From the Narrow Desert: Cherubim

Showing posts with label Cherubim. Show all posts

Monday, July 1, 2024

No more a roving

On June 25, I did a Tarot read in which I asked about the roles various people have to play, and I drew this card with reference to myself:

There is a pretty obvious sense in which this is "my" card. My surname means "son of Tychon," a name which ultimately derives from Tyche, the Greek counterpart to the Roman goddess Fortuna, making me "Will of Fortune." When I drew it on June 25, I was struck by the central brass-colored disc covered with engravings, and by the four Cherubic creatures in the corners, each with its book. This ties in very neatly with the Round Book of Brass Plates and with the book called the Cherubim from the vision recounted in "Étude brute?" Thinking about it today, after posting about the zebra-striped flag of Brittany in "Dreaming in black and white," I noticed the zebra-striped headdress worn by the sphinx at the top of the wheel.

It was then that I realized a possible link between "Étude brute?" and the Brittany theme. I had previously taken it as a reference to the Ides of March, my birthday, but Caesar's assassin was not the only Brutus. According to a very old legend, the name Britain derives from that of the island's first king, Brutus of Troy. Since Brittany derives from the same root as Britain, it would also thus be named after this Brutus.

As I was thinking about this and making these connections, my attention was suddenly drawn to one of the books in my study, a 1000-plus-page compilation of the major works of Byron, with the edge of a bookmark sticking out above the pages. I had a very strong impression that I should take the book down and see which page was bookmarked.

The bookmark was between pages 314 and 315. Page 314 is the last page of Manfred, which I last read in 2014. Since then, the only works I've read from that book have been short poems which didn't require moving the bookmark around, so there it still was.

Page 315 -- the page corresponding to the Ides of March, my birthday -- has this short and fairly well-known poem:

So, we'll go no more a roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.
For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.
Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a roving
By the light of the moon.

Note the immediate context: I had just been thinking about "Étude brute?" as, among other things, an Ides of March reference, and about the Wheel of Fortune Tarot card in connection with myself. Do you know how the word "wheel" is written on old French cards? ROVE.

"The sword outwears its sheath" also fits the Tarot card, on which a sphinx holds an unsheathed sword. It's also a link to "Makmahod in France?" and "This sword will never be sheathed again." In the Rider-Waite version of the card, where the wheel is a Brass Plate, it stands to reason that the unsheathed sword would be that of Laban.

Then there are those moonlight references. I looked up a French translation, and sure enough:

Ainsi, nous n'irons plus vagabonder
Si tard dans la nuit,
Même si nos coeurs restent accordés
et que la lune toujours luit.
Car telle l'épée usant son fourreau,
l'âme use la poitrine à respirer.
Le coeur doit pouvoir ėtre au repos
et même l'amour se délasser.
Bien que la nuit soit faite pour s'aimer
et que l'aube ne soit qu'infortune,
Pourtant, nous n'irons plus vagabonder
La nuit, au clair de lune.

When I was searching for a French translation, autocomplete thought I might be looking for Leonard Cohen's rendition of the poem. I didn't know he had done one:

The album cover art -- a black-and-white portrait of a young woman -- caught my eye, and I wondered if there was a story behind it. Searching for that led me to this thread. Early on, one person mentions that the woman's expression reminds him of Joan Crawford in Johnny Guitar, and everyone picks this up and runs with it. "Joan" -- with no surname except in the first reference -- is mentioned a whopping 36 times in the thread.

After I'd played Cohen's take on Byron, YouTube queued up the next song automatically: "New Slang (When You Notice The Stripes)" by the Chins. I posted "When you notice the stripes" on May 9, connecting that line from the song with the idea of using the stars and stripes on the US flag to create a constellation. The syncs in this present post began with my noticing the stripes on the Wheel of Fortune card and connecting them with stripes on a flag.

What is being communicated by drawing my attention to that Byron poem? Is this Claire/Joan saying goodbye, or at least announcing a hiatus? Time will tell.

