|
3/5
|
Elizabeth Taylor: The Lost Tapes
(2024)
|
Ezequiel Boetti
|
The documentary works as a chronicle of an era and shows how the Hollywood machine is capable of tailoring stars to suit their wishes. [Full review in Spanish]
Posted Aug 09, 2024
|
|
1.5/5
|
Borderlands
(2024)
|
Diego Batlle
|
A listless, soulless, and aimless film that's in many ways abandoned to its (very poor) fate. [Full review in Spanish]
Posted Aug 09, 2024
|
|
3.5/5
|
Storm Crashers
(2024)
|
Ezequiel Boetti
|
Fun and endearing, Storm Crashers highlights values such as camaraderie, collective work, and solidarity... [Full review in Spanish]
Posted Aug 09, 2024
|
|
4/5
|
Evil Does Not Exist
(2023)
|
Fernando E. Juan Lima
|
Nostalgic and dark, the return to nature seems to propose a possible return to that state of nature... [Full review in Spanish]
Posted Aug 09, 2024
|
|
2.5/5
|
The Instigators
(2024)
|
Diego Batlle
|
Liman builds a narrative without great discoveries in terms of tension, suspense or much less in terms of the psychological depth of the protagonists. [Full review in Spanish]
Posted Aug 07, 2024
|
|
3.5/5
|
Sometimes I Think About Dying
(2023)
|
Diego Batlle
|
A story constructed without haste and with welcome arrests of tenderness and empathy that demands patience but ends up bearing fruit. [Full review in Spanish]
Posted Aug 07, 2024
|
|
2.5/5
|
Tuesday
(2023)
|
Diego Batlle
|
Almost everything is dense, intense, and heartbreaking in Tuesday, but beyond the undoubted risk that the debutant director assumes, it generated more distance than empathy in me. [Full review in Spanish]
Posted Aug 07, 2024
|
|
2.5/5
|
Non Negotiable
(2024)
|
Diego Batlle
|
A mix between a comedy about a marital crisis, and a thriller about the ups and downs of a kidnapping linked to the highest spheres of Mexican politics. [Full review in Spanish]
Posted Jul 30, 2024
|
|
3.5/5
|
L'immensità
(2022)
|
Fernando E. Juan Lima
|
The work of the children is impeccable, as is that of Penélope [Cruz]. [Full review in Spanish]
Posted Jul 30, 2024
|
|
3/5
|
Continent
(2024)
|
Diego Batlle
|
Not all aspects coexist with equal harmony and fluidity, but from the staging, the aesthetics and the multiple layers of sound, Pretto immerses us in a hallucinatory, rarefied and ominous universe. [Full review in Spanish]
Posted Jul 26, 2024
|
|
3/5
|
Zamora
(2024)
|
Ezequiel Boetti
|
The divine Zamora unfolds with the kindness typical of films designed for the public's pleasure, through a cross between an old-fashioned romantic story, a fable of self-improvement and a sporting epic. [Full review in Spanish]
Posted Jul 26, 2024
|
|
3/5
|
Deadpool & Wolverine
(2024)
|
Diego Batlle
|
A film that is as easy to consume... as it is to forget. [Full review in Spanish]
Posted Jul 25, 2024
|
|
3.5/5
|
Crossing
(2024)
|
Diego Batlle
|
With sensitivity and charm, without demagogy, condescension, manipulation or moralizing, Akin brings us closer to the personal, intimate universes of Lia, Achi and Evrim. [Full review in Spanish]
Posted Jul 22, 2024
|
|
4/5
|
Catching Fire: The Story of Anita Pallenberg
(2023)
|
Diego Batlle
|
Finds something like a balance because it does not judge, it does not destroy, but neither does it stop at uncritical or merely laudatory panegyrics. [Full review in Spanish]
Posted Jul 22, 2024
|
|
3/5
|
Faye
(2024)
|
Diego Batlle
|
Exposes the different facets and even vulnerabilities and contradictions so that we can delve into the conflicting and at the same time fascinating life of one of the most talented actresses in the history of cinema. [Full review in Spanish]
Posted Jul 22, 2024
|
|
3.5/5
|
MaXXXine
(2024)
|
Diego Batlle
|
MaXXXine has enough doses of dark humor, pulp, sex, gore, cinephilia, audacity and provocation to sustain interest in the West and Goth's proposal. [Full review in Spanish]
Posted Jul 19, 2024
|
|
3.5/5
|
The Bikeriders
(2023)
|
Diego Batlle
|
A film about the end of an era of a certain romanticization of rebellion. [Full review in Spanish]
Posted Jul 17, 2024
|
