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Review: Women Show Their Might in a Mesmerizing Revival of Nine
Review: Kristin Chenoweth-Led The Queen of Versailles Has Curb Appeal but Not Much Else
Review: Life and Trust Aims to Be the Next Big Immersive Hit After Sleep No More
Review: Two Infamous Lawyers Go Head-to-Head in a Hilarious Cellino V. Barnes
Review: On Broadway, Downtown Hit Job Has Emperor’s New Clothes Syndrome
Review: Six Characters in Search of Coherence
Review: The Substance of Fire Starring Rob Morrow Gives Off Only Half the Heat
Review: Inspired by True Events Depicts the Backstage Drama at a Community Theater
Review: The Journals of Adam and Eve, a Lackluster Tell-All of the First Couple
Review: Ain’t Done Bad Is a Gay Country Dance Fantasy
Review: Empire: The Musical Falls Way Short of Its Monumental Subject
Review: Oh, Mary! Cole Escola’s Riotous Broadway Debut
Review: A Midsummer Night’s Dream That Offers a True Summer Evening Delight
Review: Odd Man Out Exemplifies Visionary Storytelling…Without Sight
Review: From Here Is a Musical About the Pulse Massacre — Sort Of
Review: Coriolanus Would Make a Better President Than Trump or Biden
Review: Clowns Like Me, a Moving Look at Mental Illness
Review: N/A Is the Nancy Pelosi-AOC Fan Fic Nobody Asked For
Review: Tiny Father Shows a Father’s Tenuous Relationship With Our Healthcare System
Review: Cats: The Jellicle Ball Is the Most Fun I’ve Ever Had at an Andrew Lloyd Webber Musical
Review: Appraisal Depicts the Power Struggle in a Job Performance Review
Review: Isabel Is a Yawn-Inducing Jaunt Through the Woods
Review: Henry IV Takes Audiences for a Brisk Walk in the Park
Review: Dark Noon Presents a Vision of the Wild West Seen Through Foreign Eyes