Friday, June 28, 2024

Gryphon + Mock Turtle = Cherubim

Mock turtle soup is traditionally made with a calf's head, and so the Mock Turtle in Alice is portrayed as a turtle with the head, tail, and back hooves of a calf. Its companion, the Gryphon, is of course part lion and part eagle.

This comes very close to matching the four component creatures of the Cherubim. According to Ezekiel, the Cherubim had the faces of a man, a lion, an ox and an eagle. In John’s adaptation of this imagery in Revelation, the ox actually becomes a calf. In the Gryphon and the Mock Turtle, we have these same four -- except that the man is replaced with a turtle.This substitution is astrologically justified. The four creatures of the Cherubim represent the fixed signs of the zodiac -- Aquarius, Leo, Taurus, and Scorpio -- but the scorpion is replaced by the nearby constellation of Aquila, the Eagle. The man stands for Aquarius, and in Chinese astrology Aquarius belongs to the Black Tortoise. Thus, the turtle can stand in for Aquarius.

According to Ezekiel, the Cherubim had feet like "a calf's foot" and "the hands of a man." This maps perfectly to the Mock Turtle, whose "feet" are calf's hooves and whose "hands" are the flippers of a turtle (corresponding to Aquarius and thus to the man).

In Ezekiel, each Cherub looks the same, and each is a combination of all four creatures. In Revelation, there are four different Cherubim, each corresponding to only one of the four creatures. Lewis Carroll is intermediate between the two, having two different Cherubim, each combining two of the four creatures.

The World card of the Tarot follow's John's schema, with four distinct Cherubim, but notice how perfectly it corresponds to the illustration from Alice above: On the left, Aquarius and Taurus (the Mock Turtle); on the right, Scorpio and Leo (the Gryphon); in the center, a human female with her body turned toward the Gryphon but her face turned toward the Mock Turtle.

Just as the Eagle is above the Lion on the World card, the eagle parts of the Gryphon are above the lion parts. The Mock Turtle has calf parts at both the top and the bottom, with the turtle parts in the middle, so it doesn't map quite so perfectly.

Thursday, June 20, 2024

Lassie Come Home

Lassie Come Home is, symbolically, the title of the book that proceeded forth from the mouth of a Jew. This book is also called "the book of the Lamb of God" (1 Ne. 13:38). A nod to this second designation is just visible on the edge of the page in Animalia:

I think that's a very semantically dense title, conveying multiple meanings simultaneously. First there’s the literal meaning of lassie: a girl or young woman. Second, there’s the character Lassie in the book: a sheepdog, specifically a Rough Collie, who travels a great distance to be reunited with someone she loves. Finally there’s the Elvish lassi, which even the casual Tolkien reader may recognize from the poem Namárië: It means -- quelle coïncidence! -- "leaves."

If we take Lassie as a literal lassie, any number of female figures could be intended. My immediate hunch, and I tend to trust such things, was that it has something to do with the Woman of Revelation 12, "clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars" (Rev. 12:1). Threatened by the Dragon, the Woman is given wings and flies away to "her place" (perhaps off-planet?), prepared for her by God, where she stays for three and a half years (Rev. 12:6, 14) -- and that's the last we hear of her. After the three and a half years, during which the Beast rules in her absence (Rev. 13:5), does Lassie come home? John never tells us.

Considered as a sheepdog, Lassie would be expected to come home with the sheep, bringing them back to the fold. "Other sheep I have, which are not of this fold. Them also I must bring, and they shall hear my voice, and there shall be one fold and one shepherd" (John 10:16). If the Shepherd is Christ, the Sheepdog would be a servant of Christ who helps him tend the sheep. The most obvious biblical candidate for this role would be Simon Peter, who in John 21 is given a special charge to "feed my sheep" and "feed my lambs." Interestingly, this same language of feeding is found in John's account of the Woman: While she is hiding in the wilderness, "they should feed her there" (Rev. 12:6) and "she is nourished" (Rev. 12:14).

