin that the White House initiated on July 31. Trump also received at least two letters from North Korean leader Kim Jong Un during the summer, describing them as “beautiful” messages. In June, Trump said publicly that he was opposed to certain CIA spying operations against North Korea. Referring to a Wall Street Journal report that the agency had recruited Kim’s half brother, Trump said, “I would tell him that would not happen under my auspices.” Trump says he received 'beautiful letter' from Kim Jong Un Trump met with other foreign leaders at the White House in July, including the prime minister of Pakistan, the prime minister of the Netherlands and the emir of Qatar. Trump’s handling of classified information has been a source of concern to U.S. intelligence officials since the outset of his presidency. In May 2017, Trump revealed classified information about espionage operations in Syria to senior Russian officials in the Oval Office, disclosures that prompted a scramble among White House officials to contain the potential damage. Statements and letters exchanged between the offices of the DNI and the House Intelligence Committee in recent days have pointed at the White House without directly implicating the president. Schiff has said he was told that the complaint concerned “conduct by someone outside of the Intelligence Community.” Jason Klitenic, the DNI general counsel, noted in a letter sent to congressional leaders on Tuesday that the activity at the root of the complaint “involves confidential and potentially privileged communications.” The dispute has put Maguire, thrust into the DNI job in an acting capacity with the resignation of Daniel Coats last month, at the center of a politically perilous conflict with constitutional implications. Schiff has demanded full disclosure of the whistleblower complaint. Maguire has defended his refusal by asserting that the subject of the complaint is beyond his jurisdiction. Defenders of Maguire disputed that he is subverting legal requirements to protect Trump, saying that he is trapped in a legitimate legal predicament and that he has made his displeasure clear to officials at the Justice Department and White House. After fielding the complaint on Aug. 12, Atkinson submitted it to Maguire two weeks later. By law, Maguire is required to transmit such complaints to Congress within seven days. But in this case, he refrained from doing so after turning for legal guidance to officials at the Justice Department. In a sign of Atkinson’s discomfort with this situation, the inspector general informed the House and Senate intelligence committees of the existence of the whistleblower complaint — without revealing its substance — in early September. Schiff responded with almost immediate indignation, firing off a letter demanding a copy of the complaint and warning that he was prepared to subpoena senior U.S. intelligence officials. The DNI has asserted that lawyers determined there was no notification requirement because the whistleblower complaint did not constitute an urgent concern that was “within the responsibility and authority” of Maguire’s office. Legal experts said there are scenarios in which a president’s communications with a foreign leader could rise to the level of an “urgent concern” for the intelligence community, but they also noted that the president has broad authority to decide unilaterally when to classify or declassify information. Revealing how the United States obtained sensitive information could “compromise intelligence means and methods and potentially the lives of sources,” said Joel Brenner, former inspector general for the National Security Agency. It was unclear whether the whistleblower witnessed Trump’s communication with the foreign leader or learned of it through other means. Summaries of such conversations are often distributed among White House staff, although the administration imposed new limits on this practice after Trump’s disclosures to Russian officials were revealed. Carol D. Leonnig and Julie Tate contributed to this report.
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Amazon Deforestation


A Top Financier of Trump and McConnell Is a Driving Force

Map: Soohee Cho/The Intercept
By Ryan Grim Two Brazilian firms owned by a top donor to President Donald Trump and Senate Majority Leader Mitch McConnell are significantly responsible for the ongoing destruction of the Amazon rainforest, carnage that has developed into raging fires that have captivated global attention. see Earth News for the whole story
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A MESSAGE TO SONGWRITERS


PROJECT AMPLIFY: The Song

11 years old, from El Salvador We are being held in a cold cell. We sleep on the floor on mats with blankets. I have only been permitted to take a shower twice in the almost two weeks we've been here. We've been allowed to brush our teeth once. About three days ago I got a fever. They moved me alone to a flu cell. There is no one to take care of you there. They just give you pills twice a day. There is nothing to do all day, just watch television. They let us out of our cell twice a day for a few minutes but other than that we just sit there. We cry a lot and the other kids in the cell also cry. There was a four-year old boy in my cell for 15 days. He said he came with his father, but they separated them. We are all alone. Every time I talk about my family I start to cry. 8 years old, from Guatemala I want to see my parents. I spoke with my mother once by telephone, but I do not know where she lives or when I will be able to see her. I haven't spoken to anyone else about how I will get to see her. 15 years old, with 6 year old brother, from Honduras We get the same food every day. We are hungry all the time here. (My brother) is still wearing the clothes he had on for our trip. They were washed one time. I am wearing the shirt I had on for the trip from Honduras, too. I can't sleep, because the room we are in is so crowded. When we got here, people had the beds already. There are just a few. So we have been sleeping on a mat on the floor. We aren't allowed to go to the bathroom at night. I have to put diapers on (my brother) at night since he isn't allowed to use the bathroom. He didn't wear diapers for years, because he is 6. This is just a small sample of the accounts from these children - NYA Overview Hundreds of sworn declarations have been filed from children (and parents on behalf of their children) in the class action lawsuit, Flores v. Barr. Flores is a class action lawsuit first brought in 1985 to end the mistreatment of immigrant children. Unfortunately, because of the continuing abuse and neglect of children in federal custody (some experts categorize it as torture), the case remains active to this day. There is tremendous pain in these children’s stories and we are reaching out to you as musicians and artists who will embrace their stories with humility, openness, and respect, and find a way within the music community with the talents, gifts, and calling to share their words with the universe in the hope that the truth will ensure that these practices end, so that these children will suffer no more. Please answer this call to amplify their voices and elevate the truth. The ask: A unique song to amplify the voices of the children that utilizes their accounts from their detention in the United States by the Federal Government through Immigration and Customs Enforcement and Customs and Border Patrol. We believe that music is universal and the best manner in which these accounts can be shared and heard throughout the world. We also believe that the songs will keep the accounts and atrocities being perpetrated against these children in the minds of the public and will be a call to take action. This can further prevent the harm and trauma that has been caused to children and their families. It is safety and a home that people are seeking for themselves and for their children. It is illegal what the US is doing to these children and their families and there is no end in sight. Project Amplify is a 501c3 registered in the state of Washington and is fiscally sponsored by the non- profit, Lawyer Moms of America. For further information, please contact: Mary Ellen Carroll and Warren Binford amplifythechildren@gmail.com www.amplifythechildren.org
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CLIMATE CHANGE LINKED TO IMMIGRATION


Among leaders, a widely unrecognized connection between climate change and the immigration crisis. . . In many countries today, Nationalists, those who want no immigrants coming in to their countries to diffuse the original bloodlines, may be missing the biggest connection of all. Climate Crisis and Immigration go hand in hand. If you deny either one of them, you are not living in the real world. Countries 23 degrees latitude north or south of the equator are where climate change is causing people and animals to leave their homelands and travel farther than they ever have to get to an inhabitable place where they can live and work free of the stress in their own unfortunate countries. Nationalist leaders who deny Climate science are at odds with this reality, boxed in to an ignorant view of the world. These leaders need to learn they are wrong to ignore science. President Trump of the US is a climate science denier. Brazil's new foreign minister believes climate change is a Marxist plot. Russia’s Putin himself has acknowledged apparent changes in the Earth’s climate, but has dismissed the notion that human activity was to blame and characterized the notion of anthropogenic global warming as a “fraud.” Selling fossil fuels and ignoring the human outcome makes the bad situation worse. Countries near the equator, people in the torrid zone, are going to need our help. Shutting them out is inhumane. We can manage it for humanity. NYA
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COLORADO Neil Young with Crazy Horse


Crazy Horse’s new album, COLORADO, is dedicated to Elliot Roberts. Elliot loved this record. He said “It's the songs.” Since the first Crazy Horse album, ‘Everybody Knows this is Nowhere’, so many things have happened! Life is a gift to share with everyone. We are very excited. As we release this record, you will be with us in spirit. COLORADO is a very special one. Nils Lofgren is back in Crazy Horse again and the feeling is there. ny
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As The Crisis Escalates


