Back in 2014, I dreamed of seeing a whale with many eyes on TV, and the dream "
came true" the next day when I saw a very similar image in a Keanu Reeves movie on TV. It seemed like such a pointless thing to be made precognitively aware of, and I
commented at the time, "None of my precognitions so far have been of anything that could even remotely be considered important or meaningful."
That was eight years ago. The arc of the synchronistic universe is long, but it does sometimes bend toward meaning.
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In a
comment yesterday, Carol has alerted me to the possible relevance of "The Beast Below," an episode of
Doctor Who which was first broadcast on April 10, 2010. I've never seen it, or any other
Doctor Who episode, but judging from Carol's summary and others found online, I think she's right.
"The Beast Below" is set in the distant future (29th century), when Earth has become uninhabitable due to solar flares. The British population, led by Queen Elizabeth X, survives aboard the gigantic Starship UK. They are all unaware of the fact that their starship has been built around the body of a "star whale" which serves as its means of propulsion, and the whale is controlled by sending painful electrical impulses into its brain. It is believed that if they stop torturing the whale, it will break free and the people of Starship UK will be doomed. This unpleasant fact is revealed to each citizen from time to time, at which point they must choose either to accept it and have their memory of the revelation erased or else register protest and -- well . . .
Amy is taken . . . to one of many voting booths set up on the ship . . . . She is shown a video about the truth of Starship UK, and then asked if she wants to protest the truth or forget it, the latter causing her short-term memory to be wiped. Amy chooses to forget, and creates a video to herself to prevent the Doctor from learning the truth, before the mind wipe. The Doctor is curious as what "protest" will cause and activates it, sending him and Amy into the maw of a giant creature below the ship. The Doctor induces the creature to vomit, allowing them to escape back to the ship. The Doctor and Amy meet Queen Elizabeth X, known as Liz 10, the ruler of the ship.
The Doctor's meeting a Queen Elizabeth parallels Dr. Dee's relationship with Elizabeth I -- and just like Dee, the Doctor enters the maw of a otherworldly whale and survives. As you can see in the illustration at the top of this post, the "star whale" shares an unwhalelike feature with the many-eyed whale (also called a "beast") I saw in my
2014 dream: "feelers on the sides of its mouth like a catfish."
In "The Beast Below," it is eventually discovered that the star whale came to Earth willingly, moved by compassion, to help the people of the UK escape, and that none of the torture had ever been necessary in the first place. The people had thought they had captured this beast and forced it to serve them, but in fact the whale was motivated by selfless love and willingly endured the unnecessary tortures inflicted on it by the ignorant humans. In the end, the torture is stopped and the starship continues on its way. It is decided that the people should no longer be kept in ignorance of the whale. Amy recites this rhyme:
In bed above, we're deep asleep
While greater love lies further deep.
This dream must end, this world must know:
We all depend on the beast below.
I don't know if the allusion is intentional, but to me this calls to mind Zarathustra's roundelay (Nietzsche), which I translated in 2019.
O man, give ear!
Deep midnight speaketh; canst thou hear?
"From sleep, from sleep,
From dreaming deep I woke and rose;
The world is deep,
More deep than day would e’er suppose.
How deep her woe!
Joy—deeper still than heartache, she.
Though woe cry, 'Go!'
All joys long for eternity—
For deep on deep eternity!"
"In bed above, we're deep asleep" also calls to mind the chorus of the Barenaked Ladies song "Brian Wilson," which recently
came up in connection with Dee's whale.
Just like Brian Wilson did
Just like Brian Wilson did, yeah
Carol ended her comment with this:
Final point: John Dee's whale was God - Doctor Who's star whale was a savior, responding to the cries of frightened children.
Carol is not the only one to have made this connection. When I was searching for an image of the star whale with which to illustrate this post, one of the first hits that came up was an old post by Carmen Andres called "
The great love of star whales and God." Andres writes:
I’m thinking more of the idea of a being enduring suffering of great proportions and yet responding not by withdrawing life giving and sustaining power and salvation but increasing it. I see that a profound echo of Jesus, who came to earth in love and compassion to save us from destruction and darkness. Yet none of us understood; even the best of us who did not abandon him did not comprehend who he really was and what he could do, and the worst of us tortured and executed him. And after voluntarily enduring unimaginable pain and suffering, he could have justly and understandably abandoned us, even destroyed us. But instead he explodes with abundance—with a profusion of unimaginable love, life and salvation.
I also think of a passage in Joseph Smiths's writings, about -- who else? -- Enoch, in which the Earth itself is the longsuffering "beast below":
And it came to pass that Enoch looked upon the earth; and he heard a voice from the bowels thereof, saying: Wo, wo is me, the mother of men; I am pained, I am weary, because of the wickedness of my children. When shall I rest, and be cleansed from the filthiness which is gone forth out of me? When will my Creator sanctify me, that I may rest, and righteousness for a season abide upon my face?
And when Enoch heard the earth mourn, he wept, and cried unto the Lord, saying: O Lord, wilt thou not have compassion upon the earth? Wilt thou not bless the children of Noah? (Moses 7:48-49)
I come back again to Dee's vision of a whale on a hill, "roaring like a cave of lions." In the angels' interpretation, the hill is the world, the waters are the bosom of God, and the whale is the Spirit of God. Why is the Holy Spirit -- more often characterized as a gentle dove or a still, small voice -- roaring like a cave of lions? Is it not a cry of pain? A beached whale is in agony. The Spirit of God leaves its natural home in the bosom of God and enters this corrupt and broken world, the devil's domain, suffering whatever is necessary to save God's children. "Knowest thou the condescension of God?" (1 Ne. 11:16). "Grieve not the Holy Spirit of God" (Eph. 4:30).