Those who have been following William Wright's blog will know of his theory that Peter was the reincarnation of Ar-Pharazôn, the last king of Númenor -- which brings us to Lassie as a collie. The etymology of that word is uncertain, but Etymonline suggests "Possibly from dialectal coaly 'coal-black,' the color of some breeds." As portrayed on the cover of the book from the Lion's mouth, Lassie appears to be golden in color, not black, so perhaps whatever about her is "coal-black" is not visible on the surface. Pharazôn was called "the Golden," and as his story has been expanded by Daymon "Doug" Smith and William Wright, he went to great lengths so to appear, dressing all in gold and even covering his face with some kind of gold makeup. However, in "It's as dark a tale as was ever told," I have read the song "Shiver My Timbers" as referring to Pharazôn:

Shiver my timbers, shiver my soul -- Yo ho, heave ho!

There are men whose hearts are as black as coal --Yo ho, heave ho!

And they sailed their ship 'cross the ocean blue

A bloodthirsty captain and a cutthroat crew

It's as dark a tale as was ever told

Of the lust for treasure and the love of gold

Also in that post, I mention the line about "secrets that sleep with old Davy Jones" and tie that in with the Monkees song about Davy Jones waking and rising -- a song which also prominently references a "homecoming queen," i.e. a lassie come home. Pharazôn and his men ended up in a watery grave -- "Davy Jones' locker" -- and it may be their secrets that sleep there. The surname Jones means "son of John," though the h has been lost and the vowel sound has changed from a short 'o' to a long one. Everything I have just said about Jones is also true of Barjona, the original surname of Simon Peter.

Finally, we have lassi as the Elvish word for "leaves." Golden leaves as a reference to Golden Plates (and Lassie is gold on the book cover) have been a major theme in these parts recently, beginning with "Leaves of gold unnumbered" -- a post in which I quote the first two lines of the poem Namárië. Here they are in the original Quenya:

Ai! laurië lantar lassi súrinen,
yéni únótimë ve rámar aldaron!

Ah, like gold fall the leaves in the wind! Lassi, come home!

Every tribe of Israel, we are told in 2 Nephi 29, has its own sacred records -- its own "leaves of gold" -- and when Lassie brings the scattered sheep home, the leaves will be gathered home as well:

And when the two nations shall run together the testimony of the two nations shall run together also. . . .

And it shall come to pass that the Jews shall have the words of the Nephites, and the Nephites shall have the words of the Jews; and the Nephites and the Jews shall have the words of the lost tribes of Israel; and the lost tribes of Israel shall have the words of the Nephites and the Jews.

And it shall come to pass that my people, which are of the house of Israel, shall be gathered home unto the lands of their possessions; and my word also shall be gathered in one (2 Ne. 29:8, 13-14).

And this brings us back to the vision or waking dream -- for I, like Davy Jones, am a daydream believer -- recounted in "Étude brute?" In the vision, I was told that a particular book was the Cherubim -- "not the book of the Cherubim, but the Cherubim themselves." What can that possibly mean?

Ezekiel portrays the Cherubim as chimerical creatures -- part man, part lion, part bull, and part eagle -- and as far back as my 2018 post "The Throne and the World," I had made the case that this imagery "very like symbolizes, by means of four representative members, both the twelve tribes of Israel and the twelve signs of the zodiac." See that post for all the details underlying that assertion; here I will simply take it as proven. Ezekiel's Cherubim represent (among many other things) the Twelve Tribes of Israel united in a single body. Combine that with the quote from 2 Nephi 29 above -- when "the house of Israel shall be gathered home . . . my word also shall be gathered in one" -- and I think I understand what this book, the Cherubim, represents.

I have more to say on this topic, but I think this is a good place to end the current post.

Tuesday, June 18, 2024

This episode is brought to you by the letters G and L

This past weekend, I picked up a little alphabet book called Animalia at a used bookstore for no other reason that the author's name was Graeme Base, and William Wright had recently posted "Golden Graham Plates." Two of the letters have since turned out to be significant.

"Stink Gorilla More" (June 14) linked the word Gorilla to the word Bigfoot. Then William Wright's June 16 post "Bigfoot: Seek and it shall find you" led me to revisit my October 2023 post "Bigfoot? Bigfoot," featuring a big green foot:

Base's image also features the Holy Grail -- not exactly first on most people's list of things that begin with G! -- and a golden griffin perched on a gong in the form of a golden disc.

