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Last Looks: Doja Cat

Director: Starr Nathan Director of Photography: Dane Brown Editor: Edward Schroer Senior Producer: Naomi Nishi Producer, On Set: Jeff Wallace Associate Producer: Lea Donenberg Assistant Camera: Mar Alfonso Audio: Brianna Simons Polaroids by Jacob Webster Assistant Editors: Ben Harowitz, Justin Symonds Post Production Coordinator: Ian Bryant Arts & Graphics Lead: Léa Kichler Colorist: Eduardo Araújo Supervising Editor: Erica DeLeo Post Production Supervisor: Alexa Deutsch Production Coordinators: Ava Kashar, Bailey Lica Production Manager: Natasha Soto-Albors Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Entertainment Director: Sergio Kletnoy Supervising Producer: Felicia Kelley Director of Content, Production: Rahel Gebreyes Senior Director, Programming: Linda Gittleson VP, Digital Video English: Thespena Guatieri COSMO POST HOUSE Assistant Editor: Meaghan Rahamut Managing Partner: Yvette Cobarrubias Executive Producer: Idalia Deshon Executive Producer: Marie Mangahas Head of Production: Kacie Gomez Head of Production: Tina Evanow Wolske Producer: Edwina Lantigua Producer: Jesse Lehrhoff Filmed on Location: The Mark Hotel, New York

Released on 05/07/2024

Transcript

[upbeat music]

[paparazzi speaking indistinctly]

Hi, everyone.

We're getting ready for the Met Gala,

and I am wearing Vetements.

So this is our second Met Gala,

and obviously last year we dove headfirst and did the most.

We're very excited this year teaming up with Vetements,

just doing something very different

than she's ever done before

and not taking it so serious this time around.

[mellow music]

The aesthetic is fuck you, in a way.

And I just like how that sounds

and it's kind of, it just feels sexy and fun

and different and refreshing to me

to kind of go in a wet t-shirt, butt-ass naked

to the Met Gala.

I don't think people know

or have any idea what we're going to do.

I've seen many jokes of like,

Oh, she's gonna show up naked.

She's, like, doing this, she's doing that.

But we always have a good sense of shock value

that no one ever knows what's next.

It's almost like we're trying, we're laid back,

but it's not because I'm soaking and like sopping wet.

Pause. [camera beeps]

What about a silver? [laughs]

Silver bags?

I have silver bags.

♪ Silver bags ♪

♪ Silver bags ♪

♪ Silver bags ♪

♪ It's Monday night ♪ [Doja laughs]

[uptempo music]

We're doing a, it's almost crying.

It's kind of like crying.

It's almost like I've just been doused with something

or I got out of the pool in a way.

So it's like tears coming down from the eye line,

and then they're gonna mix like a loose glitter

into the tears.

We're gonna finish the face, powder it down,

like, we're just gonna be done and go out.

But then we're gonna stop and do the tears,

and it's gonna break down the makeup a little bit.

But we're gonna add in that loose glitter to the tears

to give it a little bit more of a purpose

In a way, like, we're an enchanted garden and

Exactly.

Could be tears of beauty.

Tears of happiness.

Yeah, tears of joy.

And so, now we've crystallized them

with a really fine, beautiful pigment

and this beautiful kind of Doja, beautiful smoky eye,

you know, pulled out into a point.

And the beautiful brows that we always have.

Perfected skin, outlined lip, right?

Yes, absolutely. Exquisite.

As a creative director and as a stylist,

it's been really one of my favorite things

I've ever able to be a part of

because it is a real and true collaboration.

It's not me just showing up with a rack of clothes

and being like, You're gonna wear this

'cause it's fashion.

It's more there's a thought behind it,

and it's just really exciting.

So last year we wanted to hide the look

before we hit the carpet.

So this year Gurum had the idea to wrap her in a towel,

'cause when she first came in for the fitting

she was just in a towel,

and he was like, Oh my God, I love this.

Let's do a Vetements towel.

And it kind of just came together.

And then he also brought up the idea to hide her face

with a Vogue magazine.

So we literally see nothing.

It's not giving the look away,

It feels part of the vibe.

It's just something to add to the book.

Yeah.

[camera shutter clicks] [mellow music]

I think the idea of not taking it so serious

and really focusing on the art of things

is the more exciting thing.

There are so many amazing young

and fresh designers out there

that are doing really cool and exciting stuff that, like,

don't take it serious.

If it looks good on you and you feel good in it,

happy Met Gala.

[smooth uptempo music]