Music Industry
Cultural Comment
Drake, Kendrick Lamar, and Our Moment of Bad Reading
The once-upon-a-time defense of the poetics of rap has been ceded to the millennial mind of genius.com, taking every syllable as ripe for mundane exegesis.
By Lauren Michele Jackson
Listening Booth
Olivia Rodrigo’s Star-Making “Guts”
The singer’s new album comes loaded with expectations about her talent and the future of the music industry.
By Carrie Battan
Cultural Comment
What to Do About Fake Drake Songs
Generative A.I. has become very good at imitating famous pop stars. How should musicians respond?
By Sean Michaels
Afterword
The Hollywood Madam Who Just Wanted to Sing
The multifarious career of Jody Gibson, a.k.a. Babydol.
By Susan Orlean
The New Yorker Interview
Bill Callahan and Bonnie “Prince” Billy Merge Their Musical Minds
The two artists talk about overlooked recordings, their new album of cover songs, and paying tribute to their late friend David Berman.
By Amanda Petrusich
News Desk
R. Kelly Is Found Guilty on All Counts, Twenty-five Years Too Late
The verdict leaves several questions unanswered, including how the many people Kelly victimized will begin to heal.
By Jim DeRogatis
News Desk
Why Is R. Kelly Standing Trial Alone?
As the R. & B. star’s federal trial in Brooklyn comes to a close, the jury may wonder where the other members of Kelly’s alleged criminal “enterprise” are.
By Jim DeRogatis
The New Yorker Interview
Liz Phair’s Songs of Experience
The singer-songwriter talks about getting older, reaching into the past for her new record, and her home town of Chicago.
By Amanda Petrusich
Cultural Comment
Taylor Swift Wins with “Fearless (Taylor’s Version)”
The pop star’s decision to re-record her 2008 album has allowed her to take control of her musical legacy.
By Carrie Battan
Cultural Comment
A Moment to Rethink How We Support Music
Fund-raisers, grants, and governmental relief are all helping to keep musical artists afloat. Yet the industry may already be showing signs of permanent damage.
By Nathan Taylor Pemberton
The Front Row
“Yesterday,” Reviewed: Danny Boyle’s Comedic Fantasy About a World Without the Beatles
The film is a romantic comedy, but a conceptually complex one, built on a peculiarly reactionary framework of private life and a culturally conservative pop classicism.
By Richard Brody
Cultural Comment
Ryan Adams and the Perils of the Rock-Genius Myth
The allegations of Adams’s abusive behavior are a reminder that the music industry must reckon not only with the alpha abusers but also with the odious web of enablers that surrounds them.
By Amanda Petrusich
Cultural Comment
“Surviving R. Kelly” Reframes R. Kelly and the Songs We Once Loved
The documentary calls on music fans to consider how their support, while seemingly innocuous on an individual level, is one of the many threads upholding a predator’s web.
By Briana Younger