In one of my dreams, Golden Plates took the form of a disc, as mentioned most recently in "Plates among the dead leaves." This disc, too, is in a room full of leaves, though not dead ones.

Then there's L:

It's a library with two lions in it. Among the books in it are Lassie Come Home, Limericks by Edward Lear, The Leopard [...], King Lear, Little Boy Lost by L. L. Lucky, Lover's L[...], Lacrosse, Let's Learn Latin, Life of Luxembourg, Leonardo, Love's Labour's Lost, Levitation, Doctor Livingstone, Living Legends, Lady Chatterly's Lover, and books by Longfellow and John Locke -- but the one that really got my attention was The Gospel of Luke:

Two large golden animals in a room full of books syncs with the waking dream I relate in "Étude brute?" in which there were two large golden "Bulls of Heaven," one of which went with me into a cavern full of books and told me that one of the books "is the Cherubim. Not the Book of the Cherubim, but the Cherubim themselves."

In trying to make sense of that cryptic statement, I thought first of the Four Gospels. In Ezekiel, the Cherubim are represented as having four faces: those of an ox, a man, a lion, and an eagle -- but in one place (Ezek. 10:14) these are given as the faces of a cherub, a man, a lion, and an eagle, implying that the Cherubim are primarily bovine in nature. I would naturally have assumed that the two heavenly Bulls I saw were themselves the Cherubim had one of them not said what it did about the book. A very old Christian tradition associates each of the Gospels with one of the component creatures of the Cherubim -- and the ox or bull is almost invariably mapped to the Gospel of Luke. In the illustration below, from the (French) St. Riquier Gospels, a heavenly Bull holds a banner with the opening words of Luke: "Quoniam quidem multi conati sunt" -- "For indeed many have tried."

Before I entered the library in my vision, the two Bulls had been standing on either side of a Nativity scene -- and the classic Nativity scene with the manger and all that also comes from the Gospel of Luke.

Another interpretive angle is to note that there were two golden Cherubim on the lid of the Ark of the Covenant -- above the Ark but also part of it. In William Wright's June 11 post "The Brass Leafy Plates and all roads lead to France," he proposes that the Brass Plates are currently in France and compares the Plates themselves to an "Ark," specifically mentioning the Ark of the Covenant. Now look back up at that picture of the golden griffin perched on the golden gong. As I have mentioned in many posts, the word griffin may be related to the word Cherubim. A disc of light-colored metal (possibly gold or brass) has appeared in my dream as a "Plate" with engravings on it. If the Brass Plates are, symbolically, the Ark of the Covenant, then they are, or include, the Cherubim as well.

How does the Gospel of Luke fit in? Perhaps the significance is in the name itself: Luke means "light." In his post, William emphasizes a quote from the Book of Mormon about how the Brass Plates must "retain their brightness" -- a Bright Gospel, a Gospel of Light.

In William's post, he refers to the engravings on the Plates as "Marks," capitalized. The Graeme Base picture shows two lions in a library -- and, yes, the Evangelist whose symbol is the lion is Mark.

In "Plates among the dead leaves," I record -- in a somewhat joking tone which William found "douchey" -- the hunch that if the Brass Plates are indeed in France, they may be behind the altar in the Basilique Saint-Sernin de Toulouse. As discussed at great length in my 2018 post "The Throne and the World," this church contains an engraving of a beardless Christ surrounded by the four Cherubic creatures, which I believe may have played an important role in the development of the Tarot de Marseille. This Christ holds a book in which is written "Pax Vobis," and he bears a striking resemblance to Caravaggio's Supper at Emmaus.

The supper at Emmaus, and Christ's saying "Pax Vobis," both occur in the final chapter of, you guessed it, the Gospel of Luke.

Étude brute?

I’m going to have to up my game as a punster if I’m going to keep up with Claire. This one is hers, received while I was in my study this afternoon (June 17) praying the third decade of the Rosary and contemplating the Nativity.