In our natural world, we refuse to turn away from the climate catastrophe and species extinction. For The Guardian, reporting on the environment is a priority. We give reporting on climate, nature and pollution the prominence it deserves, stories which often go unreported by others in the media. At this pivotal time for our species and our planet, we are determined to inform readers about threats, consequences and solutions based on scientific facts, not political prejudice or business interests. More people are reading and supporting The Guardian’s independent, investigative journalism than ever before. And unlike many news organisations, we have chosen an approach that allows us to keep our journalism accessible to all, regardless of where they live or what they can afford. But we need your ongoing support to keep working as we do. The Guardian will engage with the most critical issues of our time – from the escalating climate catastrophe to widespread inequality to the influence of big tech on our lives. At a time when factual information is a necessity, we believe that each of us, around the world, deserves access to accurate reporting with integrity at its heart. Our editorial independence means we set our own agenda and voice our own opinions. Guardian journalism is free from commercial and political bias and not influenced by billionaire owners or shareholders. This means we can give a voice to those less heard, explore where others turn away, and rigorously challenge those in power. We need your support to keep delivering quality journalism, to maintain our openness and to protect our precious independence. Every reader contribution, big or small, is so valuable. Support The Guardian from as little as €1 – and it only takes a minute. Thank you. Support The Guardian creditcardlogos
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WAKE UP SUCKERS


I’m a vampire baby, suckin’ blood from the Earth I’m a vampire baby, suckin’ blood from the Earth I’m a vampire Baby, sell you twenty barrels worth -1973. We don’t get it yet. ny
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Bodies in the Borderlands


borderbodies01 Scott Warren Worked to Prevent Migrant Deaths in the Arizona Desert. The Government Wants Him in Prison. borderbodies02 Scott Warren visits the site of now-closed copper mines outside Ajo, Ariz., on July 10, 2018. Photo: Laura Saunders for The Intercept By Ryan Devereaux Scott Warren has a checklist he goes through every time he finds a body in the desert. The earthly components are straightforward. Log the GPS coordinates. Take photographs and notes. Scour the brush for more bones and pull together all the data pertinent to the investigation that local authorities will, in theory, initiate once they arrive. These elements are basic evidence-gathering. But for Warren, the process doesn’t end there. Warren believes that these moments merit an acknowledgement of humanity. And so, after years of recoveries, the 36-year-old has developed a modest ritual for the grim encounters. He goes quiet, lowers himself to the earth, collects the dirt around him, and then lets the soil pour through his fingers. The point, Warren says, is to take a moment to reflect or, as he puts it, “hold space.” It may not sound like much, but for him, this process and everything that attends to it is as sacred as anything one might find in a conventional house of God. When a person dies, Warren believes, some extra-physical element of them remains, dwelling in the place where they passed. In the last six years, Warren has communed with the dead no fewer than 16 times in the desert outside Ajo, the tiny Arizona border town he calls home. Those bodies and fragmented sets of human remains have served as his window into the slow-motion disaster unfolding in the borderlands, one in which U.S. government policy funnels migrants into the desert, creating a black hole of disappearance and death of historic proportions. In response, Warren has helped convene a network of Arizona humanitarian aid volunteers with roots that go back decades. Through sweat-drenched marches deep into the Sonoran Desert, this collective has expanded access to water and medical aid in one of the border’s deadliest and most remote corridors, and fueled a historic increase in the number of bodies accounted for there. Even for those who can’t be saved, the finding of human remains opens the door for bodies to be returned to grief-stricken families, providing answers to painful questions. In an alternate universe, one could imagine the efforts of Warren and his cohort being the kind of thing a society might actively support, or even prioritize. But that’s not what is happening in Arizona right now. to be continued
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Happy 4th of July!


Enjoy your day celebrating freedom. It’s about the birth of a great nation. It’s not about children in cages. It’s about all Americans. It’s about you. USA 4th-image
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Religion
with REVEREND BILLY
LIVING MEMORY


When we lose a loved one, we are left standing there with thousands and thousands of experiences with that friend – now physically playing and re-playing in our body. The love becomes an ecstatic implant in our liquid electrified cells. We keep having memories of all those long talks and arguments and laughing fits and those hours of traveling miles of life together. We can call this “living memory.” We can say that our loved one who died is alive in those who loved him. For most people though, death is absolutely final. Even in our modern day, death is like the grim reaper. But we should never feel that death is cheating us or betraying us, because life and death take place together. How this works has never been explained. It’s a mystery. Death is a part of life. Death is always there throughout our life, not just at the end. If life and death are one and the same thing, then why do we have two separate words for them? We treat them like they are opposites, though they are two parts of a whole. What would you call that whole? What is the word that includes both life and death? That word is love. When we love – then we know both life and death. When we love - we are trusting that mystery. To love is to trust life. You trusted life when you shared life with your friend. You trusted mysterious life together. Love!
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I Gave
I gave water to migrants crossing the Arizona desert. The government charged me with a felony.


igavewater1 photo: John Moore/Getty Images Volunteers with the humanitarian aid organization No More Deaths walk with buckets of food and jugs of water on May 10 near Ajo, Ariz. igavewater2 By Scott Warren Scott Warren is a geographer living in Ajo, Arizona. AJO, Ariz. — After a dangerous journey across Mexico and a difficult crossing through the Arizona desert, someone told Jose and Kristian that they might find water and food at a place in Ajo called the Barn. The Barn is a gathering place for humanitarian volunteers like me, and there the two young men were able to eat, rest and get medical attention. As the two were preparing to leave, the Border Patrol arrested them. Agents also handcuffed and arrested me, for — in the agency’s words — having provided the two migrants with “food, water, clean clothes and beds.” Jose and Kristian were detained for several weeks, deposed by the government as material witnesses in its case against me and then deported back to the countries from which they had fled for their lives. This week, the government will try me for human smuggling. If convicted, I may be imprisoned for up to 20 years. In the Sonoran Desert, the temperature can reach 120 degrees during the day and plummet at night. Water is scarce. Tighter border policies have forced migrants into harsher and more remote territory, and many who attempt to traverse this landscape don’t survive. Along what’s become known as the Ajo corridor, dozens of bodies are found each year; many more are assumed to be undiscovered. Local residents and volunteers organize hikes into this desert to offer humanitarian aid. We haul jugs of water and buckets filled with canned food, socks, electrolytes and basic first-aid supplies to a few sites along the mountain and canyon paths. Other times, we get a report that someone has gone missing, and our mission becomes search and rescue — or, more often, to recover the bodies and bones of those who have died. Over the years, humanitarian groups and local residents navigated a coexistence with the Border Patrol. We would meet with agents and inform them of how and where we worked. At times, the Border Patrol sought to cultivate a closer relationship. “Glad you’re out here today,” I remember an agent telling me once. “People really need water.” In a town as small as Ajo, we’re all neighbors, and everybody’s kids go to the same school. Whether it was in the grocery store or out in the field, it was commonplace for residents and volunteers to run into Border Patrol agents and talk. (Five myths about the U.S.-Mexico border) Those kinds of encounters are rare these days. Government authorities have cracked down on humanitarian aid: denying permits to enter the Cabeza Prieta National Wildlife Refuge, and kicking over and slashing water jugs. They are also aggressively prosecuting volunteers. Several No More Deaths volunteers have faced possible imprisonment and fines of up to $10,000 on federal misdemeanor charges from 2017 including entering a wildlife refuge without a permit and “abandonment of property” — leaving water and cans of beans for migrants. (I face similar misdemeanor charges of “abandonment of property.”) My case in particular may set a dangerous precedent, as the government expands its definitions of “transportation” and “harboring.” The smuggling and harboring laws have always been applied selectively: with aggressive prosecutions of “criminal” networks but leniency for big agriculture and other politically powerful industries that employ scores of undocumented laborers. Now, the law may be applied to not only humanitarian aid workers but also to the millions of mixed-status families in the United States. Take, for instance, a family in which one member is undocumented and another member, who is a citizen, is buying the groceries and paying the rent. Would the government call that harboring? If this family were driving to a picnic in the park, would the government call that illegal transportation? Though this possibility would have seemed far-fetched a few years ago, it has become frighteningly real. The Trump administration’s policies — warehousing asylees, separating families, caging children — seek to impose hardship and cruelty. For this strategy to work, it must also stamp out kindness. To me, the question that emerges from all of this is not whether the prosecution will have a chilling effect on my community and its sense of compassion. The question is whether the government will take seriously its humanitarian obligations to the migrants and refugees who arrive at the border. In Ajo, my community has provided food and water to those traveling through the desert for decades — for generations. Whatever happens with my trial, the next day, someone will walk in from the desert and knock on someone’s door, and the person who answers will respond to the needs of that traveler. If they are thirsty, we will offer them water; we will not ask for documents beforehand. The government should not make that a crime. NYA Thanks Scott Warren
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The Day the Music Burned