|
3.5/5
|
Late Night with the Devil
(2023)
|
Diego Batlle
|
Late Night with the Devil proposes a spiral, a crescendo of delirium that has moments of horror, but works even better as a dark comedy, and a satire of the media universe when live television reigned in homes. [Full review in Spanish]
Posted Jul 17, 2024
|
|
3.5/5
|
Young Woman and the Sea
(2024)
|
Diego Batlle
|
The Girl and the Sea has in Englishwoman Daisy Ridley the ideal physical and emotional engine to drive the story. [Full review in Spanish]
Posted Jul 17, 2024
|
|
3.5/5
|
Twisters
(2024)
|
Diego Batlle
|
For every cliché or stereotype, "Twisters" has a moment of, yes, spectacularism but also charm. [Full review in Spanish]
Posted Jul 11, 2024
|
|
3/5
|
Yuku and the Himalayan Flower
(2022)
|
Ezequiel Boetti
|
... Its innocence and simplicity are perfectly in tune with the spirit of a film with sober and effective strokes at the service of cheerful and colorful drawings. [Full review in Spanish]
Posted Jul 11, 2024
|
|
3.5/5
|
A Boat Departed from Me Taking Me Away
(2024)
|
Diego Batlle
|
A sensitive, emotional film, as delicate in its construction as it is heartbreaking in its reach. [Full review in Spanish]
Posted Jul 09, 2024
|
|
3.5/5
|
La Gruta Continua
(2024)
|
Diego Batlle
|
Not suitable for fans of the most conventional, explanatory, gimmicky, and shocking documentary that prevails on streaming platforms, La Gruta Continua is an invitation to adventure with an “underground” spirit... [Full review in Spanish]
Posted Jul 09, 2024
|
|
3/5
|
La Ruptura
(2024)
|
Ezequiel Boetti
|
La Ruptura is a rather calm story, which camouflages the internal torrent of its characters with the passivity of an Atlantic Ocean, like the calm that preludes a hurricane. [Full review in Spanish]
Posted Jul 09, 2024
|
|
3/5
|
Fly Me to the Moon
(2024)
|
Diego Batlle
|
When that “chemistry” emerges in a couple of scenes, that magnetism so typical of Hollywood stars, the film takes flight like Apollo 11. In others, however, the mere application of formula is as innocuous as it is inconsequential. [Full review in Spanish]
Posted Jul 09, 2024
|
|
3/5
|
Eileen
(2023)
|
Diego Batlle
|
While not all of Oldroyd's decisions are convincing... Eileen never ceases to be a disturbing, audacious, uncomfortable, and in several ways, a provocative film. [Full review in Spanish]
Posted Jul 09, 2024
|
|
2.5/5
|
Beverly Hills Cop: Axel F
(2024)
|
Diego Batlle
|
... A formula that at this point looks old and worn out. [Full review in Spanish]
Posted Jul 05, 2024
|
|
3/5
|
A Quiet Place: Day One
(2024)
|
Diego Batlle
|
... Fine, professional, but definitively not a transcendent entry into mainstream Hollywood. [Full review in Spanish]
Posted Jul 05, 2024
|
|
2/5
|
Club Zero
(2023)
|
Diego Batlle
|
While the declamatory-toned performances are impeccable, Club Zero does not work as a parody or as a film of denunciation... [Full review in Spanish]
Posted Jul 02, 2024
|
|
2.5/5
|
A Family Affair
(2024)
|
Diego Batlle
|
... A decidedly bland and inconsequential film. [Full review in Spanish]
Posted Jun 28, 2024
|
|
4/5
|
Hit Man
(2023)
|
Diego Batlle
|
Hit Man is an apparently (only apparently) minor film, but one that is made with a major filmmaker's grace and talent. [Full review in Spanish]
Posted Jun 28, 2024
|
|
3/5
|
Naufragios
(2024)
|
Ezequiel Boetti
|
Beyond some excesses, Naufragios finds its footing thanks to its humanistic and sensitive look at the internal conflicts of men and women who want company to alleviate the effects of loneliness. [Full review in Spanish]
Posted Jun 27, 2024
|
|
4/5
|
Made in England: The Films of Powell and Pressburger
(2024)
|
Violeta Kovacsics
|
Curiously, Made in England, is presented as a documentary as complete as it is canonical. [Full review in Spanish]
Posted Jun 26, 2024
|
|
3/5
|
Goyo
(2024)
|
Diego Batlle
|
Goyo is one of Carnevale's most noble and effective films, especially for the sensitivity and conviction put forth by the cast, which includes an appearance by Cecilia Roth. [Full review in Spanish]
