Showing posts with label Freud. Show all posts
Showing posts with label Freud. Show all posts

Thursday, September 22, 2022

Marcel Duchamp and Marina Abramović

Yesterday, this turned up in one of the textbooks I teach from. It caught my attention because of the name Marcel (cf. my recent dream about Marcelo and Marcela) and because of its resemblance to the "Wheel of Fortune" imagery I had also recently posted about.

Elementary school kids in Taiwan are pretty smart, and when we read, "Later on, artists understood what Duchamp was creating," one of the girls said, "Oh, this reminds me of the story we read last week: The Emperor's New Clothes." Everyone immediately understood what she was implying and laughed. A boy said, "Do you see the art? Yes, yes, I see the art, too." Just as in Andersen's story, children are the first to see through stuff like this.

This led to a general discussion of fake art, and I told them about a piece of "performance art" a few years back which was just the artist sitting at a table, and you could come and sit opposite her and have her stare at you for a while. I didn't mention the name of the artist or the piece because I certainly don't want kids to go home and google Marina Abramović, of "Spirit Cooking" fame.


Marina Abramović is not someone I often think about; she just happened to come up.

That night, I did a bit of perfunctory browsing on /x/. For the past couple of weeks, they've been pushing the idea that Something Big is going to happen on September 24, and last night someone posted about an Abramović exhibit that was opening on that date, implying that this was further evidence of an upcoming "happening."


After seeing that image, I suddenly remembered a part of my Philosophy of Transportation dream that I had forgotten before. The dream began with my entering a scene on a Tarot card (the Moon) and ended with a long winded "review" I had written of Freud's (non-existent) 1930 book The Philosophy of Transportation. Somewhere in the middle, I now remember, there was a statement (I'm not sure if it was my own or Freud's) that the Chariot card of the Tarot represents "understanding" because it is the only card that shows a man standing under something. The cubic chariot, with its four pillars and canopy, bears a certain resemblance to the "tall rectangular copper structures" in the Abramović exhibition.

Wednesday, September 21, 2022

Freud's Philosophy of Transportation: Gonna give it a miss


Last night, in the hypnogogic state just before truly falling asleep, I became aware of my in-between state and thought, "Je suis entre chien et loup" ("in the twilight zone," but literally "between dog and wolf"). My next thought was that, since I seemed to be in a condition approximating lucid dreaming, I should try imaginatively to enter the scene on the Moon card of the Tarot. This I was able to do -- but instead of appearing where I had expected to appear, between the dog and the wolf on the shores of the salt lake, I found myself inside one of the two towers and instinctively felt that it was the one that appears on the left side of the Tarot card. Instead of the rectilinear stone structure generally shown on Tarot cards, though, it was the old circular tower with white stucco walls and a spiral staircase -- the same building I had been in in my dream of September 3-4.

I thought, "I'm in a tower, which is a phallic symbol, and we know what Freud had to say about ascending a staircase in a dream . . ." -- at which point I lost lucidity and lapsed into ordinary dreaming, and the scene shifted.

No longer in the tower, I was now sitting at my desk in my study, typing out a highly qualified defense of the intellectual legitimacy of Sigmund Freud. This was a highly verbal dream, and I think this is what I wrote, very nearly verbatim: "Freud may have been a Jew, he may have been inclined to pettiness, and he may have been perversely persistent (and at times even successful) in trying to convince himself of a crudely materialistic view of the world, but none of this changes the fact that he was a thinker of genius and an astute observer of the human condition, and the current fad for dismissing him as a quack is just that, a fad, and is almost entirely wrongly motivated."

Later, I was scrolling through the archives of my own blog, reading something I had written back in 1930. Dr. Freud had just published a new book, called Die Transportphilosophie, with an English version called The Philosophy of Transportation, and I was not writing a review of it. Instead, I was writing an absurdly pompous and longwinded wall of text about why I did not intend to read or review the book. This was too long for me to remember word-for-word, but this is my best approximation of the style and content of what I wrote: "It is with a certain degree of trepidation that one sets out to dismiss without reading it this highly anticipated work from one of the most celebrated pens of our time, and I am well aware of the risk I run of making myself, like the critic who in 1964 opined that the four Liverpudlian songsters with their 'nutty shouts of yeah, yeah, yeah' were destined to fade into well-deserved obscurity, an object of ridicule to future generations who, for ought I can predict, may well end up looking back on The Philosophy of Transportation as Dr. Freud's masterwork. Despite this theoretical possibility, however, I must admit that I feel confident enough in my judgment to rush in where angels fear to tread and to declare boldly and without prevarication that transportation is a subject unworthy of a mind of Dr. Freud's caliber, that there is and can be no soi-disant 'philosophy of transportation,' and that even if there were or could be such a thing, the celebrated founder of the discipline of psychoanalysis would not be the one to write it. I confidently predict that this will prove to be as big a stinker as Moses and Monotheism and that there is a non-negligible chance of the word Transportphilosophie entering the English and other European languages and acquiring for future generations a proverbial sense analogous to that of 'Homer nods.' As a great admirer of much of Dr. Freud's work, I sincerely hope that he will prove me wrong in this regard, but until then my integrity as a writer demands that I express my true opinion, however unwelcome. Here I stand; I can do no other. I trust the reader has enjoyed this note."

