Showing posts with label Ammonites. Show all posts
Showing posts with label Ammonites. Show all posts

Sunday, December 24, 2023

Milkommen

One of the main sources of William Wright's unusual ideas is what he calls "words" -- strings of text which he receives in what I guess is something of a dream-like manner, and which appear to be strange multilingual concoctions incorporating English, the fictional languages created by Tolkien, and sometimes other languages such as Spanish and German. He tries to decipher these and extract a story from them. Although I sometimes enjoy this kind of sleuthing (I was a big Finnegans Wake reader in my early twenties), and although I find William's ideas stimulating, I haven't been able to muster much interest in his "words" themselves. On December 22, he posted "Jan-Feb 2022 Words Part 1" -- the type of post that typically makes my eyes glaze over -- but in this case one of his "words" (literally just one word) captured my imagination:

Feb. 5

Milkommen

Commentary:

It was just this one word, kind of just hanging there, and I took it to be perhaps a play on words of the German "Wilkommen" (Welcome), but now with Milk, since the German language had been part of my 2019 words.  The Promised Land is associated with Milk and Honey, and so that is where my mind went, whether that accurate or not.

This is a pretty solid reading, obviously. The reference to the well-known German word Willkommen seems undeniable. Besides the "milk and honey" angle, I note that Wilkommen is transformed into Milkommen by turning the first letter upside down, inviting the reading "Welcome to upside-down world" or "Welcome to the looking-glass world." (The word milk is already associated with such inversions in my mind, since Klim is a popular brand of powdered milk here in Taiwan.)

My first thought on seeing Milkommen, though, was that it could also be read as Milkom-men -- meaning the Ammonites of the Old Testament, whose national god was called Milcom or Milkom. Since William's "words" seem to be more oriented to the Book of Mormon, it could be a very indirect way of referencing an unrelated people in that book who are also called Ammonites -- Lamanites converted by the preaching of Ammon, son of Mosiah.

Of course, Milkommen would be a rather inefficient way of saying "Ammonites" if that was all you wanted to convey, so I figured there must be more to it. On a hunch, I looked up kommen on Wiktionary. It's German for "come," of course, but I scrolled down and found this at the very end of the entry.


The very last line in the entry for kommen is a partial quotation of Isaiah 55:1, where it is Swedish for "come ye." Here's the whole verse:

Ho, every one that thirsteth, come ye [kommen] to the waters, and he that hath no money; come ye, buy, and eat; yea, come, buy wine and milk without money and without price.

So looking up kommen led me directly back to milk!

It was quite late at night that I was making these connections. I went to bed and had a strange dream in which I was praying the Rosary but my prayers were being "blocked" by an enormous black spherical spaceship hovering above me, an effect caused by some obscure correspondence between the physical structure of my rosary and that of the ship. The dream seemed to go on for an extremely long time. I kept saying "Pater noster," only to be aware of the words being absorbed by the blackness of the ship, prevented from rising to Heaven. In the dream, I began to think that this was because of the words themselves. Pater noster, my dreaming mind reasoned, must mean something like, "homecoming father" in Greek, which means Odysseus, who captained a black ship, and therefore this black ship has the right to "claim" my prayer. Nevertheless, I kept on using those same words, never thinking to switch to a different language or a different prayer.

I was awakened suddenly by what I thought was the sound of something exploding in my study. I got up and went into the study without bothering to turn on the light, and satisfied myself that nothing had happened and that the noise must have been part of the dream. I was just about to go back to bed when I noticed a particular book, dimly visible behind the glass door of one of my cabinets, and thought, "What's that funny-looking book? I don't remember owning a book like that!" I turned on the light and opened the cabinet, and the book in question fell out and landed face-up on the desk below. I photographed it exactly as it landed, without touching it:


The Milk of Paradise: The Effect of Opium Visions on the Works of DeQuincey, Crabbe, Francis Thompson, and Coleridge. That is, the effect of the milky juice of the poppy on four men. The effect of milk on men. In rapid speech, the final consonant of on would be assimilated to the m that follows it, yielding milk-om-men.

The title of the book is of course a reference to the famous closing lines of Coleridge's Kubla Khan:

For he on honey-dew hath fed,
And drunk the milk of Paradise.

That's a major sync with what I was reading last night: The Desert, the first installment in Colin Wilson's Spider World series. The main characters have just been welcomed to Dira, a vast underground city (cf. "caverns measureless to man") ruled by Kazak, a king said to have about 180 wives. (A pen friend of mine recently wrote a great deal of imaginative, possibly schizophrenic, material about Kubla Khan, much of it dealing with his practice of polygamy on a vast scale.) The people of Dira keep domestic ants, which in turn keep aphids. (All insects in this book are much larger than their real-world counterparts.)

[The aphids] were farmed like cattle, and milked of their honeydew several times a day; the honeydew was one of the most important food sources in the "palace."

Milk and honeydew juxtaposed, with the latter referenced as a food rather than a drink.