Posted Jun 25, 2024
|
|
3.5/5
|
Outstanding: A Comedy Revolution
(2024)
|
Diego Batlle
|
While the structure may be a bit conventional and repetitive, Outstanding: A Comedy Revolution has multiple findings and values in its exploration... [Full review in Spanish]
Posted Jun 24, 2024
|
|
2.5/5
|
Federer: Twelve Final Days
(2024)
|
Diego Batlle
|
Federer: The Last Twelve Days is much less emotional, moving, and powerful than what a documentary with privileged, intimate access to one of the best athletes of the last quarter of a century promised. [Full review in Spanish]
Posted Jun 24, 2024
|
|
4/5
|
I Am: Celine Dion
(2024)
|
Diego Batlle
|
A visceral, cathartic, confessional film and - in its way - as beautiful as it is valuable. [Full review in Spanish]
Posted Jun 24, 2024
|
|
2.5/5
|
Black Barbie
(2023)
|
Ezequiel Boetti
|
While the documentary isn't destined to be remembered, it fulfills its objective of dissemination and reflection on a facet that is not usually talked about. [Full review in Spanish]
Posted Jun 20, 2024
|
|
4.5/5
|
Kidnapped: The Abduction of Edgardo Mortara
(2023)
|
Diego Batlle
|
Impeccable in its period reconstruction, in the documentation and variety of details it provides, Kidnapped swings between the intimate and the religious, the political and judicial... [Full review in Spanish]
Posted Jun 18, 2024
|
|
3/5
|
Despicable Me 4
(2024)
|
Diego Batlle
|
More of the same? Yes, but with the effectiveness and irresistible charm that made this franchise a true crowd pleaser. [Full review in Spanish]
Posted Jun 17, 2024
|
|
4/5
|
Through the Graves the Wind Is Blowing
(2024)
|
Diego Batlle
|
An intelligent, unsettling and devastating film. [Full review in Spanish]
Posted Jun 17, 2024
|
|
4/5
|
The Truth vs. Alex Jones
(2024)
|
Diego Conesa
|
The Truth vs. Alex Jones reveals the mechanisms, objectives, and shocking effectiveness of systematic lying in this era of post-truth and free access to the media. [Full review in Spanish]
Posted Jun 13, 2024
|
|
2.5/5
|
Mar.IA
(2023)
|
Diego Batlle
|
An accumulation of necrophilia, sexual assault, human trafficking, and murder that leads to a bacchanal of blood and guts... [Full review in Spanish]
Posted Jun 13, 2024
|
|
3/5
|
Miranda de Viernes a Lunes
(2024)
|
Diego Batlle
|
At times, somewhat obvious and on the nose but decidedly emotional in others, Menis' return to fiction is rebellious and almost countercultural... [Full review in Spanish]
Posted Jun 13, 2024
|
|
4/5
|
Inside Out 2
(2024)
|
Diego Batlle
|
Inside Out 2 is a delight both visually and in the field of physical comedy. [Full review in Spanish]
Posted Jun 12, 2024
|
|
4/5
|
KOKOMO CITY
(2023)
|
Diego Batlle
|
... An intense, stark, and vibrant chronicle that's brutally honest and open-hearted. [Full review in Spanish]
Posted Jun 12, 2024
|
|
3/5
|
The Great Escaper
(2023)
|
Ezequiel Boetti
|
Caine's performance, which with pure aplomb and stately sobriety transmits notable truth, makes The Great Escaper a more than adequate vehicle for his brilliance... [Full review in Spanish]
Posted Jun 12, 2024
|
|
3/5
|
Monster
(2023)
|
Diego Batlle
|
While less subtle, delicate, and substantial than [Kore-eda's] previous films, Monster delivers several fascinating scenes of intensity, beauty, and provocation that are scarce in contemporary cinema. [Full review in Spanish]
Posted Jun 12, 2024
|
|
3.5/5
|
Animal
(2023)
|
Diego Batlle
|
Somewhat arid and a little long at 116 minutes, Animal is nevertheless a disturbing and, in several passages, fascinating look at the contradictions and miseries of savage capitalism encapsulated in a paradisiacal tourist enclave. [Full review in Spanish]
Posted Jun 11, 2024
|
|
3.5/5
|
Under Paris
(2024)
|
Ezequiel Boetti
|
[Under Paris] positions itself in a welcome middle ground, knowing when to flirt with humor and when to play on the desperation that's typical of the genre. [Full review in Spanish]
Posted Jun 11, 2024
|
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