Saturday, October 10, 2020

Jungian slips

Everyone is familiar with the idea of the Freudian slip, when a slip of the tongue or pen -- despite being a mere error, made unintentionally -- reveals a person's subconscious (or conscious but unexpressed) thoughts. To use one of Freud's own examples, a converted Jew, the houseguest of a woman who turns out to be an anti-Semite, is afraid that his two young sons may thoughtlessly reveal their family's background, and so he tells them, "Go outside and play, Jews" -- unintentionally saying Juden ("Jews") instead of Jungen ("boys").

The more I study the historical development of the Tarot, the more I become convinced that there is such a thing as what we might call a Jungian slip -- another class of revelatory error, where what comes through is not some individual's suppressed fear or preoccupation, but something deeper and more universal, something akin to Jung's world of the archetypes.

Tuesday, July 9, 2019

More Freudian syncs


I make no apologies for my admiration of the uncannily perceptive Sigmund Freud, even though just about everyone in my circle hates him. I don't have much patience with Freudians, or with the system to which they subscribe, but the man himself was one of the great observers of the human condition.

I find that my reading of his works tends to trigger synchronistic goings-on, the most notable of which (qv) being the time my wife and I both suddenly forgot the name of the country Monaco -- only to read the next day Freud's account of forgetting the same thing.

This most recent one is not so impressive, but it still got my attention. I had just dreamt the night before of going into a Starbucks, clad only in a pair of boxers, and ordering a coffee, a sandwich with the self-contradictory name "Giant Smallstar," and a hockey jersey. I was not at all embarrassed about being in public in my underwear, and no one else seemed to notice it, either. The day before the dream, I had read an adaptation of The Emperor's New Clothes as part of a children's English class. The day after the dream, I happened to pick up a volume of Freud after a long hiatus in which I had been reading other things. On the next page after the one where my bookmark was, I read this:
In a dream in which one is naked or scantily clad in the presence of strangers, it sometimes happens that one is not in the least ashamed of one's condition. But the dream of nakedness demands our attention only when shame and embarrassment are felt in it. . . . 
The persons before whom one is ashamed are almost always strangers, whose faces remain indeterminate. It never happens, in the typical dream, that one is reproved or even noticed on account of the lack of clothing which causes one such embarrassment. On the contrary, the people in the dream appear to be quite indifferent; or, as I was able to note in one particularly vivid dream, they have stiff and solemn expressions. This gives us food for thought. 
The dreamer's embarrassment and the spectator's indifference constitute a contradiction such as often occurs in dreams. It would be more in keeping with the dreamer's feelings if the strangers were to look at him in astonishment, or were to laugh at him, or be outraged. . . . [This dream] has been made the basis of a fairy-tale familiar to us all in Andersen's version of The Emperor's New Clothes . . . . In Andersen's fairy-tale we are told of two impostors who weave a costly garment for the Emperor, which shall, however, be visible only to the good and true. The Emperor goes forth clad to this invisible garment, and since the imaginary fabric serves as a sort of touchstone, the people are frightened into behaving as though they did not notice the Emperor's nakedness. But this is really the situation in our dream.
Not all of this can be ascribed to coincidence. Reading The Emperor's New Clothes may have prompted a dream about being naked in public, and the memorable dream may have prompted me to pick up Freud -- but it's still impressive that Freud mentioned by name the story I had read the day before, and that he mentioned the atypical dream-situation of being naked but not embarrassed.

Ace of Hearts

On the A page of Animalia , an Ace of Hearts is near a picture of a running man whom I interpreted as a reference to Arnold Schwarzenegger....