Kitchensink callithump linkdump
On July 14, I’m giving the closing keynote for the fifteenth HACKERS ON PLANET EARTH, in QUEENS, NY. Happy Bastille Day! On July 20, I’m appearing in CHICAGO at Exile in Bookville.
With just days to go before my summer vacation, I find myself once again with a backlog of links that I didn’t squeeze into the blog, and no hope of clearing them before I disappear into a hammock for two weeks, so it’s time for my 21st linkdump – here’s the other 20:
https://pluralistic.net/tag/linkdump/
I’m going to start off this week’s ‘dump with a little bragging, because it’s my newsletter, after all. First up: a book! Yes, I write a lot of books, but what I’m talking about here is a physical book, a limited edition of ten, that I commissioned from three brilliant craftspeople.
Back in March 2023, I launched a Kickstarter to pre-sell the audiobook of Red Team Blues, the first novel in my new Martin Hench series, about a forensic accountant who specializes in unwinding tech bros’ finance frauds:
https://us.macmillan.com/books/9781250865847/red-team-blues
One of the rewards for that campaign was a very special hardcover: a handmade, leather-bound edition of Red Team Blues, typeset by the typography legend John D. Berry:
Bound by the legendary book-artist John DeMerritt:
https://www.demerrittstudios.com/
And printed by the master printer JaVae Berry:
But this wasn’t a merely beautiful, well made book – it had a gimmick. You see, I had already completed the first draft of The Bezzle, the second Hench novel, by the time I launched the Kickstarter for Red Team Blues. I had John Berry lay out a tiny edition of that early draft as a quarter-sized book, and then John DeMerritt hand-bound it in card.
The reason that edition of The Bezzle had to be so small was that it was designed to slip into a hollow cavity in the hardcover, a cavity that John Berry had designed the type around, so that both books could be read and enjoyed.
I offered three of these for sale through the Kickstarter, and the three backers were very patient as the team went back and forth on the book, getting everything perfect. Last month, I took delivery of the books: three for my backers, one each for John DeMerritt and John Berry’s personal archives, one for me, and a few more that I’m going to surprise some very special people with this Christmas.
Look, I had high hopes for this book. I dote on beautiful books, my house is busting with them, and I used to work at a new/used science fiction store where we had a small but heartstoppingly great rare book selection. But these books are fucking astounding. Every time I handle mine, my heart races. These are beautiful things, and I just want to show them to everyone:
https://www.flickr.com/photos/doctorow/albums/72177720318331731/
As it happens, the next thing I’m going to do (after I finish this newsletter) is turn in the copyedited manuscript for the third Hench novel, Picks and Shovels, which comes out in Feb 2025 (luckily, I had enough time to review the edits myself, then turn it over to my mom, who has proofed every book I’ve written and always catches typos that everyone else misses, including some real howlers – thanks Mom!):
https://us.macmillan.com/books/9781250865908/picksandshovels
Of course, the majority of people who enjoy my books do not end up with one of these beautiful hardcovers – indeed, many of you consume my work exclusively as electronic media: ebooks and (of course) audiobooks. I love audiobooks and the audio editions of my books are very good, with narrators like Amber Benson, Wil Wheaton, and Neil Gaiman.
But here’s the thing: Audible refuses to carry my books, because they are DRM-free (which means that they aren’t locked to Audible’s approved players – you can play my audiobooks with any audiobook player). Audible has a no-exceptions, iron-clad rule that every book they sell must be permanently locked into their platform, which means that Audible customers can’t ditch their Audible software without losing their libraries – all the books they purchased:
https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff
Being excluded from Audible takes a huge bite out of my income – after all, they’re a monopolist with a 90% market share. That’s why I’m so grateful for indie audiobook stores that carry my books on equitable terms that Audible denies – stores like Libro.fm, Downpour and even Google Books.
This week, I discovered a new, amazing indie audiobook store called Storyfair, where the books are DRM-free and the authors get a 75% royalty on every sale:
https://storyfair.net/helpstoryfairgrow/
Storyfair is a labor of love created by a married couple who were sickened and furious by the way that Audible screws authors and listeners and decided to do something about it. Naturally, I uploaded my whole catalog to the site so they could sell it:
https://storyfair.net/search-for-audiobooks/?keyword=cory+doctorow&filter=any
These books are DRM-free, which means that no matter who you buy them from, you can play them in the same player as your other DRM-free audiobooks. You know how you can read all your books under the same lamp, sitting in the same chair, and then put them in the same bookcase when you’re done with them? It’s weird – outrageous even! – that tech companies think that buying a book from them means that they should have the legal right to force you to read or listen to it using their technology exclusively.