It was the biggest disaster in the history of the music business — and almost nobody knew. This is the story of the 2008 Universal fire. By Jody Rosen The fire that swept across the backlot of Universal Studios Hollywood on Sunday, June 1, 2008, began early that morning, in New England. At 4:43 a.m., a security guard at the movie studio and theme park saw flames rising from a rooftop on the set known as New England Street, a stretch of quaint Colonial-style buildings where small-town scenes were filmed for motion pictures and television shows. That night, maintenance workers had repaired the roof of a building on the set, using blowtorches to heat asphalt shingles. They finished the job at 3 a.m. and, following protocol, kept watch over the site for another hour to ensure that the shingles had cooled. But the roof remained hot, and some 40 minutes after the workers left, one of the hot spots flared up. The fire moved quickly. It engulfed the backlot’s famous New York City streetscape. It burned two sides of Courthouse Square, a set featured in “Back to the Future.” It spread south to a cavernous shed housing the King Kong Encounter, an animatronic attraction for theme-park visitors. Hundreds of firefighters responded, including Universal Studios’ on-site brigade. But the fire crews were hindered by low water pressure and damaged sprinkler systems and by intense radiant heat gusting between combustible structures. Eventually the flames reached a 22,320-square-foot warehouse that sat near the King Kong Encounter. The warehouse was nondescript, a hulking edifice of corrugated metal, but it was one of the most important buildings on the 400-acre lot. Its official name was Building 6197. To backlot workers, it was known as the video vault. Shortly after the fire broke out, a 50-year-old man named Randy Aronson was awakened by a ringing phone at his home in Canyon Country, Calif., about 30 miles north of Universal City, the unincorporated area of the San Fernando Valley where the studio sits. Aronson had worked on the Universal lot for 25 years. His title was senior director of vault operations at Universal Music Group (UMG). In practice, this meant he spent his days overseeing an archive housed in the video vault. The term “video vault” was in fact a misnomer, or a partial misnomer. About two-thirds of the building was used to store videotapes and film reels, a library controlled by Universal Studios’s parent company, NBCUniversal. But Aronson’s domain was a separate space, a fenced-off area of 2,400 square feet in the southwest corner of the building, lined with 18-foot-high storage shelves. It was a sound-recordings library, the repository of some of the most historically significant material owned by UMG, the world’s largest record company. Aronson let the phone call go to voice mail, but when he listened to the message, he heard sirens screaming in the background and the frantic voice of a colleague: “The vault is on fire.” (Read a summary of what was lost in the fire.) Aronson dressed and steered his car to Interstate 5. A few minutes later, the air picked up a harsh scent: the acrid odor of the fire, riding the early-morning breeze into Santa Clarita, roughly 20 miles from the backlot. Aronson sped south. When he turned onto the Hollywood Freeway, he saw clouds of greenish-black smoke pouring into the sky. It was 5:45 a.m. when he gained access to the lot and made his way to the vault. There, he found an inferno. Fire was blasting out of the building as if shot from giant flamethrowers. The heat was extraordinary. There were at least a dozen fire engines ringing the vault, and as Aronson looked around he noticed one truck whose parking lights seemed to be melting. The vault lay near Park Lake, a man-made body of water that appeared in the classic B-movie “Creature From the Black Lagoon.” Fire crews began drafting water from the lake. They rained water from the tops of ladders; they doused the building with foam fire retardant. These efforts proved futile. “It was like watching molten lava move through the building,” Aronson remembers. “Just a huge blob of fire that flowed and flowed.” NYA thanks New York Times
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Impossible Burger impossibleburgercdofullofbaloney CEO Full of Baloney.
Here’s why.