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In "The Beast Below," the people are "deep asleep," wilfully deluded, having chosen to make themselves forget the uncomfortable fact of their dependence on the suffering whale. Despite their status as "sleeper," they are not passive and surrendered but precisely the opposite: They have seized the whale by force and tortured it into doing what they want -- not realizing that none of that was ever necessary, that it had come to them of its own free will and wanted to help them all along. This ties into the LSD theme of the current sync-stream and William Wildblood's 2017 post "
Drugs and Spirituality." Taking psychedelics is of course an attempt to lose oneself, to abdicate will and enter an egoless state in which things just
happen -- but Wildblood points out that it is at the same time an attempt to
force a transcendent state.
The point is that it is an artificial means to try to take the kingdom of heaven by storm and therefore a fundamentally irreligious thing to do. It is putting your will above God’s. If he wants you to experience transcendent states he is perfectly capable of giving them to you. However he knows the strong likelihood that a person gets attached to these states and loses the reason for being on the spiritual path in the first place which is to get closer to God through the heart not by means of drugs. The latter will make the former more difficult not less so.
I have never used drugs, but many years ago when I was tempted to try to force things through roughly analogous "magical" means, I used to chide myself with a line from the Book of Job: "Canst thou draw out Leviathan with a hook? or his tongue with a cord which thou lettest down?" -- the point being that what is forced is not real, that if you can draw it out with a hook it's not the genuine Leviathan. I haven't thought about that for years, but now how strange it seems that I should have chosen landing a whale, of all things, as my metaphor!
To the Doctor Who line "In bed above, we're deep asleep" the synchronicity fairies have added "just like Brian Wilson." The name Brian is thought to derive from the Old Celtic element bre, meaning "hill"; and Wilson is of course from Will (the first element of William), meaning "will, desire." There is a clear connection here to idea of forcefully drawing a whale out of the water and up onto a hill -- which is what Brian Wilson was symbolically attempting with his drug use. In Dee's vision, though, the whale comes to the hill of its own accord.
And suddenly The Firmament and the waters were joyned together, and the Whale CAME, like unto a legion of stormes: or as the bottomless Cave of the North when it is opened: and she was full of eyes of every side.
The Prophet said, Stand still, but they trembled. The waters sank, and fell suddenly away, so that the Whale lay upon the Hill, roaring like a Cave of Lions
In "
Whale Music," I noted Brian Wilson's (and Dee's) characterization as
a naked man. This connects with another part of William Wildblood's drug post.
You see, drugs operate in the world of experience but spirituality, true spirituality, the spirituality of the saints, is a matter of innocence meaning precisely that it is a natural not artificial expression of what you are inside.
Nakedness is innocence -- in animals, babies, and prelapsarian man -- but for a grown man to go naked is an artificial attempt to force or simulate innocence (a self-contradictory pursuit), to crawl back into the womb or return to Eden. Drugs, seen as an artificial way of simulating the spontaneous mystical consciousness of primitive man, are the same sort of thing.
On April 6, I left this comment on my own post:
I could swear that when I checked the THC website last night, the latest episode was called “The Book of Enoch,” but I just checked it again now to get the link, and it’s not there. I must have dreamed it.
This drove me crazy for a week. I knew I
hadn't dreamed it. I could even remember the background illustration -- what looked at first like three dark, hunched figures, until two of them resolved themselves into the wings of the other. I thought the episode must have been posted and then removed for some reason, maybe because Carlwood had accidentally posted it too soon. I kept checking THC every day to see if it would reappear, but it never did. Last night the mystery was finally resolved, when I happened to click the wrong thing on YouTube and found that the April 6 "Book of Enoch" show wasn't on THC but on Jonathan Pageau's channel: "
The Book of Enoch: Fallen Angels and the Modern Crisis." I haven't watched the whole thing yet, but he begins by talking about the fall of Adam and Eve.
There's a sense in which the fruit of the knowledge of good and evil was going to be given to Adam and Eve ultimately, but the reason why it made them fall was because they took it too fast. They took it through an act of desire. It says that, you know, the woman saw that the fruit was good to eat, and so she reached up and grabbed it for herself, and because of that gesture of taking it for yourself and taking it in desire, that is what will ultimately lead to a fall.
In other words, they tried to draw out Leviathan with a hook -- or, as William Wildblood puts it, to "take the kingdom of heaven by storm." They took by force what God was actually willing to give them, just like the people of Starship UK torturing the star whale.
The ideal is to be the opposite of our metaphorical "Brian Wilson," or of the citizens of Starship UK; to do the opposite of lying in bed naked doing drugs, the opposite of torturing a star whale into submission an then lying to yourself about it. ("For every one that doeth evil hateth the light, neither cometh to the light, lest his deeds should be reproved.") This dream must end, this world must know. The ideal is to be fully awake and conscious, knowing what we do and why, and at the same time to be fully surrendered to God.
It's not meant to be a struggle uphill.