In my friend's writings about Kubla Khan, paintings of the Khan show him accompanied by two kittens, one white and one black:

To complete Kubla as a Proper Man, perched precariously on the folds of Kubla’s dark cloak are two mysterious Entirely Separate Beings depicted as two tiny cute small kittens, one white and one black, that he has taken in and sheltered in his cloak from the bitter cold. The two harmless-looking kittens make quite a contrast with the stern and barbaric and pitiless visage of Kubla himself. When Kubla returns to a mortal world and sees the two kittens in portraits of himself and realizes who they represent, he also snorts, but somewhat fondly, as if the portraits reminds him of a great Cosmic Joke that the painter is not fully aware of.

I referenced Through the Looking-Glass above without remembering how it begins. This is the first sentence:

One thing was certain, that the white kitten had had nothing to do with it: -- it was the black kitten's fault entirely.

The looking-glass world, you will recall, is laid out in the form of a chessboard:


This same chessboard imagery appears in the Ava Max music video "Kings & Queens," on which I have recently posted:


Lest the Masonic connotations of the black-and-white tiling be lost on the audience, we have a couple of pillars thrown in for good measure. Later, Ava demonstrates a Masonic penal sign while singing "Off with your head" -- a phrase with Lewis Carroll resonances.

The "Kings & Queens" video begins with a shot of white doves in flight and later shows champagne being poured into overflowing glasses:



What made me think of the looking-glass world in the first place was the way the W in Wilkommen is turned upside down (or reflected) to create Milkommen. Back in 2018, I wrote about W/M reversals in "The Rider-Waite Magician." The Rider-Waite Ace of Cups features a white dove and an overflowing cup marked with a W that looks more like an upside-down M.


"We would pop champagne and raise a toast" is a recurring line in "Kings & Queens." Near the end of Through the Looking-Glass, the Red Queen and others drink a toast to Alice by turning their glasses upside down:

'Meanwhile, we'll drink your health -- Queen Alice's health!' she screamed at the top of her voice, and all the guests began drinking it directly, and very queerly they managed it: some of them put their glasses upon their heads like extinguishers, and drank all that trickled down their faces -- others upset the decanters and drank the wine as it ran off the edges of the table . . . .

Coming back to Isaiah 55 (sorry, it's hard to write about this non-linear web of associations in a linear manner), here's another passage from the same chapter:

For as the rain cometh down, and the snow from heaven, and returneth not thither, but watereth the earth, and maketh it bring forth and bud, that it may give seed to the sower, and bread to the eater: So shall my word be that goeth forth out of my mouth: it shall not return unto me void, but it shall accomplish that which I please, and it shall prosper in the thing whereto I sent it (vv. 10-11).

Rainwater is no good if we just collect it and let it stagnate. It's supposed to be used and transformed, that it may give seed to the sower and bread to the eater -- and the same is said of the word of God. This reminds me of a poem I wrote in 2010 about manna -- which must be eaten and internalized, or else it quickly goes bad.

Who on the bread of life will feed,
will live forever -- so we read
in that same book which oft is read
as if it were itself that bread.
But in that book is also told
how manna stinks when it is old,
in but a day breeds worms and reeks --
Then what if it were kept for weeks?
Or months? Or many a yawning year?
How would the manna then appear?
When centuries had past it paced,
how would the bread of life then taste?
And were it served at such a date,
what would become of them that ate?

The historical manna is often understood to have been something produced by desert insects, so there's a possible link to the idea of feeding on honeydew.

I'm not sure which, if any, of these many disparate associations will lead anywhere worthwhile. I just wanted to get them all written down first before I forget them.

Sunday, September 24, 2023

The Moody Blues, Embody the Soul, snails and ammonites, stars and stones, blue ball of light

Yesterday, September 23, I happened to see a bright blue scooter with the license plate MDY-0098. I thought that MDY-00 was the best way of encoding the word moody in the ABC-1234 format (keeping in mind that there are no Os on license plates, only zeroes), and this combined with the color of the scooter made me think of the Moody Blues -- the very first band I got into as a teenager. The remainder of the plate number was 98, and I was pretty sure that in '98 the Moody Blues were in Italy, recording their album Strange Times. This was released in 1999, during a time when I had no access to secular music, but buying it was almost the first thing I did after returning to secular life in 2000. It served as my main soundtrack during that in-between time, after my mission and before entering the linguistics program at Ohio State. I used to play it in the car on my many drives from Kirtland out to Lake Erie to wander around the saltless, surfless beaches, meditate, and compose not-very-good verses on the metaphysical significance of erosion.

The cover of Strange Times shows the Earth inside what looks like a transparent snail or ammonite shell, on a beach.


Anagrams were very much my stock in trade at that time in my life (almost as much as synchronicities are now), and of course I had subjected the Moody Blues to the treatment. Their band name yielded such pleasing anagrams as The Bloody Muse and Embody the Soul. As for this album, Strange Times is an anagram of Granite Stems -- i.e., crinoid fossils, complementing the possible ammonite fossil on the cover.