It means “raw study?” in French but is clearly punning on “Et tu, Brute?” — spoken on the Ides of March by the title character in Shakespeare’s Julius Caesar. This ties in with a few things William Wright has written recently. In “‘Naming’ Joan (and ‘Beware this one!)’” he writes of a being (presumably Claire) saying, “Beware this one!” and, “When I dream, I dream of books.” He thinks these were both references to me: the first because it suggests the Shakespeare line “Beware the Ides of March!” (my birthday), and the second because he thinks of me as someone who reads a lot of books. “Étude brute?” alludes to the same date in the same Shakespeare play, and “study” relates to the idea of reading a lot of books.

In “Grand-Rivière, France: Why not?” William writes of how one of my references to “my study” gave him the idea of the Brass Plates being in a “Study” — meaning a cave full of books — in France. Today I received the French word for “study” while in the very room that had given William that idea.

It is also significant that the words were received while I was doing a Rosary meditation on the Nativity. (I typically pray in my chapel, not my study, but today was an exception.) The last time I did that particular meditation, Saturday, June 15 — also in my study — I had a brief vision which I wasn’t going to write about, but I think now I should.

As the vision opened, I was in a large egg-shaped cavern with no visible exits, and I understood that at the center were the Holy Family, including the newborn Jesus. They were shining so brightly that I could not look at them directly, but I knew they were there. They were attended not by the humble ox and ass of the familiar Nativity scene but by two gigantic otherworldly animals I thought of as “Bulls of Heaven” — something like an aurochs, but golden and with very large, intelligent eyes, and possibly with some sort of feathers or very large scales.

These Bulls conveyed to me telepathically that I was being given permission to walk through the back wall of the cavern. I did so, passing right through the wall as if I were a ghost, and found myself in another cavern, even larger, which was full of books. One of the Bulls was still with me and conveyed a telepathic message about one of the books: “This book is the Cherubim. Not the Book of the Cherubim, but the Cherubim themselves.” Before I could get any clarification of that confusing statement, the vision dissolved.

Being led into a “study,” and introduced to one of its books, by silent bulls is extremely strange. Besides “raw,” another meaning of brute is “an animal without the power of speech.”

All of this is so far over my head that I don’t even know what to say about it. For now I simply report it.

Monday, May 20, 2024

Griffins (Cherubim) and apples (forbidden fruit) come from the same place

In my May 1 post "Armored vultures and Cherubim," I note the etymological theory that the word griffin may be related to Cherubim. In Genesis, the Cherubim are stationed as guardians to keep the exiled Adam and Eve from returning to Eden. This was after they had eaten the forbidden fruit, which tradition overwhelmingly identifies as the apple.

Today I was reading the 2011 edition of Adreinne Mayor's seminal book The First Fossil Hunters: Dinosaurs, Mammoths, and Myth in Greek and Roman Times. In building her case that griffin legends originated with Protoceratops-type fossils (quadrupeds with eagle-like beaks), Mayor traces Greek griffin lore back to Scythia:

The territory of the Issedonian Scythians where Aristeas learned about the griffin in about 675 B.C. is a wedge bounded by the Tien Shan and Altai ranges, in an area that straddles present-day northwestern Mongolia, northwestern China, southern Siberia, and southeastern Kazakhstan.

Compare this to what Wikipedia says about the origin of the apple:

The original wild ancestor of Malus domestica was Malus sieversii, found growing wild in the mountains of Central Asia in southern Kazakhstan, Kyrgyzstan, Tajikistan, and northwestern China. Cultivation of the species, most likely beginning on the forested flanks of the Tian Shan mountains . . . .

I thought it was an interesting coincidence. Tian Shan is Chinese and literally means "Mountain(s) of God," which fits with what Ezekiel wrote about Eden and the Cherub:

Thou hast been in Eden the garden of God . . . . Thou art the anointed cherub . . . thou wast upon the holy mountain of God (Ezek. 28:13-14).