The Impossible Burger—deceptively marketed as “natural”—already contains a genetically engineered ingredient, a yeast referred to as “heme.” Now, Impossible Foods, the maker of the fake meat patty, is adding a new GE ingredient: genetically engineered soy. 6 Reasons Impossible Burger's CEO Is Wrong About GMO Soy It's time to demand more from the food we eat, better protection from our regulators and a higher level of truthfulness and transparency from food brands by Pat Thomas GMO-based monocultures like soybean are bad news for wildlife, because they destroy habitats for a wide range of wild creatures, from ground-nesting birds to pollinators like bees and butterflies. Throughout the U.S., major food brands are trying to get rid of GMO ingredients—not necessarily for the right reasons, but because nearly half of consumers say they avoid them in their food, primarily for health reasons. But the CEO of Impossible Foods, purveyor of the Impossible Burger, is bucking that trend. The manufacturers of the controversial veggie burger just announced that in the future, due to “high demand” for the product, its plant-based patties will be made using GMO soy. The formula change was made to ensure the smooth rollout of the Impossible Burger in Burger King restaurants. The soy formulation is apparently better able to withstand Burger King’s trademark flame grilling. As a result, in early in 2019, Impossible Foods dumped the textured wheat protein it had been using and replaced it with soy protein concentrate instead. Pat Brown, founder and CEO of Impossible Foods, publicly defended the move. But a closer look reveals that Brown’s claims about the healthfulness and sustainability of “Impossible Burger 2.0” just don’t stack up. Here are six reasons the CEO of Impossible Burger is wrong when he claims that GMO soy is “the safest and most environmentally responsible option” for scaling up production of the fake meat product—a product that already uses a genetically engineered yeast, called heme, as its key ingredient. 1- Dubious health claims When the switch to soy was first made. Sue Klapholz, Impossible Foods vice president of nutrition & health, said that "Soy is not only safe; it’s accessible, nutritious." That’s not quite true. Results from studies showing healthful properties of fermented soy products like tofu or miso are sometimes used to support the healthfulness of other, more highly processed types of soy. But all soy is not created equal. In the messy world of soy studies, where “soy” can be defined as almost anything with soy in it, there are just as many studies showing no or only marginal benefits, and in some cases, potential for harm—e. g. interference with thyroid medication—from diets high in soy. Soy protein isolates and concentrates are made from defatted soybean flakes that have been washed in either alcohol or water to remove the sugars and dietary fiber. The flakes are then processed into powders or “flours.” Alcohol is the most common process, as it produces products with a neutral taste. But the beneficial isoflavones in soy are removed by this method. Soy protein concentrate has the lowest level of healthful isoflavones—including daidzein, genistein and glycitein—of any form of processed soy. There are other differences between the various types of soy. A 2014 study comparing GMO and organic soy beans found small but statistically significant differences in the nutritional quality: The organic soybeans had slightly higher protein levels and lower levels of omega-6 fatty acids. Omega-3 fatty acids showed no significant difference. Both fats are essential in human diets, but U.S. eaters tend to consume a higher ratio of omega-6 to omega-3 fatty acids than is healthy. 2- Higher use of pesticides Brown says that “careful analysis” has “conclusively shown” GMO soy is “better for the environment than the alternatives.” Absolutely untrue. GMO soy, whether fed to cows or people, is bad for the environment. A 2013 Food & Water Watch study, based on U.S. Department of Agriculture (USDA) and U.S. Environmental Protection Agency data, found that planting GM crops quickly resulted in the growth of herbicide-resistant “superweeds” which caused farmers to increase their herbicide use. That report echoed the findings of another study produced by Washington State University research professor Charles Benbrook in 2012. In 2016, research from University of Virginia confirmed that glyphosate-resistant weeds have led to a 28-percent hike in herbicide use on GM soybeans compared with non-GM. This has also been seen in other countries, including Canada, Brazil and Argentina. There is also evidence that glyphosate, the active ingredient in Monsanto’s Roundup weedkiller, accumulates in GM soy. The same study that found GM soy is nutritionally inferior to organic, and that GM-soy contained high residues of glyphosate and its toxic breakdown product AMPA, while conventional and organic soybeans were free of these agrochemicals. That may help explain why a recent laboratory analysis by Moms Across America found glyphosate residues in the new formula Impossible Burger. The levels of glyphosate and its toxic breakdown product AMPA were low (11ppb) but as the Moms note, evidence from animal feed studies indicates that just 0.1 ppb of glyphosate can destroy gut bacteria. Other studies of animals fed GM foods and/or glyphosate show worrying trends, including damage to vital organs like the liver and kidneys, damage to gut tissues and gut flora, immune system disruption, reproductive abnormalities and even tumors. Agrichemical companies continue to claim that glyphosate is safe. Yet glyphosate is a “probable human carcinogen” according to the World Health Organization (WHO), and its maker Monsanto (Bayer) has recently been ordered to pay out billions in compensation to victims who developed non-Hodgkin lymphoma as a result of using the weedkiller. More cases are pending. 3- No benefits for farmers According to Brown, the company decided to source “American-grown, milled and processed GM soy” that is “from farms in Iowa, Minnesota and Illinois” because there just isn’t enough non-GMO soy to meet demand. There is no question that GM soy is more plentiful than non-GM soy in the U.S. In fact, the U.S. grows more soybeans than any other country except Brazil. According to the USDA, more than 90 percent of the soybeans harvested on U.S. farms are genetically engineered to withstand herbicides, especially Roundup. That should translate into more crops to sell, but an indepth investigation by the New York Times found that, in addition to increasing pesticide use, genetic modification in the U.S. and Canada has not brought the expected increases in crop yields. This echoes the findings of a 2016 National Academy of Sciences report found that “there was little evidence” that the introduction of genetically modified crops in the United States had led to yield gains beyond those seen in conventional crops. Right now, U.S. farmers are suffering from a glut of soy, thanks to ongoing trade disputes with China, which have resulted in low prices and farm bankruptcies. 4- Kills biodiversity The adoption of GMO herbicide-resistant crops like soy has favored the use of herbicides over tried and tested methods of weed management, such as crop rotation. In addition to creating superweeds, glyphosate-based herbicides damage microbial life in the soil, which makes crops more susceptible to diseases. They are toxic to a range of aquatic organisms and also kill beneficial “weeds” like milkweed, a major food source for the Monarch butterfly. As weeds become resistant, older and stronger pesticides such as 2,4-D or dicamba, are being used. In 2017-18, “dicamba drift” was responsible for damage to an estimated 5 million acres of non-GM soybeans in 24 states, in addition to numerous specialty crops and wild plants. Globally, soy plantations have been responsible for wholesale clearing of forests and savannahs in places like Brazil, with the added effect of contributing to climate change. In the U.S., land converted to soy production has typically been pre-existing agricultural land and so is not linked to deforestation. But increasing demand for soy is destroying American prairies. Analysis of satellite data has shown that between 2006 and 2011, farmers in the Dakotas, Minnesota, Iowa and Nebraska had converted 1.3 million acres of grassland into soybean and corn production. Research by Environmental Working Group and the USDA's Economic Research Service supports this finding. These monocultures are bad news for wildlife, because they destroy habitats for a wide range of wild creatures, from ground-nesting birds to pollinators like bees and butterflies. But crop monocultures also lead to mono-diets. Agricultural diversity ensures a healthier environment and greater food security on a global scale. But the over-focus on cash crops like soy means that today just a handful of crops now dominate diets around the world. This new global diet has more calories and less nutrition, and is responsible for the global rise in non-communicable diseases such as obesity, heart disease and diabetes. 5- No ‘scientific consensus’ around safety Brown proclaims there is “scientific consensus that GMOs are safe for consumers and the environment—a view now endorsed by the American Medical Association (AMA), the National Academy of Sciences and the World Health Organization.” But Brown’s statement is factually untrue. A closer look at these claims shows that the AMA’s Council on Science and Public Health statement opposing GMO labeling did not claim GMOs are safe. It acknowledged “a small potential for adverse events . . . due mainly to horizontal gene transfer, allergenicity and toxicity.” The AMA recommended mandatory safety assessments prior to release of GM foods—a system which, as the AMA pointed out, is not in place in the U.S. The National Academy of Sciences has not issued any blanket claims of GMO safety. It did issue a report in which it analyzed a range of plant-breeding techniques and concluded that GM posed a higher risk of introducing unintended changes into food than any other crop breeding method other than mutation breeding, a method in which plant genomes are bombarded with radiation or chemicals to induce mutations. The WHO has stated: “No effects on human health have been shown as a result of the consumption of GM foods by the general population in the countries where they have been approved.” But take a look at the text that preceded that sentence: “Different GM organisms include different genes inserted in different ways. This means that individual GM foods and their safety should be assessed on a case-by-case basis and that it is not possible to make general statements on the safety of all GM foods.” The WHO also recommends that “adequate post-market monitoring” is carried out to ensure the safety of GM foods. Yet such monitoring is not carried out anywhere in the world. In fact, GM foods were not subjected to human trials before being released into the food chain. Their human health impacts are not being studied by any government agency, nor by the companies that produce them. That’s why nearly 300 independent scientists from around the world issued a public warning that there was no scientific consensus about the safety of eating genetically modified food, and that the risks, as demonstrated in independent research, gave “serious cause for concern.” 6- Ignores consumer concerns Brown says “we believe in our consumers and respect their right to consider the facts and decide for themselves.” He adds that the inclusion of GMO soy will lead to “noise from anti-genetic engineering fundamentalists.” But concerns about GMOs aren’t just “noise.” They persist because they are legitimate, and because consumers want facts from independent researchers and other sources not from paid mouthpieces for the GMO industry, or from brands with a bias. U.S. consumers overwhelmingly want GMO foods labeled so they can make real informed choices. Impossible Foods has chosen to ignore both legitimate concerns and the desire for choice by insinuating its fake meat burger onto the market via independent restaurants, large restaurant chains, theme parks, museums, stadiums, college campuses and corporate offices—places where no food labeling is required and where customers are least likely to ask questions. What can you do? It’s time to demand more from the food we eat, better protection from our regulators and a higher level of truthfulness and transparency from food brands. If you want to let the CEO of Impossible Foods know that he's wrong about GMO soy, click here. TAKE ACTION: Tell Impossible Foods CEO Pat Brown: GMO Soy is bad for consumers, bad for the planet! Impossible Foods wants you to think the switch to GMO soy was motivated by the company’s “commitment to consumers and our planet.” But that’s simply not true. We explain why, in our article: “Six Reasons Impossible Burger’s CEO Is Wrong about GMO Soy.” Burger-loving consumers who care about their health, and the health of the environment, are likely to choose burgers made from 100% grass-fed beef—not a lab-grown fake meat product made with GMO ingredients. Why choose regeneratively raised 100% grass-fed burgers? With more nutrients, and less risk of harmful pathogens, grass-fed beef is better for your health. And when managed properly, cows raised on grass can have a net-positive impact on the environment—by improving soil carbon sequestration and ecosystem biodiversity, and by reducing the need for toxic pesticides and chemical fertilizers. In his article, CEO Brown says his company’s mission is to end the use of animals in food production by 2035. But the real mission of Impossible Foods is to generate profits for Brown and his shareholders. That’s why the company is keen to sell its Impossible Burger to fast-food restaurant chains, where it’s certain they won’t be labeled. Brown plays fast and loose with the facts in his article, then writes: “Noise from anti-genetic engineering fundamentalists is inevitable.” Let’s make some noise. TAKE ACTION: Tell Impossible Foods CEO Pat Brown: GMO Soy is bad for consumers, bad for the planet! P.S. To help support this, and other campaigns, please consider making a donation to OCA. Nearly 80 percent of our support comes in the form of small donations from individual donors. Thank you! NYA thanks Organic Consumers Association
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MESSAGE TO FACEBOOK Facebook logo 250on1408 THIS IS HOW YOU DO IT:


