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Last Summer

Now Playing 1h 44m Drama Romance Mystery & Thriller TRAILER for Last Summer: Trailer 1 List
85% Tomatometer 66 Reviews 66% Audience Score Fewer than 50 Ratings
With her first film in a decade, the fearless 75-year-old French auteur Catherine Breillat (Fat Girl, The Last Mistress) proves she's as provocative as ever with her Cannes-stirring film, which drives down the dark road of uncontrollable passion. A remarkably nuanced, radiant Léa Drucker plays Anne, an attorney who has plateaued in her marriage to Pierre (Olivier Rabourdin), a distracted businessman. His son, troubled seventeen-year-old, Theo (Samuel Kircher), from a previous marriage, has recently returned to Pierre's ineffectual and despondent care. When Pierre leaves town for a business trip, Anne and Théo -- confined under the same roof for the first time -- find themselves in the throes of an unexpected and dangerously lustful affair, threatening the stability of the household. Music by Kim Gordon heightens the erotic tension of LAST SUMMER, a film that boldly surveys power dynamics, female desire, and fulfillment. Read More Read Less
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Last Summer

What to Know

Critics Consensus

A study of unbridled lust, Last Summer may not tell a new taboo story but is never less compelling for it.

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Critics Reviews

View All (66) Critics Reviews
Matthew Lickona San Diego Reader That’s the character of the film as a whole: cataclysmic events taking place amid lovely, languid scenery and civil (or at least sophisticated) conversation. Rated: 2/5 Jul 12, 2024 Full Review Michael Phillips Chicago Tribune “Last Summer” is a work of artfully sustained sexual suspense. Rated: 3.5/4 Jul 12, 2024 Full Review Amy Nicholson Washington Post To be clear: Breillat isn’t justifying Anne’s affair or, on a larger scale, telling a story with any universal resonance. She’s exploring how this particular sinner did the unforgivable — and then committed even more sins trying to cover it up. Jul 12, 2024 Full Review Hannah Brown Jerusalem Post Until the last moments of Last Summer, Breillat takes the audience on a conflict-filled journey that mirrors that of the heroine, who vacillates between sympathetic and supremely unlikable from one moment to the next. Aug 9, 2024 Full Review Robert Horton The Scarecrow Suggests that despite Catherine Breillat's reputation (this is a director known for using sex in cinema like a French chef lays on the butter in an omelet), she is less interested in sex as a subject than existential discontent. Rated: 3.5/4 Aug 9, 2024 Full Review Jason Blake Limelight Immoral or understandable? Catherine Breillat leaves it up to you to decide. Rated: 3.5/5 Aug 7, 2024 Full Review Read all reviews

Audience Reviews

View All (4) audience reviews
Efrem M Good but not great. Although there were some great performances in it, the script could use some polishing. Rated 3 out of 5 stars 08/03/24 Full Review avner k An absorbing film about handling sexual complexities -- a professional defender of abused girls ends up with a complicated issue at home. Well made. Rated 4 out of 5 stars 07/03/24 Full Review Moody C It was great until the shocking relationship arises. My mom was in town and we watched it together and it made us so uncomfortable! Rated 3 out of 5 stars 07/02/24 Full Review Freddie W "When I was 14 … ...I was secretly in love with a friend of my mother's. I thought he was so elegant. And at the same time I described in my diary ...relentlessly his wrinkles. His thin, parchment skin. As if he were already dead. As if he disintegrated. Unrelenting. Toward death. I was disgusted. And at the same time, I was fascinated." Both Léa Drucker (Anne) & Olivier Rabourdin (Pierre) find a rare shared tenderness in this tale of forbidden love. Breillat (Director/Co-Writer) does well to harness what could be easily mishandled given the controversial material. Both actors find effortless solace in the simplest of scenes showcasing a warm spiritual connection between one another to the point where the words they are speaking are almost irrelevant compared to the obvious human connection that can be seen, heard and felt. Last Summer's radiance exists between the shared state of mind of characters, Anne (Drucker) and Pierre (Rabourdin), which is insane, as he is only seventeen. Part of their relationship is the knowingness of what they are doing is, as an exterior; absurd. Tho aware of this, there is an underlying acceptance of contentless between them which cinches the viewer to write off the films legitimacy. This "common ground" in this captivating relationship creates another energy of humour of which plays nicely throughout the film. Admittedly at times, Pierre's (Rabourdin) maturity did show, and aspects of his light leering came off to me as slightly dishonouring, especially as it didn't seem to bother Anne's (Drucker) attraction to him. Perhaps this isn't as awkward to watch for French audiences tho. Never the less the overall atmosphere, and craft of the film beautifully cradles the exceptional central acting talent, which is so good that it almost feels "new". This films reminds its viewers that life isn't really something we live. It lives us. Rated 5 out of 5 stars 02/05/24 Full Review Read all reviews
Last Summer

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Movie Info

Synopsis With her first film in a decade, the fearless 75-year-old French auteur Catherine Breillat (Fat Girl, The Last Mistress) proves she's as provocative as ever with her Cannes-stirring film, which drives down the dark road of uncontrollable passion. A remarkably nuanced, radiant Léa Drucker plays Anne, an attorney who has plateaued in her marriage to Pierre (Olivier Rabourdin), a distracted businessman. His son, troubled seventeen-year-old, Theo (Samuel Kircher), from a previous marriage, has recently returned to Pierre's ineffectual and despondent care. When Pierre leaves town for a business trip, Anne and Théo -- confined under the same roof for the first time -- find themselves in the throes of an unexpected and dangerously lustful affair, threatening the stability of the household. Music by Kim Gordon heightens the erotic tension of LAST SUMMER, a film that boldly surveys power dynamics, female desire, and fulfillment.
Director
Catherine Breillat
Producer
Saïd Ben Saïd
Screenwriter
Catherine Breillat, Pascal Bonitzer
Distributor
Sideshow / Janus Films
Production Co
SBS Productions
Genre
Drama, Romance, Mystery & Thriller
Original Language
French (France)
Release Date (Theaters)
Jun 28, 2024, Limited
Box Office (Gross USA)
$159.9K
Runtime
1h 44m
Aspect Ratio
Flat (1.85:1)