I was going to say I don't think anyone has ever proposed that Eden was in Central Asia, but actually someone has: Apparently, the Chinese Australian Christian Tse Tsan-tai proposed that it was in Xinjiang -- i.e., northwestern China, griffin and apple territory.

Friday, May 3, 2024

Hometo Omleto

That's the Esperanto name for Humpty Dumpty. Some of you may have read in Martin Gardner that it's Homito Omleto and means "Little-Man Egg" -- which spoils the rhyme, incorrectly uses the passive past participle affix as a diminutive, and somehow misses the very obvious fact that omleto means "omelette," not "egg." (I guess an especially big omelette would be an omlo.) So the next time you hear someone casually mention Humpty's non-existent brother Homito, I hope you set them straight. We must each do our part to stop the spread of violent misinformation about what Humpty Dumpty is called in Esperanto.

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Thinking about my recent griffin syncs led me to Lewis Carroll. I remembered that a Gryphon (the same spelling used in The Tinleys) featured in Alice but couldn't remember the context. Looking it up, I found that he appears together with the Mock Turtle, with whom he demonstrates the Lobster Quadrille song and dance.

The verse at the bottom of the page caught my eye because I posted it back in 2022, in "Snail on shingles." I've referenced that old posts a couple of times recently in connection with the translation of the Book of Mormon. (See for example last month's "The snail on the roof, the Lincoln Memorial, and the translation of the Book of Mormon.")

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Shortly after looking up the Gryphon in Alice, I checked William Wright's blog and found that his latest post was about Lewis Carroll: "Humpty Dumpty and the Fall of Pharazon," which has since been followed up with an other Humpty post, "Urkel, Alice, Humpty, and Physiognomy." (And yes, I'm the unnamed emailer who introduced him to the word physiognomy. Singing "Physiognomy -- I Am Doing It," adapted from a Mormon children's song about genealogy, used to be a running joke in my circle of friends.)

"Humpty Dumpty" was originally a riddle, the answer being "an egg," but it's a pretty bad riddle. I mean, why did he sit on a wall? Do eggs sit on walls? How would an egg come to be in such a precarious position in the first place? It has a certain amount in common with another well-known pseudo-riddle: "If a rooster lays an egg on the top of a barn roof, which way does the egg roll?"

William's post dealt rather extensively with the subject of Humpty Dumpty's belt (or cravat, as the case may be). This made me think of a dad-joke (I literally heard it from my dad), which I left in a comment:

What did zero say to eight?

Nice belt.

William left a reply to the effect that in Through the Looking Glass it is actually "eight" (Alice, in her eighth year) who compliments "zero" (the zero-shaped Humpty) on his belt.

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Another thing I've been thinking about these days is the three gods who are trapped inside Donchatryan Peak by the griffin in The Tinleys: Zlalop the wind god, Dinderblob the sea god, and Luppadornus Glamgornigus Simbosh the god of herpetology. Herpetology is about reptiles and amphibians, which made me think Luppadornus might have something to do with Kek, the ancient Egyptian frog god whose cult enjoyed an unexpected revival in 2016.

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Just after reading William's first Humpty post and thinking about an egg sitting precariously on the edge of a wall, ready to fall, I picked up a book I have been reading, John Keel's 1970 UFO classic Operation Trojan Horse. The very first paragraphs I read were these two:

Like the prophet Daniel, and Joseph Smith of the Mormons, Senhor Aguiar passed out. The next thing he knew, he was slumped over his motorcycle, and the UFO was gone. But clutched in his hand was a piece of paper bearing a message in his own handwriting: "Put an absolute stop to all atomic tests for warlike purposes," the message warned. "The balance of the universe is threatened. We shall remain vigilant and ready to intervene."

"The balance of the universe . . ." It's a very odd coincidence how this same phrase turns up over and over again in the stories of these "kooks and crackpots."

It was actually that word crackpot that made me think of Humpty Dumpty falling and cracking. With that image in mind, "The balance of the universe is threatened" took on a different meaning. I imagined the universe as an egg, precariously balanced atop a wall, ready to fall if that balance is threatened.