Fake altered image
Above is a good example of labeling. Without it, people might think this is real. Zuckerberg, you display fake images without a label, and many viewers see it as real. Facebook policy of no labeling is promoting lies and misleading stories. This practice should be illegal, is irresponsible, and is nothing less than the press betraying democracy. Zuck, you are betraying your viewers. NY eagleonwater Democracy flying low with facebook info
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OHIO


ohio 45 475 OHIO - CSNY
New Photos Are Revealed
By Tara Law Photography has shaped the American memory of the May 4, 1970, Kent State shootings. The image of a young woman screaming in horror as she crouches beside the body of a student has become the defining moment of the day when National Guardsmen shot and killed four students at Kent State University in Ohio. This year, on the 49th anniversary of the shooting, history’s lens has gotten a little wider. Getty Images has released previously unpublished pictures revealing the weekend leading up to the tragedy, the moments when the guards opened fire and the grief afterwards. ohiophotos1 An unidentified demonstrator runs through a cloud of teargas on the Kent State University Commons during a student antiwar protest, Kent, Ohio, May 4, 1970. The protests, initially over the US invasion of Cambodia, resulted in the deaths of four students (and the injuries of nine others) after the National Guard opened fire on students. Howard Ruffner—Getty Images The new photos were taken by John Filo and Howard Ruffner, two students at the university. Filo captured the day’s most iconic image: 14-year-old Mary Ann Vecchio beside the body of 20-year-old Jeffrey Miller. ohiophotos2 Teenager Mary Ann Vecchio (kneeling, with white neckerchief) and others surround the body of Kent State University student Jeffrey Miller (1950 - 1970) who had been shot during an anti-war demonstration on the university campus, Kent, Ohio, May 4, 1970. The protests, initially over the US invasion of Cambodia, resulted in the deaths of four students, including Miller, and the injuries of nine others after the National Guard opened fire on students. Vecchio (who was not a KSU student) was also photographed in the Pulitzer prize-winning photograph (also by John Filo) that came to define the event. John Filo—Getty Images ohiophotos3 View, from behind, as Ohio National Guardsmen in gas masks and with rifles as they prepare to advance up Blanket Hill, through clouds of teargas, to drive back Kent State University students during an antiwar demonstration on the university's campus, Kent, Ohio, May 4, 1970. Visible at left is Taylor Hill. The protests, initially over the US invasion of Cambodia, resulted in the deaths of four students (and the injuries of nine others) after the National Guard opened fire on students. Howard Ruffner—Getty Images Ruffner, a second-year-student who had learned about photography while serving in the U.S. Air Force, was working on the university’s yearbook. Recruited as a freelance photographer by *LIFE* magazine, he snapped photos after students set fire to the campus’ ROTC building and National Guardsmen began to take over the school grounds. The campus was mostly empty, because Kent State was known to be a “suitcase school” – where students leave on the weekend, Ruffner told TIME. ohiophotos4 Paramedics and students run as they push the body of Kent State University student Jeffrey Miller (1950 - 1970) on a gurney after he'd been shot when the Ohio National Guard opened fire on antiwar protesters, Kent, Ohio, May 4, 1970. Howard Ruffner—Getty Images Students were arriving back on campus on May 4 – a Monday – and about 500 people gathered for a rally to protest the presence of the National Guard and the Vietnam War at around 12 p.m. Ruffner said he was standing about 80 feet from the soldiers when they opened fire on the protesters. ohiophotos5 On Blanket Hill, Kent State University students, several with hands over their mouths, stare in the aftermath of the Ohio National Guard having opened fire on their antiwar demonstration, Kent, Ohio, May 4, 1970. Howard Ruffner—Getty Images “I heard people shouting, ‘Oh my God, they’re shooting with real bullets,'” Ruffner said. “And I looked around with my camera by myself, and I saw people on the ground in front of me, a person on the ground beside me. I was probably in a (state) of awe, or disbelief. But it didn’t stop me, or change who I was… I had to continue doing what I was doing.” Bob Ahern, the director of Getty Image’s archive, told TIME that Ruffner and Filo’s perspective as students makes the images even more powerful. ohiophotos6 Students kneel on the grass beside wounded classmate John Cleary after the latter had been shot when the Ohio National Guard opened fire on antiwar protesters, Kent, Ohio, May 4, 1970. Howard Ruffner—Getty Images “It’s incredible coverage because it is (a) kind of eyewitness,” he said. “It was people there with cameras… They weren’t seasoned photojournalists, they were very much in the moment. (The pictures are) incredibly immediate like any good news photo can be. They still have a freshness and a rawness about them, which is kind of chilling.” Prior to the shooting’s anniversary, Getty asked Ruffner and Filo to look through their archives and check whether they had any unreleased photos. As they were freelance photographers at the time, their full collection of photos likely wouldn’t have gone into a magazine archive, Ahern says to explain why the photos are surfacing now. ohiophotos7 Closeup of a bullet hole left in a metal sculpture after the Ohio National Guard opened fire on antiwar protesters at Kent State University, Kent, Ohio, May 4, 1970. In the background, an unidentified person photographs the hole from the opposite side. The sculpture, 'Solar Totem #1' by Don Drumm, is located outside Taylor Hall. John Filo—Getty Images Ahern said the power of the Kent State photographs echoes through time. “(The pictures remind) us of what’s involved in protest, and how high that price can be,” he said. Correction, May 5: Captions in the original version of story misidentified two of the victims during the Kent State shootings. They are believed to have died while walking to class, not while taking part in the protest. The original version of this story also misstated why Mary Ann Vecchio was present at the Kent State protest. Vecchio was visiting Kent State, she was not a student and was not Jeffrey Miller’s classmate. Write to Tara Law at tara.law@time.com
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Amazon


shareholders vote down proposals on facial recognition and climate change

Investors and employees pushed the company to make the changes By Colin Lecher, theverge.com Amazon shareholders have voted down proposals meant to curb sales of the company’s controversial facial recognition tool and to limit its carbon output. The proposals, which were driven by shareholding activists and employees, were nonbinding, but represented a moment of defiance against Amazon. The company’s Rekognition tool, which is sold to law enforcement, has been criticized on civil liberties grounds, and employees have said the company could be doing more to fight climate change. “Thousands of employees signed on to climate change proposal” Two Rekognition proposals would have asked Amazon to cease sales to government agencies and to complete a review of the tool’s civil liberties implications. Amazon went to the Securities Exchange Commission in an attempt to stop the proposals from coming to a vote, but the agency allowed them to continue. The measures had received support from groups like the American Civil Liberties Union, which pressed the shareholders to adopt the facial recognition proposals. “The fact that there needed to be a vote on this is an embarrassment for Amazon’s leadership team,” Shankar Narayan of the ACLU of Washington said in a statement. “It demonstrates shareholders do not have confidence that company executives are properly understanding or addressing the civil and human rights impacts of its role in facilitating pervasive government surveillance.” Amazon employees also rallied around the climate change proposal, which asked the company to adopt a wide-ranging plan. Thousands of employees signed on to an open letter to CEO Jeff Bezos supporting the plan. “It’s past time for Jeff Bezos and Amazon’s board to listen,” Amazon organizers said in a statement read after the vote. An Amazon spokesperson confirmed the proposals were voted down and said more details would be filed with the SEC and released later this week. The shareholder meeting came on the same day as a congressional hearing on the use of facial recognition technology. “It’s just more important for Congress to act,” Rep. Jimmy Gomez (D-CA) said at the hearing, in response to the Amazon vote.
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ANOTHER COLUMBINE DEATH


A Survivor Of The Columbine Shooting Has Died At Age 37

Laura Rauch / Associated Press Austin Eubanks, who survived being shot at Columbine High School in 1999, has died at age 37. The Colorado resident had grown up to be a speaker on addiction and trauma, based on his experiences as a teenager and young adult. He was 17 when one of two gunmen entered his school library, shot him, and killed his friends and classmates. Eubanks was found dead on Saturday, and the cause of death has not yet been determined, his family told BuzzFeed News. There were no signs of foul play, the Routt County coroner told the Associated Press, and an autopsy is scheduled for Monday. “We thank the recovery community for its support," his family said. "As you can imagine, we are beyond shocked and saddened and request that our privacy is respected at this time.” In the days after the 1999 shooting, Eubanks was prescribed pain medication for his physical injuries, but he'd later say, even after his body healed, his emotional pain remained debilitating. "So I continued taking the medication that was prescribed for my pain," he said in a TEDx talk in 2017. "I was addicted before I even knew what was happening." After more than a decade of struggling, he said a 14-month treatment program helped him lean into his pain and find recovery. "I had to go through the stages of grief I should have been going through at 17, at age 29," he said. "But I refused to keep running." Eubanks went on to work as an administrator for treatment centers, while also volunteering with nonprofit groups aimed at helping people recover from addiction. He also began speaking to audiences nationally, advocating for more education on addiction, more accessible treatment, and reforms to the health care system. Last month, as the nation marked the 20th anniversary of the Columbine shooting, Eubanks spoke about his frustration that more wasn't being done to prevent mass violence. He called for action on both mental health care and gun control. “Instead of coming together to work on eradicating the issue for future generations, we are simply trying to teach kids how to hide better in active shooter drills,” he told his local newspaper, the Steamboat Pilot & Today. “In a lot of ways, we have desensitized and, in some way, traumatized entire generations of youth because we are basically normalizing this.” NYA thanks AP, Buzzfeed.
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MONSANTO BOMBSHELL