Running into a license plate that evoked Strange Times was a bit of a sync because just two days previous (September 21), in my Book of Mormon post "Lehi, Nephi, and the pillar of fire that 'dwelt upon a rock,'" I had revisited my 2022 post "Snail on shingles," about a remote-viewing image of an enormous snail shell on a shingled roof. At the end of the post, I note a sync with the Mock Turtle's Song from Alice in Wonderland, which mentions a "snail . . . on the shingle" -- meaning of course not roofing shingles but pebbles on the seashore.

On September 22, one day after revisiting "Snail on shingles" and one day before the Strange Times sync, I received an email from a correspondent who always emails me about synchronicities related to the number 555. This time it was about a rock shop where most of the items had been labeled "555." He sent me several photos of these items, but the one that got my attention -- and the only one I mentioned in my reply -- was a rock with fossils of Orthoceras, a primitive genus of ammonites.


Though the shell on the Strange Times cover has the familiar shape of a snail shell, the rough edge at its mouth makes it look more like a fossil, suggesting that in fact it is an ammonite. I suppose the word Plates is also a sync with the Book of Mormon context in which I revisited my remote-viewed snail shell. Come to think of it, Orthoceras is "straight horn," a standard iconographic attribute of the Angel Moroni.

That was all yesterday, and I didn't think it quite synchy enough to be worth posting.

Today (September 24), I unexpectedly had an hour to kill while away from home, so I camped at a coffee shop and read Joshua Cutchin's Ecology of Souls -- to which I have recently returned after taking a break to read all eight volumes of Daymon Smith's Cultural History of the Book of Mormon.

Almost all of the background music they were playing in the coffee shop was unfamiliar to me. As soon as I sat down, a song started which repeated "Time to wake up, time to wake up" an inordinate number of times. Given the recent syncs related to "Wake Up Time" by Tom Petty, this got my attention. I looked it up on my phone and found that it was a song by the band Cacti, called -- no points for guessing! -- "Time to Wake Up."

"Wake Up Time," as you will know if you've read the linked post above, was connected by William Wright with a dream he had about a man who called himself El-Anor ("sun-star"), and who Mr. Wright thought represented simultaneously a man and a stone. Just as the song "Time to Wake Up" was ending, I read this in Ecology of Souls:

One informant living in Belize told Ardy Sixkiller Clarke that he met the "stone woman" of Mayan legend . . . describing her as "magnificent," "beautiful," "glow[ing] like a star," . . . .

A stone woman like a star is an obvious sync with the stone man who called himself Sun-Star. Note also that yesterday I posted "Who were the 13 luminous beings Lehi saw in his Jerusalem vision?" -- about a vision of one whose "luster was above that of the sun at noon-day" and "twelve others" whose "brightness did exceed that of the stars in the firmament." The popular Mormon imagination associates the Book of Mormon peoples with the Maya and other Mesoamerican civilizations.

(Incidentally, in writing my post on the 13 luminous beings, I considered, but did not end up committing to writing, the possibility that the brightest being was the Blessed Virgin Mary, who is traditionally depicted with a crown of twelve stars.)

Some minutes later, I read in Ecology of Souls a long quotation from Suzy Hansen, about "the incarnation process":

The familiar soul, the blue ball of light, would accompany me in this life, as would two others from the group of souls present . . . . We would all become part of something together, but the blue soul is the one I have had a long connection with . . . .

The incarnating soul is depicted as a "blue ball of light." Just yesterday I had been remembering my old anagram habit: The Moody Blues = Embody the Soul. Furthermore, the cover of Strange Times depicts a literal blue ball, encased in rough shell as if it were a soul incarnate in crude matter.

Just then, another unfamiliar song came on in the coffee shop. The only lyrics I could make out were the repeated line "Would you turn to stone?" This syncs with the ammonite fossils, the "stone woman," and the man who was also a stone, so I tried to look it up. I had no luck finding the song itself. The only thing that came up was a song called "Losing My Shit" by a band called Breakfast In Silence. Here are the lyrics in full:

Feel a little crazy like I wanna shave my head
but their music makes me wanna grow out my hair again
Do I have much to lose?
I just want my head to cut it out.

Will you turn to stone if I put another hole in my head?
Got a Medusa last week --
Will you care if I still can't get out of bed?
I'm so moody, and I forget a lot of shit,
I'm so moody, and I forget a lot of shit.

I'm so moody -- you've got to be kidding me! Scrolling down their bandcamp page just now, I see that Breakfast In Silence is based in Salt Lake City, which syncs with the general "Mormon" theme (Ammonite is another Book of Mormon word, by the way) and with my specific mention earlier in this post of the saltlessness of Lake Erie.

I suppose it's also worth mentioning that I shaved my head today (as I do about once a week), and that I used to be called Tom Petty in college because my long blond hair made me look like him.

Ace of Hearts

On the A page of Animalia , an Ace of Hearts is near a picture of a running man whom I interpreted as a reference to Arnold Schwarzenegger....