The universe as an egg -- isn't that an Orphic symbol? The Cosmic Egg? I looked it up on Wikipedia and found that it is a very widespread symbol, not distinctively Orphic. This summary of the Egyptian version got my attention:

The cosmic egg myth can be found from Hermopolitus [sic]. Although the site, located in Middle Egypt, currently sports a name deriving from the name of the god Hermes, the ancient Egyptians called it Khemnu, or "Eight-Town." The number eight, in turn, refers to the Ogdoad, a group of eight gods who are the main characters in the Hermopolitan creation myth. Four of these gods are male, and have the heads of frogs, and the other four are female with the heads of serpents. These eight existed in the primordial, chaotic water that pre-existed the rest of creation. At some point these eight gods, in one way or another, bring about the formation of a cosmic egg, although variants of the myth describe the origins of the egg in different ways. In any case, the egg in turn gives rise to the deity who forms the rest of the world as well as the first land to arise out of the primordial waters, called the primeval mound.

So the Cosmic Egg is associated with the number eight, as in the dad-joke. The eight gods have the heads of frogs and serpents -- herpetology -- and one of the four frog-headed ones is, you guessed it, Kek. Furthermore, the Egg leads to the creation of "the primeval mound," which rises "out of the primordial waters." This sounds like the griffin's mountain in The Tinleys, which is an island.

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After writing the above, I returned to Operation Trojan Horse -- still in the chapter titled "You Are Endangering the Balance of the Universe!" -- and read this:

Later that very night another farmer, John Trasco of Everittstown, New Jersey, reportedly went outside to feed his dog, King, when he saw a brightly glowing egg-shaped object hovering above the ground near his barn. A weird "little man" stepped timidly toward him, he said. He was about 3.5 feet tall, had a putty-colored face with large bulging froglike eyes, and was dressed in green coveralls.

"We are a peaceful people," Trasco quoted the little man as saying in a high "scary" voice. "We don't want no trouble. We just want your dog."

A "little man" in an "egg-shaped" craft syncs with Martin Gardner's "Little-Man Egg." The object hovers near a barn, which syncs with the rooster riddle I mentioned. The man has "froglike eyes," like Kek. (Note, shadilay means "spaceship.") He speaks in double-negatives ("We don't want no trouble"), like the Gryphon in Alice ("they never executes nobody," "he hasn't got no sorrow"). Finally, there's a dog named King. Little-Man Egg doesn't want "King's man," the farmer, nor is he interested in horses or other livestock; he only wants King himself.

Most Mormons will have heard at one point or another Vaughn J. Featherstone's theological reading of "Humpty Dumpty," from a 1995 sermon:

There is a verse that all of you have heard:

Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall;
All the king’s horses
And all the king’s men
Couldn’t put Humpty Dumpty together again.

But the King could, and the King can, and the King will if we will but come unto him.

The "King" here is obviously God -- and dog is a well-established cipher for God, as in "God and dog at the Panama Canal."

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Did you notice the passing reference to Joseph Smith in the first John Keel quote above? The dream that started this whole griffin thing was paired with a dream about Joseph Smith. (See "A vulture named Odessa Grigorievna, and Joseph Smith in a spider mask.") In this latter dream, Smith had hidden a treasure in the basement of his house, but no one else knew about it. Since griffins are also traditionally guardians of treasure, specifically of gold, it seems likely that the two dreams are to be interpreted together.

"Humpty Dumpty" began as a riddle to which the answer is "an egg." Another such riddle has appeared on this blog recently, in "The Wonderful Flight to the Mushroom Planet" and "What's a soft-boiled egg? I'm cereal." The riddle, from The Hobbit, is:

A box without hinges, key, or lid,
Yet golden treasure inside is hid.

In the story related by Keel, a Brazilian man (whom Keel compares to Joseph Smith) receives the message, "The balance of the universe is threatened. We shall remain vigilant and ready to intervene." In my 2021 post "Notice: A ~~new~~ FAKE Mormon prophet in Brazil," I discuss a Brazilian man who claims to be the new Joseph Smith, and one of the evidences I give against his claims is his use of the word vigilantes to refer (in a supposedly revealed English translation) to the Watcher angels from the Book of Enoch. These Watchers have come up in connection with my dreams, in "Tin soldiers and griffins," because they are called Grigori in the Slavonic Book of Enoch, and the griffon vulture in my dream is hiding the fact that she is the "daughter of Grigori."