Bayer discovers “black ops” division run by Monsanto, shuts it down, initiates internal investigation as law enforcement prepares criminal charges against the chemical giant

By Mike Adams monsantobombshellbayer500 (Natural News) For over a decade, Monsanto has been engaged in building and maintaining “hit lists” of journalists, lawmakers and regulators to be taken out if they opposed the evil agenda of GMOs and toxic glyphosate weed killer chemicals that now inundate the world food supply. Any influential person who opposed the Monsanto agenda was subjected to one or more of the following:
  • Attempted bribery
  • Death threats and intimidation
  • Character assassination through well-funded “negative P.R.” campaigns
  • Defamation via coordinated Wikipedia attacks, run by Monsanto operatives
  • Career destruction, such as getting scientists blacklisted from science journals
  • Being doxxed, having their home addresses publicized and their families and co-workers threatened
In other words, Monsanto has been running a “black ops” division for over ten years, spending perhaps $100 million or more on efforts to silence, destroy or assassinate anyone who interfered with the agricultural giant’s market dominance. Now, the criminal mafia activity that Monsanto has carried out for years is finally being exposed as law enforcement closes in on the crimes of this evil agricultural giant now owned by Bayer, a corporation that appears to be making an effort to “clean house” and end the Monsanto crimes that targeted journalists, lawmakers and regulators with intimidation and bribery campaigns. Law enforcement preparing criminal charges against Monsanto division operatives “French prosecutors said on Friday they had opened an inquiry after newspaper Le Monde filed a complaint alleging that Monsanto – acquired by Bayer for $63 billion last year – had kept a file of 200 names, including journalists and lawmakers in hopes of influencing positions on pesticides,” reports Reuters. This “hit list” of journalists and lawmakers was directly translated into action to intimidate, threaten or bribe these individuals, just as happens in the United States. In fact, a Monsanto spokesperson now confirms the Monsanto mafia used the list to take out anyone standing in the way of the Monsanto agenda. “There have been a number of cases where – as they would say in football – not the ball was played but the man, or woman, was tackled,” admitted Matthias Berninger to Reuters. Berninger is the “head of public affairs and sustainability” of Monsanto. Further into the statement, Berninger admits Monsanto collected “non-publicly available data about individuals” and then issued an apology from Bayer for the activity. “Following an initial review, we understand that this initiative has raised concerns and criticism,” said Bayer in a May 12th public statement. “This is not the way Bayer seeks dialogue with society and stakeholders. We apologize for this behavior.” What Natural News can reveal is that Monsanto hired black ops teams and private investigators to dig up the personal locations of individuals and their families, then engaged in activities to threaten and intimidate those individuals while publicly smearing them online through coordinated, well-funded character assassination campaigns. This author believes that, over the last decade, I have been personally hunted by Monsanto-funded black ops teams who intended to destroy my credibility and physically harm my person in order to silence my public criticism of Monsanto and end the publishing of MonsantoMafia.com, GMO.news, Glyphosate.news and the dozens of other websites that Monsanto did not want to see published. Health Ranger: I am willing to share details with Bayer’s investigation team in exchange for a public apology and a retraction of the smears I am willing to consider the possibility that Bayer is genuine in its attempts to clean up the “Monsanto mafia” mess that it has inherited. It is possible that the culture of Bayer is not nearly as evil and corrupt as the culture of Monsanto, which is why I am willing to sit down with Bayer’s internal investigators and privately detail the illegal tactics that have been used against myself and others who spoke out against the multiple criminal activities carried out by Monsanto’s “black ops” teams. I will do this in exchange for a public apology from Bayer that specifically names myself, the Food Babe, Jeffrey Smith and other individuals in the independent media (there are about twenty) who have been specifically targeted, smeared and threatened by Monsanto operatives over the years. Bayer may contact my legal team for more details of what we are requesting. This is a rare opportunity for Bayer to hear directly from the victims of the Monsanto “black ops” division that Bayer likely was not aware it was acquiring when it purchased Monsanto, since the entire division operated in secret and relied on internal corporate money laundering to obfuscate its operations. Bayer’s attorneys may reach out to Natural News through our public contact page. Our attorneys are also initiating contact with Bayer’s legal team to initiate discussions. Bayer says it will support criminal indictments of Monsanto operatives If you read the Bayer announcement that went public on May 12, you’ll find that Bayer is openly supporting the criminal indictment of Monsanto operatives who ran its black ops division. “Bayer will fully support the public prosecutor’s office in France in its investigation,” says the statement. That same statement also explains: As an immediate measure, we have decided to suspend our cooperation with the involved external service providers for the time being. The responsible Monsanto manager left the company shortly after the acquisition. The “external service providers” were, Natural News has learned:
  • Negative P.R. firms hired to engage in online character assassination.
  • Rogue private investigators tasked with geo-locating targeted individuals.
  • “Wet work” intimidation / assassination teams that were directed to threaten violence and / or carry out direct violence against “enemies” of Monsanto, including the targeting of innocent family members.
Bayer goes on to explain, “We are also currently investigating further appropriate consequences both internally and with regard to external parties. Bayer stands for openness and fair dealings with all interest groups. We do not tolerate unethical behavior in our company.” If true, this would stand in great contrast to Monsanto itself, which was run like a criminal mafia organization, complete with “hit men” and terror campaigns that focused on critics of the biotech company. Perhaps Bayer is hoping to clean up the Monsanto nightmare and initiate a new era of operations where public debate replaces the intimidation, threats and murder campaigns run by former Monsanto operatives. As someone who has been routinely targeted, threatened and smeared by Monsanto, I am willing to entertain the possibility that Bayer is looking to right past wrongs. Even though I may never agree with the widespread use of herbicides and pharmaceuticals across society, I don’t go out of my way to criticize corporations unless they are engaged in acts of extreme evil. McDonald’s for example, sells all sorts of garbage food products that are unhealthy for society, but McDonald’s doesn’t hire hit teams to hunt down and try to assassinate critics, for example. McDonald’s just runs ads and tries to get the public to focus on social happiness instead of the chemical pesticides found in their products. And for the most part, it works. Nobody goes to McDonald’s expecting an all-organic diet in the first place. McDonald’s is a “voluntary compromise” where a consumer is obtaining convenience and low cost in exchange for surrendering a bit of their own long-term health. But no one from McDonald’s puts a gun to their head and demands, “EAT HERE OR DIE MUTHA F##KA,” which is essentially the way Monsanto was run for over a decade. Investigating “the project Monsanto commissioned” Finally, I want to draw your attention to one more line in the Bayer press release. It refers to “the project Monsanto commissioned” and promises to “evaluate the allegations.” I can report to you that this “project” is the black ops unit of Monsanto. It was commissioned by angry, evil Monsanto managers whose personal hatred and violence is only exceeded by the violence of the Monsanto corporation itself, which unleashed Agent Orange on the world, along with a long list of other deadly chemicals that were used against innocent civilians as weapons of war. Monsanto was run by some of the most evil, criminal-minded people in the history of the world. These people, I believe, are directly responsible for acts of extreme violence — both online and offline — that specifically targeted Monsanto critics like myself. They belong behind bars, and it looks like Bayer may actually be willing to help put them there. It’s time for Bayer to close the chapter on this Monsanto era of disinformation, destruction and death. Otherwise, the anger against Monsanto that is well deserved and widely publicized across the activist community will continue to reflect on Bayer and its share price. Monsanto has committed acts of tremendous evil against innocent, well-meaning individuals who only advocated a cleaner food supply and honest labeling. If Bayer does not open a dialogue with these activists and help resolve some of these issues, Bayer will continue to pay the price for crimes that it inherited through its acquisition of Monsanto, which has already proved disastrous from a financial point of view. I believe the only way Bayer can resolve this is to talk to those of us who suffered through these malicious attacks and still somehow made it out alive. Bayer needs to publicly apologize, set the record straight, admit the crimes of the Monsanto black ops managers, and retract all the smear articles and Wikipedia entries it funded. It’s time for Bayer to come clean. NYA thanks Natural news
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46 NEW OPENED TRACKS!


We're Sluicin'

Forty-six tracks that were stuck upstream are now flowing from our servers to your ears. These tracks are washing ashore all over NYA, so check your favorite coves and eddies to listen for something new.
  • Baby What You Want Me To Do
  • Blackbird
  • Blowin' In The Wind
  • Changes
  • Classical Gas Rap
  • Clementine
  • Crazy
  • Early Morning Rain
  • Farmer John
  • Four Strong Winds
  • Gallows Pole
  • Get a Job
  • Girl From the North Country
  • God Save the Queen
  • High Flyin' Bird
  • I Wonder if I Care as Much
  • If You Could Read My Mind
  • It Might Have Been
  • Jesus' Chariot (She'll Be Coming Round the Mountain)
  • King Midas In Reverse
  • My Hometown
  • Needle of Death
  • Nighttime for the Generals
  • Oh Lonesome Me
  • On Broadway
  • On the Road Again
  • Peace And Love
  • Reason to Believe
  • Saddle Up the Palomino
  • Since I Met You Baby
  • Stand and Be Counted
  • String Quartet from Whiskey Boot Hill
  • The Wayward Wind
  • Tom Dula
  • Wayfarin' Stranger
  • We Never Danced
  • Wooden Ships
  • Woodstock
— The Archives Team
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Hemp Warrior


For Industrial Hemp Grower Alex White Plume, Sovereign Resolve Is Finally Paying Off

All living things deserve respect,” says Alex White Plume, Oglala Lakota, who performs a ritual before each hemp harvest. “We tell the plant, ‘Thank you. We’re going to use you.’” After 1998, when White Plume planted his first acres of hemp, thoughts kept him up at night: “Are we doing the harvest ceremonies right? Are we singing the right songs?” White Plume told Native Business Magazine. His concern about cultivating hemp while honoring Lakota tradition turned into a living nightmare between 2000-2002 when dozens of U.S. Drug Enforcement Administration (DEA) agents raided his hemp fields on the Pine Ridge Indian Reservation in South Dakota. Descending with “weed whackers,” they chopped the towering plants to the base of their stalks and ripped others up from the roots. “It gave us PTSD; it shocked us,” White Plume said. “They call it ‘eradicating.’ To us, it was theft of our property.” Little did the agents know, the violent assault shook loose new seeds. “The DEA successfully replanted our field for us. We called it a DEA/FBI hemp field and used it as a tourist attraction for a while. People had a good laugh about it,” White Plume said. DEA agents didn’t arrest White Plume or his family. Despite misperceptions, hemp is not classified as a drug. While it mirrors the marijuana plant in appearance, hemp does not contain high levels of the psychoactive chemical THC. Industrial hemp lends itself to three categories of products: fiber, seed, and cannabidiol (CBD). Hemp offers vital nutrients in food or supplement form. While White Plume wasn’t thrown in jail, his battle to grow and process hemp was hardly over. In 2004, the U.S. Department of Justice obtained a permanent injunction against White Plume, banning him from planting hemp. A federal judge lifted the one-of-a-kind ban in 2016. In spite of numerous legal setbacks and discrimination, White Plume remained steadfast in his mission—to raise industrial hemp to generate vital income for his family and tribal members on the most impoverished reservation in the United States. “I live in the poorest community and the poorest county in America today. I was desperate to bring some type of economic development in, where we could use the land without destroying the land,” White Plume told Native Business Magazine. For the White Plume family, that time has finally arrived. The White Plume family has partnered with Evo Hemp to produce full-spectrum CBD extracts. The Boulder, Colorado-based Evo Hemp is known for its line of Hemp Bars sold in more than 3,000 retailers, including Whole Foods Markets and Kroger. Today, anyone can purchase organic HempX Extract and HempX Capsules, made from White Plume’s organic, cannabinoid-rich hemp flower. His products are sold on EvoHemp.com, Walmart. com, and on the shelves of dozens of retailers across the country. “We’re hoping that it will be Wal-Mart brick and mortar stores soon,” Evo Hemp President Ari Sherman told Native Business Magazine. “We decided to partner on 10 acres (of hemp) with Alex White Plume because with CBD (as opposed to fiber or seed), you need a lot fewer acres. Ten acres will produce well over a million dollars’ worth of industrial hemp,” Sherman said. Evo Hemp brings a wealth of advantages to the table including a sales network of more than 100 people deployed across the country. The company’s products can be purchased in more than 3,000 retail stores including Kroger, Costco, Whole Foods Markets, and a number of small natural food chains. “We’re really hitting the mainstream consumer with our hemp products,” Sherman said. NYA thanks NATIVE BUSINESS
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RIGHT


Admit it:

Fox News has been right all along

Attorney General William Barr appears before a Senate Appropriations subcommittee (Andrew Harnik/AP)
By Gary Abernathy Throughout most of southern Ohio, residents who watch cable news are predominantly glued to one channel: Fox News. People there don’t watch Fox News to know what to think; they already know what they think, and they avoid news channels that insult their intelligence and core beliefs. Yes, Fox News is an echo chamber for the right, but no more than CNN and MSNBC are for the left, as far as conservatives are concerned. To be fair, when a Democrat is in the White House, the networks switch places, with Fox News criticizing every move, and MSNBC and CNN defending the Oval Office fortress. But for now, while partisans on the left may quibble, the fact remains that on the subject of collusion with Russia by President Trump or his campaign, Fox News was right and the others were wrong. For at least two years, MSNBC and CNN devoted hour upon hour, day after day, to promoting the narrative that Trump colluded with the Russians, and that special counsel Robert S. Mueller III was going to prove it. That turned out to be wrong. Along with defending Trump, Fox News hosts such as Tucker Carlson, Laura Ingraham and, especially, Sean Hannity have been slammed for spending nearly two years clamoring for an investigation of the investigators, aligning themselves with the president’s claim of a politically motivated witch hunt. Most of the media portrayed such accusations as preposterous, designed merely to divert attention from Trump’s alleged misdeeds. But then comes Attorney General William P. Barr, dropping a bombshell last week by declaring during congressional testimony that he thinks “spying did occur” on the Trump campaign in 2016, and that he is looking into it. Democrats and many in the media immediately blasted Barr for carrying Trump’s water. Barr soon clarified his remarks, saying, “I am not saying that improper surveillance occurred. I’m saying that I am concerned about it and looking into it.” Just three weeks ago, before Mueller wrapped up his report, The Post — in a story representative of mainstream sources at the time — produced a mostly flattering profile of the new attorney general. “A Justice Department official told The Washington Post last month that Barr is viewed at the department as ‘a lawyer’s lawyer’ and is seen as less politically minded than his predecessors,” the story noted. Timothy Flanigan, a former Barr colleague at the Justice Department, described Barr’s independent streak, saying, “If Bill starts getting the tweet treatment, Bill is a tough guy. He’s a tough, tough guy. Not that Jeff Sessions wasn’t, but I don’t think Bill’s just going to sit there and take it. I think he would make sure that the president understood that it is not really a smart thing to be lambasting the attorney general.” Now, Barr is being cast by the liberal cable channels and others as an unscrupulous political hack attached to the president’s leash. On CBS’s “60 Minutes” on Sunday, House Speaker Nancy Pelosi (D-Calif.) said that Barr “may be whitewashing” his summary of the report. Such accusations represent an unlikely turn of events for a 68-year-old professional with an impeccable record and a career more behind him than in front of him. For Fox News devotees in southern Ohio and other Trump strongholds, nothing from the Mueller investigation has provided cause to waver from their preferred news source. Meanwhile, even regular viewers of CNN and MSNBC must certainly recognize the straws being grasped to justify sticking with a conspiracy theory that has been largely debunked — although the expected release of Mueller’s report this week will probably provide just enough juice for one last effort. After two years of conjecture from all sides, some hard truths have emerged. Russia did try to influence the 2016 election. Neither Trump nor his campaign conspired with Russia. The president’s actions did not rise to criminal obstruction of justice. And how and why this all began may well turn out to be the most troubling story of all. During his confirmation hearing in January, Barr told senators, “I am not going to do anything that I think is wrong, and I will not be bullied into doing anything I think is wrong. By anybody. Whether it be editorial boards, or Congress or the president. I’m going to do what I think is right.” Observers at the time took Barr’s comments as reassurance of his independence from Trump, but in hindsight it should be noted that he mentioned editorial boards and Congress first. Barr’s career does not paint a portrait of someone who chases tin-foil-hat conspiracies. There’s enough evidence in the public record to raise valid suspicions that the FBI’s investigation of the Trump campaign was motivated not by real concerns about national security, but rather by a loathing of the candidate. And though new facts may emerge in the full, redacted report, they won’t change the larger truth. It would behoove serious journalists to put aside their political biases and delve into a story that might actually be worthy of Watergate comparisons — even if it includes the painful admission that Fox News has been right all along. NYA thanks Washington Post
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GREEN NEW DEAL
Rep. Alexandria Ocasio-Cortez Releases Green New Deal Outline


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WHY? XSTREAM-LOGO-1408 HEARING IS BELIEVING!