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In "Armored vultures and Cherubim," I note the possible etymological link between griffin and cherubim and point out that "Just as a griffin's role is typically to protect treasure, the biblical Cherubim protect the Tree of Life." The egg may symbolize hidden treasure, and this treasure may be the Tree of Life.

Jumping back to the discussion of Hometo Omleto with which I opened this post, I mentioned parenthetically that perhaps a very large omelette would be called omlo in Esperanto. Just as hometo is from homo, "man," with the diminutive affix -et-, so omleto could be (incorrectly) analyzed as the diminutive of the non-existent word *omlo.

Having acquired the habit from William Wright, I decided to check in omlo meant anything in Elvish. The best fit is the Gnomish word omlos, meaning "chestnut tree." Chestnut tree! Keep in mind that egg = treasure = Tree of Life. In Joseph Smith Senior's 1811 dream of the Tree of Life (which closely parallels the visions of Lehi and Nephi), he describes the tree thus:

It was exceedingly handsome, insomuch that I looked upon it with wonder and admiration. Its beautiful branches spread themselves somewhat like an umbrella, and it bore a kind of fruit, in shape much like a chestnut bur, and as white as snow, or, if possible whiter. I gazed upon the same with considerable interest, and as I was doing so the burs or shells commenced opening and shedding their particles, or the fruit which they contained, which was of dazzling whiteness. I drew near and began to eat of it, and I found it delicious beyond description.

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What a tangled web of syncs! Even writing about it in a linear fashion has been a challenge. Making any coherent sense out of it is going to take some time.

Wednesday, May 1, 2024

Armored vultures and Cherubim

In my last post, "How is an armadillo like a griffon vulture in the Crimea?" vultures are connected, by way of armadillos, with armored knights. This reminded me of two cartoon characters I used to draw as a child: Victor the Vulture and Sylvester the Snake. None of the cartoons have survived, but they were drawn in the style of Walt Kelly's Pogo. Victor wore a visored helmet like a medieval knight's, a baldric, and a scabbard; and Sylvester would ride inside the scabbard as if he were a sword, with his head sticking out where the hilt would be. There was a running gag that Sylvester liked to eat apples, which he swallowed whole, and when he and Victor were on a mission, he would always end up finding some apples and getting distracted by them.

The idea of a vulture wearing armor like a knight is a pretty unusual one, I think.

In recent syncs, the vulture (particularly the genus known as "griffon vultures") has been interchangeable with the griffin, and particularly the griffin in The Tinleys, which lives at the top of a mountain and turns out to have godlike powers. In Russian (the vultures in the syncs have been Russian/Ukrainian), the word for "vulture" also means "griffin."

I had always assumed that griffin was related to the French griffe, "claw," but apparently not. Etymonline suggests a more surprising connection:

Klein suggests a Semitic source, "through the medium of the Hittites," and cites Hebrew kerubh "a winged angel," Akkadian karibu, epithet of the bull-colossus (see cherub).

So griffin may be related to the biblical word Cherubim. Just as a griffin's role is typically to protect treasure, the biblical Cherubim protect the Tree of Life:

So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life (Gen. 3:24).

Victor the Vulture wears a sword belt, but instead of a sword it contains a snake that like to eat apples -- a pretty obvious link to the Garden of Eden story. The snake is even called Sylvester, meaning "forest dweller." The griffin in The Tinleys lives at the top of "the biggest, steepest, most dangerous mountain around." Ezekiel places the Cherub and the Garden of Eden on a mountaintop:

Thou hast been in Eden the garden of God . . . . Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire (Ezek. 28:13-14).

In Nephi's vision, too, the Tree of Life is seen on "an exceedingly high mountain, which I never had before seen, and upon which I never had before set my foot" (1 Ne. 11:1).