Xstream by NYA music sounds better everywhere on any device! Especially Android cell phones that play full high resolution. They are sounding awesome now! We have heard them! Android is in testing and will come very soon! Here’s why. Xstream rocks! Music on ‘Xstream by NYA’ sounds better right away because Xstream by NYA is able to play a full high res file anywhere! All the other services are limited to MP3, CD or a compressed file. Imagine this:
  • Spotify is limited to 320 kbps or a lower tier of quality. That’s two levels of quality to choose from with Spotify.
  • Xstream by NYA has 15,000 levels of quality and continuously seeks the highest quality bandwidth allowed at your location, including extremely low bandwidth to super high bandwidth and every step in between. It’s seamless.
  • Because Xstream by NYA has no bandwidth limitations, it easily plays music over 6,000 kbps, more than enough for High Resolution playback.
  • High bandwidth allows all music to be heard in High Res, exceeding an iPhone’s capabilities for playback, still, even with that limitation, anyone can hear the difference between ‘Xstream by NYA’ and ‘Spotify’ on an iPhone. It’s big!
  • Some phones by ‘SAMSUNG’ and ‘LG’ can play full high resolution today, exceeding even an iPhone’s capabilities. The listening experience on those phones is truly amazing! That said, the High Res advantage of Xstream by NYA is still quite obvious on the iPhone. Our APP for Android will be ready in May.
Just try this:
  • listen to one of my songs on your iPhone using neilyoungarchives.com ‘Xstream by NYA’.
  • Now listen to the same song through Spotify or one of the other services.
  • Xstream by NYA is better sounding because we are able to play a file with all the quality (air, depth, dynamics, smoothness) of the original. Spotify is not capable of that.
  • It doesn’t matter if you are using Bluetooth speakers or whatever, Xstream by NYA sounds best.
  • Your only limitation is the playback device you have chosen to use, yet even on low quality playback devices the difference is obvious.
Hearing is Believing. Xstream by NYA.
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NYA SUBSCRIPTION FROM IPHONE?


simple instructions to subscribe

  • Visit neilyoungarchives.com from the browser on your phone.
  • Click the Global Menu (square in top left of of screen)
  • Click the blue "subscribe" button
  • Log in to your NYA account or Sign up if you don't already have one.
  • Click "Get NYA Unlimited" on the next page (or click global menu>account>plans)
  • Select Annual or Monthly Subscription and Check out.
It's that easy! Enjoy NYA and all NY music on your APP! NYA
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MUSIC MOVES AGAIN!


THE SOUND OF TOMORROW?

A dream is finally coming true! You know, I’ve worked on this for years. I’ve always heard it. I’ve tried to explain it. I failed to get across to people what this is. . . . . but now that’s over. . . . . musicmoves-1 The NYA APP speaks for itself. Everyone hears it. It doesn’t matter how bad your system is. Just plug your phone into it. NYA music sounds more alive through it. You can hear and feel the difference. You can experience the music in a new deeper way for yourself through any playback device. I feel great. Reading people’s reactions to this APP is wonderful. Finally, it’s on a level playing field with everything else and can be truly compared. It’s Music to my Ears! Check out what these folks are saying: neilyoungarchives 4.6/5 rating at IOS app store. Neil Does it again - Boundless50 Continuing his efforts to improve digital audio quality, Neil has hit a home run with a well-designed app that provides great sound (and flexibility when using a cellular connection) to enjoy even more his broad catalog of music. Now, if the technology could also be used with other artists’ music as well… musicmoves-2 Great Sound Neil - JoeRay ***** (5-stars) I just downloaded the Neil Young Archives app and the music sounds alive; right out of the studio…Thanks Neil for 24 bit sound…Merry Christmas to all… 24 bit steaming. Perfection! Love m… - WK-Y ***** 24 bit streaming from the iPhone, so simple! Perfect sound with no breaking up like the lower bit files. No more ssss. Even the 16 bit files sound better than Streaming from Tidal. Why can’t Apple Music do this? This is music streaming of the future! I have Apple Music and Tidal, this is the one app I use the most now. I wish all the music is on your website, Neil, and all remastered in 24 bit. Use this app. Music moves again. I’m dancing and singing with it. musicmoves-3 Yeah - Kathy ***** It works. Sounds great. Yeah you need WiFi for high res, that ain’t Neil and company’s fault, maybe on 5G in a year or two. Been using this site all year and app does it justice. musicmoves-4 Neil’s done it again- AWLionelGuy ***** The difference is in the sound! Awesome app with amazing features. NYC allows you to listen to his discography the way it should be heard. Some navigation features are less than perfect, but I can’t wait to see the app evolve. Must have for Longtime Neil Fans - BertTR6 ***** The Neil Young Archives is a treasure that music lovers around the world can enjoy with complete access to the life work of Neil Young. The sound quality at full resolution is unquestionably the best I’ve ever streamed on my mobile device. The fact that I can access all the gems, including the rare and obscure ones, and hear like I’m in the room with the music as it was meant to be….. Better than expected - Hum1021 musicmoves-5 ***** I’ve been using NYA for a long time I think it’s easier to navigate using the app than it is on the actual site Great job! If you like Neil, pay for the subscription. ..It’s well worth it. Greatest music all of all time - Deathcoach ***** Nothing less than the greatest music app of all time! Brilliant - Captain Daver ***** Simply brilliant app !! ***** If you like Neil’s music, or maybe are looking for proof that music can come in hi-res through your phone, this is your place. I love the music (it’s what got me to pick up a guitar), so this works well for me. A must for Neil Young fans - tag302 ***** With subscription you get access to EVERYTHING related to Neil’s extensive musical output. In addition to music, NYA provides a daily newspaper, Te NYA Times-Contrarian, delving into inside the music stories and news of the day reflections. But back to the sound of NYA. . . . . . Folks, what’s really amazing here is that even though it sounds great everywhere, there is much more to this APP’s sound . . . . it is all there on your phone and you can unlock it and play it loud, all of it, the Startlingly Great Sound of High Res- through your home system. Realizing the full potential of Xstream by NYA Now that you’re able to stream high res music anywhere, we want to offer some suggestions on how to use your phone and computer to hear Neil’s NYA music at its best quality. While you’d think advanced tech devices like iPhone could handle whatever audio is thrown at them, unfortunately the hardware manufacturers, including Apple, have never prepared for quality audio streaming. So, even though it makes an iPhone sound better than any phone you have ever heard, you are still not hearing all of what is being streamed to your phone. Now that High Res Xstream by NYA is here, iPhones are unfortunately unable play all of it. While you can play NYA files and they do sound better than anything else, to hear the full High-Res sound from your iPhone, you’ll need this The solution Add a simple external device, some less than the size of your thumb, called a DAC, that upgrades the phone’s lower quality internal DAC. Simply, insert the DAC between the data port of phone (or computer) and headphone, speakers or amplifier, and you’ll hear music at its very best audio quality. Below are some DACs that are well-rated and capable of playing full High Res. They’re available from your local dealers and from Amazon. Remember, a DAC is not something you need to make ‘Xstream by NYA’ sound better than anything else through your phone; it already is doing that and you can hear it. An added DAC simply will allow you to unlock and hear all of the music, more has ever been heard from any Iphone. NextDrive Spectra - $149 Meridian - Explorer2 USB DAC - $199 Chord Mojo - $499 Today, some cellphones, particularly LG’s top models, are able to play high res (192/24) right from the phone with no added DAC. That is the way cellphones should be in the 21st Century. NYA
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BANKSY ON ADVERTISING


THEY ARE LAUGHING AT YOU

People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are the Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say whatever they like whereever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs. Banksy NYA
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